- •What is an academic paper?
- •Writing for College How It Differs From Writing in High School
- •Constructing An Informed Argument What You Know
- •Summarize.
- •Evaluate.
- •Analyze.
- •Synthesize.
- •Choosing An Appropriate Topic
- •Finding a Rhetorical Stance
- •Consider Your Position
- •Consider Your Audience
- •Considering Structure
- •Introductions:
- •Thesis Sentence:
- •The Other Side(s):
- •Supporting Paragraphs:
- •Conclusions:
- •Using Appropriate Tone and Style
- •Tips For Newcomers
- •Coming Up With Your Topic
- •Reading to Write
- •Read Actively
- •Break the Linear Tradition
- •Trust Your Gut
- •Enter the Conversation
- •Use the Margins
- •Moving Outside the Text
- •Reading Differently in the Disciplines
- •Resources for Improving Reading
- •Using Critical Theory
- •Feminist criticism:
- •Marxist criticism:
- •Psycho-analytic criticism:
- •New Historicism:
- •Deconstruction:
- •Reader-Response:
- •Informal Strategies for Invention
- •Brainstorming
- •Freewriting
- •Discovery Draft
- •Formal Strategies for Invention
- •Five w's and an h
- •Tagmemics
- •Aristotle's Topoi
- •1) Use Definition
- •2) Use Comparison
- •3) Explore Relationship
- •4) Examine Circumstance
- •5) Rely on Testimony
- •Focusing Your Ideas
- •Nutshelling
- •Broadening Your Topic
- •First, try to make connections.
- •Second, turn your idea inside out.
- •Third, consider the context.
- •Narrowing Your Topic
- •First, test your claim.
- •Then look for examples.
- •Look for more examples.
- •Finally, consider the context.
- •Researching Your Topic
- •Finding Sources
- •Using Your Sources
- •Summarize Your Sources
- •Categorize Your Sources
- •Interrogate Your Sources
- •Make Your Sources Work For You
- •Keep Track of Your Sources
- •Cite Sources Correctly
- •Developing Your Thesis
- •Writing a Thesis Sentence
- •A good thesis sentence will make a claim.
- •A good thesis sentences will control the entire argument.
- •A good thesis will provide a structure for your argument.
- •Alternatives to the Thesis Sentence
- •The Thesis Question
- •The Implied Thesis
- •Will This Thesis Sentence Make the Grade? (a Check List)
- •What else do you need to know about thesis sentences?
- •A good thesis usually relies on a strong introduction, sharing the work.
- •The structure of your thesis, along with its introduction, should in some way reflect the logic that brought you to your argument.
- •A good working thesis is your best friend.
- •Constructing the Thesis: a Writer's Clinic for Beginners
- •What is a Working Thesis Sentence?
- •Revising the Working Thesis
- •Revising Your Thesis For Eloquence
- •Writing: Considering Structure & Organization
- •Organizing Your Thoughts
- •Let Your Thesis Direct You
- •Sketching Your Argument
- •Outlining Your Argument
- •Modes of Arrangement: Patterns for Structuring Your Paper
- •Constructing Paragraphs
- •What is a paragraph?
- •Writing the Topic Sentence
- •Developing Your Argument: Evidence
- •Developing Your Argument: Arrangement
- •Coherence
- •Introductions and Conclusions
- •Introductions
- •Announce your topic broadly, then declare your particular take.
- •Provide any background material important to your argument.
- •Define key terms, as you intend to make use of them in your argument.
- •Use an anecdote or quotation.
- •Acknowledge your opponents.
- •Conclusions
- •Revision: Cultivating a Critical Eye
- •Why And How To Revise
- •Large-Scale Revision.
- •Small-Scale Revision.
- •Editing.
- •Proofreading.
- •Developing Objectivity
- •Did I fulfill the assignment?
- •Did I say what I intended to say?
- •What are the strengths of my paper?
- •What are the weaknesses of my paper?
- •Analyzing Your Work
- •Consider Your Introduction
- •Consider Your Thesis
- •Consider Your Structure
- •Consider Your Paragraphs
- •Consider Your Argument and Its Logic
- •Read your paper out loud.
- •Get a second reader.
- •Be a second reader.
- •Visit rwit.
- •Logic and Argument
- •What is an Argument?
- •Understanding Formal Logic
- •Reviewing Your Argument's Evidence
- •Have you suppressed any facts?
- •Avoiding Logical Fallacies
- •Attending to Grammar
- •A Brief Introduction
- •Most Commonly Occurring Errors
- •Wrong/missing inflected ends.
- •Wrong/missing preposition.
- •Comma splice.
- •Subject-verb agreement.
- •Missing comma in a series.
- •Pronoun agreement error.
- •Unnecessary commas with restrictive clauses.
- •Dangling, misplaced modifier.
- •Its/it's error.
- •Becoming Your Own Grammar Tutor
- •First, determine whether the error is a matter of carelessness, or a pattern of error.
- •Second, prioritize among your errors.
- •Third, practice writing sentences.
- •And finally, understand that grammar counts.
- •The Basic Principles of the Sentence Principle One: Focus on Actors and Actions
- •Principle Two: Be Concrete
- •Nouns often require prepositions.
- •Abstract nouns often invite the "there is" construction.
- •Abstract nouns are, well, abstract.
- •Abstract nouns can obscure your logic.
- •Principle Two, The Exception: Abstract Nouns & When To Use Them.
- •Principle Three: Be Concise
- •Principle Four: Be Coherent
- •Is your topic also the subject of your sentence?
- •Are the topics/subjects of your sentences consistent?
- •Have you marked, when appropriate, the transitions between ideas?
- •Principle Five: Be Emphatic
- •Students' Advice for Students Sharon Stanley '99 writes on Clarity
- •Ross Wilken '99 writes on Revision and the importance of starting early
- •Ashley Brown '00 writes on Writing as a process
- •Louisa Gilder '00 writes on The importance of being personally invested in your writing
- •Leda Eizenberg '00 writes on The value of outlining after you write
- •Rita Mitchell '00 writes on Clarity
- •Christina Krettecos '00 writes on The writing process
- •Kinohi Nishikawa '01 writes on The importance of getting personally involved with your writing
- •Nils Arvold '00 writes on Things that work for him
- •Julia Henneberry '99 writes on Voice and tone, and the importance of reading other people's papers
- •Lauren Allan-Vail '99 shares a few thoughts on writing
- •Andrew Berglund '00 writes on The importance of clear logic
- •Karen Meteyer '99 writes on The importance of starting early
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First, try to make connections.
Do the characters rely on other ways of masking themselves? Is the issue of masking one of the novel's central themes? In what other ways does the writer explore the idea of masking?
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Second, turn your idea inside out.
Consider the other side of the matter. For example, lipstick might be part of a character's mask, but it also calls attention to that character. Lipstick doesn't give her a mask to hide behind; instead it screams, "Hey! Look at me!" This is interesting. Perhaps the character exaggerates certain qualities in order to hide others? Is this sleight of hand (reveal/conceal) at work elsewhere in the novel?
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Third, consider the context.
There are of course at least two contexts to consider: the context withinthe novel, and the context without.
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Within the novel, you might seek a context for lipstick. What's happening, exactly, when the characters put lipstick on? Is this act presented by the author as being positive or negative? What values does the novel assert, and how does the use of lipstick reflect or challenge these values? What is the novel's theme, and how does lipstick reflect or challenge that?
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Other contexts exist outside the novel. Consider, for instance, the author's other works. Is masking an important issue there? Or consider some of the cultural forces at work here. What larger social issue might the author be pointing to? Finally, the act of masking is an ancient one. What can you find out about the history of masking that is relevant to the matter at hand?
All of these questions might help you to broaden your topic so that your discussion is substantial and interesting.
Narrowing Your Topic
But what if your topic seems too big to handle? What do you do then?
Let's consider the hypothetical novel we've just been discussing. Perhaps after doing the various prewriting exercises, you've come up with the idea that all the characters in this novel seem to wear masks. While this observation is potentially fruitful, you should resist the temptation to be satisfied with it. After all, a paper which shows that Mary wears a mask, and Johnny wears a mask, and Caroline wears a mask, will probably bore the reader. It will seem like a string of obvious and general observations. How do you narrow your topic?
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First, test your claim.
A statement as broad as this one is probably not always true. Do all the characters wear masks, or just some of them? You might discover that only the female characters wear masks. Or you might discover that, while these women wear make-up (a kind of physical mask) it is the men in the novel whose feelings are most concealed. These more focused observations lead to a more interesting, more manageable topic.
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Then look for examples.
Remember: "broad" is also "vague." Focusing on specific examples can make a topic not only more narrow, but also more clear. For example, you might want to consider when, specifically, the characters try to mask themselves. Do they mask themselves in every moment of the novel, or only at those moments that are crucial to their destinies? Are they cowards, or is the writer trying to say that it's right to try to protect ourselves from the cruelty of fate?