Assignments

1.Comprehension & discussion questions:

1. Do you agree that “ people never know very much about who they are, nor about who is inferior to them and who superior”

2. Why was the main character careful not to make advances to women?

3. Why was he afraid to get in anybody’s way?

4. Why did he consider fate a queer thing?

5. What kind of girl was Ida?

6. Why did they make friends?

7. What made him lose his head?

8. Why did he feel profoundly astonished?

9. How did Ida try to persuade him that he was worth loving?

10. What happened in the circus?

11. Did the incident change Ida’s attitude to the main character?

12. Do you support or refute the English proverb which goes as ”Beauty lies in lover’s eyes”?

***

Text 4

The Wartons

(From The Social Sense

by W. S. Maugham¹)

I do not like long-standing engagements. How can you tell whether on a certain day three or four weeks ahead you will wish to dine with a certain person? The chances are that in the interval something will turn up that you would much sooner do and so long a notice presages a large and formal party. But what help is there? The date has been fixed thus far away so that the guests bidden may be certainly disengaged and it needs a very adequate excuse to prevent your refusal from seeming churlish. You accept, and for a month the engagement hangs over you with gloomy menace. It interferes with your cherished plans. It disorganizes your life. There is really only one way to cope with the situation and that is

to put yourself off at the last moment. But it is one that I have never had the courage or the want of scruple to adopt.

It was with a faint sense of resentment then that one June evening towards half past eight I left my lodging in Half Moon Street to walk round the corner to dine with the Macdonalds... It was a relief to me when I saw Thomas and Mary Warton come in and an unexpected pleasure when I found on going in to dinner that I had been placed next to Mary.

Thomas Warton was a portrait-painter who at one time had had considerable success, but he had never fulfilled the promise of his youth and had long ceased to be taken seriously by the critics. He made an adequate income, but at the Private View of the Royal Academy no one gave more than a passing glance at the dull but conscientious portraits of foxhunting squires and prosperous merchants which with unfailing regularity he sent to the annual exhibition. One would have liked to admire his work because he was an amiable and kindly man. If you happened to be a writer he was so genuinely enthusiastic over anything you had done, so charmed with any success you might have had, that you wished your conscience would allow you to speak with decent warmth of his own productions. It was impossible and you were driven to the last refuge of the portrait painter's friend.

"It looks as if it were a marvellous likeness," you said. Mary Warton had been in her day a well-known concert singer and she had still the remains of a lovely voice. She must in her youth have been very handsome. Now, at fifty-three, she had a haggard look. Her features were rather mannish and her skin was weather-beaten; but her short grey hair was thick and curly and her fine eyes were bright with intelligence. She dressed picturesquely rather than fashionably and she had a weakness for a string of beads and fantastic earrings. She had a blunt manner, a quick sense of human folly, and a sharp tongue, so that many people did not like her.

But no one could deny that she was clever. She was not only an accomplished musician, but she was a great reader and she was passionately interested in painting. She had a very rare feeling for art. She liked the modern, not from pose but from natural inclination, and she had bought for next to nothing the pictures of unknown painters who later became famous. You heard at her house the most recent and difficult music and no poet or novelist in Europe could offer the world something new and strange without her being ready to fight on his behalf the good fight against the philistines. You might say she was a highbrow; she was; but her taste was almost faultless, her judgement sound, and her enthusiasm honest.