Художественная сфера деятельности артистов балета и хореографов на рубеже XIX-XX вв. в искусствоведческом поле изучения. Монография

ɋɩɢɫɨɤ ɥɢɬɟɪ ɬɭɪɵ

1.Ⱥɥɶɞɠɟɪɚɧɨɜ ɏ Ⱥ ɉɚɜɥɨɜɚ Ⱦɟɫɹɬɶ ɥɟɬ ɢɡ ɠɢɡɧɢ ɡɜɟɡɞɵ ɪɭɫɫɤɨɝɨ ɛɚɥɟɬɚ Ɇ 2006 - ɫ

2.Ȼɚɤɥ Ɋ ȼ ɇɢɠɢɧɫɤɢɣ Ɇ - ɫ

3.Ȼɟɧɭɚ Ⱥ ɇ Ɇɨɢ ɜɨɫɩɨɦɢɧɚɧɢɹ: ȼ -ɬɢ ɤɧ Ɇ., 1980 – ɤɧ -3 – ɫ

ɤɧ – ɫ

4.Ȼɚɥɟɬɦɟɣɫɬɟɪ Ⱥ Ⱥ Ƚɨɪɫɤɢɣ Ɇɚɬɟɪɢɚɥɵ ȼɨɫɩɨɦɢɧɚɧɢɹ ɋɬɚɬɶɢ ɋ –ɉ 2000 – ɫ

5.ȼɟɥɢɱɢɟ ɦɢɪɨɡɞɚɧɢɹ Ɍɚɧɰɫɢɦɮɨɧɢɹ Ɏɺɞɨɪɚ Ʌɨɩɭɯɨɜɚ ɫ ɚɜɬɨɫɢɥɭɷɬɚɦɢ ɉɚɜɥɚ Ƚɨɧɱɚɪɨɜɚ ɉ – ɫ

6.ȼɟɣɫ ȼ Ɉɝɸɫɬ Ɋɨɞɟɧ Ɇ – ɫ

7.Ƚɚɟɜɫɤɢɣ ȼ Ⱦɨɦ ɉɟɬɢɩɚ Ɇ – ɫ

8.Ƚɚɪɚɮɨɥɚ Ʌ Ɋɭɫɫɤɢɣ ɛɚɥɟɬ Ⱦɹɝɢɥɟɜɚ ɉɟɪɦɶ – ɫ

9.Ƚɨɧɱɚɪɨɜ ɉ ɂ ȼɫɬɭɩɢɬɟɥɶɧɚɹ ɫɬɚɬɶɹ – Ȼɚɥɟɬ ɜ ɪɢɫɭɧɤɚɯ ɉ ȽɨɧɱɚɪɨɜɚȺɥɶɛɨɦ – ɉ ɛ ɫ

10.Ⱦɚɧɞɪɟ ȼ Ⱥ ɉɚɜɥɨɜɚ Ʌ –Ɇ – ɫ

11.Ⱦɨɛɪɨɜɨɥɶɫɤɚɹ Ƚ Ɏ Ʌɨɩɭɯɨɜ Ʌ – ɫ

12.Ⱦɧɟɜɧɢɤ ȼ ɇɢɠɢɧɫɤɨɝɨ ȼɨɫɩɨɦɢɧɚɧɢɹ ɨ ɇɢɠɢɧɫɤɨɦ Ɇ 1995 – ɫ

13.Ⱦɭɧɤɚɧ Ⱥ Ɇɨɹ ɢɫɩɨɜɟɞɶ Ɇ - ɫ

14.ȿɫɚɭɥɨɜ ɂ Ƚ ɏɨɪɟɨɝɪɚɮɢɱɟɫɤɨɟ ɢɫɤɭɫɫɬɜɨ ɛɚɥɟɬɦɟɣɫɬɟɪɚ ɂɠɟɜɫɤ - ɫ

15.ɂɜɚɧɨɜ ɂ ɂ Ɇ Ɏɨɤɢɧ ɉ ɛ ɫ

16.Ʉɚɪɫɚɜɢɧɚ Ɍ ɉ Ɍɟɚɬɪɚɥɶɧɚɹ ɭɥɢɰɚ ɖ - ɫ

17.Ʉɪɚɫɨɜɫɤɚɹ ȼ Ⱥɧɧɚ ɉɚɜɥɨɜɚ Ʌ –Ɇ - ɫ

18.Ʉɪɚɫɨɜɫɤɚɹ ȼ Ɇ Ⱥɧɧɚ ɉɚɜɥɨɜɚ ɋɬɪɚɧɢɰɵ ɠɢɡɧɢ ɪɭɫɫɤɨɣ ɬɚɧɰɨɜɳɢɰɵ Ʌ –Ɇ – ɫ

19.Ʉɪɚɫɨɜɫɤɚɹ ȼ Ɇ ɂɫɬɨɪɢɹ ɪɭɫɫɤɨɝɨ ɛɚɥɟɬɚ Ʌ – ɫ

20.Ʉɪɚɫɨɜɫɤɚɹ ȼ Ɇ ȼ ɇɢɠɢɧɫɤɢɣ Ʌ - ɫ

21.Ʉɪɚɫɨɜɫɤɚɹ ȼ Ɇ Ɋɭɫɫɤɢɣ ɛɚɥɟɬɧɵɣ ɬɟɚɬɪ ɧɚɱɚɥɚ ɏɏ ɜɟɤɚ Ʌ ɑ ɏɨɪɟɨɝɪɚɮɵ – ɫ

81

22.Ʉɪɚɫɨɜɫɤɚɹ ȼ Ɇ Ɋɭɫɫɤɢɣ ɛɚɥɟɬɧɵɣ ɬɟɚɬɪ ɧɚɱɚɥɚ ɏɏ ɜɟɤɚ Ʌ ɑ Ɍɚɧɰɨɜɳɢɤɢ - ɫ

23.Ʌɢɮɚɪɶ ɋ Ɇ Ⱦɹɝɢɥɟɜ ɢ ɫ Ⱦɹɝɢɥɟɜɵɦ ɉɚɪɢɠ - ɫ

24.Ʌɢɮɚɪɶ ɋ Ɇ Ⱦɹɝɢɥɟɜ ɢ ɫ Ⱦɹɝɢɥɟɜɵɦ Ɇ – ɫ 25.Ʌɢɮɚɪɶ ɋ Ɇ ɋ Ⱦɹɝɢɥɟɜ ɋ -ɉɛ – ɫ 26. Ʌɢɮɚɪɶ ɋ Ɇ ɋɬɪɚɞɧɵɟ ɝɨɞɵ ɫ Ⱦɹɝɢɥɟɜɵɦ ȼɨɫɩɨɦɢɧɚɧɢɹ ɋɨɫɬ ɋɧɟɠɤɨ

ɋ ɉ ɒɥɟɟɜ ȼ ȼ Ʌɬɞ - ɫ 27.Ʌɨɩɭɯɨɜ Ɏ ɒɟɫɬɶɞɟɫɹɬ ɥɟɬ ɜ ɛɚɥɟɬɟ ȼɫɬ ɫɬ ɘ ɋɥɨɧɢɦɫɤɨɝɨ Ɇ 966 –

ɫ 28. Ʌɭɤɢɚɧ Ɉ ɩɥɹɫɤɟ – ȿɠɟɝɨɞɧɢɤ ɩɟɬɪɨɝɪɚɞɫɤɢɯ ɚɤɚɞɟɦɢɱɟɫɤɢɯ ɬɟɚɬɪɨɜ

ɉɝ - ɫ 29 ɇɟɥɢɞɨɜɚ Ʌ Ɋ ɉɢɫɶɦɚ ɨ ɛɚɥɟɬɟ ɂɞɟɚɥɵ ɯɨɪɟɨɝɪɚɮɢɢ ɢ ɢɫɬɢɧɵ ɛɚɥɟɬɚ Ɇ - ɫ 30. ɇɢɠɢɧɫɤɚɹ Ȼ ȼ ɇɢɠɢɧɫɤɢɣ Ɇ 2004 - ɫ

31.ɇɢɠɢɧɫɤɚɹ Ȼ ȼ ɇɢɠɢɧɫɤɢɣ ȼɨɫɩɨɦɢɧɚɧɢɹ Ɇ - ɫ 32.ɇɢɠɢɧɫɤɚɹ Ȼ ȼ ɇɢɠɢɧɫɤɢɣ ɉɟɪ ɫ ɚɧɝɥ ɇ ɂ Ʉɪɨɥɢɤ Ɇ – ɫ

33.ɇɢɠɢɧɫɤɚɹ Ȼ Ɋɚɧɧɢɟ ɜɨɫɩɨɦɢɧɚɧɢɹ ɑ Ɇ., 1992 – ɫ

34.ɇɢɠɢɧɫɤɚɹ Ȼ Ɋɚɧɧɢɟ ɜɨɫɩɨɦɢɧɚɧɢɹ ɑ Ɇ., 1992 – ɫ

35.ɇɢɠɢɧɫɤɢɣ ȼ ɑɭɜɫɬɜɨ Ɍɟɬɪɚɞɢ Ɇ - ɫ

36.ɇɨɜɟɪɪ ɀ ɉɢɫɶɦɚ ɨ ɬɚɧɰɟ Ʌ – ɫ

37.ɉɚɧɤɨɜɚ ɇ ɉ ɋɰɟɧɢɱɟɫɤɢɟ ɷɬɸɞɵ ɩɨ ɩɪɨɢɡɜɟɞɟɧɢɹɦ ɠɢɜɨɩɢɫɢ Ɇ - ɫ

38.ɉɟɬɢɩɚ Ɇ Ɇɚɬɟɪɢɚɥɵ ȼɨɫɩɨɦɢɧɚɧɢɹ ɋɬɚɬɶɢ ɋɨɫɬ ɘ ɋɥɨɧɢɦɫɤɢɣ Ʌ

1971 – 446 ɫ

39.ɉɥɟɳɟɟɜ Ⱥ ɋɟɪɝɟɣ Ʌɢɮɚɪɶ ɨɬ ɫɬɚɪɨɝɨ ɤ ɧɨɜɨɦɭ ɉɚɪɢɠ – ɫ

40.ɉɪɨɛɥɟɦɵ ɧɚɫɥɟɞɢɹ ɜ ɯɨɪɟɨɝɪɚɮɢɱɟɫɤɨɦ ɢɫɤɭɫɫɬɜɟ ɋɛ ɫɬɚɬɟɣ Ɇ., 1992

–ɫ

41.Ɋɟɦɟɡ ɋ ə Ɇɢɡɚɧɫɰɟɧɚ ɢ ɫɰɟɧɢɱɟɫɤɨɟ ɞɟɣɫɬɜɢɟ Ɇ – ɫ

42.Ɋɨɞɟɧ ɢ ɟɝɨ ɜɪɟɦɹ ȼɵɫɬɚɜɤɚ ɢɡ ɦɭɡɟɟɜ Ɏɪɚɧɰɢɢ Ɇ - ɫ

82

43.ɋɚɪɚɛɶɹɧɨɜ Ⱦ ȼ ɋɬɢɥɶ ɦɨɞɟɪɧ ɂɫɬɨɤɢ ɂɫɬɨɪɢɹ ɉɪɨɛɥɟɦɵ Ɇ – 293

ɫ

44.ɋɜɟɬɥɨɜ ȼ ə Ⱥɧɧɚ ɉɚɜɥɨɜɚ ɉɚɪɢɠ - ɫ

45.ɋɥɨɧɢɦɫɤɢɣ ɘ ɂ Ɍɳɟɬɧɚɹ ɩɪɟɞɨɫɬɨɪɨɠɧɨɫɬɶ Ʌ – ɫ

46.ɋɦɢɪɧɨɜ ɂ ȼ Ɋɚɛɨɬɚ ɛɚɥɟɬɦɟɣɫɬɟɪɚ ɧɚɞ ɯɨɪɟɨɝɪɚɮɢɱɟɫɤɢɦ ɩɪɨɢɡɜɟɞɟɧɢɟɦ Ɇ – ɫ

47.ɋɬɟɪɧɢɧ Ƚ ɘ ɏɭɞɨɠɟɫɬɜɟɧɧɚɹ ɠɢɡɧɶ Ɋɨɫɫɢɢ ɧɚɱɚɥɚ ɏɏ ɜɟɤɚ Ɇ - ɫ

48.ɋɭɪɢɰ ȿ ə ɏɨɪɟɨɝɪɚɮɢɱɟɫɤɨɟ ɢɫɤɭɫɫɬɜɨ ɞɜɚɞɰɚɬɵɯ ɝɨɞɨɜ Ɍɟɧɞɟɧɰɢɢ ɪɚɡɜɢɬɢɹ Ɇ - ɫ

49.Ɏɨɤɢɧ Ɇ ɉɪɨɬɢɜ ɬɟɱɟɧɢɹ ȼɨɫɩɨɦɢɧɚɧɢɹ ɛɚɥɟɬɦɟɣɫɬɟɪɚ ɋɬɚɬɶɢ ɉɢɫɶɦɚ Ʌ –Ɇ – ɫ

50.Ɏɨɤɢɧ Ɇ ɉɪɨɬɢɜ ɬɟɱɟɧɢɹ ȼɨɫɩɨɦɢɧɚɧɢɹ ɛɚɥɟɬɦɟɣɫɬɟɪɚ ɋɰɟɧɚɪɢɢ ɢ ɡɚɦɵɫɥɵ ɛɚɥɟɬɨɜ ɋɬɚɬɶɢ ɢɧɬɟɪɜɶɸ ɢ ɩɢɫɶɦɚ Ʌ - ɫ

ɋɬ ɬɶɢ ɜ ɩɟɪɢɨɞɢɱɟɫɤɢɯ ɢɡɞ ɧɢɹɯ

51. Ⱥɧɬɨɧɨɜ ȼ ɉɚɦɹɬɢ Ʌɟɛɟɞɹ – Ɋɭɫɫɤɢɟ ɧɨɜɨɫɬɢ ɮɟɜɪɚɥɹ ɝ – ɫ 52.Ȼɟɫɤɢɧɶ ɗ ɋɤɚɡɤɢ ɬɟɥɚ – Ɍɟɚɬɪɚɥɶɧɚɹ ɝɚɡɟɬɚ ʋ ɫ 53.Ʌɭɰɤɚɹ ȿ ɉɨ ɷɫɤɢɡɚɦ Ʌɟɨɧɚ Ȼɚɤɫɬɚ – Ɍɟɚɬɪ ʋ ɫ. 90.

54.ɇɢɤɨɥɚɟɜɚ ɇ əɩɨɧɫɤɢɟ ɦɨɬɢɜɵ ɜ ɢɫɤɭɫɫɬɜɟ ɦɨɞɟɪɧɚ – ȼɨɩɪɨɫɵ ɢɫɤɭɫɫɬɜɨɡɧɚɧɢɹ Ɇ ʋ 2– ɫ

55.ɉɚɜɥɨɜɚ Ⱥ Ɇɨɣ ɛɚɥɟɬɧɵɣ ɤɨɫɬɸɦ – Ɍɟɚɬɪɚɥɶɧɚɹ ɝɚɡɟɬɚ ʋ - ɫ

56 .ɋɚɪɚɛɶɹɧɨɜ Ⱦ Ʉ ɨɩɪɟɞɟɥɟɧɢɸ ɫɬɢɥɹ ɦɨɞɟɪɧ – ɋɨɜɟɬɫɤɨɟ

ɢɫɤɭɫɫɬɜɨɜɟɞɟɧɢɟ Ɇ ʋ ɫ

57.ɋɭɪɢɰ ȿ ə Ɋɭɫɫɤɢɟ ɫɟɡɨɧɵ – Ɍɟɚɬɪ ʋ ɫ. 80.

58.ɑɟɪɟɩɧɢɧ Ⱥ Ȼɚɥɟɬɧɵɟ ɫɢɦɜɨɥɵ – Ɍɟɚɬɪɚɥɶɧɚɹ ɝɚɡɟɬɚ ʋ 31 ɚɜɝɭɫɬɚ - ɫ

Ⱥɪɯɢɜɧɵɟ ɦ ɬɟɪɢ ɥɵ

59.Ƚɨɪɫɤɚɹ ȼ Ⱥ ȼɨɫɩɨɦɢɧɚɧɢɹ ɨ Ⱥ Ⱥ Ƚɨɪɫɤɨɦ ɝ – ȽɐɌɆ ɮ ɟɞ ɯɪ –51.

83

60.Ƚɨɪɲɤɨɜɚ Ɇ ɇ ȼɨɫɩɨɦɢɧɚɧɢɹ ɨ Ⱥ Ⱥ Ƚɨɪɫɤɨɦ – ȽɐɌɆ ɮ ɟɞ ɯɪ

61.Ⱦɢɩɥɨɦ ɧɚ ɡɜɚɧɢɟ ɱɥɟɧ-ɤɨɪɪɟɫɩɨɧɞɟɧɬɚ Ⱥɤɚɞɟɦɢɢ ɩɪɢɫɭɠɞɟɧɧɨɣ Ƚɨɪɫɤɨɦɭ Ⱥ Ⱥ ɮɪɚɧɰɭɡɫɤɨɣ Ⱥɤɚɞɟɦɢɢ ɯɭɞɨɠɟɫɬɜ ɢɸɧɹ ɝ – ȽɐɌɆ

ɮ ɟɞ ɯɪ 62 Ⱦɢɬɢɧɟɧɤɨ ȼ Ⱥ ȼɵɩɢɫɤɢ ɨ Ⱥ Ⱥ Ƚɨɪɫɤɨɦ ɂɡ ɪɭɤɨɩɢɫɢ Ɇɭɯɢɧɚ. –

ȽɐɌɆ ɮ ɟɞ ɯɪ

63.Ⱦɢɬɢɧɟɧɤɨ ȼ Ⱥ Ɇɨɫɤɨɜɫɤɢɣ ɛɚɥɟɬɦɟɣɫɬɟɪ Ⱥ Ⱥ Ƚɨɪɫɤɢɣ Ȼɢɨɝɪɚɮɢɹ –

ȽɐɌɆ ɥ ɮ ɟɞ ɯɪ

64.Ⱦɢɬɢɧɟɧɤɨ ȼ Ɇɨɫɤɨɜɫɤɢɣ ɛɚɥɟɬɦɟɣɫɬɟɪ Ⱥɥɟɤɫɚɧɞɪ Ⱥɥɟɤɫɟɟɜɢɱ ȽɨɪɫɤɢɣȻɢɨɝɪɚɮɢɹ – ȽɐɌɆ ɮ ɟɞ ɯɪ

65.ɂɜɢɧɝ ȼ ɉ Ⱥɧɧɚ ɉɚɜɥɨɜɚ ɋɬɚɬɶɹ – ɐȽȺɅɂ ɮ ɨɩ ɟɞ ɯɪ 69. ɂɥɥɸɫɬɪɢɪɨɜɚɧɧɵɟ ɩɪɨɝɪɚɦɦɵ ɤɨɧɰɟɪɬɨɜ Ⱥ ɉ ɉɚɜɥɨɜɨɣ –

ɐȽȺɅɂ ɮ ɨɩ ɟɞ ɯɪ

66.Ʉɨɪɫɚɤɨɜ Ƚ Ⱥ ȼɨɩɪɨɫɵ ɢ ɨɬɜɟɬɵ ɨ ɬɜɨɪɱɟɫɬɜɟ ɢ ɠɢɡɧɢ Ⱥ Ƚɨɪɫɤɨɝɨ –

ȽɐɌɆ ɮ ɟɞ ɯɪ

67.Ʉɨɪɫɚɤɨɜ Ƚ Ⱥ Ʉɪɚɬɤɚɹ ɯɚɪɚɤɬɟɪɢɫɬɢɤɚ ɬɜɨɪɱɟɫɬɜɚ Ⱥ Ƚɨɪɫɤɨɝɨ – ȽɐɌɆ

ɮ ɟɞ ɯɪ

68.Ʉɨɪɫɚɤɨɜ Ƚ Ⱥ Ɍɟɡɢɫɵ ɤ ɪɭɤɨɩɢɫɢ Ɍɜɨɪɱɟɫɬɜɨ Ⱥ Ƚɨɪɫɤɨɝɨ – ȽɐɌɆ ɮ

ɟɞ ɯɪ

69.Ʉɨɪɫɚɤɨɜ Ƚ Ⱥ Ɍɜɨɪɱɟɫɤɢɣ ɩɭɬɶ Ⱥ Ƚɨɪɫɤɨɝɨ ɧɚɛɪɨɫɨɤ – ȽɐɌɆ ɮ 384, ɟɞ ɯɪ –16.

70.Ʌɶɜɨɜ ɇ Ƚɨɥɟɣɡɨɜɫɤɢɣ ɢ Ʌɭɤɢɚɧ – Ƚɚɡɟɬɧɵɟ ɢ ɠɭɪɧɚɥɶɧɵɟ ɜɵɪɟɡɤɢ ȽɐɌɆ ɮ ɟɞ ɯɪ –341.

71.ɇɟɣɲɬɚɞɬ ȼ ɂ ȼɵɩɢɫɤɢ ɢɡ ɫɬɚɬɟɣ ɢ ɪɟɰɟɧɡɢɣ ɨ ɬɜɨɪɱɟɫɬɜɟ Ⱥ ɉɚɜɥɨɜɨɣ ɫɞɟɥɚɧɧɵɟ ɞɥɹ ɪɚɛɨɬɵ ɧɚɞ ɢɫɫɥɟɞɨɜɚɧɢɟɦ ɩɨ ɢɫɬɨɪɢɢ ɛɚɥɟɬɚ ɝ. –

ɐȽȺɅɂ ɮ ɨɩ ɟɞ ɯɪ

72.ɇɟɤɪɚɫɨɜɚ Ɉ ȼ ȼɨɫɩɨɦɢɧɚɧɢɹ ɨ Ⱥ Ⱥ Ƚɨɪɫɤɨɦ – ȽɐɌɆ ɮ ɟɞ ɯɪ –

56.

84

73. ɇɢɥɟɧɞɟɪ ȼ ɉ Ɍɚɧɰɟɜɚɥɶɧɵɟ ɞɜɢɠɟɧɢɹ – ɜɨɫɩɪɨɢɡɜɟɞɟɧɢɟ ɪɢɫɭɧɤɨɜ ɫ ɚɧɬɢɱɧɵɯ ɜɚɡ ɮɪɟɫɨɤ ɢ ɫɤɭɥɶɩɬɭɪ ɞɥɹ ɤɧɢɝɢ Ⱥɧɬɢɱɧɵɣ ɬɚɧɟɰ – ȽɊȻ ɮ 583, ɨɩ ɟɞ ɯɪ ɨɩ ɟɞ ɯɪ –7.

74.ɉɨɩɨɜ ɇ Ⱥ ɋɬɚɬɶɢ ɢ ɡɚɦɟɬɤɢ ɨ ɛɚɥɟɬɟ ɢ ɬɚɧɰɚɯ – ɝɝ – ɐȽȺɅɂ

ɮ ɨɩ ɟɞ ɯɪ

75.ɉɢɫɶɦɨ ɋɬɟɥɥɟɰɤɨɝɨ Ⱦ ɋ ɤ Ɉɫɬɪɨɭɯɨɜɭ ɂ ɋ – ȽɌȽ ɮ ɟɞ ɯɪ

76.Ɋɟɰɟɧɡɢɢ ɛɚɥɟɬɧɵɟ ɢɡ ɦɨɫɤɨɜɫɤɢɯ ɢ ɩɟɬɟɪɛɭɪɝɫɤɢɯ ɝɚɡɟɬ

ɝɝ ɂɡ ɫɨɛɪ Ⱥ Ƚɨɪɫɤɨɝɨ – ȽɐɌɆ ɮ ɟɞ ɯɪ 77.Ɋɨɞɟɧ Ɉ Ⱦɜɢɠɟɧɢɟ ɜ ɢɫɤɭɫɫɬɜɟ – ɜ ɤɧ ɂɫɤɭɫɫɬɜɨ Ɋɹɞ ɛɟɫɟɞ ɡɚɩɢɫɚɧɧɵɯ

Ɇ Ƚɡɟɥɶ ɋɩɛ – ȽɐɌɆ ɮ ɟɞ ɯɪ 78.Ɋɨɞɟɧ Ɉ ɂɫɤɭɫɫɬɜɨ Ɋɹɞ ɛɟɫɟɞ ɡɚɩɢɫɚɧɧɵɯ ɉ Ƚɡɟɥɥɶ ɉɟɪɟɜɨɞ ɉ Ɇ

ɝ – ȽɐɌɆ ɮ ɟɞ ɯɪ 79.ɋɜɟɬɢɧɫɤɚɹ ȼ ɇ ȼɨɫɩɨɦɢɧɚɧɢɹ ɨ Ⱥ Ⱥ Ƚɨɪɫɤɨɦ ɝ – ȽɐɌɆ ɮ

ɟɞ ɯɪ 80.ɋɜɟɬɥɨɜ ȼ ȼɵɫɬɚɜɤɚ ɩɚɦɹɬɢ Ⱥɧɧɵ ɉɚɜɥɨɜɨɣ ɋɬɚɬɶɢ ɢ ɡɚɦɟɬɤɢ –

ɐȽȺɅɂ ɮ ɨɩ ɟɞ ɯɪ

81.ɋɤɚɥɶɤɨɜɫɤɢɣ Ʉ Ⱥ Ȼɚɥɟɬ ȿɝɨ ɢɫɬɨɪɢɹ ɢ ɦɟɫɬɨ ɜ ɪɹɞɭ ɢɡɹɳɧɵɯ ɢɫɤɭɫɫɬɜ ɋɩɛ – ȽɐɌɆ ɮ ɟɞ ɯɪ

82.Ɍɭɝɚɥɶ ɉ Ⱦɢɚɥɨɝ ɫ Ɏɨɤɢɧɵɦ ɉɚɪɢɠ ɝ – ȽɐɌɆ ɮ ɟɞ ɯɪ

110–111.

83. ɏɭɞɹɤɨɜ ɋ ɇ ɂɫɬɨɪɢɹ ɬɚɧɰɟɜ ɑ ,9 – ɉ , 1918. – ȽɐɌȻ

ɂɡɞ ɧɢɹ ɧ ɢɧɨɫɬɪ ɧɧɵɯ ɹɡɵɤ ɯ

84.Anna Pavlova. Exposition. La Dance de son Temps. Paris, 1956.

85.Aveline C. Ditet M. Bourdelle et la danse Isadora et Nijinsky.– Paris, 1969 – 52

ɪ

86.Ballet and Theatre Material. Auction. Thursday. 22-nd October. Sotheby. – London, 1987 – 96 ɪ.

87.Ballet and Theatre Material. Auction. Tuesday 28th May in the Large Galleries. Sotheby. – London, 1985 - ɪ

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88.Ballets Russes de Diaghilev 1909 a 1929 (Exposition organisee par Serge Lifar): Avril-mai. – Paris, 1939 - 40 ɪ.

89.Balleta Russes de Diaghilev 1909 a 1929. Exposition Catalog. – Paris, 1932 -

ɪ

90.Balleta Russes dm Diaghilev 1909 a 1929. Exposition. Paris avril-mai. Catalog. – Paris, 1939 -40 ɪ.

91.Bronislava Nijinska. Early Memoirs. London, 1922 – 448 ɪ.

92.Derek Parer. God of the Dance. Equation, 1988 – ɪ

93.The Diary of Vaslav Nijinsky. Edited and with a preface buy Romola Nijinsky. London, 1966 – ɪ

94.Les Ballets russes de Serge de Diaghilev. La Revue musicall. – Paris, 1930. – Anne 11 – ʋ -112 ɪ.

95.L`Apres – midi d`un Debussy, Nijnsky: Exposition pres an Musee d`orsay.

Paris, 1989 – ɪ

96.Baer Nanoy van Norman. Bronislava Nijinska: A Dancer’s Legacy. Exhibitionorganized by the Fine Arts Museums of San Francisco. – San Francisco, 1986.

97.Barnes C. Le Spectre de la Rose. Dance and Dancers. – 1959. – ʋ 7. – ɪ. 18, 19.

98.Barnes C. L’Apres-Midi d’un Faune. Dance and Dancers. – 1959. – ʋ 9. – ɪ 20, 21.

99.Barnes C. Le Carnaval. Dance and Dancers. – 1958. – ʋ– ɪ. 18, 19 – ʋ

–ɪ. 28.

100.Beaumont C.W. Vaslav Nijinsky. – New York, 1974 -28 ɪ.

101.Beaumont C.W. Book-Seller at the Ballet Memoirs 1891 to 1929. – London, 1975 -426 ɪ.

102.Beaumont C.W. Anna Pavlova. – London, 1945.

103.Bie O. Der Tanz. – Berlin, 1919 – 56 ɪ.

104.Borman A. The tragedy of Nijinsky. - Repint., 1936 -291 ɪ.

105.Buckle R. Nijinsky (His life and art) – Hew York, 1971 - 448 ɪ.

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106.Buckle R. Gross Valentine. – London, 1971.

107.The George Verddak Collection. Eras of the Dance. Copyright, 1976.

108.Catalogue of ballet and theatre material, including costume and decor

designs portraits, bronze and porcelain figures and books. – London, 1977 – 85

ɪ.

109.Catalogue principaly of Diaghilev Ballet Material. Decor and costume. Designs, portraits and posters. Sotheby. New York, 1968 - 117 ɪ.

110.Catalogue principaly of Diaghilev Ballet Material. Decor and costume. Designs, portraits and posters. Sotheby. New York, 1968 -180 ɪ.

111.Catalogue principally of Diaghilev Ballet Material: Decor and costume Designs, Portraits and Posters. – London, 1969 – 304 ɪ.

112.Catalogue of the Commerative Exhibition organised by the London Museum. – London, 1956 – 223 ɪ.

113.The Diary of Vaslav Nijinsky. Edited and with a preface by Romola Nijineka. – London, 1966.

114.Fokin M. Gegenstrom: Erinnerangen eines Ballet mecsters. – Berlin, 1974 –

318ɪ.

115.Fokine M. Memoirs of a Ballet Master. Ed. by A. Chajoy. – Boston, 1961 –

318ɪ.

116.Haskell A.L. Ballet Russe. The age of Diaghilev. – London, 1968 – 127 ɪ.

117.Hyden W. La Pavlova. – Paris, 1932 – 209 ɪ.

118.Kerensky O. Anna Pavlova. – London, 1973 - 160 ɪ.

119.Kirstein L. Nijinsky dancing. – New York, 1975 - 67 ɪ.

120.Kochno B. Diaghilev and the Ballet russes. – New York, 1970 293 ɪ.

121.L`Apres – midi d`un Debussy, Nijnsky: Exposition pres an Musee d`orsay. Paris, 1989 - ɪ

122.Legat N.G. Ballet Russe. – London, 1939 - 87 ɪ.

123.The Serge Lifar collection of ballet set and costume designs. – New York, 1965 – 84 ɪ.

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124.Macdougall A.R. Isadora A. Revolutionary in Art and Love. – New York, 1960 – 296 ɪ.

125.Magriel P. A.Pavlova. An ill. monograph. – New York, 1948 - 78 ɪ.

126.Magriel P. Nijinsky. An illustrated monograph. – New York, 1947.

127.Money K. Anna Pavlova: Her life and Art. London. – Collins, 1982 ɪ

128.Moore L. New York Public Library Historical Ireasures of the Dance

Collection. 1581–1861. – New York, 1965 - ɪ

129.New York Public Library. Dancing in prints. A portfolio of twelve etching engrawing and lithograph. 1934–1870 from the Dance collection of the New York public library. – New York, 1964.

130.Nijinsky R. Nijinsky. A monoqraph. – Bungay. Penguin books, 1960.

131.Nijinska Bronislava. Early Memoirs. London, 1922 – 546 ɪ.

132.Nijinska B. Early Memoirs. – London, 1982 – 546 ɪ.

133.Nijinsky and illustrated monograph et by P. Magried. – New York, 1946.

134.Pawlowa Anna. – Berlin, 1913.

135.Reade B. Ballet designs and illustrations 1581–1940. A catalogue raisonne by Brain Reade. – London, 1967 - 84 ɪ.

136.Sandor M. Diaghilev-Nijinsky and other vignettens. Comment. by R. Nijinsky. – New York, 1956 – 136 ɪ.

137.Schneider I. Isadora Duncan the Russian years. – London, 1968.

138.Schaikevitch A. Serge Lifar et le destin du ballet d l’Opera. – Paris, 1971 – 191

ɪ.

139.Un Sculpteur ami du Theatre et urn la Musique. Naoum Aronson. Comoedia illustre. 1910. – anne 2 – ʋ 16.

140.Sotheby Auction. Catalogue of costumes and curtaine an de Basill. Ballets.

– London, 1968.

141.Stravinsky–Diaghilev. An Exhibition of works relating to Igor Stravinsky, Serge de Diaghilev and their collaborators for the benefit of the Strevineky– Diaghilev museum. – Ekstrom-gallery,1973.

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142.Sotheby Auction. Catalogue of Books, Drawings, prints and Music relating to the Ballet and Dancing. – London, 1968 – 88 ɪ.

143.Sotheby. Russian Avant-garde and Soviet contemporary art. – London, 1988 – 238 ɪ.

144.Williams P. Michel Fokine. The chorographer who brought ballet into the 20th Century. Dance Gazette. – 1983. – ʋ 183. – ɪ. 8–11.

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ɋɨɤɪ ɳɟɧɢɹ

Ȼɂ - ɛɢɛɥɢɨɬɟɤɚ ɩɨ ɢɫɤɭɫɫɬɜɭ Ɇɨɫɤɜɚ ȽȻ ȼɌɈ - Ƚɨɫɭɞɚɪɫɬɜɟɧɧɚɹ ɛɢɛɥɢɨɬɟɤɚ ȼɫɟɫɨɸɡɧɨɝɨ Ɍɟɚɬɪɚɥɶɧɨɝɨ Ɉɛɳɟɫɬɜɚ

ɋɌȾ ȽɆɂɂ ɎɅɄ- Ƚɨɫɭɞɚɪɫɬɜɟɧɧɵɣ ɦɭɡɟɣ ɢɡɨɛɪɚɡɢɬɟɥɶɧɵɯ ɢɫɤɭɫɫɬɜ ɢɦ

Ⱥ ɋ ɉɭɲɤɢɧɚ Ɏɨɧɞ ɥɢɱɧɵɯ ɤɨɥɥɟɤɰɢɣ ȽɐɌɆ - Ƚɨɫɭɞɚɪɫɬɜɟɧɧɵɣ ɐɟɧɬɪɚɥɶɧɵɣ ɬɟɚɬɪɚɥɶɧɵɣ ɦɭɡɟɣ ɢɦ

Ⱥ Ȼɚɯɪɭɲɢɧɚ Ɇɨɫɤɜɚ ɆȺɊȻ- Ɇɭɡɟɣ Ⱥɤɚɞɟɦɢɢ Ɋɭɫɫɤɨɝɨ ɛɚɥɟɬɚ ɢɦ Ⱥ ə ȼɚɝɚɧɨɜɨɣ ɋ-ɉɟɬɟɪɛɭɪɝ

ɉɆɌɈȻ - ɉɟɬɟɪɛɭɪɝɫɤɢɣ ɦɭɡɟɣ ɬɟɚɬɪɚ ɨɩɟɪɵ ɢ ɛɚɥɟɬɚ Ɇɚɪɢɢɧɫɤɨɝɨ ɉɌɆ - ɉɟɬɟɪɛɭɪɝɫɤɢɣ ɬɟɚɬɪɚɥɶɧɵɣ ɦɭɡɟɣ ɊȽȻ ɆɄ- Ɋɨɫɫɢɣɫɤɚɹ ɝɨɫɭɞɚɪɫɬɜɟɧɧɚɹ ɛɢɛɥɢɨɬɟɤɚ Ɇɭɡɟɣ ɤɧɢɝɢ ɋ ɡ- ɫɨɛɪɚɧɢɟ ɡɚ ɪɭɛɟɠɨɦ

ɐȽȺɅɂ - ɐɟɧɬɪɚɥɶɧɵɣ ɝɨɫɭɞɚɪɫɬɜɟɧɧɵɣ ɚɪɯɢɜ ɥɢɬɟɪɚɬɭɪɵ ɢ ɢɫɤɭɫ

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