Sketchbook_Confidential
.pdfThe benefits of sketching cannot be overstated. Picking up a pencil and trying to capture what is observed, translating it so that others can understand what we see, is an art form in itself. Sketching can be the beginning of that creative process. As I am sketching and considering the subject, my focus expands and I become more open to the possibilities of new subjects to study all around me. Creativity breeds more creativity.
Sketching is recording what you see visually on paper, and it is also communicating what you see to someone else.
Not only can sketching shape how we see the world, but the world can shape how we view sketching. It's all interactive. Sketching involves observation of a subject that can take us into a deeper understanding of ourselves and the world around us. More than just a mechanical artist, I try to be conscious of the physical, emotional, spiritual and mental aspects of life and art.
Finished art is the culmination of ideas, an edited version of the sketches. Sketching is the development of ideas and also observational study. It keeps the mind open to creative problem-solving and new possibilities so that when you go to finished art, you will have confidence in the direction of your artwork.
It is good to develop the discipline of sketching what you observe so that you can refine your skills. Time and discipline are needed until sketching becomes so natural that it becomes a part of your everyday life.
More on the Artists
ROBERT T. BARRETT
897 Walnut Ave., Provo, UT 84604 www.roberttbarrett.com
Email: robert_barrett@byu.edu
Author of Life Drawing: How to Portray the Figure With Accuracy and Expression (North Light Books)
DAN BECK
www.danbeckart.com
Email: danbeckart@yahoo.com
Represented by Abend Gallery (Denver, CO; www.abendgallery.com), Concetta D. Gallery (Albuquerque, NM), Greenhouse Gallery of Fine Art (San Antonio, TX; www.greenhousegallery.com), Sanders Galleries (Tucson, AZ; www.sandersgalleries.com), Waterhouse Gallery (Santa Barbara, CA; www.waterhousegallery.com), Watts Fine Art (Zionsville, IN; www.wattsfineart.com)
WILLIAM BERRA
Represented by Galleria Silecchia (Sarasota, FL; www.galleriasilecchia.com), Green-house Gallery of Fine Art (San Antonio, TX; www.greenhousegallery.com), Nedra Matteucci Fine Art and Nedra Matteucci Galleries (Santa Fe, NM; www.nedramatteuccifineart.com and www.matteucci.com), The Sylvan Gallery (Charleston, SC; www.thesylvangallery.com), Westbrook Galleries (Carmel, CA; www.westbrookgalleries.com)
ROBERTO (BOB) CARDINALE
23 Sabroso Rd., Santa Fe, NM 87508 http://churches.bobcardinale.com Email: bob@bobcardinale.com
Represented by Jane Sauer Gallery (Santa Fe, NM; www.jsauergallery.com), Duley-Jones Gallery (Scottsdale, AZ; www.duleyjones.com)
ERIN CURRIER
www.erincurrierfineart.com
www.blueraingallery.com
www.parksgallery.com
www.masottatorres.com.ar
GEORGE ALLEN DURKEE
www.gadurkee.com
Represented by The Art Gallery in Murphys (Murphys, CA; www.gallerymurphys.com) Author of Expressive Oil Painting: An Open Air Approach to Creative Landscapes (North Light Books)
DOUGLAS FRYER
P.O. Box 394, Spring City, UT 84662 Email: fryer@cut.net
Represented by Howard Mandville Gallery (Kirkland, WA; www.howardmandville.com), Marshall/LeKae Gallery (Scottsdale, AZ; www.marshall-lekaegallery.com), Meyer Gallery (Santa Fe, NM; www.meyergalleries.com)
TAMMY GARCIA
Represented by Blue Rain Gallery (Santa Fe, NM; www.blueraingallery.com) Author of Tammy Garcia: Form Without Boundaries (Tapestry Press)
ALBERT HANDELL
www.alberthandell.com
WILLIAM HOOK
www.williamhook.net
Email: hookstudio@comcast.net
Represented by Meyer Gallery (Santa Fe, NM; www.meyergalleries.com)
CATHY JOHNSON
www.cathyjohnson.info
Online workshops: www.cathyjohnson.info/online.html Blog: http//katequicksilvr.livejournal.com
Email: kate@cathyjohnson.info
Visit Cathy's Amazon.com page for books available from the artist, including Water-color Tricks & Techniques: 75 New and Classic Painting Secrets (North Light Books).
NANCY KOZIKOWSKI
510 14th St. NW, Albuquerque, NM 87102