- •Episode 2 Arnold Phones In
- •Episode 3 Where Has Arnold Been?
- •Episode 4 a Nice Quiet Evening At the Bensons Part 1
- •Episode 5 Monday Morning At Bensons
- •Episode 6 Peter's New Secretary
- •Episode 7 a Room For Dan Harvey
- •Episode 8 Signing the Contract
- •Episode 9 Andy's Bad Dream
- •Episode 11 a Good Uncle? Part 1
- •Episode 10 Life Must Go On
- •Episode 12 Takeover!
- •Episode 13 a Family Conference
- •Episodic 14 a Meeting With Dan Harvey
- •Episode 15 Andy Leaves Home Part 1
- •Episode 16 Redundancy!
- •Episode 17 The Joys of Unemployment
- •Episode 18 Jim Lovelace To The Rescue Part 1
- •Episode 19 Things Are Looking Up Part 1
- •Episode 20 Kidnapped! Part 1
- •Episode 21 Sunday: Arnold Plays a Dirty Trick. Part 1 – Cars are dangerous.
- •Part 2 – In the hospital
- •Part 3 – a dirty trick
- •Episode 22 Monday: The Ransom Note Part 1 – 7 a.M. The note
- •Part 2 – Monday, 10 a.M. Is Andy in danger?
- •Part 3 – Monday, 6 p.M. Raising the cash
- •Episode 23 Tuesday: Enter Jack Parsons Part 1 – Tuesday 9.30 a.M.
- •Part 2 – Tuesday at noon. The assassin
- •Part 3 – Tuesday 3 p.M. In the City
- •Part 4 – Tuesday 3.30 p.M. Chief Inspector Jack Parsons of Scotland Yard
- •Episode 24 All's Well That Ends Well. Part 1 – Tuesday 8 p.M. Explanations
- •Part 2 – Wednesday 1 a.M. The cassette
- •Part 3 – Summing up
- •Part 4 – Sunday 1 p.M. A family reunion
- •Epilogue
Episode 10 Life Must Go On
Narrator Peter Benson believes that his son, Andy, is innocent. But Andy was found guilty in a court of law. Every spare minute of Peter's time – and Sheila's time, too – is taken up in trying to find evidence to establish Andy's innocence ... But Peter has very little spare time. He has a business to run. Life, as they say, must go on ...
Peter ... and send a copy to Mr Cox. That's C – Charlie, O – Oscar, X – X-ray.
Angela Oh, I'm sorry.
Peter That's QK. Come in, Miss Marriot.
Angela It's not urgent.
Peter No problem. I've just this minute finished dictating a letter.
Angela To Dan Harvey?
Peter Yes, to Dan. How did you guess?
Angela Well, you've already dealt with all your other incoming correspondence.
Peter You'd make a good detective ... Or a thief, for that matter.
Angela A thief? Me, a thief?
Peter Ha, ha. 'Set a thief to catch a thief'. That's what I meant. Ha, ha ...
Angela Ha, ha. I see. 'Poachers make the best gamekeepers'. That sort of thing.
Peter That's it... Well, what can I do for you?
Angela This morning you asked me to do an inventory of office equipment here in Head Office.
Peter And?
Angela I've done it...
Peter Already?
Angela Of course. I've done it, but I have a few questions to ask.
Peter Fire away.
Angela Well, we have seven electric typewriters ...
Peter Electric or electronic?
Angela Electric. We have two electronic typewriters.
Peter Who has them?
Angela They're both in Accounts.
Peter In Accounts Department? Why?
Angela They're useful for invoices. They can store a lot of names and addresses.
Peter Yes, of course. I remember authorising them now.
Angela You authorised their purchase last September.
Peter Yes, yes ... Do we have any manual typewriters left here?
Angela No. Not a single one.
Peter We don't have any other dictating machines, do we?
Angela Only one. Mine. But I wanted to ask you about...
Narrator Angela asked Peter about the possibility of purchasing some microcomputers, for word processing, and a fax machine to use instead of the telex where possible. Peter asked her to let him have a memo listing the equipment currently in use, together with her recommendations.
Episode 11 a Good Uncle? Part 1
Narrator Peter and Sheila are not the only ones interested in finding out the truth about Andy's drug offence. Arnold wants to get into the act. He wants to help, too ... or does he?
Andy 7408.
Arnold Andy? Is that you?
Andy Yes, who's calling?
Arnold It's me. Arnold.
Andy Oh, hello, Uncle Arnold. Do you want to speak to Mum?
Arnold No, I'd like a word with you.
Andy Me? What about?
Arnold I've been speaking to your father. He told me about the woman.
Andy What woman?
Arnold The one connected with your car accident.
Andy Oh, her. What about her?
Arnold I'd like you to tell me about her. I want to help.
Andy She may not exist. It's like a sort of dream ...
Arnold Look, Andy, I'd like to meet you. Are you free this evening?
Andy Yes. What time?
Arnold Straight after work. Can you meet me at the Crown and Anchor at half past five?
Andy Yes, of course. I'll be there at five-thirty.
Arnold Good. Don't say anything about this to Peter and Sheila ... See you.
Andy Bye.
Part 2
Narrator Arnold and Andy are now in the pub. Let's eavesdrop on their conversation.
Arnold So, she had short, dark hair, a big mouth and tinted glasses...
Andy Yes. Only her mouth wasn't big so much as wide. Wider than usual.
Arnold What about her voice? Do you remember her voice?
Andy I don't remember anything. It's just a jumble of impressions.
Arnold OK, OK ... Would you recognise her voice again?
Andy I should think so. It was – how can I put it – something between British English and American English.
Arnold Mid-Atlantic. Like in some of the old Hollywood movies?
Andy Yes. Like in a lot of the old black and white films that are on television all the time.
Arnold Good, good. What else can you tell me about her?
Andy Not much, I'm afraid ... She was rather pretty.
Arnold Pretty? In what way?
Andy It's hard to define. She was soft and warm, but...
Arnold But what?
Andy She was also very strong, I think. Yes, physically she seemed to be very strong.
Arnold What about the boat? Peter mentioned a boat.
Andy I'm quite sure it was a houseboat... on a river.
Arnold Where? Try to think where. It can't be so far from here.
Andy There was a little old white church nearby. It was on the bank of the river. And a graveyard ...
Arnold Anything else?
Andy No. I'm sorry ... Uncle Arnold?
Arnold Yes? What?
Andy Why don't you want me to tell Mum and Dad about our meeting?
Arnold They might not like my sticking my nose into your private affairs. That's all. It's best to keep quiet.
Narrator So, Andy seems to be remembering – or imagining – more and more about the mystery woman. And Arnold seems to want to help ... Just like a good uncle should ... But why doesn't he want Peter and Sheila to know about it?
