Добавил:
Upload Опубликованный материал нарушает ваши авторские права? Сообщите нам.
Вуз: Предмет: Файл:
История литературы.doc
Скачиваний:
2
Добавлен:
15.11.2019
Размер:
216.58 Кб
Скачать
  1. Why did the writings of Karl Marx appeal to so many American writers and intellectuals in the 1920s and 30s?

after 1917, Americans of Russian descent hoped to replicate the communist revolution in the Soviet Union within the United States;

anarchists and anti-democracy agitators saw communism as a convenient vehicle to overthrow the American government;

Marx’s economic ideas explained the growing inequalities between labor and management, and his political agenda offered a means to help the struggling workers;

when the Great Depression exacerbated the tensions between owners and workers, Marx’s explanations of such tensions became widely popular

  1. What was the name of the small, experimental theater group, founded in 1915 by s. Glaspell, e. O’Neill in order to challenge Broadway’s control over the American drama scene?

the Provincetown Players;

the Wall Street Theater Guild;

the Washington Square Players;

the Actors’ Studio

  1. What effect did de-emphasis of closure and certainty have on the types of subjectivity represented by modernist works?

authors tried to present serious subject matter, such as allusions to classical and biblical subjects, in order to present a coherent subjectivity;

authors included traditionally “unliterary” perspectives and references drawn from the author’s personal life experiences to make the text seem more realistic;

modernist characters were usually depicted ironically by a narrator that knew much more than the characters themselves;

authors expected readers to fill in the blanks left by their fragments and suggestions, and to read their characters ironically

  1. Which of the following types of dramas performed in the us was not a distinctively American innovation (rather than one borrowed or adapted from another culture)?

Eugene O’Neill’s structural experiments with lighting and stage production;

Moss Hart and George Kaufman’s wisecracking domestic comedies;

Clifford Odets’s radical social commentaries, like Waiting for Lefty;

Oscar Hammerstein and Richard Rogers’s musical comedies

  1. In what way did the social debates of the 1920s mirror Ralph Waldo Emerson’s belief, in the 1840s, that “whosoever would be a man, must be a non-conformist”?

slower-paced small town lifestyles were replaced by faster, hectic urban alternatives as more and more Americans adopted city fashions and lifestyles;

small town values of respectability and duty clashed with new emphases on diversity and tolerance in the younger generation;

relatively tolerant, small-town sexual mores gave way to a national, religious zeal to fight what some considered to be too permissive about American culture;

after a long period of expansion from the East to the West and Midwest, Americans began to migrate from the central small towns back to the coastal cities

  1. Which of the following events in European modernism occurred before World War I?

Igor Stravinsky’s Rite of Spring premiers, and causes a riot, in Paris;

The New York Armory Show introduces paintings such as Marcel Duchamp’s Nude Descending a Staircase to American viewers;

James Joyce publishes Ulysses, a modern retelling of Homer’s Odyssey set in Dublin, Ireland;

Salvador Dali and Man Ray establish the surrealist school of painting and photography