- •If you were planning to be stranded on a desert island for three months, what would you bring along?
- •It was all Japanese, Germans, Koreans, all with English as a second language, with phrase
- •Inhale.
- •It’s this big brother who travels around the world, sending back French phrases. Russian phrases. Helpful jack-off tips.
- •It’s after dinner when the kid’s guts start to hurt. It’s wax, so he figured maybe it would just melt inside him and he’d piss it out. Now his back hurts. His kidneys. He can’t stand straight.
- •In the end, it’s never what you worry about that gets you.
- •It’s a choice between being dead right now or a minute from right now.
- •In the dim streetlight, his rhinestone buttons sparkle.
- •It’s because of all this, we brought nothing that could save us.
- •Instead of a smile or frown, a movie fragment of night sky washes across her face.
- •Into the cell phone she says, “I’m en route.” She says, “I can take the three o’clock, but only for a half-hour.” She says good-bye and hangs up.
- •It’s just a matter of time before you contract some incurable toenail fungus under your silk-wrapped French manicure.
- •Inside, it’s just you and Angelique and Lenny.
- •In her high heels, Angelique must be a head taller than him. She smiles, saying, “Lenny . . .”
- •Vermin-proof or not, our Missing Link could rip a bag open with his bare pubic-hairy hands.
- •Itty-bitty.
- •In their last minute alone, just them in the green room, the slick guy asks if he can do our blonde girl another favor.
- •It’s then the floor producer walks in with the old goober.
- •In your own mind, you are always right. Every action you take—what you do or say or how you choose to appear—is automatically right the moment you act.
- •It’s then the bag lady looks up and says, “Muffy? Packer?” The wino’s hand still feeling around deep in the front of her stretch pants, she pats the bench beside her and says, “What a nice surprise.”
- •In the newspaper the next week, the kidnapped heiress was found dead.
- •It’s after that Evelyn goes cold turkey. She cancels the newspaper. To replace the television, she buys the glass tank with a lizard that changes color to match any paint scheme.
- •It’s that moment, some people walked away.
- •In the movie–book–t-shirt story, we’d all love Miss Sneezy . . . Her deep courage . . . Her sunny humor.
- •In the viewfinder of his camera, Agent Tattletale rewinds and watches as Lady Baglady tells her story onstage. Telling and retelling it.
- •In his shirt pocket blinks the small red light of a tape recorder taking down every word.
- •In the phone book, when I found him, I was blind with crying, afraid my dog might die. Still, there was his listing: Kenneth Wilcox, d.V.M. A name I loved, somehow. For some reason. My savior.
- •I say, Who does?
- •It’s the kind of joy we felt when Dana Plato, the little girl onDiff’rent Strokes,got arrested, posed naked inPlayboy,and took too many sleeping pills.
- •I tell him, Trust me. Good writing means you take the regular facts and deliver them in a sexy way. Don’t worry about your life story, I tell him, that’s my job.
- •I pour him red wine and just let him talk. I ask him to pause, then act like I’m getting every quote perfect.
- •Instead, you’ll run toward torture. You’ll enjoy pain.
- •It’s after that we couldn’t wash clothes, another plot point for the story that would be our cash cow.
- •In our heads, we’re all jotting down the line:I happen to know a lot about human insides . . .
- •In so many ways, this old man seems younger than any of the volunteers in their thirties or forties. These middle-aged angels a half or a third his age.
- •It’s only normal that, someday, an angel will gush. To the head nurse or an orderly, a volunteer will gush about what a wonderful youthful spirit Mr. Whittier has. How he’s still so full of life.
- •In another year, he’ll be dead of heart disease. Of old age, before he’s twenty.
- •It’s then he’d tell her—he lied. About his age.
- •Into the Earl of Slander’s tape recorder, Comrade Snarky says, “Do you know there’s no hot water?”
- •In the blue velvet lobby, we’ll have nothing for breakfast.
- •It goes round and round, kneading and grinding
- •In his studio, the black flies still circled the same heap of soft apples and limp bananas.
- •Infallible,
- •In two days with a rented camera, they’d used up their lifetime allowance of interest in each other. Neither of them held any mystery.
- •In our version of what happened, every toe or finger, it was eaten by the villains whom no one will believe.
- •If that next bullet has your name on it.
- •If someone wanted a doll right away, she’d offer the old rag dolls.
- •It’s then Cora goes to lunch and buys a razor blade. Two razor blades. Three razor blades. Five.
- •It’s after that, Cora must talk to somebody at the county health clinic.
- •It’s the furnace, running full-blast. The blower pumping hot air into the ducts. The gas burner chugging. The furnace that Mr. Whittier destroyed.
- •Into twin-penciled arches, with, underneath each,
- •It’s the ammonium nitrate their buddy Jenson had ready for them in Florida. Their buddy from the Gulf War. Our Reverend Godless.
- •It got so their getups were cutting into the bottom line. But say a word about it and Flint would tell you, “You got to spend it to make it.”
- •In the pockets of his bib overalls.
- •It was lacquered black, waxed and smudged gray with fingerprints.
- •It could run for a month, always ticking. Or it could run for another hour. But the moment it stopped, that would be the moment to look inside.
- •If you’re tall enough, you can see her nipples.
- •It’s all we can do not to drag Mrs. Clark out of her dressing room and force her at knife point to bully and torture us.
- •Voir Dire
- •It was the summer people quit complaining about the price of gasoline. The summer when they stopped bitching about what shows were on television.
- •In the pitch-dark, Sister Vigilante says, it would hit—bam—a bolt of black lightning.
- •It was a bowling ball, the police reported.
- •In times like that, every man is a suspect. Every woman, a potential victim.
- •It’s the soft groan of someone dreaming in her sleep.
- •It’s with this in mind I started my project.
- •It’s an interesting juxtaposition. A fascinating sociopolitical power relationship, being fully clothed and examining a naked person held down, wearing only his high heels and jewelry.
- •It’s the greasy ghost of Comrade Snarky, what we’ll have to smell every time we use the microwave. We’re breathing her spirit. Her sweet buttery stink will haunt us.
- •In the blue velvet lobby, the microwave oven dings once, twice, three times.
- •In the wash of water backed up from the toilet, washed up and stranded on the lobby carpet, you can see fur. Tabby-cat fur. A thin black leather collar. Some pencil-thin bones.
- •I promise to just breathe deep.
- •It’s a marriage.
- •In that future world, the world outside here, the only animals will be the ones in zoos and movies. Anything not human will just be a flavor for dinner: chicken, beef, pork, lamb, or fish.
- •Inside the curtained walls of the emergency room, Mrs. Clark leaned over the chrome rails of her daughter’s bed and said, “Baby, oh, my sweet baby . . . Who did this to you?”
- •In her hospital bed, her skin looked purple with bruises. Her head was shaved bald. The plastic band around her wrist, it said: c. Clark.
- •It’s the prison or the asylum you’ll eventually call home.
- •It’s five-thirty, and the store closes at six.
- •In Claire’s vision, the man’s face comes closer. His two hands reach out, huge, until they wrap the jar in darkness.
- •Instead, Miss America asks, Is this how it will go? Her voice shrill and shaky, a bird’s song. Will this be just one horrible event after another after another after another—until we’re all dead?
- •It’s here that she’d work hard to make the story boring, saying how water heated to 158 degrees Fahrenheit causes a third-degree burn in one second.
- •It screamed, “What did I do?”
- •If there’s any trick to doing a job you hate . . . Mrs. Clark says it’s to find a job you hate even more.
- •In the deputy’s headphones, the buzz of flies gives way to the crackle of grubs tunneling forward one bite at a time.
- •In the sheriff deputy’s earphones, the mice munched the beetles. Snakes arrived to swallow the squealing mice. Everything looking to be last in the food chain.
- •It was the voice of Mrs. Clark saying, “I’m sorry, but you should’ve stayed missing. When you came back, you weren’t the same.” She says, “I loved you so much more when you were gone . . .”
- •It’s over dinner, Miss Sneezy blows her nose. She sniffs and coughs and says she really, really needs to tell us a story . . .
- •In white coats, holding test tubes,
- •I didn’t mean to kill you.
- •Instead, I want to know the stuff Shirlee can’t say. The stuff I’ve started to forget—like how does rain feel on your skin? Or stuff I never knew—like how to French-kiss?
- •It was my senior year in high school when people around me started to die. They died the same way my folks had died ten years before.
- •I ask again, about my grandma.
- •It’s when the light comes on, when the mirror in your suite turns into a window, then you can see the camera that’s always there. Always watching. Recording you.
- •In case you’re wondering how I got out . . .
- •In New Keegan, not one of the tombstones had writing you could still read.
- •If we could’ve read the headstones, we’d see how almost the entire town had died in one month. The first cluster of what doctors would call the Keegan virus. Rapid-onset viral brain tumors.
- •I can show him the ropes. Calm him down. Help him adjust to life here at The Orphanage.
- •It’s how we can eat all the shit that happens.
- •If you could not die.
- •If we died in enough pain, cursing old Mr. Whittier, then he begged for us to come back.
- •It takes four. One bodybuilder to screw in the bulb, and three others to watch and say, “Really, dude, you lookhuge!”
- •In the alley’s narrow blue sky, birds soar back and forth. Birds and clouds that aren’t cobwebs. In a blue that isn’t velvet or paint.
- •In the alley, Mr. Whittier’s voice shouts from closer and closer, for them to stop.
- •It doesn’t matter who we were as people, not to old Mr. Whittier.
In the pitch-dark, Sister Vigilante says, it would hit—bam—a bolt of black lightning.
On July 13, sunset at 8:33 with civil twilight over at 9:03, a woman named Angela Davis had just left work at a dry cleaner’s on Center Street when nothing hit her square in the middle of her back, breaking her spine so hard it lifted her out of her shoes.
On July 17, when civil twilight ended at 9:01, a man named Glenn Jacobs stepped off a bus and started up Porter Street toward 25th Avenue. What nobody saw, it slammed into him so hard his ribcage collapsed. His chest punched in the way you’d crush a wicker basket.
July 25, civil twilight ended at 8:55. Mary Leah Stanek was last seen jogging along Union Street. She stopped to tie one tennis shoe and check her pulse against her wristwatch. Stanek pulled off the baseball cap she wore. She turned it backward and put it back on, tucking her long brown hair up under it.
She headed west on Pacific Street, and then she was dead. Her face torn loose from the skull and muscle underneath.
“Avulsion,” Sister Vigilante says.
What killed Stanek, it was wiped clean of fingerprints. Clotted with blood and hair. They found the murder weapon wedged under a parked car down along 2nd Avenue.
It was a bowling ball, the police reported.
Those smudged, greasy-black bowling balls, you can buy them at any thrift shop for half a buck. You can pick and choose, they have bins of them. Somebody buying over a stretch of time, say one ball each year from every junk store in town, that person could have hundreds. Even in bowling alleys, it’s simple to walk out with an eight-pound ball under your coat. A twelve-pound ball tucked in a baby stroller, a barely concealed weapon.
The police held a press conference. They stood in a parking lot and someone threw a bowling ball down, threw it hard against the concrete. And the ball bounced. It made the sound of a pile driver far away. It bounced high, taller than the man who threw it. It didn’t leave a mark, and if the sidewalk were sloped, the police said, it would keep going, bouncing higher, faster, bouncing downhill in long strides. They threw it down from a third-story window in police headquarters, and the ball bounced even higher. The television news crews got it on tape. Every station played it that night.
The city council pushed for a law to paint all balls bright pink. Or neon yellow, orange, or green, some color you could see flying at your face down a dark side street late at night. To give people just a moment to dodge before—blam—their face is gone.
City fathers, they pushed for a law to make owning black balls a crime.
The police called it anonspecific-motive killer.Like Herbert Mullin, who killed ten people to prevent southern-California earthquakes. Or Norman Bernard, who shot hobos because he thought it would help the economy. What the Federal Bureau of Investigation would callpersonal-causekillers.
Sister Vigilante says, “The police thought the killer was their enemy.”
The bowling ball was a police cover-up, people said. The bowling ball was a red herring. A monster wannabe. The bowling ball was a quick fix to keep everybody calm.
On July 31, the sun was six degrees under the horizon at 8:49. That night, Darryl Earl Fitzhugh was homeless, sleeping on Western Avenue. Open across his face, Fitzhugh had a paperback copy ofStranger in a Strange Landwhen his chest was crushed, both his lungs collapsed, and his heart muscle ruptured.
According to one witness, the killer came out of the bay, dragging itself over the lip of the seawall. Another witness saw the monster, dripping ooze, squeezing up from the storm sewer. These same people said the forensic evidence was consistent with a hard backhanded slap from a giant lizard walking on its hind legs. The ribcage collapsed was sure proof the victim was stepped on by some dinosaur throwback.
Something dashed past, other people said, something low to the ground, too fast to be an animal. Or it was a maniac run amok with a fifty-pound sledgehammer. One witness, she said we were being “smote” by God from the Old Testament. Swatted by something with a huge paw. Black as the black night. Silent and invisible. Everyone saw something different.
“What matters,” Sister Vigilante says, “is, people need a monster they can believe in.”
A true and horrible enemy. A demon to define themselves against. Otherwise, it’s just us versus us.
Working the tip of the knife blade under another nail, she says, What’s important is, the crime rate went down.