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Comprehension assignments:
1. Give the brief summary of Chesterton’s life.
2. Highlight the literary styles of the author.
3. Name Chesterton’s most memorable works.
4. Write the brief summary of one of Chesterton’s works.
Guthrie, Thomas Anstey
(Гатри, Томас Энсти)
Thomas Anstey Guthriewas an English novelist and journalist, who wrote comic novels under the pseudonym F. Anstey. He was born on August 8, 1856 in Kensington, London. He was raised in a comfortable middle-class family, Guthrie was sent to boarding school at age 11. He continued his education at King’s College School in London and studied law at Trinity Hall, Cambridge. While at Cambridge Guthrie wrote his first novel, Vice Versa, which was published in 1882 under the pseudonym F. Anstey (the name was supposed to be T. Anstey, but a type setting error resulted in an F instead of a T and Guthrie kept the mistake.) The novel was an instant success in England and established Guthrie as a professional writer. It tells the story of a father and son who magically switch bodies; the father, a businessman, is forced to attend his son’s boarding school and endure the humiliations of boyhood while the son struggles to deal with his father’s business affairs. After the release of Vice Versa Guthrie attempted to write realistic novels, but his two books in this genre The Giant’s Robe (1884) and The Pariah (1889) were poorly received. As a result, Guthrie devoted himself to writing humorous fantasy works. Almost all of Guthrie’s writings share a common plot in which a fantastical or supernatural event
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wreaks havoc on the genteel lives of his middle-class characters. His novels in­clude The Tinted Venus: A Farcical Romance (1885), A Fallen Idol (1886),
Tourmalin’s Time Cheques: A Farcical Extravagance (1891) and The Brass Bottle (1900). Only The Brass Bottle approached the popularity of his first novel. Guthrie also published several volumes of short stories, such as The Black Poodle and Other Tales (1884), The Talking Horse and Other Tales (1891) and Salted Almonds (1906).
In 1887 he joined the staff of the humor magazine Punch, in which his voces populi and his humorous parodies of a reciter’s stock-piece (Burglar Bill, &c.) represent his best work. In 1901 his successful farce The Man from Blankleys, based on a story that originally appeared in Punch, was first produced
at the Prince of Wales Theatre, in London. He wrote Only Toys (1903) and Salted Almonds (1906). Many of Anstey’s stories have been adapted into theatrical productions and motion pictures. Vice Versa has been filmed many times, usually transposed in setting and without any credit to the original book. Another of his novels, The Brass Bottle, has also been filmed more than once, including The Brass Bottle (1964). His Tourmalin’s Time Cheques (1891) is one of the earliest stories featuring the science fiction concept of intentional and frequent movement in time, and probably the first to investigate the practical paradoxes such a concept would create.
Toward the end of his life Guthrie began writing for the theater and spent most of his time translating the French playwright Molière for the English theater and adapting his own novels for the stage. He died on March 10, 1934, in London. An autobiographical work, A Long Retrospect (1936), was published posthumously.
Famous quotations by Thomas Anstey Guthrie:
The more the diamond is cut the brighter it sparkles; and in what seems hard dealing, there God has no end in view but to perfect his people.
As in nature, as in art, so in grace; it is rough treatment that gives souls, as well as stones, their luster.
Do it now. It is not safe to leave a generous feeling to the cooling in- fluences of the world.
Drastic measures is Latin for a whopping.
This land is your land, this land is my land, From California to the
New York Island. From the redwood forest to the Gulf Stream waters. This land was made for you and me.
When the morning was waking over the war He put on his clothes and stepped out and he died.
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Popular works by Thomas Anstey Guthrie:
Vice Versa (1882)
The Black Poodle and Other Tales (1884)
The Giant’s Robe (1884)
The Tinted Venus (1885)
A Fallen Idol (1886)
Burglar Bill and Other Pieces (1888)
The Pariah (1889)
Voces Populi (1890)
Tourmalin’s Time Cheques (1891)
Mr. Punch’s Model Music-Hall Songs and Dramas (1892)
The Talking Horse and Other Tales (1892)
The Travelling Companions (1892)
The Man from Blankley’s and Other Sketches (1893)
Mr Punch’s Pocket Ibsen (1893)
Under the Rose (1894)
Lyre and Lancet (1895)
The Statement of Stella Maberly, Written by Herself (1896)
Baboo Jabberjee, B. A. (1897)
Puppets at Large (1897)
Love among the Lions (1898)
Paleface and Redskin (1898)
The Brass Bottle (1900)
A Bayard from Bengal (1902)
Only Toys! (1903)
Salted Almonds (1906)
Winnie, an Everyday Story (1909)
In Brief Authority (1915)
Percy and Others (1915)
The Last Load (1925)
The Would-Be Gentleman (Adapted From Molière’s Le Bourgeois gentil­homme (1927)
The Imaginary Invalid (Adapted From Molière’s Le Malade imaginaire) (1929)
Humour and Fantasy (1931)
A Long Retrospect (1936)
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Useful resources for reading about Thomas Anstey Guthrie:
http://kids.britannica.com/comptons/article-9325472/Thomas-AnsteyGut hrie
http://www.npg.org.uk/collections/search/person/mp01955/thomas-f-anst ey-guthrie
http://www.victoriansecrets.co.uk/authors/f-anstey/
Comprehension assignments:
1. Give the brief summary of Guthrie’s life.
2. Highlight the literary styles of the author.
3. Name Guthrie’s most memorable works.
4. Write the brief summary of one of Guthrie’s works.
Charlotte Mary Yonge
(Шарлотта Мэри Янг)
Charlotte Mary Yonge was born in Otterbourne, Hampshire, England, on 11 August 1823. She was educated at home by her father, studying Latin, Greek, French, Euclidand algebra. Her father’s lessons sometimes were rather harsh. Yonge’s devotion to her father was lifelong and her relationship with him seems to have been for her the standard for all other relationships, including marriage. Her family had religious background, and she was devoted to the Church of England, and much influenced by John Keble, Vicar of Hursley from 1835, a near neighbour and one of the leaders of the Oxford Movement. Yonge is herself
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sometimes referred to as the novelist of the Oxford Movement”, as her novels frequently reflect the values and concerns of Anglo-Catholicism. She
remained in Otterbourne all her life and for 71 years was a teacher in the village Sunday school.
She began writing in 1848, and published during her long life about 160 works, chiefly novels. Her first commercial success, The Heir of Redclyffe (1853), provided the funding to enable the schooner Southern Cross to be put into service on behalf of George Selwyn. Similar charitable works were done with the profits from later novels. Yonge was also a founder and editor for forty years of The Monthly Packet, a magazine (founded in 1851) with a varied readership, but targeted at British Anglican girls (in later years it was addressed to a somewhat wider readership).
In 1868 a new parish was formed to the south of Yonge’s home village of Otterbourne; the parish was to contain the villages of Eastley and Barton. Yonge donated £500 towards the parish church and was asked to choose which of the two villages the parish should be named after. She chose Eastley, but decided
that it should be spelt Eastleigh” as she perceived this as being more modern.
Yonge’s work was widely read and respected in the nineteenth century. Among her admirers were Lewis Carroll, George Eliot, William Ewart Gladstone, Charles Kingsley, Anthony Trollope. Yonge’s works were compared favourably with that of Trollope, Jane Austen, Honoré de Balzac, Gustave Flaubert and Émile Zola. C. S. Lewis thought very highly of Yonge, at one point bracketing her evocations of domestic life with those of Homerand Leo Tolstoy.
Abraham Kuyper, who read The Heir of Redclyffe on the recommendation of his fiancé, Johanna Schaay, found it to be a very moving experience and
wrote that the novel was next to the Biblein its meaning for my life”.
Among the best known of her works are The Heir of Redclyffe, Heartsease and The Daisy Chain. A Book of Golden Deeds is a collection of true stories of courage and self-sacrifice. She also wrote Cameos from English
History, Life of John Coleridge Patteson: Missionary Bishop of the Melanesian Islands and Hannah More. Her History of Christian Names was described as
the first serious attempt at tackling the subject” and as the standard work on names in the preface to the first edition of Withycombe’s The Oxford Dictionary
of English Christian Names (1944). Yonge’s work has been little studied, with the possible exception of The Heir of Redclyffe.
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Her personal example and influence on her god-daughter, Alice Mary Coleridge, played a formative role in Coleridge’s zeal for women’s education and thus, indirectly, led to the foundation of Abbots Bromley School for Girls.
Her friends, and especially her poorer neighbours, knew both the strength and the winning charm of her character. Thus the late Archbishop Benson noted in his diary her ‘odd majesty and kindliness, which are very strong’. She had an inventive mind and a ready pen, and a bare list of the books written or edited by her would probably occupy nearly a whole column of The Times. She wrote chiefly for young people, especially young girls, and her books are the result not only of a strong ethical purpose, but also of her firm devotion to the High Church view of Christian doctrine and practice.
Yonge died in her hometown of Otterbourne on 24 May 1901. After her death, her friend, assistant and collaborator, Christabel Coleridge, published the biographical Charlotte Mary Yonge: her Life and Letters (1903).
Famous quotations by Charlotte Mary Yonge:
I thought one only had to speak Latin through one’s nose and bite off the end.
If I write nothing but fiction for some time I begin to get stupid, and to feel rather as if it had been a long meal of sweets; then history is a rest, for research or narration brings a different part of the mind into play.
The unmarried woman seldom escapes a widowhood of the spirit. There is sure to be some one, parent, brother, sister, friend, more comfortable to her than the day, with whom her life is so entwined that the wrench of parting leaves a torn void never entirely healed or filled.
General rules are dangerous of application in particular instances.
A woman without a degree of decency and delicacy is unsexed.
The mistake we make is when we seek to be loved instead of loving.
Popular works by Charlotte Mary Yonge:
The Railroad Children (1849)
Henrietta’s Wish, or, Domineering: A Tale (1850)
Langley School (1850)
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The Heir of Redclyffe (1853)
The Herb of the Field (1853)
The Castle Builders, or, The Deferred Confirmation (1854)
Heartsease, or, The Brother’s Wife (1854)
The Little Duke, or, Richard the Fearless (1854)
The Lances of Lynwood (1855)
The Daisy Chain, or, Aspirations (1856)
Ben Sylvester’s Word (1856)
Hopes and Fears, or, Scenes from the life of a Spinster (1860)
The Pigeon Pie (1860)
The Young Stepmother (1861)
Countess Kate (1862)
The Clever Woman of the Family (1865)
The Prince and the Page; A Story of the Last Crusade (1866)
The Chaplet of Pearls, or, The White and Black Ribaumont (1868)
The Caged Lion (1870)
Little Lucy’s Wonderful Globe (1871)
Dames of High Estate (1872)
The Pillars of the House (1874)
The Three Brides (1876)
The Apple of Discord (1864)
Useful resources for reading about Charlotte Mary Yonge:
http://www.britannica.com/biography/Charlotte-M-Yonge
http://www.cmyf.org.uk/
http://www.online-literature.com/charlotte-yonge/
Comprehension assignments:
1. Give the brief summary of Yonge’s life.
2. Highlight the literary styles of the author.
3. Name Yonge’s most memorable works.
4. Write the brief summary of one of Yonge’s works.
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Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton
(Эдвард Бульвер-Литтон, 1-й барон Литтон)
Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, was an English novelist, poet, playwright and politician. He was immensely popular with the reading public and wrote a stream of bestselling novels which earned him a considerable fortune. Bulwer-Lytton was born on 25 May 1803 in London. He had two elder brothers, William Earle Lytton Bulwer (1799–1877) and Henry (1801–1872), later Lord Dalling and Bulwer. When Edward was four his father died and his mother moved to London. He was a delicate, neurotic child and was discontented at a number of boarding schools, but he learned to read at a surprisingly early age and began to write verses before he was ten years old. Going first to a small private school at Fulham, he soon passed on to anoth­er one at Rottingdean, and here he continued to manifest literary tastes, Lord Byron and Sir Walter Scott were his chief idols at this time. But he was precocious and Mr. Wallington at Baling encouraged him to publish, at the age of fifteen, an immature work, Ishmael and Other Poems. In 1822 he entered Trinity College, Cambridge, but shortly afterwards moved to Trinity Hall. In 1825 he won the Chancellor’s Gold Medal for English verse. In the following year he took his B. A. degree and printed, for private circulation, a small volume of poems, Weeds and Wild Flowers.
In August 1827 against his mother’s wishes, he married Rosina Doyle Wheeler (1802–1882), a famous Irish beauty. When they married his mother withdrew his allowance and he was forced to work for a living. They had two children, Lady Emily Elizabeth Bulwer-Lytton (1828–1848) and (Edward)
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Robert Lytton Bulwer-Lytton, 1st Earl of Lytton (1831–1891) who became Governor-General and Viceroy of British India (1876–1880).
His writing and political work strained their marriage, Bulwer-Lytton became irritable and negligent husband. In 1833, after many violent quarrels, they separated. Three years later, Rosina published Cheveley, or the Man of Honour (1839), a near-libellous fiction bitterly satirising her husband’s alleged hypocrisy. She was followed by her husband’s attacks for many years.
Bulwer-Lytton’s political career began in 1831, when he entered Parliament as Liberal member for Lincoln, and in 1852 he returned to the house as member for Hertfordshire.
Bulwer-Lytton’s literary activity had, meanwhile, been immense. His popularity was largely a result of his skill in anticipating and satisfying changes in public taste. He flirted quite successfully with the theatre, though his plays have not endured. Having started as a novelist with Pelham, which combined Gothic romance with a setting of the fashionable world, he then embarked on a series of historical novels, the most notable of which were The Last Days of Pompeii, 3 vol. (1834) and Harold, the Last of the Saxon Kings (1848). In Eugene Aram, 3 vol. (1832), he made use of current fascination with criminals and the underworld. He turned to realism and the portrayal of English society in The Caxtons, 3 vol. (1849) and My Novel (1853). Bulwer-Lytton also published several volumes of poetry, a satirical novel in verse (containing an attack on Alfred, Lord Tennyson, the poet laureate, and an unsuccessful long ep­ic, King Arthur (1848). Besides further novels, he issued several volumes of verses, and The New Timon (1846) while he did translations from German, Spanish, and Italian. He produced a history of Athens, contributed to endless periodicals, and was at one time editor of the New Monthly Magazine. His unfinished history Athens: Its Rise and Fall was published posthumously.
In 1866 Bulwer-Lytton was raised to the peerage as Baron Lytton. Bulwer-Lytton had long suffered with a disease of the ear and for the last two or three years of his life he lived in Torquaynursing his health. Following an operation to cure deafness, an abscess formed in his ear, he died on 18 January 1873 just before his 70th birthday. Rosina outlived him by nine years. Against his wishes, Bulwer-Lytton was honoured with a burial in Westminster Abbey.
Bulwer-Lytton’s name lives on in the annual Bulwer-Lytton Fiction Contest, in which contestants think-up terrible openings for imaginary novels, inspired by the first line of his 1830 novel Paul Clifford: It was a dark and
stormy night.
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Famous quotations by Bulwer-Lytton:
The pen is mightier than the sword.
Pursuit of the almighty dollar.
A fool flatters himself, a wise man flatters the fool.
A fresh mind keeps the body fresh. Take in the ideas of the day, drain
off those of yesterday.
A man of genius is inexhaustible only in proportion as he is always renourishing his genius.
Art and science have their meeting-point in method.
Popular works by Bulwer-Lytton:
Novels:
Leila: or The Siege of Granada (1838)
Calderon, the Courtier (1838)
Zicci: a Tale (1838)
The Pilgrims of the Rhine (1834)
Falkland (1827)
Pelham: or The Adventures of a Gentleman (1828)
The Disowned (1829)
Devereux (1829)
Paul Clifford (1830)
Eugene Aram (1832)
Godolphin (1833)
Falkland (1834)
The Last Days of Pompeii (1834)
Rienzi, the last of the Roman tribunes (1835)
The Student (1835)
Ernest Maltravers (1837)
Alice, or The Mysteries (1838) A sequel to Ernest Maltravers
Night and Morning (1841)
Zanoni (1842)
The Last of the Barons (1843)
Lucretia (1846)
Harold, the Last of the Saxons (1848)
The Caxtons: A Family Picture (1849)
My Novel, or Varieties in English Life (1853)
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