- •Краткие основы аннотирования, реферирования и перевода оригинальных материалов по специальности.
- •1. Просмотровое чтение и аннотация.
- •2. Ознакомительное чтение и реферат.
- •3. Перевод.
- •The professional set
- •I. Basic professional set behavior for each person on set -
- •II. Working on a professional set
- •The Director has the last word about every decision on set. Not always off set.
- •III. Running a professional set
- •Prep is everything!!!!
- •In moviemaking cheap is always more expensive.
- •If you treat actors like stars, they start to behave like stars.
- •IV. Before shooting
- •V. On the day of the shoot (1)
- •VI. On the day of the shoot (2)
- •Not having 2nd team means that the camera operators are framing up air and have to adjust the camera height and positions when 1st team steps back in front of the lens. Which is a total waste of time.
- •The holy ground is not a meeting place to hang out.
- •If you want to be in front of the camera, become an actor!
- •Professional crew knows that the equipment that’s in front of the camera needs to be cleared out.
- •It’s also strongly encouraged for the key crew members to watch the monitor before the camera rolls.
- •VII. On the day of the shoot (3)
- •1St team has the set
- •Never ever can a crew member be in the line of view of the actor or even worse look into their eyes during a take.
- •In between takes
- •In between takes is not the moment when the set becomes like the working floor of the stock market after the bell rings.
- •Having the take doesn’t mean that work is done and time for a coffee and cigarette break. This is when work starts.
- •It’s during the takes the majority of the crew has time to relax and have a coffee off set.
- •Хрестоматия для самостоятельного чтения по специальности “Киноведение” doing film history
- •Хрестоматия для самостоятельного чтения по специальности “Драматургия” writing a screenplay
- •Insiders
- •Dialogue
- •1St Act Watershed
- •1St Focus Point
- •2Nd Focus Point
- •2Nd Act Watershed
- •Хрестоматия для самостоятельного чтения по специальности “Звукорежиссура аудиовизуальных искусств”
- •Хрестоматия для самостоятельного чтения по специальности “Продюсерство” the film producer
- •Хрестоматия для самостоятельного чтения по специальности “Режиссура кино и телевидения”
- •Introduction
- •What and who is a director?
- •Entering the business
- •The script
- •Budget and studio involvement
- •Bringing a script to life
- •Casting
- •Rehearsal
- •Shooting the picture
- •Film editing
- •Previews
- •Reviews from critics
- •Хрестоматия для самостоятельного чтения по специальности “Кинооператорство” what is a director of photography?
- •The director of photography: responsibilities
- •In early pre-production
- •Хрестоматия для самостоятельного чтения по специальности
- •The actor
- •Acting in cinema
- •Constantin stanislavski
- •A theatre in decline
- •The birth of the moscow art theatre
- •Training
- •Working as an extra
- •Casting
- •Preparing for a role
- •Rehearsals
- •Dealing with critics. Part I
- •Dealing with critics. Part II
- •Actors on acting
- •Хрестоматия для самостоятельного чтения по специальностям “Живопись”, “Графика” art department overview
- •Production designer
- •How to be a production designer
- •Art director
- •A history of animation
- •Early peek at “avatar” production design
Training
Many actors that have had great success in the business continue to work with acting coaches on a regular basis. Whether it is for suggestions about a character or help perfecting a certain accent, acting coaches often have the insight that actors, who are switching from one job to another, do not. When accepting her Academy Award for Best Actress in the film As Good As it Gets, Helen Hunt made sure to thank her acting coach for all that she had learned throughout the making of the film.
Cherie Franklin (Actress, Acting Coach) has stated that “the value of working with an acting coach on an ongoing basis is this: they can offer a safe environment that can allow you to reveal your fears and bring your work to a place where you can face your truths. This work state will invite you to trust in yourself, creating confidence and steering you clear of self-sabotage throughout your journey as an actor”.
Many people entering the business feel that acting is easy, that anyone can do it with or without proper training. Although there are those who enter the business with little or no previous training, most at one point or another in their career will end up working extensively with a teacher or coach.
“Whether you are one of the three tenors, a member of the Bolshoi Ballet, an iron man in baseball, an Olympic swimmer, or a waiter at Denny’s, you have a coach and a trainer who warms you up, guides you and prepares you for the physical and emotional struggle that lies ahead that day.
For an actor it is important to be in a class so that your instrument stays flexible and focused. Unlike a violinist who plays an instrument, you the actor are the instrument you play. It is as wrong to mistreat your body with alcohol and smoke as it is to deny this same instrument the opportunity to be nurtured by exposure to good writing, risk taking and the emotional communion that happens with other artists in a safe landscape.
Class offers you the opportunity to share your losses and gains with others who will understand. Compliments or criticism from fellow artist you trust is the highest form of support
and sharing” stated Terrance Hines, acting coach and personal manager.
Working as an extra
All actors should do at least several days of extra work at the beginning of their careers. New actors have no idea what it is like to be on an actual film set. No person or book can explain what it is like to be on location or on a sound stage. While working as an extra, there is the possibility of obtaining your SAG card. Through this work you may be given SAG vouchers, and once you obtain three of these you are eligible to join SAG. A voucher is your pay record; a three-page, multicolored form. As a SAG extra, an actor is paid a minimum of $596, plus any residuals that
Come from the film in the future.
Many of today’s well-known actors started their careers as extras. Brad Pitt’s first acting role was as an extra in the film Cutting Class. Bruce Willis was an extra in the film The Verdict, along with being a photo-double and extra in Frank Sinatra’s film First Deadly Sin. Other actors such as Ben Affleck, Matt Damon, Sharon Stone, Bette Midler, Dustin Hoffman and Nicholas Cage all worked as extras at the beginning of their careers. Being an extra is the first step towards an acting career. In this position, you are able to gain knowledge, insight and experience into the film making process that is not obtainable through just sitting in a classroom or reading a book.