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Striving for happiness. I am part of all I have met.pdf
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VI. Self-esteem - самооценка self-assured - самоуверенный self-confident - уверенный в себе self-critical - самокритичный self-important —с большим самомнением

self-respectful —с чувством собственного достоинства

VII. Will-power (backbone) - сила воли strong-willed - волевой

weak-willed - безвольный

with iron will —со стальной волей

with inflexible will - с несгибаемой волей with indomitable will - с неукротимой волей with a strong character - с сильным характером with a weak character - со слабым характером spineless - бесхарактерный

resolute - твёрдый, решительный courageous, brave - мужественный, храбрый cowardly - трусливый

chicken-hearted - малодушный

VIII. Soul - душа religious - верующий sinful - грешный righteous —праведный innocent —невинный wicked - порочный

shallow - пустой, неглубокий

PRACTICE

Using the wordsfrom the list:

a)

name thefeatures o fyour character that you like and dislike;

b)

give the list o f features that you would like to see in your wife or

husband;

 

c)

whatfeatures o f character you appreciate most o fall in yourfriends-

READING

Read thefollowing stories.

Irene's Sister

After Vina Delmar

This is a story of 19-, the year that the schools did not open on time, the year that plague descended and caught us as terrified and as defenceless as though we were inhabitants in some medieval city faced with a new and terrible sickness.

I was a child at that time. My friends and I did not understand. We asked questions but the grown-ups were as confused and as frightened as ourselves. "It's infantile paralysis, they told us. "It kills you or else it leaves you crippled forever. Don't go too close to anybody and don't touch anything that a strange child has handled."

Fear held us so completely that we forgot how to laugh or to play. I can remember lying in bed at night waiting for the disease to strike at me. I had no idea what form it might take and I lay very quietly praying that when next I wished to move my legs or arms I would be able to do so as I had always done in the past.

There was one among us, however, who had no fear of the terrible plague. That girl was Irene Crane. In my mind's eye I can still see her as she was, back, there in those difficult days. She was a yellow-haired child with a happy ring to her laughter and the great­ est capacity for fun of anyone I've ever known. She was the school beauty, popular with teachers and pupils alike and if she was not the most intelligent of our group that was easily forgiven for one does not expect to find genius in a flower.

Irene had a sister who was a year younger. Her mother called her Caroline, but outside the house she was known simply as Irene's sister. It was natural for her to be Irene's sister just as it was natural for us to be a nameless group of girls known as Irene's friends. Irene was the centre of our small world and we revolved about her brilliance and asked for no recognition for ourselves. Irene's sister, conscious of her inability to compete with the beauty and enchanting manner of Irene, was perfectly content to be only a pale reflection of our yellow-haired commander.

Only once were we unable to think with Irene. That was when she said: "I'm not scared of that infantile paralysis. We won't get it. You'll see. None of us will."

We were ashamed of our fears but there they were just the same. I can remember the day that we all went over to Ginny Smith's house for games and light refreshments. For our health's sake, the grown-ups looked upon the party with some doubts, but for the good of our morale they consented.

"After all," they said to one another, "it's the same group of girls who see each other almost every day anyway. It'll be all right."

"It's the same group except for Irene's sister." She hadn't been invited because she was not in our grade at school and Ginny Smith hadn't known that Irene had a sister.

"It doesn't matter," Irene said. "Caroline isn't feeling well. She has an upset stomach, I guess."

The games were fun, the food was wonderful, we thought. It had been a beautiful day in which we all seemed to forget for a while that something strange and terrible walked everywhere about us beyond the pleasant comfort of Ginny Smith's house. We were just collecting our hats and coats, ready to leave, and thanking Ginny for a lovely day when the phone rang.

I can still see Ginny Smith's mother as she stood talking on that phone. I can see the look of horror that appeared upon her face. I can still see the tears that were in her eyes when she hung up the receiver and turned to face us.

"Irene," she said in a choked voice, "that was your mother. Your sister has infantile paralysis. You can't go home. You'll have to stay here." There was a horrible pause. Then, "It's too late for us to be afraid of you, child. You've been here all day."

We went away without touching Irene, some of us without speaking to her. The plague had reached out and struck at us. We hurried home afraid of each other, ashamed of our fear and unable to keep back the thought that tomorrow we would all be attacked by death or lameness.

Irene stayed with the Smiths, I suppose. I don't know. I hurried home and wrote at once to my father. It must have been an emotional, crazy little letter in which I begged him to come and get me and take me to safety somewhere, anywhere. I did not know that the plague was widespread. I thought it was just in our town. Anyway my father came and took me away. I went happily, thankfully, but I did not know as I went that it would be fifteen years before I ever saw that town again.

I was a woman when I returned to visit and the first night I was back I was surprised to find that my hostess's living room was decorated as though for a party.

"Just the old group," she explained, "and their husbands. You remember Ginny Smith, Lila Day, the Crane girls and that grow up."

A strange feeling of terror ran through me at the mention of the Crane girls. I was a child again frightened before a terrible mysterious force that wanted to kill me.

"I remember them all," I said. "How are the Crane girls?"

"The same as ever, just exactly the same. One popular and one a complete failure." "It's cruel to say that," I protested. "Caroline had paralysis. How can you expect her

to be-"

"But it's Irene who's the failure. She's silly. Remember how she used to laugh and play jokes all the time? She's still the same, but now everything she says sounds a little silly. But you can't invite Caroline without inviting Irene, so we..."

"But is Caroline well?"

"Of course, she is. She had good care and good sense used on her and she's as fine as anyone. A lot finer, I guess. She went through so much pain and suffering that she has more depth and understanding than most people. She's so strong and dependable. Of course, she thanks her doctor and her nurse and her mother for everything and they say that it was Caroline's patience and courage that helped them to help her. Wait till you see her. She's..."

It was at that moment that the doorbell rang and that my hostess's mother, who was looking out of an upstairs window, called to us. I'll never forget her words. She called, "Daughter, go to the door. It's Caroline's sister."

My hostess looked at me and laughed. "What did I tell you?" she said.

Answer thefollowing questions.

1.When, do you think, do the events of the story take place?

2.What plague is the author speaking of?

3.Who of the children was not afraid of this disease?

4.Why was Irene so popular as a child?

5.Are such people usually popular?

6.Do you agree with the phrase "One doesn’t expect to find genius in a flower"?

7.Was Irene's sister as popular as Irene?

8.Was Irene’s sister jealous of Irene's popularity?

9.What happened to Irene's sister one day?

10.Why did the narrator escape from her hometown?

11.What did the narrator learn about the Crane sisters when she returned to her native place 15 years later?

12.Which of the Crane girls was now a success and which one was a complete failure and why?

13.Is it necessary to go through pain and suffering to have depth and understanding? Does suffering always change people for the better?

14.What makes people mature?

15.Can lucky and prosperous people be deep and understanding?

16. Can good looks be a guarantee of success in life? Can character be such a guarantee?

Barney's Maggie

After W. Macken

Coleman was going duck shooting because he wanted to be alone.

The reason he wanted to be alone was that he was very popular. He was twenty-four. He was very good-looking. He was just six foot tall and very well built. Even the old clothes he wore in the fields sat well on his body. His face was strong even though the cleft chin, the even white teeth, the straight nose, the long lashes and the blue eyes should have given his face the appearance of handsome weakness. They didn't. His fair hair curled. He had the kind of face and appearance you would have wished for yourself in your dreaming state when a good-looking woman would scorn you and you wished you were very attractive so that she would react like a dog at your heels. That was Coleman.

He could sing well and he could play the melodeon and he could dance. He was also a good man in a boat or behind the wheel of a tractor. It was impossible to be jealous of him. At least you had to force yourself to dislike him when you saw your best girl (as you thought) dancing with him at a hop in the parochial hall and looking up into his face with her eyes gleaming as if she had found the answer to prayer. After that, when he handed her back to you, he could disarm you with a genuine smile showing no trace of malice, but all the same...

He liked to shoot at the end of the valley. He had a gun under his arm and he was his own retriever. There was a long field of oats there which had been cut and stocked, and the duck loved to flight into it of an autumn evening like now. The field was a long way from the road where he left his bicycle, and he had to go up a winding road that led to Barney's house, and then jump a wall into the potato field, and after that into a big field that was level and well walled and held good grass for the cattle that grazed it and he never gave a thought to Barney's bull until he heard the thundering behind him.

Bulls are very odd, particularly when they are a few years old. Only God in Heaven knows what figaries they take when a mood is on them. Why it should have come into the bull's head to suddenly take out after a harmless man going across the field with a shotgun under his arm, Coleman didn't know, and he didn't have time to think. He had time only to take to his heels and run towards the shelter of the far wall. He was a fleet runner, but it dawned on him that the bull was fleeter and that it was very doubtful if he would reach the wall before the bull. He started to sweat. Then out of the comer of his eye he saw the figure of the girl coming over the wall with a stick in her hand. It was a very light stick. She ran towards him. And then the girl reached him and he stopped too. And there was the girl fac­ ing the bull. The bull paused, and that was his trouble. Before he could make up his mind the thin switch swished and his tender nose got a stroke of it. He dug iri his forelegs and threw up his head. And he got another blow on the ringed nose and another and another, and then he turned, this bull did, and went off and Coleman could have sworn that he had his tail between his legs. He was a big bull.

Coleman was ashamed and angry. He looked at the girl. He knew her by sight. They had an expression in the place. They said: "Such and such a thing is as ugly as Barney's Maggie". She was a tall girl, as tall as himself; and honestly the kindest thing you could say about her was that she had nice hair. It was a brown sort of crinkly hair. Her face would have looked well on a man, and the muscular neck and the heavy arms and thighs. She had a small nose, no notable eyelashes, heavy black eyebrows, and her teeth, although they were very white and shiny, were big teeth and a bit irregular.

"I'm sorry if I interfered with your plans," she said. Her voice was serious.

Suddenly Coleman laughed. "Ah, to hell with it," he said. "I'll admit it. I was afraid for my life" Then he was serious. "Honest," he said, "if you hadn’t come along that bastard might have killed me."

"That's nonsense, "she said. "You would have done something. " "Well, I hope so," he said doubtfully.

Her eyes were very clear. They didn't avoid his own. Many female eyes avoided his own when he looked into them.

"Well," he said, "that's that. Thanks. I’d better be going." He was surprised at himself. Anyone would think I was lost for words. "I'll see you again." And he climbed over the wall.

"Goodbye, Coleman," she said, and waved her arm, a large bare muscular arm.

He waved back and then headed towards the oat field. He was disturbed. And he was furious and he thought about her: "I suppose she'll tell the whole bloody place about me and the bull and I'll be a laughing stock."

But she didn't.

He held his breath for a week or two after that, everywhere he went. But not a whis­ per. Well, at least, he thought, she is a very strange girl who can keep her mouth shut, a ver) strange girl; and he wondered why the look in her eyes had remained with him. It was ridiculous of course, but strange.

The next time he saw her was at the monthly fair. He was buying cattle himself and he was well dressed in a blue suit and a white collar and tie with his socks rolled over the bottoms of his trousers to save them from the dung. He knew somebody was looking ai him for a long time and he turned eventually seeking, and he saw her way up the street, looking at him. That's how tall she was that he could see her over the heads of the people.

And just as if her eyes were a magnet he was drawn towards her, pushing his waj through the throngs with his broad shoulders and never losing sight of her eyes. Then he was facing her. He couldn't credit the way his heart had speeded its beat. This was ridicu­ lous. She wore an old raincoat and rubber boots.

"Hello, Maggie," he said, and wondered that he got pleasure out of pronouncing that very commonplace name. "What's wrong with me? Am I cracked?" - he thought.

"Will you be going to the dance tonight?" he asked.

"Yes," she said. "I always go." He tried to think of the hall. He couldn't see her in it Or could he? In the place where the ugly ones sat, just watching, sometimes being danced, most times not. He wondered that he could have been in the one hall with her and never have seen her.

"Good," he said, and they parted.

He looked forward to that dance. He wasn't questioning his behaviour any more. He just went with the flow. He saw her. She was well dressed, but unadorned, and he liked the look of her and he danced with her and she was light on her feet. He wanted to be with her all the time, but he struggled against this feeling and danced with the many pretty ones who enticed him; but he always went back to her, so that they said: Why is Coleman dancing so much with Barney's Maggie? Maybe he's gone soft in the head. There was much tittering and speculation.

He knew the way she cycled home and he let her go and then he followed after her or his bicycle. They walked the four miles to the road that led to her home. It was a bright night. They didn't talk much, that was the odd thing; but before they finished the joume\ Coleman knew that he couldn't do without her. You'd have sworn that the fairies wert working on him. But there it was and he couldn't but recognize it.

There on the road, he didn't even kiss her. He held her hand and before he left her lit rubbed one of his palms on her hair and down the side of her cheek, making her close lie: eyes and tremble. Her skin was as soft as satin, as he knew it would be, and he said: "Listen

Maggie, on Friday night next I will come up to the house and I will talk to your father." That's what he said, completely committed. She knew it and he knew it but there was nothing they could do about it. He even felt a little that she didn't want or require this feeling that was flooding her that could have only one end. But what could they do? They were both realists and it had to be faced.

Coleman expected to wake up in the morning with misery flooding him and he groan­ ing, What have I done? Why did I say I would be up on Friday to ask for her? But he didn't feel that way. He felt, Thank God and I might have so easily passed her by, and why am I so lucky and how is it that some other fellow hadn't seen the worth of her before and robbed me?

Friday before the journey he went into his pub to get a pint. He had been working hard all day in the fields and he wanted a pint. He was cleaned up and shone like a pair of shoes. He had never been so particular with his appearance.

He drank alone as he was sometimes known to do, and the conversation of the two other men there did not percolate into his mind until the one sentence out of their conversa­ tion hit him, probably because the speaker was emphasizing it with blows on the counter, "... as mad," he was saying, "as mad as Barney's Joe! That's what I'm telling you. He was as mad as Barney's Joe." That played a rhythm in his head: "As ugly as Barney's Maggie; as mad as Barney's Joe." Could that be the same Barney, he wondered. What did they mean? Barney lived so far out in the valley that he didn't know much about them. He knew Barney just to see, and Maggie; and he remembered from way back at school, wasn't it, that Barney had a son, or had he?

He turned.

"Who's this you say, Rino?" he asked the man. "Who's this Joe of Barney? Has he a bad temper?"

Rino laughed.

"Where were you, Coleman?" he asked. "That's the Barney that has the ugly daughter. You know. The one up the valley. His son, that is. His son Joe. Mad as a hare. Five years back. Maybe you weren't here. Was that the time you went to Liverpool to change your watch? "

"No", said Coleman, "that was the time I went to Scotland to dig spuds."

"Anyhow," said Rino, "Joe went off his top. They had to tie him up. He gets bad sometimes. Oh, you should see him. Shoulders like the width of a double door, but no brain at all. That's Barney's Joe. That's why they say it."

"I see," said Coleman, and his blood ran cold.

He left the pint there and went out into the evening. He walked clear of the village and he climbed into the hills and he sat there on the heather, looking down. He could see the white road going back into Maggie's valley. That changes everything, even a flooding feeling. Why hadn't she said something about this? Did she have time to say anything? She didn't. How many times had he talked to her at all? Very few before he was swamped. Suppose she knew that he knew like everyone knew that she had a brother who was a nut. What was he going to do? What in the name of God was he going to do? He knew what he should do. He should say to hell with them and he should get down soon on to the white road. He could imagine her up in the house waiting for him and her father waiting for him. The preparations for him. How she would be feeling? So what did he do? He went back into the village and he went into the pub and he got rotten stinking drunk. That's what he did. And that night was remembered for a long time. They spoke of it afterwards as the night Coleman got drunk.

But nobody ever knew how Coleman felt when he awoke the next morning. He awoke and said: "Oh, God, I have ruined my life." And he hurriedly dressed and he mounted his bicycle and he went up the valley and left his bicycle and climbed the road to her house. He