
- •1. Definition of culture and main approaches in its comprehension
- •2. Correlation between the world culture, ethnoculture, and national culture
- •3. Early forms of religious experience: animism, fetishism, totemism.
- •4. Cucuteni-Trypillian culture: main characteristics
- •7. Functions of culture
- •8. Scythian culture
- •9. Sarmathian culture
- •11 The idea of national culture
- •12 Sources of Ukrainian culture
- •13. Parts of Ukrainian culture
- •14. The differences between Ukrainian ethnoculture and professional culture
- •15. Sources of information about culture of Pre-Slavic and Slavic population in Ukrainian lands
- •16. Peculiarities of Slavic mythology
- •18. Cosmology in Slavic mythology
- •20. General characteristics of Kyivan Rus’ culture
- •21. Origins of Kyivan Rus’
- •22. Christian influence on cultural development of Kyivan Rus’
- •23. Literature of Kyivan Rus’
- •24. Slovo o polku Ihorevi (The Tale of Ihor’s Compaign)
- •27. Iconography in Kyivan Rus’
- •28. Prominent activists of Kyivan Rus’ culture (Ilarion, Nestor the Chronicler, St.Antony of the Caves)
- •29. Renaissance humanism in Europe
- •30. Cultural impulses of Reformation and Contrreformation in Europe
- •31. Religious life after the Church Union of Berestia
- •32. Cultural dimensions of Early Modern civil society
- •33. Brotherhoods as a cultural phenomenon
- •34. Education and Brotherhoods’ activity: general characteristics
- •35. Cultural role of Ostrih Academy
- •36. Kyivan Mohyla Academy
- •37. Ivan Fedorov and book printing activity of Brotherhoods.
- •38. Architecture of Cossack Baroque
- •39. Baroque style in Europe
- •41. Polemic literature and I.Vyshensky
- •42. H.Hrabianka and his Chronicle
- •Th.Prokopovich and his role in Ukrainian culture
- •H.Scovoroda in Ukrainian culture
- •45. Cultural meaning of the Enlightenment
- •46. The process of Russification in Ukrainian lands of Russian Empire: main waves
- •47. An Old Ukrainian tradition: Bard (kobzars, bandurysts, and lirnyks)
- •48. Rococo architecture in Ukraine
- •49 The style of Classicism in Europe
- •51. Classicism literature of Ukraine
- •52. I.Kotliarevsky and the new Ukrainian literature
- •53. Cultural activity of Cyril and Methodius Brotherhood
- •54. Hromada movement and the growth of Ukrainian national consciousness Hromadas
- •55. Realism and Romanticism as the main styles in literature and arts of the 19th century: general characteristics
- •56. Poetry of Ukrainian Romanticism
- •57. Romanticism in Ukrainian music (s.Hulak-Artemovsky, m.Lysenko)
- •58. Peredvizhniki and their role in Ukrainian culture
- •59. Ukrainian civil press of the 2nd half of the 19th century
- •61. Main representatives of Ukrainian theater
- •62.Prominent scholars of the 19th century (m.Maksymovych, m.Kostomarov, V.Antonovych, o.Potebnia)
- •63. Ukrainian writers of the 19th century (p.Kulish, Marko Vovchok, m.Kotsiubynsky, s.Rudansky)
- •64. Creative activity of n.Gogol
- •65. Creative activity of t. Shevchenko
- •67. Creative activity of I.Franko
- •68 Cultural activity of m.Drahomanov
- •70. Modernism in Ukrainian culture: general characteristics
- •71. Socialist realism in the ussr: general characteristics
- •72. Socialist realism in the ussr: main representatives
- •73. Les Kurbas and Berezil
- •74. O.Dovzhenko and Ukrainian cinematograph
- •75. Cubism in Ukrainian painting
- •76. Constructivism in Ukrainian arts
- •77. Ukrainian Impressionist Painters
- •78 Creative activity of o.Archipenko
- •79. Symbolism in Ukrainian literature
- •80. Expressionism in Ukrainian plastic arts
- •82. M.Khvylovy and Vaplite
- •83. M.Zerov and Ukrainian Neoclassicists
- •84. Ukrainian poetry of the 20th century (m.Bazhan, p.Tychina, m.Rylsky)
- •85. Cultural meaning of Shistdesiatnyky
- •86 Shistdesiatnyky: main representatives in Ukrainian literature
36. Kyivan Mohyla Academy
Kyivan Mohyla Academy. ( Kyievo-Mohylianska akademiia). The leading center of higher education in 17th- and 18th-century Ukraine, which exerted a significant intellectual influence over the entire Orthodox world at the time. Established in 1632 by Petro Mohyla through the merger of the Kyiv Epiphany Brotherhood School with the Kyivan Cave Monastery School (est 1631 by Mohyla), the new school was conceived by its founder as an academy, ie, an institution of higher learning offering philosophy and theology courses and supervising a network of secondary schools. Completing the Orthodox school system, it was to compete on an equal footing with Polish academies run by the Jesuits. Fearing such competition, King Władysław IV Vasa granted the school the status of a mere college or secondary school, and prohibited it from teaching philosophy and theology. It was only in 1694 that the Kyivan Mohyla College was granted the full privileges of an academy, and only in 1701 that it was recognized officially as an academy by Peter I.In founding the school, Petro Mohyla's purpose was to master the intellectual skills and learning of contemporary Europe and to apply them to the defense of the Orthodox faith. Taking his most dangerous adversary as the model, he adopted the organizational structure, the teaching methods, and the curriculum of the Jesuit schools. Unlike other Orthodox schools, which emphasized Church Slavonic and Greek, Mohyla's college gave primacy to Latin and Polish. This change was a victory for the more progressive churchmen, who appreciated the political and intellectual importance of these languages. Kyivan instructors, like the instructors of Polish and other European schools, prepared their own Latin manuals of poetics and rhetoric. The remarkable efflorescence of Ukrainian baroque literature was closely connected with the school's philological program.Higher education consisted of a three-year philosophy program that paved the way to four years of theology. In spite of the king's prohibition, some course in philosophy was usually taught, and in 1642–6 a theology course was offered. In the mid-1680s a full philosophy and theology program was given a permanent place in the curriculum. Logic, physics, and metaphysics were the main parts of the philosophy program. The philosophy manuals prepared by the school's professors, of which about 80 have survived, show that there was no uniform system of thought, but that each course reflected the preferences and abilities of the instructor.
37. Ivan Fedorov and book printing activity of Brotherhoods.
The invention of movable type and printing presses in Germany around 1450 had a tremendous and lasting influence on the cultural, social, religious, and scientific development of Europe. As the printing technologies spread throughout the continent and allowed for a quicker and wider dissemination of knowledge, they became a major catalyst for both the Reformation and the later scientific revolution. Printed books represented the key factor in the spread of education and literacy. In Ukraine, the first printing press was founded by Ivan Fedorovych (Fedorov) in Lviv in 1573. Its equipment and assets were used to found the Lviv Dormition Brotherhood Press (1591�1788), which played a key role in the history of early Ukrainian printing. Printing in Volhynia began after Fedorovych entered the service of Prince Kostiantyn Vasyl Ostrozky and founded what became the important Ostrih Press (1577-1612). Founded in the early 17th century the Kyivan Cave Monastery Press became the most important center of printing and engraving in Ukraine until the mid 19th century; it played a crucial role in raising the level of education and culture and in aiding the Orthodox Ukrainians to defend themselves against the inroads of Polonization and Catholicism...
The first printing press on Ukrainian ethnic territory was founded by Ivan Fedorovych (Fedorov) in Lviv (1573–4). Its equipment and assets were used to found the Lviv Dormition Brotherhood Press (1591–1788), which played a key role in the history of early Ukrainian printing. Thereafter Lviv remained a major printing center. Established there were Polish (1592–1602, 1670–3, 1684–93), Calvinist (1608–11), and Armenian (1616–18) presses; Cyrillic presses owned by Y. Sheliha (1618–20, 1626–36), Mykhailo Slozka (1638–67), Bishop Arsenii Zhelyborsky (1644–6), and Bishop Yosyf Shumliansky at Saint George's Cathedral (1687–8); a press at the Polish Jesuit college (1642–1773); and the Polish presses of P. Golczewski (1735–51), Ivan Fylypovych (1753–67), and the Szlichtyn family (1755–85). Under Austrian rule the Piller family press (1772 to 19th century) printed books in Latin, Gothic, Hebrew, Greek, and Cyrillic. Printing in Volhynia began after Ivan Fedorovych (Fedorov) entered the service of Prince Kostiantyn Vasyl Ostrozky and founded what became the important Ostrih Press (1577–1612). Later the important Pochaiv Monastery Press (1730–1918) was founded.