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Susanne Beck, T. Novan and Okasha - The Growing...docx
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The Growing chapter one

“It’s the end of the world as we know it, and I feel fine.”

1

THE TAVERN IS dimly lit, cozy, and smells faintly of wood smoke and evergreen. Still six weeks from Christmas, it is, nonetheless, festooned with sprigs of pine and gaily blinking lights that chase themselves around the walls and rafters in a never ending race.

In deference to the blowing storm outside, the tavern is almost empty. Two couples move slowly across the small dance floor as Randy Travis croons from the juke about old men talking about the weather.

At the far back, where the long, battle scarred bar meets the rear wall, the bartender, a bearish man with a winter-thick beard, sits and thumbs though an old issue of “Detective Thrillers”, his large thumb unknowingly caressing the nearly bare breast of the vixen on the dog-eared cover.

Almost directly across from him, a toothless old codger, well into his cups, lifts his head and stares blearily at the ‘keep through yellowed, rheumy eyes. “Turn on the tube, Harry,” he slurs, toothless mouth working, “I wanna see the game.”

The bartender rolls his eyes and lowers his magazine just enough to pin the old man with a glare. “It’s Wednesday, ya old coot. You know there ain’t no game on.”

“Turn it on anyway. Damn juke’s makin my ears bleed.”

Sighing, Harry tosses his magazine on the bar and stands up, wiping his hands on his too-tight jeans. Reaching up, he twists the knob on the ancient television set sitting on a shelf above the hanging wine glasses that are never used.

The set comes to life gradually, grudgingly, showing fat snowflakes of static with vague, doubled images parading around behind them, incomprehensible to the naked eye. Biting off an oath, Harry twists the channel knob, getting nothing but static all the way across the dial.

“Stupid…tub a’….bolts…” Raising a ham-sized fist, the bartender smacks the side of the set. The picture wavers, then reduces itself to a tiny dot before winking out completely. “Damn it, Clut! Ya made me bust my damn TV.”

“Didn’t make ya do nothin’, Harry. Now get me another drink. I ain’t gittin’ any younger here, ya know.”

“Quit flappin ya gums, old timer. I’ll get to ya.”

Harry turns and looks down to the other end of the bar, where a lone figure sits, clasping a nearly empty bottle of beer in one large hand.

“How bout you, Koda? Want another?”

The figure lifts its head, revealing the face of a stunning woman whose long, dark hair brushes past the shoulders of her oilskin duster. Her smile dazzles the barkeep as she shakes her head slowly. “No thanks, Harry. This one’s fine.”

The ‘keep grunts and turns away, more to slow his racing heart than anything else. He’s never sure why he asks the same question week after week, since he already knows he’ll get the same answer. Dakota Rivers is as sure as clockwork, coming in every Wednesday evening, rain or shine, staying long enough to drink one beer, leaving a large tip, and driving home.

A solitary and quiet woman, she never offers much in the way of conversation, but on the rare nights when alcohol and testosterone mix poorly, she’s always there with a strong hand and a no nonsense glare that stops most fights unborn.

Maybe he asks for that reason, or maybe it’s just so he can see one of her infrequent smiles. Smiles that always make his guts flutter like a butterfly was trapped in his belly, struggling to get out.

Fetching a deep sigh, he reaches under the bar and draws forth a full bottle of Wild Turkey, Old Clut’s drink of choice. As he breaks the seal, the television turns back on again with a loud burst of static, scaring a few more gray hairs into him.

“What the hell?”

The snow obscures the screen for a moment, then clears suddenly, to reveal the face of a teenaged boy.

“That’s Cal Martin’s kid, ain’t it?” Harry asks no one in particular. “What the hell is he doin on TV?”

The boy’s face is battered and bloody, and the few untouched areas are white as chalk. His eyes are wide saucers revealing a soul very close to madness.

“Run!!” he shouts into the camera, body trembling as if he’s holding a live wire. “Get outta here!! They’re killing everybody! They’re….oh God…RUN!!!”

He looks off camera then, and his eyes widen even more. His lips curve and stiffen in a rictus of horror, and a scream, high and breathless, comes up from his very being. He turns and manages a few stumbling steps before an arm darts into the camera’s range and yanks him back by his long, greasy hair.

The scream goes on and on until it is abruptly ended when another arm joins the first and easily snaps his neck. The sound is loud, like a rifle shot, and seems to echo in the suddenly silent air of the bar.

“Jes-us Christ,” Harry breathes as the boy’s lifeless body is indifferently dropped to the ground.

The arms retreat, then reappear, this time attached to the body of a tall, broad-shouldered male. The male turns, faces the camera, and smiles. The picture fades to snow again, blotting out everything but the thin band of silver resting just above the Adam's apple of the smiling killer.

The silence is again broken, this time by the sound of exploding glass as the whiskey bottle Harry has been holding drops from his nerveless fingers to shatter on the floor. The liquid hisses and foams, then goes silent.

Dakota recovers first and strides down the bar until she is opposite the stunned bartender. “Harry?”

When he doesn’t answer, she tries again. “Harry?”

He finally turns, and when he does, his expression is eerily reminiscent of the now dead boy’s. “Was that…?”

“Yeah.”

“But how…?”

Dakota shakes her head. “I don’t know. But I’m gonna try to find out.”

“What are you gonna do?”

Dakota takes a deep breath, then lets it out slowly. “First, I’m going to check up on my family.”

Harry’s eyes widen. “Your family? They don’t…?”

“No, but some of their neighbors do, and if what this kid was saying is true….”

“Dear God.”

Dakota’s hand reaches out and manages to clamp onto Harry’s elbow, preventing him from collapsing onto the floor. “Harry, listen to me. We’re not sure what’s going on yet, and yeah, it looks pretty damn bad, but you can’t panic, alright? You need to keep your head on straight. Going nuts or passing out isn’t gonna help anyone, least of all yourself.”

Looking into his shining eyes, Dakota isn’t too sure what, if anything, is getting through, but she feels a little better once she senses the body under her hand firm up slightly. She lets go, cautiously, ready to grab him if it seems like he’s going to fall out again.

“Are you alright?”

Harry snorts. “No. But I guess I’m gonna have to be, huh?” He looks at her with such an expression of naked pleading that her guts twist, deep inside. “What am I gonna do, Koda? What are any of us gonna do…if what he said is true….”

Dakota looks over her shoulder. The tavern is now empty, except for Clut, who is passed out cold on the floor--drunk or in shock, she doesn’t know, and doesn’t really care. “You got a cot back there, right?”

“Yeah, but what…?”

“Look, this is the safest place you can be right now. There’s no windows, and the doors are solid. Just lock up tight, stay in the back, and don’t let anyone in who you don’t know personally, alright? As soon as I make sure my family is safe, I’ll try and make it back here with whatever information I have.” She sighs. “I know it’s not much, but it’s the best I can offer right now.”

Harry nods slowly. “Okay, Koda. I can do that.”

Dakota gives him a slight smile. “Good. I’ll be back as soon as I can. Make sure you lock up the minute I leave, and remember, don’t open the door up for anyone, no matter what they say, unless you know them well, alright?”

“Yeah, alright.”

“Take it easy, Harry. I’ll be back soon.”

Walking out into the storm, Dakota waits until she hears the door lock securely, then heads out to her truck.

It is the last time she would see Harry alive.

2

Scrambling around her townhouse, Kirsten quickly throws as many things as she can into a duffle bag. Her computer and other equipment is already packed in her SUV, and all she has to do now is grab some clothes, which are spread all over her home.

She listens to the screaming of sirens that make it sound as if the city was coming down around her. She knows she has to get out and get out fast. As she grabs a heavy coat off the rack by the door, she chastises herself for not having anything ready sooner. She has had a bad feeling for months, and now she knows she had been right all along.

Carefully opening the door, she takes a peek outside to make sure there isn’t anyone in the area. Satisfied it’s safe, she steps outside runs hell-bent-for leather to her truck. Just as she slips the key into the lock, there is the sound of rapid gunfire. “Oh shit!” The adrenaline courses through her body as she manages to key the truck unlocked and scramble inside. “I gotta get out of here.”

She sits very still, half ducked under the dashboard, and watches as two police cars go by with lights and sirens blazing full tilt. Taking a deep breath, Kristen starts the truck and pulls out of her designated parking space, knowing that she’ll never see the place she calls home again.

She knows the image will forever be burned into her mind as the day her world ended.

Driving slowly down the street, she tries to look as normal as possible, as if anything could be called normal anymore. The last thing she wants to do is call attention to herself. Getting well away from the city is the only hope that she has and she knows it.

Turning left onto a lesser-used street that is—or used to be-- mostly small businesses, she hopes that it will keep her out of residential areas and possibly out of their sensors.

She can hear more sirens and something that sounds like muffled pops. Her foot presses down slightly on the accelerator as the realization hits her that it’s probably gunfire.

There is a growl from the backseat and a large German Shepard raises his massive head, resting it on the back of Kirsten’s seat.

“Easy Asimov. It’s okay boy. We’re getting the hell out of Dodge.”

The dog climbs over the back seat and takes his regular place in the front seat across from his favorite human. Kirsten reaches over and gives him a scratch on the head. This simple action makes her feel better than she has in weeks.

Months, if you have to be truthful about it, Kirsten. You knew this was going to happen. You’ve known it for a long time. Maybe since the beginning.

“We’re gonna be okay boy. I promise.”

Whether that promise is for him or for her, she doesn’t know, but the sound of her own voice calms her.

She looks around carefully, noticing that the streets are now deserted. A once thriving, lively community reduced to a ghost town in a matter of hours.

Jesus, save this sinner, now and at the hour of her death. Amen.

She’s not a particularly religious person, agreeing for the most part with the “opiate of the masses” appellation, but grade school catechism makes its presence known at the oddest of moments, and she can’t spare the time to question it right now.

Asimov heaves out a sigh and lays down in the seat, seemingly undisturbed by Kirsten’s nervousness.

As she makes another turn, speeding up to get past a large apartment complex, Asimov raises his head and begins growling in earnest. She’s watching him as he faces the window and barks like mad.

Suddenly the truck impacts with something and Kirsten’s head jerks up as a man, bloody and beaten, rolls onto the hood. He is still alive, panicked, and obviously running for his life.

“Help me!” he screams as he pounds on the windshield with his hand. “For God’s sake, please help me!”

Kirsten slams the brake, causing the man to slide though he manages to hang on by grabbing the windshield wiper. Asimov’s barking grows more intense, and she knows what she has to do. Looking the man directly in the eye she says, “I’m sorry.”

Throwing the truck into reverse, she backs up quickly. The force of the acceleration throws the man from the hood and to the ground. Hitting the gas, she speeds past him. Looking in the rearview mirror she can she three of them moving in on him, one of them pointing a rifle at his head. The blast seems to follow her, her guilt displayed for all in Dolby sound, and she speeds up, headed for the freeway that will take her away from this madness.

3

Dakota’s truck, a decade old campaigner who has been with her since she learned to drive, growls low and moves with confident speed over the packed and blowing snow covering the roads. The sound of the chains rattling as they cut through the icepack can be heard even over the fierce blowing wind.

In this part of South Dakota, where distances between neighbors are oft-times measured in miles instead of yards, or feet, she knows that at the very least, under optimal conditions, it will take her a half hour to reach her parents’ house. With the blizzard, the more likely estimate is forty five minutes, minimum.

She glares at the racked mike of her dashboard CB, listening as static, very much like what was on the television, hisses at her. It is the only response to the constant calls she’s been putting out. Her parents have a big base unit in their home and her youngest brother, Washington, is an absolute radio fiend and is never more than three steps away from it.

“You bastards better not have hurt my family, or I’ll rip you apart with my bare hands.”

It’s pretty impotent, as threats go, but a part of her feels better for having said it. Without bothering to signal, she makes the looping left turn that leads her to her parents’ street, hoping against hope that time is still on her side.

4

After driving for two hours, Kirsten finally feels like she can slow down and take a moment to breathe. Her route has taken her off the freeway and onto two lane state highways, less frequently used and completely desolate in some places. Pulling onto a wide spot in the road, she puts the truck in park and takes a deep breath, letting it out slowly.

Asimov sits up and looks at her, his tongue lolling out the side of his mouth and his ears completely perked up.

“Bet you need a break doncha?” She nods and pats him. “Okay, but make it quick.”

Getting out of the truck and walking around the front, she can see spots of blood on the grillwork. Feeling slightly sick to her stomach, she reaches over and grasps the handle of the passenger door to let the dog out.

Asimov quickly begins scouting for just the right place to take care of business. Kirsten leans against the truck and takes another deep draught of air. Looking up into the night sky, the normal, familiar twinkling of the stars gives her a false sense of security.

“God,” she sighs, looking away to find Asimov sitting in front of her, waiting patiently. “Well pal, it’s just us, and it’s going to be that way for a while I think. We have to lay low while I try and figure out how the hell to stop this damned awful mess.”

Suddenly, all of the adrenalin that had been coursing through her body during her frantic escape from the city is gone, seeping away from her like water through a sieve. A brutal, clawing exhaustion sets in, and she yawns, jaw cracking with the force of it.

Asimov looks at her and whines.

“Tonight, buddy, we sleep in the truck. Tomorrow, we head to the facility and try to get some answers. Sound good to you?”

A soft bark and a happy tail wag is her answer, and she gives him a fond scratch behind the ears for it.

Both crawl into the back of the SUV. Kirsten rests her head on the pillow she’s had since grade school, and Asimov snuggles his warm length all along hers, pressing closely and making contented doggy sounds as his eyes slip slowly closed.

Before she feels completely safe, Kirsten reaches in a duffle bag and removes her gun. She knows it probably wouldn’t stop them but she knows if her aim is good it will slow them down quite a bit.

“Sleep. I need sleep. It’ll all be better in the morning.”

5

Dakota leaves the motor running and the lights blazing as she jumps down from her truck and starts toward the front door.

The lights being on likely saves her life as she is able to see the rifle barrel poke out of one of the front windows seconds before it goes off, bullet piercing the air where she’d been not a split second before.

“Who’s there?” comes the quavering sound of a young man’s voice, caught in a quandary of puberty and terror.

“Damn it, Phoenix, is that you, goober?”

“Koda??”

“Yeah, it’s me. Now do you wanna put that gun away before you blow my head off?”

“Sorry.”

Dakota takes no more than two steps toward the porch when the door flies open and her mother, a short, stocky woman rushes out into the snow, her arms flung open. “Dakota! My daughter, you’re home! I was so worried.”

The younger woman takes her mother into her arms and returns the crushing hug, chilled fingers tenderly stroking the thick, silver threaded black hair that is tied back in a fat braid. “I’m home, Mother. It’s okay, I’m home.”

After a moment, she pulls away, large hands descending on her mother’s broad shoulders. “Let’s get inside. It’s freezing out here.”

“But your truck…”

“Leave it that way for now. We need to talk.”

Stepping inside the huge ranch house, she is immediately comforted by the sounds and scents of home, a place she has done no more than visit in the past five years. Her brothers and sisters, seven in this bunch, surround her in a tight press, hugging and touching and talking all at once. Dakota finally wriggles her hands free and holds them up in a gesture of calm.

“One at a time. One at a time.”

They look at her with shining, hopeful faces. Though only the third born, she has always been their rock, and their love for her is boundless. In turn, she is fiercely, utterly, devoted to them, like a mother bear protecting her newborn cubs.

Looking around the room, she notices that two family members are conspicuously absent. “Where’s Father? And Tacoma?”

“They’re both down at the Gregory’s ranch. Kimberly called screaming for help. I couldn’t understand her, and she hung up before I was able to know what was wrong. Your father and brother went out there.”

Dakota stiffens. “How long ago?”

Her mother looks at the clock. “No more than ten or fifteen minutes. With the storm, they probably just got there.” Reaching out, she clamps her daughter’s arm in a very strong grip. “Dakota, what’s going on.”

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