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Фоностилистика английского языка. Учебное пособие на модульной основе

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Министерство образования и науки Российской Федерации Федеральное государственное автономное образовательное учреждение высшего образования

«Южный федеральный университет» Институт филологии, журналистики и межкультурной коммуникации

Кафедра межкультурной коммуникации и методики преподавания иностранных языков

ФОНОСТИЛИСТИКА АНГЛИЙСКОГО ЯЗЫКА

Учебное пособие на модульной основе

для студентов 2 курса института филологии, журналистики

и межкультурной коммуникации

Ростов-на-Дону Издательство Южного федерального университета

2015

УДК 81‘34:811.11 (075.8)

ББК 81.01:81.2Я73 Ф78

Рецензент:

канд. филол. наук, доцент Дзюбенко А.И.

Ф78 Фоностилистика английского языка : учебное пособие на модульной основе / сост.: Бабиян Т.В., Борисенко В.А., Грише-

чко О.С. ; Южный федеральный университет. – Ростов-на-Дону : Издательство Южного федерального университета, 2015. – 122 с.

ISBN 978-5-9275-1748-0

Учебное пособие предлагает студентам теоретический и практический материал по фоностилистике английского языка. В описательной части определяются основные понятия дисциплины (стиль, фонетическая норма); устанавливается взаимосвязь между языковыми явлениями и экстралингвистическими факторами; рассматриваются вопросы классификации функциональных стилей с точки зрения типологии речи; дается систематизированное описание, характеристика и углубленный анализ просодических особенностей информационного, официально-делового, публицистического, научного и разговорного стилей речи. Весь теоретический материал подкрепляется практическими заданиями и тренировочными упражнениями, направленными на совершенствование навыков правильного английского произношения применительно к различным социально-бытовым ситуациям.

В практической части отрабатывается имитация и воспроизведение английских текстов и диалогов разной тематической и стилистической наполненности при сохранении оригинального темпа, ритма и интонационных контуров, а также дается подборка стихов британских и американских поэтов с фонетической транскрипцией, предназначенная для заучивания, что позволяет студентам освоить навыки риторики и уметь убедительно выступать перед аудиторией.

ISBN 978-5-9275-1748-0

УДК 81‘34:811.11 (075.8)

 

ББК 81.01:81.2Я73

 

© Бабиян Т.В., Борисенко В.А.,

 

Гришечко О.С., 2015

 

© Южный федеральный университет, 2015

 

2

CONTENT

MODULE I. STYLES OF SPEECH AND THEIR PROSODIC

4

CHARACTERISTICS

 

Unit 1. Correlation between Linguistic and Extralinguistic Variation of

4

Speech

 

Unit 2. The Problem of Phonetic Functional Styles Classification

22

Unit 3. Speech Typology

26

MODULE II. FUNCTIONAL STYLES BY M.A. SOKOLOVA

29

Unit 1. Informational (Formal) Style

29

Unit 2. Scientific (Academic) Style

34

Unit 3. Declamatory Style

39

Unit 4. Publicistic Style

42

Unit 5. Familiar (Conversational) Style

48

Crossword

54

MODULE III. MATERIAL FOR INDIVIDUAL WORK

57

Test

91

Supplement 1. Intonation of non-Verbal Means of Communication

103

Supplement 2.Prosodic Peculiarities of Formal and Informal Speech

105

Supplement 3. Poems of British and American writers

108

List of Literature and Multimedia Resources

120

3

MODULE I. STYLES OF SPEECH AND THEIR PROSODIC

CHARACTERISTICS

♦♦♦ Unit 1. Correlation between Extralinguistic and Linguistic Variation

Explanation

It is common knowledge that the type of language we are using changes with the situation in which communication is carried on. A particular social situation makes us respond with an appropriate variety of language. We use one variety of language at home, another with our friends, a third at work, and so on.

In other words, there are ‗appropriate‘ linguistic ‗manners‘ for the different types of situations in which language is used and we are expected to know these manners in our native language.

Varieties of language correlating with social situations are generally termed styles. The distinctive features of styles include language features of various kinds, among which phonetic modifications play the leading role in oral speech. The main circumstances of reality that course phonetic modification in speech are as follows:

the aim of spontaneity of speech (which may be to instruct, to inform, to narrate, to chat, etc.);

the extent of spontaneity of speech (unprepared speech, prepared speech);

the nature of interchange, i.e. the use of a form of speech which may either suggest only listening, or both listening and an exchange of remarks (a lecture, a discussion, a conversation, etc.);

social and psychological factors, which determine the extent of formality

of speech and the attitudes expressed (a friendly conversation with close friends, a quarrel, an official conversation, etc.).

These circumstances, or factors, are termed extra-linguistic factors. Thus, different ways of pronunciation caused by extra-linguistic factors and characterized by definite phonetic features, are called phonetic styles, or styles of pronunciation.

Correlation between extra-linguistic and intra-linguistic variation does not necessarily imply that there are as many varieties of language (styles) as there are extra-linguistic situations. First of all, the factors, or dimensions, constituting an extra-linguistic situation are not equally important, as far as modification of

4

language means is concerned. The greatest influence in this respect is exercised by such factors as the social status of the speakers and their relations to each other, the place of communication and its subject-matter (topic).

Significant variations within each of the given factors (dimensions) are most conveniently described in terms of an opposition: formal/ informal, and there is a strong tendency for identical features (formal or informal) from different dimensions to co-occur: an informal subject-matter tends to be combined with an informal sphere of communication and informal relations between the speakers and vice versa. Accordingly, the broadest and most widely recognized division of English speech is into f o r m a l and i n f o r m a l s t y l e s.

The formal style covers those varieties of English that we hear from a lecturer, a public speaker, a radio announcer, etc. These types of communication are frequently reduced to monologue, addressed by one person to many, and are often used prepared in advance. They also include official and business talks.

The informal style is used in personal every day communication. This category embraces the most frequent and the most widespread occurrences of spoken English. Most typically informal speech takes the form of a conversation, although monologue is not infrequent either.

According to the degree of formality in one case and familiarity in the other, the two styles can be subdivided as follows:

1. Formal:

a) formal-official (public speeches, official talks, etc.) E.g.: A public speech

Mr. Higgins: I declare the meeting open and call upon the secretary to read the minutes of the last meeting.

Miss Jones: There are the minutes of the meeting of the Committee held at 4 p.m. on Friday 7th October… and the meeting closed at 5.25 p.m.

Mr. Higgins: Is it your wish that I sign these minutes as a correct record? All: Yes.

b) formal-neutral (a lecturer, a teacher‘s explanation, a business talk or an exchange of information between colleagues with variations depending on the status of the partners, a report on one‘s work or research before a small group of people, etc.)

E.g. A business talk

– Good morning. Is this Mr. Howard‘s office?

5

John Howard?

Yes. I was wondering whether Mr. Howard could see me. My name is Martell.

Oh, yes, Miss Martell. Mr. Howard has a letter from your manager. He said you‘d be writing to make an appointment.

I decided to come instead. I was rather hoping that perhaps Mr. Howard would be able to see me this morning.

2. Informal:

a) informal-ordinary (a conversation on a train, bus, etc.; an exchange of remarks in a shop, café, post office, railway station, etc.; an everyday talk between friends, neighbours, schoolmates, etc.)

E.g. A talk in a shop

Assistant: You know, madam, I think the next size will be better.

Customer: Yes, it looks like it. But I‘ve always taken a 36 hip size before. Have

I really started putting on weight?

Assistant: You shouldn‘t worry. You can‘t trust sizes. Nowadays they seem to vary enormously. I‘ll just get you the size above.

b) informal-familiar (everyday conversation between intimate friends, relatives) E.g. A talk between mother and daughter

Look, what a lovely bag I‘ve bought.

Not again! Why, you‘ve got a collection of them.

But you‘ve no idea how cheap it was. A real bargain.

Bargain my foot. You know we must save money.

Getting good value is saving money.

Oh, come on. Be your age.

This classification is, of course, very tentative and not at all complete. One could also outline further distinctions within each of the above-mentioned varieties. If, for example, we consider a dimension such as the number of people addressed it will be necessary to discriminate between public speeches at a big gathering (such as an open air meeting) and those made at a comparatively small gathering (such as a speech pronounced in a hall). The kind of the audience is also an important factor as far as phonetic modifications of speech are concerned. Thus, a teacher‘s explanation meant for adults will differ phonetically as well as lexically and grammatically from that spoken to children.

Oral speech is a very complicated phenomenon, where too many factors are involved. Phonetic styles are related to social setting or circumstances in

6

which language is used. It is a truth universally acknowledged, that a person speaks differently on different occasions (e.g. when chatting with intimate friends or talking to official persons, when delivering a lecture, speaking over the radio or giving a dictation exercise). In other words, the choice of a speech style is determined by the situation. Moreover, the problem of speech typology and phonetic differences conditioned by such extra-linguistic factors as age, sex, personality traits, status, occupation, purpose, social identity (or ‗class dialect‘) and the emotional state of the speaker also bear on the issue.

QUESTIONS and TASKS:

1.Speak on linguistic and extra-linguistic factors. What is the difference between them?

2.Why do phonetic modifications play the most important role among distinctive features of each style?

3.What is the main and most widely recognized division of English speech?

4.What are characteristic features of formal and informal styles?

5.Speak on the subdivision of formal and informal speech in terms of the degree of formality and familiarity. Give examples.

6.Why does a person speak differently on different occasions?

7.What determines the choice of a speech style?

PRACTICE ACTIVITIES

Practice the following pieces of monologue and dialogue. Note that changes in extra-linguistic factors cause modifications of language features: prosodic characteristics, vocabulary and syntax.

a) social status and relations between the speakers varied, subject-matter unchanged;

1.1. Teacher to students in a classroom

¯Good ˙afternoon,

˙students. At the beˈginning

of the ˇterm

I‘ve

deˈcided to ˙give you a ˙brief

ˇoutline of

the ˌsort

of ˌwork we‘ll

be

doing this term. As you know, it‘s a …

we‘re ˌnow taking ˌup the 19th

\

 

 

 

 

 

˙century literature and

there

are ¦ certain set books ¦ which ˌyou

will

 

 

7

 

 

 

be

exˌpected

to read

and

you

ˈalso know

per˙haps,

that it

is

com pulsory for a student to

perˇform

a

certain ˌnumber of

tutorials

 

¯for

ˈeach

book. The book,

of ˇcourse,

you

must study on your own,

 

 

 

 

\

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

and

ˈbe

 

prepared

 

to ˈbring

something

useful

 

to

tutorials.

Otherwise,

ˈthat is ˙just

a wasted hour. You

can‘t

ex˙pect to sit

there

 

 

 

 

 

 

 

 

 

 

 

\

 

 

 

 

 

 

 

 

 

 

 

 

and ˙let

the ˇtutor

ˇtell

you what he ˙thinks

of

the ˙book, it‘s

up

to

you

¦

to ˌwork

out

your own i\\deas. The tutor

is

there ˇonly

to ˈbring

them

to>gether

to

coordinate

the

iˌdeas of

the students in

the group,

then

to conˈtribute some of his own,

perhaps, │ ¯and

in

ˌgeneral

to

help

but

ˈnot

to spoonfeed

you.

 

 

 

 

 

 

 

 

 

 

 

 

1.2. Teacher to teacher at school

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hello, ˙love. ¯Have met

the ˙new students

this ˌafternoon. I ˆtold

them ¦ it‘s

com pulsory

for a student

to

per form a ˈcertain number

of

tuˇtorials for ˙each ˙set

of ˙books. ¯Well, I > told

them

that

there‘ll

be ˈ2

or ˈ3 tuˈtorials

a >week

 

and

they would

be

exˈpected

to

contribute

something. I

can‘t ˙see

ˆany of them

con tributing

ˆanything, so I got

a ˙bit aˇbrupt ˙with

them. I ˌsaid that they

mustn‘t

ex pect

the ˇtutor

to

spoonˇfeed them

and

they ˈmust

read

the books

and

 

preˈpare

to

con tribute

something useful

to

the

 

tuˇtorials, and

the ˈtutor is

there

 

 

 

 

 

 

 

\

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ˌonly to ˈbring

their ˙different

iˈdeas together ˈnot

to spoonfeed them.

 

2.1. Teacher to head-master at school

 

 

 

 

 

 

 

 

 

 

 

 

 

 

It

was ˆreasonably

sucˇcessful

 

but

 

so

there ˈwere one or two

˙things ˈwent

\wrong. I

ˌthink

 

there ˈare ˙one or

two ˙things

we ˌmight

ˈbear

in ˙mind

for ˈnext time. For instance,

the

 

\boys. I ˈthink, per˙haps,

ˈnext ˙time

we

have

a

ˈtrip ˇanywhere

we‘d

ˈbetter

have a

man ˌmember

of

ˌstaff

as well

as

a ˌwoman. Aˈnother ˙thing

we might think

about

 

 

 

 

 

 

 

 

 

 

 

 

8

 

 

 

 

 

 

 

 

 

 

 

next time

ˈis,

ˌwell, I ˈwondered if

the ˈform \teacher

ˈmight

ˈgive

them

ˈmore

spe cific

instructions beˌfore they

ˌgo ˌanywhere. There

ˈare

˙certain

rules

about

the ˇZoo,about

ˈfeeding

the

animals

and \so on,

and

I ˈfound

it ˙quite

ˆdifficult

to ˙restrain ˆall

of

them from ˌfeeding the

ˆmonkeys

and ˈfeeding the other \animalsˈeven

though there were ˌbig

ˆnotices

everywhere

ˈsaying that they

ˈmust

ˈnot

be fed.

 

 

2.2. Mother to daughter at home

 

 

 

 

 

 

 

ˆCatherine, I‘m never ˌgoing on a"nother school trip

as ˈlong as I

\\live. ˈSecond ˙form \children,

ˈsecond ˙form ˆkids. They should be ˆin a

ˌZoo,ˌnot \\visiting it. For one ˌthing

I couldn‘t stop the little ˇdears

ˌfeeding the \animals"huge notices wheˈrever you \lookedˈDo ˙not ˈfeed the \animals‖. And ˈwhat did \they do? "Stuffing ˙sandwiches through the bars on every occasion,and ˆI ˙couldn‘t run ˙up and ˙down the ˇbuilding telling them ˌall to \stop.

3.1.Mr. Higgins to Head of the committee in an office

Good morning, Mr. Higgins! I‘ve ˈcalled on you to discuss some things conˈcerning the ˈcoming ˙competition. ˈTell me a˙bout your ˈpreparation

ˌfor it.

– We train three ˙times

a week. And the boys im˙prove each time.

"Give

me ˈmore details

aˌbout it.

 

ˌAndrew Brown is ˌmaking ˌgood progress. ¯He may ˌreach

the top one

day.

 

 

 

 

Well,

ˈthings are ˈnot as

bad ¦ as I imagined. Besides,

you‘ve ˌgot

some

ˈgood boys. But

ˈtell

them to work \harder. Have ˈmore training

ˌsessions. ˈShow skills in this ˌfield.

– I‘ll ˈdo my best, ˙sir.

9

3.2. Mr. Higgins to his colleague in an office

¯Hallo, old ˙chap. ¯How are things?

ˌNot very well. That Peterson is going to take part in the ˙competition.

Don‘t be up set. ¯Your boys are in good form. ¯You‘ve got a ˌgood

ˌchance of winning.

ˈHow can they ˙do that?

¯Tell them to \work ˌharder. ¯Have ˈmore training ˌsessions. ¯Show your

ˆskills in this ˌfield.

ˈThanks for your support, ˌTom.

b) subject-matter of the conversation varied, social status of and relations between the speakers unchanged;

1.1. Two friends about the exams

 

 

 

ˈWhat

did you ˈthink of the exams, ˌPete? ¯I

ˌreckon they were dead

ˇeasy.

 

 

 

 

ˈMaybe

they were ˈeasy enough for you

but

they were much too ˌhard

for ˇme.

 

 

 

ˌOh, "come on. You‘ve ˆprobably done

ˈbetter than you think.

\No, I‘m ˈdead ˙certain I‘ve failed in

Latin,and ˈmost ˙likely in ˇFrench

and ˇHistory tоо. ˌThank ˈgoodness

it‘s ˙all \over ˌthough. We can forget

aˌbout

it now,at ˌleast unˌtil the re\\sults come out.

 

\\Yes,now I can get ˙on

with reading all the books

I‘ve been

wanting to read for ˆmonths,

but haven‘t ˈhad time ˌfor it.

 

1.2. Two friends about the theatre

 

– >Well,

ˈwhat did you ˙think

of the \play?

 

– I enˌjoyed "every minute of it. ˈWhat did you ˌthink of it?

 

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