Добавил:
ivanov666
Опубликованный материал нарушает ваши авторские права? Сообщите нам.
Вуз:
Предмет:
Файл:Clarel A Poem and Pilgrimage in the Holy Land II
.pdf
HERMAN MELVILLE
CLAREL
A POEM AND A PILGRIMAGE
IN THE HOLY LAND
PART III & IV
Москва, 2018
УДК 82
ББК 84(0)
Herman Melville
Clarel: A Poem and Pilgrimage in the Holy Land II /
H. Melville. – М. : T8RUGRAM / Original, 2018. – 334 с.
ISBN 978-5-521-07470-9
Herman Melville (1819–1891) was an American poet and
novelist of the American Renaissance, best known for his allusive
adventure novel “Moby-Dick.” Mysterious and unpredictable,
the “Pierre: or, The Ambiguities” contains all the good and
intriguing features of the Gothic fi ction genre. Being the major
author’s historical work in later years, the novel “Clarel: A Poem
and Pilgrimage in the Holy Land” considered to be one of the
longest in the American literature. The book tells the story of
an American named Clarel and his companions, on a pilgrimage
through the Palestinian ruins. It consists of four parts: Jerusalem,
The Wilderness, Mar Saba, and Bethlehem.
© T8RUGRAM, оформление, 2018
ISBN 978-5-521-07470-9 © Original, 2018
УДК 82
ББК 84(0)
BIC FC
BISAC FIC000000
CONTENTS
PART III. MAR SABA
1. IN THE MOUNTAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
2. THE CARPENTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
3. OF THE MANY MANSIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
4. THE CYPRIOTE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
5. THE HIGH DESERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
6. DERWENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
7. BELL AND CAIRN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
8. TENTS OF KEDAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
9. 0F MONASTERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
1O. BEFORE THE GATE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
11. THE BEAKER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
12. THE TIMONEER’S STORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
13. SONG AND RECITATIVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
14. THE REVEL CLOSED. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
15. IN MOONLIGHT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
16. THE EASTER FIRE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
17. A CHANT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
18. THE MINSTER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102
19. THE MASQUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .105
20. AFTERWARD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111
3
HERMAN MELVILLE
21. IN CONFIDENCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113
22. THE MEDALLION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125
23. DERWENT WITH THE ABBOT . . . . . . . . . . . . . . . . . . . . . .129
24. VAULT AND GROTTO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .133
25. DERWENT AND THE LESBIAN. . . . . . . . . . . . . . . . . . . . . .137
26. VINE AND THE PALM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .143
27. MAN AND BIRD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .146
28. MORTMAIN AND THE PALM . . . . . . . . . . . . . . . . . . . . . . .153
29. ROLFE AND THE PALM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .157
30. THE CELIBATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .160
31 . THE RECOIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166
32. EMPTY STIRRUPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .169
PART IV. BETHLEHEM
1. IN SADDLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .175
2. THE ENSIGN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .182
3. THE ISLAND. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .191
4. AN INTRUDER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .195
5. OF THE STRANGER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .198
6. BETHLEHEM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .205
7. AT TABLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .207
8. THE PILLOW. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .211
9. THE SHEPHERDS DALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .212
10. A MONUMENT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .218
11. DISQUIET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .226
12. OF POPE AND TURK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .227
13. THE CHURCH OF THE STAR. . . . . . . . . . . . . . . . . . . . . . . .231
4
CLAREL
14. SOLDIER AND MONK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .240
15. SYMPHONIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .244
16. THE CONVENT ROOF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .248
17. A TRANSITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .256
18. THE HILL-SIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .258
19. A NEW-COMER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .265
20. DERWENT AND UNGAR . . . . . . . . . . . . . . . . . . . . . . . . . . . .271
21. UNGAR AND ROLFE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .276
22. OF WICKEDNESS THE WORD. . . . . . . . . . . . . . . . . . . . . . .282
23. DERWENT AND ROLFE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .285
24. TWILIGHT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .288
25. THE INVITATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .289
26. THE PRODIGAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .291
27. BY PARAPET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .303
28. DAVID’S WELL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .305
29. THE NIGHT RIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .311
30. THE VALLEY OF DECISION. . . . . . . . . . . . . . . . . . . . . . . . . .316
31. DIRGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .322
32. PASSION WEEK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .323
33. EASTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .327
34. VIA CRUCIS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .330
35. EPILOGUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .332
PART III
MAR SABA
1. IN THE MOUNTAIN
WHAT REVERIES be in yonder heaven
Whither, if yet faith rule it so,
The tried and ransomed natures fl ow?
If there peace after strife be given
Shall hearts remember yet and know?
Thy vista, Lord, of havens dear,
May that in such entrancement bind
That never starts a wandering tear
For wail and willow left behind?
Then wherefore, chaplet, quivering throw
A dusk e’en on the martyr’s brow
You crown? Do seraphim shed balm
At last on all of earnest mind,
Unworldly yearners, nor the palm
Awarded St. Teresa, ban
To Leopardi, Obermann?
Translated where the anthem’s sung
Beyond the thunder, in a strain
Whose harmony unwinds and solves
Each mystery that life involves;
There shall the Tree whereon He hung,
The olive wood, leaf out again –
9
HERMAN MELVILLE
Again leaf out, and endless reign,
Type of the peace that buds from sinless pain?
Exhalings! Tending toward the skies
By natural law, from heart they rise
Of one there by the moundless bed
Where stones they roll to feet and head;
Then mount, and fall behind the guard
And so away.
But whitherward?
‘Tis the high desert, sultry Alp
Which suns decay, which lightnings scalp.
For now, to round the waste in large,
Christ’s Tomb re-win by Saba’s marge
Of grots and ossuary cells,
And Bethlehem where remembrance dwells –
From Sodom in her pit dismayed
Westward they wheel, and there invade
Judah’s main ridge, which horrors deaden –
Where Chaos holds the wilds in pawn,
As here had happed an Armageddon,
Betwixt the good and ill a fray,
But ending in a battle drawn,
Victory undetermined. Nay,
For how an indecisive day
When one side camps upon the ground
Contested.
Ere, enlocked in bound
They enter where the ridge is riven,
10
Соседние файлы в предмете [НЕСОРТИРОВАННОЕ]