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29) The problem of perfect.

Generally speaking, the major tense-distinction in English is undoubtedly that which is traditionally described as an opposition of past::present. But this is best regarded as a contrast of past:: non-past The perfect aspect is a grammatical aspect, which refers to a state resulting from a previous action (also described as a previous action with relevance to a particular time, or a previous action viewed from the perspective of a later time). For example, "I have gone to the cinema" implies both that a previous action happened ("I went to the cinema") and that a current state resulted ("I am now in the cinema"). This differs from the simple "I went to the cinema", which implies only that an action happened, with no relevance to the present. The form "I have gone" is referred to as a present perfect, meaning present tense, perfect aspect. (It is considered present tense, not past tense, since the resulting state is in the present.)

30) The category of aspect. Aspect opposition.

The category of aspect is a linguistic representation of the objective category of Manner of Action. It is realized through the opposition Continuous: Non-Continuous (Progressive::Non-Progressive). The realization of the category of aspect is closely connected with the lexical meaning of verbs. There are some verbs in English that do not normally occur with progressive aspect, even in those contexts in which the majority of verbs necessarily take the progressive form. Among the so-called ‘non-progressive’ verbs are think, understand, know, hate, love, see, taste, feel, possess, own, etc. The most striking characteristic that they have in common is the fact that they are ‘stative’ - they refer to a state of affairs, rather than to an action, event or process. It should be observed, however, that all the ‘non-¬progressive' verbs take the progressive aspect under particular circumstances. As the result of internal transposition verbs of non-progressive nature can be found in the Continuous form: Now I'm knowing you. Generally speaking the Continuous form has at least two semantic features - duration (the action is always in progress) and definiteness (the action is always limited to a definite point or period of).

31) The category of voice. Voice opposition. The number of voices in English.

In grammar, voice is the relationship between the action or state expressed by a verb, and its arguments (subject, object, etc.). When the subject is the agent or actor of the verb, the verb is said to be in the active voice. When the subject is the patient, target or undergoer of the action, it is said to be in the passive voice. For example, The cat ate the mouse is active, but The mouse was eaten by the cat is passive. In a transformation from an active voice sentence to an equivalent passive voice construction, the subject and the direct object switch places. The direct object is promoted to subject, and the subject is demoted to an optional complement. In the above examples, the mouse is the direct object in the active voice version, the subject in the passive version. The subject of the active voice version, the cat, becomes part of a prepositional phrase in the passive version of the sentence, and could be left out entirely. In the English language, the passive voice is periphrastic; that is, it is not a single word form, but rather a construction making use of other word forms. Specifically, it is made up of a form of the auxiliary verb to be and a past participle of the main verb. In other languages, such as Latin, the passive voice is simply marked on the verb by inflection: the passive voice uses different verb endings than the active voice.

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