Художественная сфера деятельности артистов балета и хореографов на рубеже XIX-XX вв. в искусствоведческом поле изучения. Монография

51.Ɇ Ⱦ Ʉɨɧɟɰɤɚɹ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

52.ɋ Ⱥ Ⱥɫɬɚɮɶɟɜɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

53.Ɍ ɉ Ʉɚɪɫɚɜɢɧɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

54.Ⱥ ɉ ɉɚɜɥɨɜɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

55.ȼ ȼ Ɇɨɫɨɥɨɜɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

56.Ɉ Ʌɟɜɢɧɫɨɧ – ɛɚɥɟɬɦɟɣɫɬɟɪ Ʉɚɪɢɤɚɬɭɪɚ Ȼɭɦ ɚɤɜ ɯ ɂɧɜ

ʋ ȽɐɌɆ

57.Ȼɚɥɟɪɢɧɚ ɜ ɩɚɱɤɟ ɒɚɪɠ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

58.Ɉ ɋ ɑɭɦɚɤɨɜɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

59.ɇ Ⱥ Ȼɚɪɯɚɪɞɬ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

60.ɉ Ƚ Ʉɹɲɬ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɂɧɜ ʋ

ȽɐɌɆ

61.Ɇɚɤɚɪɨɜɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

62.Ɇ Ɏ Ɋɭɬɤɨɜɫɤɚɹ Ʉɚɪɢɤɚɬɭɪɚ Ȼɭɦ ɚɤɜ ɯ ɂɧɜ ʋ ȽɐɌɆ

63.ɉ ȼ ɐɢɥɢɫɨɧ Ʉɚɪɢɤɚɬɭɪɚ Ȼɭɦ ɚɤɜ ɯ ɂɧɜ ʋ ȽɐɌɆ

64.Ɋɟɩɢɧɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

65.ȼ Ɍɪɟɮɢɥɨɜɚ ɒɚɪɠ Ȼɭɦ ɤɚɪ ɯ ɂɧɜ ʋ ȽɐɌɆ

66.Ⱥ Ⱥ Ƚɨɪɫɤɢɣ ɒɚɪɠ Ȼɭɦ ɬɭɲɶ ɩɟɪɨ ɚɤɜ ɯ ɂɧɜ ʋ ȽɐɌɆ

101

67.Ⱥ ɉ ɉɚɜɥɨɜɚ -ɹ ɒɚɪɠ Ʉɚɪɬ ɚɤɜ ɬɭɲɶ ɯ ɂɧɜ ʋ

ȽɐɌɆ

68.Ɏ Ʉɲɟɫɢɧɫɤɢɣ ɒɚɪɠ Ȼɭɦ ɚɤɜ ɬɭɲɶ ɯ ɂɧɜ ʋ

ȽɐɌɆ

69.Ⱥɜɬɨɲɚɪɠ ɝ Ʉɚɪɬ ɤɚɪ ɬɭɲɶ ɯ ɂɧɜ ʋ

ȽɐɌɆ

70.Ⱥɜɬɨɩɨɪɬɪɟɬ Ȼɭɦ ɤɚɪ ɱɟɪɧ ɩɟɪɨ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

71.Ⱥ Ⱥ Ƚɨɪɫɤɢɣ ɫ ɧɚɞɩɢɫɶɸ ȼɨɬ ɝɢɛɟɥɶ ɪɭɫɫɤɨɝɨ ɛɚɥɟɬɚ ɒɚɪɠɝ ɫ ɚɜɬɨɝɪɚɮɨɦ ɝ Ȼɭɦ ɤɚɪ ɬɭɲɶ ɩɟɪɨ ɯ ɂɧɜ ʋ ȽɐɌɆ

72.ȼ Ɍɟɥɹɤɨɜɫɤɢɣ ɜ ɦɭɧɞɢɪɟ ɒɚɪɠ Ʉɚɪɬ ɚɤɜ ɯ ɂɧɜ ʋ

ȽɐɌɆ

73.Ⱥɥɶɛɨɦ ɲɚɪɠɟɣ ɧɚ ɚɪɬɢɫɬɨɜ ɛɚɥɟɬɚ ɢɦɩɟɪɚɬɨɪɫɤɢɯ ɬɟɚɬɪɨɜ Ȼɭɦ ɩɟɱɚɬɶ ɰɜ ɥɢɬɨɝɪ ɯ ɜ ɩɚɩɤɟ ɂɧɜ ʋ - ȽɐɌɆ

74.ȼ Ⱥ Ɍɪɟɮɢɥɨɜɚ Ʉɚɪɢɤɚɬɭɪɚ ɝ Ȼɭɦ ɚɤɜ ɯ ɉɨɞɩɢɫɧɨɣ ɂɧɜ ʋ ȽɐɌɆ

75.Ⱥɥɶɛɨɦ ɫ ɪɢɫɭɧɤɚɦɢ ɫɬɪ ɯ ɂɧɜ ʋ ȽɐɌɆ

76.Ⱥ Ⱥ Ƚɨɪɫɤɢɣ ɒɚɪɠ ɝ Ȼɭɦ ɬɭɲɶ ɩɟɪɨ ɯ ɂɧɜ ʋ ȽɐɌɆ

77.Ɏ ɂ Ʉɲɟɫɢɧɫɤɢɣ ɒɚɪɠ ɝ Ȼɭɦ ɤɚɪ ɬɭɲɶ ɯ ɂɧɜ ʋ ȽɐɌɆ

78.Ɉ ɉɪɟɨɛɪɚɠɟɧɫɤɚɹ ɒɚɪɠ ɝ Ʉɚɪɬ ɤɚɪ ɬɭɲɶ ɚɤɜ ɯ ɂɧɜ ʋ ȽɐɌɆ

79.ȿ ȼ Ƚɟɥɶɰɟɪ ɒɚɪɠ ɝ Ʉɚɪɬ ɤɚɪ ɚɤɜ ɬɭɲɶ ɯ ɂɧɜ ʋ ȽɐɌɆ

80.ɋ Ʌɟɝɚɬ Ɇ Ʌɟɝɚɬ Ɇ Ɉɛɭɯɨɜ Ⱥ Ƚɨɪɫɤɢɣ ɒɚɪɠ Ʉɚɪɬ ɤɚɪ ɬɭɲɶ ɚɤɜ ɯ ɂɧɜ ʋ ȽɐɌɆ

81.Ⱥ Ƚɨɪɫɤɢɣ ȼ Ɍɟɥɹɤɨɜɫɤɢɣ Ɇ ɉɟɬɢɩɚ ɒɚɪɠ Ȼɭɦ ɤɚɪ ɚɤɜ ɬɭɲɶɯ ɂɧɜ ʋ ȽɐɌɆ

102

82.Ɇ Ɋ Ʉɲɟɫɢɧɫɤɚɹ ɒɚɪɠ ɝ Ȼɭɦ ɤɚɪ ɚɤɜ ɬɭɲɶ ɯ ɂɧɜ ʋ ȽɐɌɆ

83.Ɋɭɫɫɤɢɣ ɛɚɥɟɬ ɜ ɤɚɪɢɤɚɬɭɪɚɯ Ȼ ɩɟɱɚɬɶ ɰɜ ɥɢɬɨɝɪ ɯ ɂɧɜ ʋ - Ɇɭɡɟɣ ɉɆɌɈȻ

Ʌɟɝ ɬ ɋ Ƚ 869 – 1937)

1.Ɇ ɉɟɬɢɩɚ Ȼɭɥɝɚɤɨɜ ɚɪɬɢɫɬɵ ɛɚɥɟɬɚ Ɇɚɪɢɢɧɫɤɨɝɨ ɬɟɚɬɪɚ ɒɚɪɠɝ Ȼɭɦ ɤɚɪ ɚɤɜ ɬɭɲɶ ɯ ɂɧɜ ʋ ȽɐɌɆ

2.Ɇ Ƚ Ʌɟɝɚɬ ɒɚɪɠ Ȼɭɦ ɤɚɪ ɚɤɜ ɬɭɲɶ ɯ ɂɧɜ ʋ

ȽɐɌɆ

3.Ɇ ɂ ɉɟɬɢɩɚ – ɛɚɥɟɬɦɟɣɫɬɟɪ Ɇɚɪɢɢɧɫɤɨɝɨ ɬɟɚɬɪɚ ɒɚɪɠ Ȼɭɦ ɤɚɪ

ɫɨɭɫ ɯ ɂɧɜ ʋ ȽɐɌɆ

4.Ɇ Ʌɟɝɚɬ ɝ Ȼɭɦ ɝɪɚɮ ɤɚɪ ɬɭɲɶ ɛɟɥɢɥɚ ɫɢɧɢɣ ɤɚɪɯ ɂɧɜ ʋ ȽɐɌɆ

Ɇɨɹ ɥɭɱɲɚɹ ɭɱɟɧɢɰɚ – ɛɚɥɟɪɢɧɚ ɇ Ⱥ ɇɢɤɨɥɚɟɜɚ ɝ Ȼɭɦ ɤɚɪ

ɉɨɞɩɢɫɶ ɨɤɬ ɇ Ʌɟɝɚɬ Ɋɢɫɭɧɨɤ ɜ ɚɥɶɛɨɦɟ Ⱥ Ȼɚɯɪɭɲɢɧɚ ɐȽȺɅɂ Ɏ Ɉɩ – ȿɞ ɯɪ

1.ȼ ɇɢɠɢɧɫɤɢɣ ɜ ɛɚɥɟɬɟ ɂɝɪɵ Ʉ Ⱦɟɛɸɫɫɢ Ȼɭɦ ɤɚɪ ɫ ɡ %U LVOD D

Nijinska: early memoirs. London, 1982.

2.ȼ ɇɢɠɢɧɫɤɢɣ ɜ ɛɚɥɟɬɟ ɉɨɫɥɟɩɨɥɭɞɟɧɧɵɣ ɨɬɞɵɯ Ɏɚɜɧɚ Ʉ Ⱦɟɛɸɫɫɢ Ȼɭɦ ɤɚɪ ɫ ɡ Ɍɚɦ ɠɟ

3.Ȼɚɥɟɬ ɂɝɪɵ Ȼɭɦ ɤɚɪ ɫ ɡ Ɍɚɦ ɠɟ

4.Ȼɚɥɟɬ ȼɟɫɧɚ ɫɜɹɳɟɧɧɚɹ ɂ ɋɬɪɚɜɢɧɫɤɨɝɨ Ȼɭɦ ɤɚɪ ɫ ɡ Ɍɚɦ ɠɟ

5. ȼ ɇɢɠɢɧɫɤɢɣ ɜ ɛɚɥɟɬɟ ɉɪɢɡɪɚɤ Ɋɨɡɵ Ʉ ȼɟɛɟɪɚ Ȼɭɦ ɤɚɪ ɫ ɡ

Ɍɚɦ ɠɟ

6.ȼ ɇɢɠɢɧɫɤɢɣ ɜ ɤɥɚɫɫɟ ɧɚ ɪɟɩɟɬɢɰɢɢ Ȼɭɦ ɤɚɪ ɫ ɡ Ɍɚɦ ɠɟ

103

1.Ⱦɟɜɭɲɤɢ ɫ ɦɭɮɬɨɱɤɚɦɢ Ȼɭɦ ɰɜ ɤɚɪ Ⱦɚɪ ɠɟɧɵ ȼ ɇɢɠɢɧɫɤɨɝɨ Ɋ ɇɢɠɢɧɫɤɨɣ ɝ Ɇɭɡɟɣ ɉɏɍ

2.Ɋɢɫɭɧɨɤ Ȼɭɦ ɰɜ ɤɚɪ ɯ ɫ ɡ

The George Verdak Collection. Eras of the Dance. Montgomery Museum of Fine Arts Copyright, 1976.

3.Ɋɢɫɭɧɨɤ Ȼɭɦ ɰɜ ɤɚɪ ɯ ɆɈɉ

4.Ⱥɜɬɨɩɨɪɬɪɟɬ Ȼɭɦ ɰɜ ɤɚɪ ɯ ɂɧɜ ʋ ȽɐɌɆ

5.Ȼɨɝ ɬɚɧɰɚ ɝ Ȼɭɦ ɤɚɪ ɫ ɡ

Paul Magriel. Nijinsky, Pavlova, Duncan. Three lives in Dance. New York,

1977.

6.Ʉɨɦɩɨɡɢɰɢɹ Ȼɭɦ ɚɤɜ ɫ ɡ Ɍɚɦ ɠɟ

7.ɑɟɬɵɪɟ ɤɨɦɩɨɡɢɰɢɢ ɝ ɫ ɡ

Reiss Nion la lagrace. La via de Nijinsky. Paris, 1957.

8.ɑɟɥɨɜɟɱɟɫɤɚɹ ɮɢɝɭɪɚ ɫ ɦɹɱɨɦ ɫ ɡ

Romola Nijinsky. Nijinsky. Penging books. 1960.

9.Ⱥɛɫɬɪɚɤɬɧɚɹ ɮɢɝɭɪɚ ɱɟɥɨɜɟɤɚ ɫ ɡ Ɍɚɦ ɠɟ

10.Ⱥɜɬɨɩɨɪɬɪɟɬ ɜ ɛɚɥɟɬɟ Ⱥ Ⱥɞɚɧɚ ɀɢɡɟɥɶ

Romola Nijinsky. Vida de Nijinsky. Barcelona, 1960.

11.Ⱥɜɬɨɩɨɪɬɪɟɬ Ȼɭɦ ɤɚɪ ɚɤɜ ɐɜ ɤɚɪ ɯ ɱ ɫ ɡ

Catalogue principally of Diaghilev Ballet Material: Costumes Designs and Portraits. New York, p.226.

12.Ⱥɜɬɨɩɨɪɬɪɟɬ Ȼɭɦ ɤɚɪ ɰɜ ɤɚɪ ɯ ɱ ɫ ɡ Ɍɚɦ ɠɟ ɪ

13.Ⱥɛɫɬɪɚɤɬɧɚɹ ɤɨɦɩɨɡɢɰɢɹ Ȼɭɦ ɰɜ ɤɚɪ ɯ ɋɨɛɪ Ɋ ɇɢɠɢɧɫɤɨɣ

Catalogue principally of Diaghilev Ballet Material. Décor and Costume

Designs, Portraits and Posters. New York, 1968.

14.Ⱥɛɫɬɪɚɤɬɧɚɹ ɤɨɦɩɨɡɢɰɢɹ Ȼɭɦ ɰɜ ɤɚɪ ɯ ɋɨɛɪ Ɋ ɇɢɠɢɧɫɤɨɣ

15.Ʉɢɪɚ – ɪɟɛɟɧɨɤ Ȼɭɦ ɤɚɪ ɯ ɋɨɛɪ ȼ ɢ Ȼ ɇɢɠɢɧɫɤɢɯ

104

Ballet and Theatre Material. Tuesday 28th May 1985 in the Large Galleries.

Sotheby. London, 1985.

16.Ⱦɜɟ ɤɨɦɩɨɡɢɰɢɢ Ȼɭɦ ɰɜ ɤɚɪ ɯ Ɍɚɦ ɠɟ

17.Ʉɨɦɩɨɡɢɰɢɹ Ȼɭɦ ɤɪɚɫɧ ɢ ɝɨɥɭɛ ɤɚɪ ɯ ɋɨɛɪ ȼ ɢ Ȼ ɇɢɠɢɧɫɤɢɯ Ɍɚɦ ɠɟ

18.Ⱦɜɟ ɤɨɦɩɨɡɢɰɢɢ ɜ ɤɪɚɫɧɨɦ ɢ ɝɨɥɭɛɨɦ Ȼɭɦ ɱɟɪɧɢɥɚ ɚɤɜ ɯ ɋɨɛɪ Ɋ ɇɢɠɢɧɫɤɨɣ Ɍɚɦ ɠɟ

19.Ɍɪɢ ɤɨɦɩɨɡɢɰɢɢ ɜ ɤɪɚɫɧɨɦ ɢ ɝɨɥɭɛɨɦ Ȼɭɦ ɱɟɪɧɢɥɚ ɚɤɜ ɯ ɋɨɛɪ Ɋ ɇɢɠɢɧɫɤɨɣ Ɍɚɦ ɠɟ

1.Ⱥ ɉɚɜɥɨɜɚ – ɋɬɪɟɤɨɡɚ Ɏɚɪɮɨɪ ȼɵɫ ȻɆɌ

Anna Pavlova. Exposition la Danse de son Temps. Janvier-Mars. 1956. Paris,

1956.

2.Ⱥ ɉɚɜɥɨɜɚ – Ȼɚɛɨɱɤɚ Ɏɚɪɮɨɪ ɯ Ɇɨɧɨɝɪɚɦɦɚ ɧɚ ɛɚɡɟ ɫ ɡ

Catalogue of Ballet and Theatre Material including Costume and Decor

Designs Portraits Bronze and Porcelain Figures and Book. London, 1977.

3.Ⱥ ɉɚɜɥɨɜɚ – Ⱥɪɚɛɟɫɤ Ɏɚɪɮɨɪ ɯ Ɇɨɧɨɝɪɚɦɦɚ ɧɚ ɛɚɡɟ ɫ ɡ Ɍɚɦ

ɠɟ

4.Ⱥ ɉɚɜɥɨɜɚ – ɍɦɢɪɚɸɳɢɣ ɥɟɛɟɞɶ Ȼɪɨɧɡɚ ȼɵɫɨɬɚ ɫ ɡ

Pavlova Anna (1882 – 1931). Catalogue of the Commemorative Exhibition

organized by the London Museum. London, 1956.

5. Ⱥ ɉɚɜɥɨɜɚ – Ƚɚɜɨɬ Ɏɚɪɮɨɪ ȼɵɫ ɇɚɞɩɢɫɶ ɧɚ ɛɚɡɟ Ⱥ Ɋ ɱ ɫ ɡ

Ɍɚɦ ɠɟ

6.Ⱥ ɉɚɜɥɨɜɚ – ɒɨɩɟɧɢɚɧɚ Ȼɭɦ ɫɚɧɝɢɧɚ ɫ ɡ

Pavlova a Biography. Edited by A.M.Francs Bukke, 1956.

7. ɗɫɤɢɡ ɤɨɫɬɸɦɚ – ɋɟɜɟɪɧɵɣ ɜɟɬɟɪ ɞɥɹ ɩɨɫɬɚɧɨɜɤɢ Ɉɫɟɧɧɢɣ ɥɢɫɬ

ɧɚ ɦɭɡɵɤɭ ɒɨɩɟɧɚ ɏɨɪɟɨɝɪɚɮɢɹ Ⱥ ɉɚɜɥɨɜɨɣ Ȼɭɦ ɤɚɪ ɚɤɜ ɩɟɪɨ ɱɟɪɧɢɥɚɯ ɫ ɡ

105

Ballet and Theatre Material. Tuesday 28th May 1985 in the Large Galleries.

Sotheby. London, 1985.

1.Ⱥɜɬɨɩɨɪɬɪɟɬ Ɇ Ɏɨɤɢɧɚ ɜ ɛɚɥɟɬɟ Ⱥɪɝɨɧɫɤɚɹ ɨɯɨɬɚ ɯ ɦ ɫ ɡ Ɇ Ɏɨɤɢɧ ɉɪɨɬɢɜ ɬɟɱɟɧɢɹ Ʌ -Ɇ

2.Ʉɨɦɩɨɡɢɬɨɪ ɂ ɋɬɪɚɜɢɧɫɤɢɣ Ȼɭɦ ɥɢɧɨɜɚɧ ɤɚɪ ɯ ɂɧɜ ʋ Ƚɪ-

ȽɆɂɂ ɎɅɄ

3.Ⱥɜɬɨɩɨɪɬɪɟɬ ɝ ɯ ɦ ɫ ɡ Ⱦɚɥɟɟ – ʋ

4.Ⱥɪɥɟɤɢɧ ɢ ɞɜɟ ɞɚɦɵ Ɂɚɪɢɫɨɜɤɚ ɤ ɛɚɥɟɬɭ ɉɪɢɤɥɸɱɟɧɢɹ Ⱥɪɥɟɤɢɧɚ ɧɚ ɦɭɡɵɤɭ Ʌ Ȼɟɬɯɨɜɟɧɚ ɫ ɡ

Ballet Book. Michel Fokine and his ballet. New York, 1935, p. 1.

5.Ɂɚɪɢɫɨɜɤɚ ɤ ɛɚɥɟɬɧɨɦɭ ɫɸɠɟɬɭ Ȼɭɦ ɤɚɪ ɫ ɡ Ɍɚɦ ɠɟ

Ballet Book Michel Fokine and his ballet. New York, 1935, p. 3.

7.Ɋɭɫɫɤɚɹ ɮɚɧɬɚɡɢɹ ɦ ɧ Ɍɚɦ ɠɟ Ȼɭɦ ɚɤɜ

8. Ɂɚɪɢɫɨɜɤɚ ɤ ɛɚɥɟɬɭ ɀɚɪ-ɉɬɢɰɚ ɂ ɋɬɪɚɜɢɧɫɤɨɝɨ Ȼɭɦ ɤɚɪ ɦ ɧ Ɇ Ɏɨɤɢɧ ɉɪɨɬɢɜ ɬɟɱɟɧɢɹ Ʌ -Ɇ

9.Ⱥɜɬɨɩɨɪɬɪɟɬ Ƚɢɩɫ ɬɨɧɢɪɨɜ Ⱦɚɪ ɗ Ʉɭɪɧɚɧɞ ȽɐɌɆ

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