- •1. Grammatical category. Grammatical meaning. Grammatical form
- •2. Theory of oppositions. Types of oppositions. Oppositions in morphology
- •3. Morpheme. Derivation morphemes and inflection morphemes
- •4. Distributional analysis. Morphemic analysis. Ic-analysis
- •1. Noun
- •2. Adjective
- •3. Pronoun
- •4. Numeral
- •5. The verb
- •7. The adverb
- •8. Prepositions
- •9. Conjunctions
- •10. Particles
- •11. Interjections
- •1. General characteristics
- •2. The category of number
- •3. The category of case
- •4. The Problem of Gender in English
- •5. The Category of Determination
- •1. A General Outline of the Verb as a Part of Speech
- •2. Classification of Verbs
- •3. The Category of Person
- •4. The Category of Number
- •5. The category of tense
- •6. The category of aspect
- •7. The category of temporal correlation
- •1. The category of voice
- •2. The Category of Mood
- •3. Mood and Modality
- •4. Oppositional reduction of verbal categories
- •Introductory
- •1. A general outline of the adjective
- •2. Classification of adjectives
- •3. The problem of the category of state
- •4. The category of comparison
- •5. The Adverb
- •1. A General Outline of Functional Parts of Speech
- •2. The Preposition
- •3. The Conjunction
- •4. The Particle
- •5. The Interjection
- •6. The Modal Word
- •1. The phrase as the basic unit of syntax.
- •2. Types of phrases
- •3. Types of syntactic relations
- •1. The notion of sentence. The sentence as a language unit
- •2. Classifications of simple sentences
- •1. The traditional scheme of sentence parsing
- •2. The main sentence parts: the subject and the predicate, their types
- •3. The Secondary Sentence Parts
- •4. Structural Schemes of the Sentence. The Elementary Sentence
- •5. Syntactic Processes
- •1. Semantic Roles and Semantic Configurations
- •2. Actual Division of the Sentence
- •3. Language means of expressing the theme and the rheme
- •1. The Definition of the Composite Sentence
- •2. Compound Sentences
- •3. Complex Sentences
- •4. Asyndetic Sentences
- •5. Transition From Simple To Composite Sentences
- •6. Mixed type of composite sentences
- •1. Semantics and Pragmatics
- •2. Indirect Meaning of the Utterance
- •1. Speech acts theory. Classification of speech acts
- •2. Pragmatic transposition of sentences
- •1. Conversational Implicature
- •2. The Cooperative principle and Grice’s maxims
- •3. The Politeness principle and Leech’s maxims
- •1. Text as an Object of Linguistic Research
- •2. Cohesion and Coherence
- •3. Textual Categories
- •4. Textual Units. Supra-Phrasal Unity and Paragraph
2. Actual Division of the Sentence
The actual division of the sentence, called also the "functional sentence
perspective", exposes the informative perspective of the sentence showing what
immediate semantic contribution the sentence parts make to the total information
conveyed by the sentence. The sentence can be divided into two sections – theme
and rheme.
The theme is the part of the proposition that is being talked about
(predicated). The theme expresses the starting point of communication; it means
that it denotes an object or a phenomenon about which something is reported. Once
stated, the theme is therefore "old news", i.e. the things already mentioned and
understood.
The predicate that gives information on the topic is called rheme. The
rheme expresses the basic informative part of the communication,
emphasizing its contextually relevant centre. Between the theme and the rheme
are positioned intermediary, transitional parts of the actual division of various
degrees of informative value (these parts are sometimes called "transition").
The theme of the actual division of the sentence may or may not coincide
with the subject of the sentence. The rheme of the actual division, in its turn, may
or may not coincide with the predicate of the sentence — either with the whole
predicate group or its part, such as the predicative, the object, the adverbial.
The theme need not necessarily be something known in advance. In many
sentences it is, in fact, something already familiar, as in some of our examples,
especially with the definite article. However, that need not always be the case.
There are sentences in which the theme, too, is something mentioned for the first
time and yet it is not the centre of the predication. It is something about which a
statement is to be made. The theme is here the starting point of the sentence, not its
conclusion.
3. Language means of expressing the theme and the rheme
Many languages, like English, resort to different means in order to signal a
new topic, such as:
- Stating it explicitly as the subject (which tends to be considered more topiclike
by the speakers).
- Using passive voice to transform an object into a subject (for the above
reason).
- Emphasizing the topic using clefting.
- Through periphrastic constructions like "As for...", "Speaking of...", etc.
- Using left dislocation (called topic fronting or topicalization, i. e. moving
the topic to the beginning of the sentence).
Examples:
The dog bit the little girl.
The little girl was bitten by the dog.
It was the little girl that the dog bit.
Speaking of the girl, she was bitten by the dog.
The little girl, the dog bit her.
Means to express the rheme include: a particular word order with a specific
intonation contour, an emphatic construction, a contrastive complex, intensifying
particles, the indefinite article, ellipsis, and graphical means.
Examples:
They found the report extremely valuable. – Extremely valuable they found
the report.
It is the report that I need.
I need the report, not the statistical data.
I need only the report.
The orchestra greeted the guests at the entrance. – There was an orchestra
greeting the guests at the entrance.
Where are you going? – To the movies.
Please be careful. – I am being careful.
Lecture 14
The Composite Sentence
1. The definition of the composite sentence.
2. Compound sentences.
3. Complex sentences.
4. Asyndetic sentences.
5. Transitional sentences.
6. Mixed types of composite sentences.