
- •Irkutsk
- •Content
- •«Goodbye, my brother»
- •Read the story.
- •Match the words to their definitions:
- •Give the synonyms of the words:
- •Give the derivatives where possible:
- •Say if the statements are true or false. Provide evidence:
- •Replace Russian words by their English equivalents:
- •Insert prepositions or adverbs.
- •Perform the dialog. Express the feelings of the characters:
- •Match the words with opposite meaning:
- •Give the derivatives where possible:
- •Fill in the blanks with the words given bellow that go with the meaning of the sentences in a proper grammar form:
- •Insert prepositions or adverbs if necessary:
- •Speak about the characters of the story:
- •Make a summary of the story.
- •Discuss the following questions:
- •Correct the mistakes if necessary:
- •Replace Russian words by their English equivalents. Ask 8-10 special questions to cover the contents.
- •Retell the story in the name of Roxanne Milbank.
- •Title the main parts of the story:
- •«The seaside houses»
- •Think of the idea of the story. What is the author message to the reader?
- •Put the parts of the story in a proper order:
- •Discuss the following questions:
- •Comment on the statements from the story:
- •Write a letter to the narrator of the story warning him about the narrator of the story of his actions.
- •Read the story.
- •Match the words to their definitions:
- •Match the verbs with the nouns:
- •Write down all domestic chores mentioned in the story.
- •Give the derivatives where possible:
- •Read the following sentences and try to choose the best answer. Prove your idea.
- •Speak about the characters:
- •Who said that? Answer the questions:
- •Make a summary of the story.
- •«A call loan»
- •Give synonyms of the following words:
- •Fill in the blanks with a suitable word from the vocabulary. Translate the sentences into Russian:
- •Find ten factual mistakes and correct them:
- •«My first car»
- •Give antonyms of the following words:
- •Insert prepositions or adverbs if necessary:
- •Give the derivatives where possible:
- •Correct the mistake:
- •Answer the following questions:
- •Say if the statements are true or false. Provide evidence:
- •Summarize the story.
- •Look through the text once again and explain the author’s ideas:
- •A dollar on the conscience
- •Customer, store, note, conscience, storekeeper, purse, coin, bundle, counter, bargain.
- •Give the derivatives where possible:
- •Answer the questions:
- •Say if the sentences are true or false:
- •Act out the dialog. Analyze the situation:
- •Retell the story in the name of Mr. Levering.
- •Look through the text once again, and comment on the author’s expressions:
- •Put the extracts into the right order:
- •Discuss the following, giving your arguments for or against.
- •«The purple dress»
- •Give the derivatives where possible:
- •Cross out the word that doesn’t belong in the same group:
- •Read the text again, study the meanings of the following words and word combination and define their contextual meaning. Give your own sentences to illustrate it:
- •Choose the right answer:
- •Speak about the characters of the story:
- •Who said that? Answer the questions:
- •Answer the following questions:
- •Make a summary of the story.
- •Put a proper preposition or an adverb if necessary:
- •Find 10 factual mistakes and correct them:
- •Comment on the sentences from the story:
- •«A flutter in eggs»
- •Choose the right answer:
- •Fill in an appropriate word:
- •Retell the story in the name of Lucille Arral.
- •Title the extracts from the story:
- •Summarize the story.
- •Find in the text the indications of the food. Put them down.
- •Put the parts of the story to the right order:
- •Say if the statements are true or false. Provide evidence:
- •Correct the mistakes:
- •Write a brief critical/complimentary assessment of the story. Cliché for retelling
- •References:
- •Useful links:
- •Автор-составитель: Хлызова Наталья Юрьевна
Retell the story in the name of Lucille Arral.
Title the extracts from the story:
It was in the A. C. Company's big store at Dawson, on a morning of crisp frost, that Lucille Arral beckoned Smoke Bellew over to the dry-goods counter. The clerk had gone on an expedition into the storerooms, and, despite the huge, red-hot stoves, Lucille had drawn on her mittens again. Smoke obeyed her call with alacrity. The man did not exist in Dawson who would not have been flattered by the notice of Lucille Arral, the singing soubrette of the tiny stock company that performed nightly at the Palace Opera House. "Things are dead," she complained, with pretty petulance, as soon as they had shaken hands. "There hasn't been a stampede for a week. That masked ball Skiff Mitchell was going to give us has been postponed. There's no dust in circulation. There's always standing-room now at the Opera House. And there hasn't been a mail from the Outside for two whole weeks. In short, this burg has crawled into its cave and gone to sleep. We've got to do something. It needs livening--and you and I can do it. We can give it excitement if anybody can. I've broken with Wild Water, you know."
Slavovitch's restaurant has most of them. Ham and one egg, three dollars. Ham and two eggs, five dollars. That means two dollars an egg, retail. And only the swells and the Arrals and the Wild Waters can afford them."
"He likes eggs, too," she continued. "But that's not the point. I like them. I have breakfast every morning at eleven o'clock at Slavovitch's. I invariably eat two eggs." She paused impressively. "Suppose, just suppose, somebody corners eggs. "She waited, and Smoke regarded her with admiring eyes, while in his heart he backed with approval Wild Water's choice of her.
"You're not following," she said.
"Go on," he replied. "I give up. What's the answer?"
"Stupid! You know Wild Water. When he sees I'm languishing for eggs, and I know his mind like a book, and I know how to languish, what will he do?"
"You answer it. Go on."
"Why, he'll just start stampeding for the man that's got the corner in eggs. He'll buy the corner, no matter what it costs. Picture: I come into Slavovitch's at eleven o'clock. Wild Water will be at the next table. He'll make it his business to be there. 'Two eggs, shirred,' I'll say to the waiter. 'Sorry, Miss Arral,' the waiter will say;' they ain't no more eggs.' Then up speaks Wild Water, in that big bear voice of his, 'Waiter, six eggs, soft boiled.' And the waiter says, 'Yes, sir,' and the eggs are brought. Picture: Wild Water looks sideways at me, and I look like a particularly indignant icicle and summon the waiter. 'Sorry, Miss Arral,' he says, 'but them eggs is Mr. Wild Water's. You see, Miss, he owns 'em.' Picture: Wild Water, triumphant, doing his best to look unconscious while he eats his six eggs.
"Three dollars!" Shorty groaned. "An' I heard tell only yesterday that he's got all of seven hundred in stock! Twenty-one hundred dollars for hen-fruit! Say, Smoke, I tell you what. You run right up and see the Doc. He'll tend to your case. An' he'll only charge you an ounce for the first prescription. So-long, I gotta to be pullin' my freight." He started off, but Smoke caught his partner by the shoulder, arresting his progress and whirling him around. "Smoke, I'd sure do anything for you," Shorty protested earnestly. "If you had a cold in the head an' was layin' with both arms broke, I'd set by your bedside, day an' night, an' wipe your nose for you. But I'll be everlastin'ly damned if I'll squander twenty-one hundred good iron dollars on hen-fruit for you or any other two-legged man."
"They're not your dollars, but mine, Shorty. It's a deal I have on. What I'm after is to corner every blessed egg in Dawson, in the Klondike, on the Yukon. You've got to help me out. I haven't the time to tell you of the inwardness of the deal. I will afterward, and let you go half on it if you want to. But the thing right now is to get the eggs. Now you hustle up to Slavovitch's and buy all he's got."
"But what'll I tell 'm? He'll sure know I ain't goin' to eat 'em."
"Tell him nothing. Money talks. He sells them cooked for two dollars. Offer him up to three for them uncooked. If he gets curious, tell him you're starting a chicken ranch. What I want is the eggs. And then keep on; nose out every egg in Dawson and buy it. Understand? Buy it!
4. Smoke brought the ax, and Wild Water, with the clever hand and eye of the woodsman, split the egg cleanly in half. The appearance of the egg's interior was anything but satisfactory. Smoke felt a premonitory chill. Shorty was more valiant. He held one of the halves to his nose.
"Smells all right," he said.
"But it looks all wrong," Wild Water contended. "An' how can it smell when the smell's frozen along with the rest of it? Wait a minute."
He put the two halves into a frying-pan and placed the latter on the front lid of the hot stove. Then the three men, with distended, questing nostrils, waited in silence. Slowly an unmistakable odor began to drift through the room. Wild Water forbore to speak, and Shorty remained dumb despite conviction.
"Throw it out," Smoke cried, gasping.
"What's the good?" asked Wild Water. "We've got to sample the rest."
"Not in this cabin." Smoke coughed and conquered a qualm. "Chop them open, and we can test by looking at them. Throw it out, Shorty-- Throw it out! Phew! And leave the door open!"
Box after box was opened; egg after egg, chosen at random, was chopped in two; and every egg carried the same message of hopeless, irremediable decay.
"I won't ask you to eat 'em, Shorty," Wild Water jeered, "an' if you don't mind, I can't get outa here too quick. My contract called for GOOD eggs. If you'll loan me a sled an' team I'll haul them good ones away before they get contaminated."
Smoke helped in loading the sled. Shorty sat at the table, the cards laid before him for solitaire.
"Say, how long you been holdin' that corner?" was Wild Water's parting gibe.
Smoke made no reply, and, with one glance at his absorbed partner, proceeded to fling the soap boxes out into the snow.
5. Dear Smoke and Shorty: I write to ask, with compliments of the season, your presence at a supper to-night at Slavovitch's joint. Miss Arral will be there and so will Gautereaux. Him and me was pardners down at Circle five years ago. He is all right and is going to be best man. About them eggs. They come into the country four years back. They was bad when they come in. They was bad when they left California. They always was bad. They stopped at Carluk one winter, and one winter at Nutlik, and last winter at Forty Mile, where they was sold for storage. And this winter I guess they stop at Dawson. Don't keep them in a hot room. Lucille says to say you and her and me has sure made some excitement for Dawson. And I say the drinks is on you, and that goes.
Respectfully your friend, W. W.
"Well? What have you got to say?" Smoke queried. "We accept the invitation, of course?"
"I got one thing to say," Shorty answered. "An' that is Wild Water won't never suffer if he goes broke. He's a good actor--a gosh-blamed good actor. An' I got another thing to say: my figgers is all wrong. Wild Water wins seventeen thousan' all right, but he wins more 'n that. You an' me has made him a present of every good egg in the Klondike--nine hundred an' sixty-four of 'em, two thrown in for good measure. An' he was that ornery, mean cussed that he packed off the three opened ones in the pail. An' I got a last thing to say. You an' me is legitimate prospectors an' practical gold-miners. But when it comes to fi-nance we're sure the fattest suckers that ever fell for the get-rich-quick bunco. After this it's you an' me for the high rocks an' tall timber, an' if you ever mention eggs to me we dissolve pardnership there an' then. Get me?"
Make an advertising to sell the eggs.
Write a letter to Smoke and Shorty warning them about the fraud.
«I’M GOING TO ASIA»
by John Cheever
Read the story.
Give the synonyms of the following words:
to admire, fiancée, sissy, ingenuous, to giggle, to starve, to sprawl, to continue, swell, to remodel, yarn, barn.
Give the derivatives where possible:
-
Verb
Noun
Adjective/Participle
Adverb
tiredly
nursing
starve
meal
contribution
dumb
freezing
lean
reassuring
Write down the words and word expressions, connected with money, describing family budget of the family during the hard times.
Explain the idioms. Make up your own sentences using them:
to be in the first draft,
to take smth hard /easy,
to hold smb’s interest,
to be through with smth.
Speak about:
the title of the story,
language and general atmosphere of the text,
theme of this text
indications, the author describes America,
the most interesting character seems to be.
Answer the following questions:
Where is the story set?
How many people are there in the Towles? Is this a rich family?
Where were all of them that evening?
What are they talking about?
What can you say about Bill and Carole?
What is Freddy concern on?
What disturbed old Mrs Towle during the whole evening?
What contribution did the Towles make to the English speaking Union and why?
Why was Freddy displeased when Mrs Towle suggested that both her sons should marry?
What does Freddy mean saying: ‘‘We’ll all spend the rest of our lives in uniform,’’?