- •Joe Pitt 2 - No Dominion
- •I look him up and down.
- •I turn to Terry.
- •I fiddle with my Zippo, snap it open and closed.
- •I look at Phil. He glances at the bar, cataloging the bottles on the top shelf.
- •I hand the waitress some cash.
- •I smile.
- •I put two of the specials in front of Phil.
- •I stand up and dig the last of my cash out of my pocket. After the drinks here and Niagara and the twenty for the doorman, there's about forty left. I drop it in front of him.
- •I try to touch her hand, but she moves it. She stares at the band, holding the smoldering cigarette unsmoked.
- •I set my half full coffee cup on the floor at my feet.
- •I hang on the line while she doesn't say anything. I hear a clicking sound, like maybe she's flicking her thumbnail against her front teeth. The sound stops.
- •I watch his eyes, trying to see if he's playing me. They're unreadable; black stones sunk deep in dark wells.
- •I start for the stairs.
- •I wipe the blood out of my eyes with the back of my hand.
- •I look at Timberlands.
- •I walk through followed by Digga, Timberlands, and the rhinos. The door swings shut behind us and we start down a stairwell.
- •I shake my head.
- •I stand up and move the chair back to the table.
- •I take the blankets and spread them on the couch.
- •I put it on the table.
- •I look behind us to the east, where the sun will soon be rising.
- •I look up at the old, well maintained buildings illuminated by ornamental street lamps and security lights.
- •I put it on, take my Zippo from the pocket and use it to light one of Percy's Pall Malls.
- •I climb.
- •I shut up and let them do it their way.
- •I scratch my balls.
- •I dress. I look at the ruined collar. I remember the day Evie gave me the jacket. It was my birthday. The day she thinks is my birthday, anyway. I look at the old lady and put the jacket back on.
- •Vandewater moves to the edge of the plastic, standing over the boys who kneel on either side of the Hispanic kid.
- •Vandewater looks at me.
- •Vandewater steps out of their way.
- •I shake my head.
- •Vandewater turns back to me.
- •I look at her.
- •I bring up the machine pistol.
- •I look.
- •I don't say anything. I don't really have to. Because he's right, that's some shit hitting the fan pretty damn hard.
- •I take it, set it down.
- •I think about it. And it scares me.
- •I point at his nose.
- •I light a cigarette of my own.
- •I finish my beer.
- •I take a drag, having witnessed what being sincere got Tom.
- •I grind some sleep from my eyes.
- •I point at his syringe.
- •I look at him.
- •I pull her face back to mine.
I fiddle with my Zippo, snap it open and closed.
--I just don't want you thinking that I'm gonna be dealing with anyone who might be making this stuff.
He strokes his chin.
--I'm not sure I follow. What's your point?
--The point being, I don't kill for you anymore, Terry.
He scratches the back of his neck.
--Wow. That hadn't really occurred to me. Like I said, Joe, I see this as a social issue. That's why I feel comfortable asking you, as an associate in the community, to look into it. Because I know we share many of the same concerns.
He stops scratching.
--If it turns into a security issue, well, we'll deal with it in-house at that point.
--Fine by me.
I stand up.
--Guess I'll get to it.
He stands.
--All right. All right, Joe. That's good to hear. It'll be good having you doing some work with us again.
--Yeah, sure.
He walks me to the door.
--And, you know, like I say: a social issue. Just between us for the moment. Till we know what we're dealing with.
--Any way you want it. You're paying.
--Great. Great.
He leads me down the hall to the tenement's entrance and opens the door.
--So, hear from you in a couple days?
--Sure.
--All right.
He slaps me on the shoulder.
--Good to see you, Joe.
--Yeah, you too, Terry.
I go down the steps and cross the street. On the opposite sidewalk I look back and Terry is still standing there in the open doorway. He gives me a big smile and a wave.
--Keep the faith, Joe.
I lift my hand slightly and he pops back inside and closes the door.
At the end of the block I turn the corner and see Tom and Hurley coming in the opposite direction. We walk toward each other, Tom pretending like he doesn't see me. Hurley takes up three-quarters of the sidewalk, and I know Tom ain't gonna budge off the rest of it. I step into the gutter to let them by.
A little smirk creases Tom's face.
--That's right, asshole, better make some room.
I let them go past.
--How's that perimeter, Tom?
They keep walking.
--Everything secure?
Walking.
--You pick up Terry's dry cleaning while you were out?
He keeps walking, but throws me the bird over his shoulder.
Tom's got it in for me about as bad as Predo does. Those guys ever came across me dying in the streets, they'd kill each other fighting over who got to sit closer to watch me go. Whatever, doesn't change the fact that he's a world class punk. And about as easy to get a rise out of as a thirteen-year-old's prick. But I keep doing it anyway. Man's gotta have hobbies.
Terry can social me this and security me that, but what it boils down to is he doesn't want anyone to know I'm looking into this. Not even his own people. Especially not his own people. Fair enough. Terry wants this done quiet, he knows what that costs. He knows me digging around on Society turf without an explicit license from the council could get hairy. And he'll pay for that. Slippery as he may be, Terry always comes across when the bill is due.
So me, I'm feeling pretty good about things. A gig that should take care of my rent and empty fridge at the same time? What's not to feel good about? I even got a couple leads. I can go poke around Doc's, see if anyone noticed if The Spaz had company that night, do a little sniffing around in that vicinity. Might turn something up. But I'll save that for later. Right now I got another idea. Someone in this town's figured out a new way to get high. And if getting high is involved, I know the man to talk to.
--Hey, Phil.
--Aw shit. Aw fuck.
He tries to duck off into the crowd. I hook the collar of his shirt and tug him back.
--I said, hey Phil.
He turns around, adjusting his collar, flipping it back up James Dean style.
--Oh, hey, Joe. Didn't see ya there.
--Yeah, well, it's dark in here, so I see how that might happen.
--Yeah, dark in here. Couldn't see ya cuz of all the dark.
He smiles at me, lifts his drink to his mouth and tilts the glass just enough to wet his lips. He'll drink like that all night. Has to, he'll only buy the one drink. When no one's looking he'll snatch up any glasses left unattended and suck them dry before the owners can turn from the jukebox. But that one drink he paid for, he'll nurse that all night. It's like a badge of honor he can show a bartender or doorman if they question his right to be here. Hey, man, I paid for my drink and I got a right ta finish it. Only way he'll toss that thing down is if someone offers to buy him another.
--Buy ya a drink, Phil.
He brings the glass up, vacuums the contents and nods.
--Yeah, that'd be great. I was about to offer, but sure, thanks.
A waitress bustles past and I lift my chin. She gives me a harried half smile, too busy right now to work the charm for a tip.
--What? What?
--Double bourbon, rocks. AndÉ