- •American Literature : Colonial America -- prose and poetry
- •18Th & 19th Century American Prose
- •18Th & 19th Century American Poetry
- •Modernist Poetry
- •Modernist Novel
- •Harlem Renaissance
- •Post-Modern & Contemporary Poetry
- •Contemporary American Novel and Drama
- •British Literature Medeival and Early British literature
- •Renaissance
- •Important Quotations
- •Important Quotations
- •Important Quotations
- •The Restoration -- Historical Context
- •Restoration Commedy
- •Colley Cibber
- •William Congreve
- •Oliver Goldsmith
- •Richard Brinsley Sheridan
- •The Rivals (1775)
- •The School for Scandal (1777)
- •William Wycherley
- •The Restoration Aphra Behn (1640 - 1689)
- •John Bunyan
- •Samuel Butler
- •Hudibras
- •“Epigram on Milton”
- •“A Song for St. Cecilia’s Day”
- •Anne Finch (1661-1720)
- •John Milton (1609-1674)
- •“How Soon Hath Time”
- •“On Shakespeare”
- •“On the Late Massacre in Piedmont”
- •“When I Consider How My Light Is Spent” (also sometimes called “On his blindness”)
- •Aeropagitica
- •Of Education
- •Samson Agonistes
- •Lycidas
- •Alexander Pope (1688–1744)
- •"The Rape of the Lock"
- •*“Essay on Criticism”
- •“Essay on Man”
- •The Dunciad
- •“Eloisa to Abelard”
- •“To a Lady”
- •Joseph Addison & Richard Steel
- •Jonathan Swift (1667-1745)
- •*Gulliver’s Travels
- •A Modest Proposal
- •A Tale of a Tub
- •“A Description of a City Shower”
- •The Scriblerus Club
- •Late 17th & 18th Century British poetry The Cavalier Poets
- •Thomas Carew
- •“An Elegy upon the Death of the Dean of St. Paul’s, Dr. John Donne”
- •Robert Herrick
- •“To the Virgins, To Make Much of Time” (often compared to Marvell’s ‘Coy Mistress’)
- •“Upon julia's clothes”
- •"Upon Julia’s Breasts"
- •“The Night Piece, to Julia"
- •“Corinna’s Going a-Maying”
- •Ben Jonson (1572 – 1637)
- •“To the Memory of My Beloved Master William Shakespeare”
- •“To Penhurst”
- •“On My First Son”
- •Volpone
- •Metaphysical Poets
- •John Donne (1572-1631)
- •"The Canonization"
- •“The flea”
- •“A Valediction Forbidding Mourning”
- •*“The Sun Rising”
- •“Air and Angels”
- •*Holy Sonnets: XIV
- •*Holy Sonnets: X
- •*"The Bait"
- •"The Ecstacy"
- •An Anatomy of the World
- •George Herbert
- •“The Pulley”
- •“The Collar”
- •“Easter-Wings"
- •"The Altar"
- •Richard Lovelace
- •“To Lucasta, on Going to the Warres"
- •"To Althea from Prison"
- •Andrew Marvell
- •* “To his Coy Mistress”
- •“The Definition of Love”
- •“On Mr. Milton's Paradise Lost”
- •The “Mower” poems
- •"An Horatian Ode: Upon Cromwell's Return from Ireland"
- •"Graveyard Poets"
- •Thomas Gray (1716-1771)
- •*“Elegy Written in a Country Churchyard"
- •"On The Death Of a Favourite Cat, Drowned In a Tub Of Gold Fishes"
- •“The Progress of Poesy”
- •“The Bard”
- •Robert Blair
- •Robert Burns (late 1700s)
- •"A Red, Red Rose"
- •"Tam o’ Shanter: a Tale" (1790)
- •“A Fond Kiss”
- •18Th & 19th Century British Prose Henry Fielding
- •Shamela and Joseph Andrews
- •The History of Tom Jones, a Foundling
- •Samuel Richardson (1689 –1761)
- •Pamela, or Virtue Rewarded
- •Clarissa
- •Gothic Novel
- •Horace Walpole’s The Castle of Otranto
- •Anne Radcliffe’s The Mysteries of Udolpho and The Italian
- •M. G. Lewis’s The Monk
- •Jane Austen's Northanger Abbey
- •Jane Austen
- •Sense and Sensibility
- •Pride and Prejudice
- •Emily Bronte (1818 – 1848)
- •Wuthering Heights
- •Samuel Butler (1835-1902)
- •The Way of All Flesh (1903)
- •Erewhon (1872)
- •Fanny Burney (1752-1840)
- •Evelina
- •Charles Dickens David Copperfield
- •The Pickwick Papers
- •Bleak House
- •Nicholas Nickleby
- •Great Expectations
- •Hard Times (1854)
- •Oliver Twist
- •George Eliot (1819 – 1880)
- •Middlemarch
- •Silas Marner
- •Adam Bede (1859)
- •Thomas Hardy
- •Tess of the d'Urbervilles
- •The Mayor of Casterbridge
- •Jude the Obscure
- •Far from the Madding Crowd
- •Hardy's Poetry
- •William Thackeray (1811-1863)
- •Vanity Fair
- •19Th Century Essayists
- •John Ruskin
- •John Stuart Mill (1806-1873)
- •John Henry, Cardinal Newman
- •Thomas Carlyle
- •British Romantic Poetry William Blake (1757–1827)
- •"Songs of Innocence"
- •“The Lamb”
- •Songs of Experience
- •“The Tyger"
- •“Mock On, Mock On, Voltaire, Rousseau”
- •The Marriage of Heaven and Hell
- •Visions of the Daughters of Albion
- •“London”
- •Lord Byron
- •“She Walks in Beauty”
- •"Manfred"
- •Byronic Hero
- •Childe Harold’s Pilgrimages
- •“Kubla Khan”
- •“The Rime of the Ancient Mariner”
- •John Keats (1795-1821)
- •Endymion
- •“The Eve of St. Agnes”
- •Isabella
- •“La Belle Dame sans Merci”
- •Theory from the Letters
- •“Ode on a Grecian Urn”
- •“Ode on Melancholy”
- •“Ode to a Nightingale”
- •**“On First Looking Into Chapman’s Homer”
- •“Ode to Autumn”
- •Percy Bysshe Shelley (1792-1822)
- •"Adonais: An Elegy on the Death of John Keats”
- •“Mont Blanc: Lines Written in the Vale of Chamouni”
- •“Ode to the West Wind”
- •*“Ozymandias”
- •Prometheus Unbound
- •Matthew Arnold
- •“Dover Beach”
- •“To Marguerite—Continued”
- •Robert Browning (1812-1889)
- •“The Bishop Orders His Tomb at Saint Praxed’s Church”
- •“Fra Lippo Lippi”
- •**“My Last Duchess”
- •*“Porphyria’s Lover”
- •Gerard Manley Hopkins (1844 - 1889)
- •*“The Windhover”
- •“Carrion Comfort”
- •*“Pied Beauty”
- •“Spring and Fall”
- •‘Thou art indeed just, Lord, if I contend’
- •Christina Rossetti
- •Goblin Market
- •“Remember”
- •Dante Gabriel Rossetti
- •“A Superscription”
- •"The ballad of dead ladies"
- •Alfred Lord Tennyson
- •*“Ulysses”
- •*In Memoriam a.H.H.
- •“The Lady of Shalott”
- •“The Lotus-Eaters”
- •“Mariana”
- •“To e. FitzGerald”
- •The Idylls of the King
- •*“Break, Break, Break”
- •British and Irish Modernism
- •Irish Literary Revival
- •J. M. Synge
- •William Butler Yeats
- •Sean o’Casey
- •Oscar Wilde Samuel Beckett (1906-1989)
- •Waiting for Godot
- •Happy Days
- •George Bernard Shaw (1856-1950)
- •*Pygmalion (1913)
- •Arms and the Man
- •Man and Superman (1902)
- •Major Barbara (1905)
- •Mrs. Warren’s Profession
- •Oscar Wilde (1854-1900)
- •The Picture of Dorian Gray The Importance of Being Earnest
- •The Ballad of Reading Gaol
- •Poetry w.H. Auden (1907-1973)
- •**“Musée des Beaux Arts”
- •*“In Memory of w.B. Yeats”
- •“Lay your sleeping head, my love”
- •A.E. Housman (1859-1936)
- •"When I was one-and-twenty"
- •"Terence, this is stupid stuff"
- •"To an Athlete Dying Young"
- •Dylan Thomas (1914-1953)
- •“Do not go gentle into that good night”
- •“And Death Shall Have No Dominion”
- •*“Fern Hill”
- •William Butler Yeats (1865-1939)
- •"The Lake Isle of Innisfree"
- •"When You are Old"
- •"The Wild Swans at Coole"
- •**"The Second Coming"
- •“Sailing to Byzantium”
- •" Leda and the Swan"
- •“Crazy Jane Talks with the Bishop”
- •Stanza VI from “Among School Children”
- •“The Dolls”
- •Fiction Joseph Conrad (1857-1924)
- •Heart of Darkness
- •Lord Jim
- •The Secret Sharer
- •E.M. Forster (1879-1970)
- •Where Angels Fear to Tread (1905)
- •A Room with a View
- •Howards End
- •A Passage to India (1924)
- •The Road to Colonus
- •"What I Believe"
- •*Aspects of the Novel
- •James Joyce (1882-1941)
- •Dubliners
- •Portrait of the Artists as a Young Man
- •Ulysses
- •Finnegans Wake
- •D.H. Lawrence (1885-1930)
- •The Rainbow (1915)
- •Women in Love
- •Sons and Lovers (1913)
- •“The Odour of Chrysanthemums”
- •“The Horse Dealer’s Daughter”
- •Lawrence's non-fiction
- •Virginia Woolf (1882-1941)
- •Mrs. Dalloway
- •A Room of One's Own
- •Postmodern/Contemporary British Literature Philip Larkin
- •Antiquity and "World" Literatures Classical Literature
- •The Trojans
- •The Gods and Immortals
- •The Eclogues
- •Cupid and Psyche (Roman myth)
- •Albert Camus (1913-1960)
- •The Plague
- •The Fall
- •The Stranger
- •Gustave Flaubert (1821-1880)
- •Madame Bovary
- •The Sentimental Education
- •Molière (1622-1673)
- •Tartuffe
- •Jean Racine
- •Jean-Paul Satre (1905 – 1980)
- •No Exit
- •Stendhal (1783-1842)
- •The Red and the Black
- •Anton Chekhov (1860-1904)
- •The Seagull (1896)
- •The Cherry Orchard (1904)
- •Three Sisters (1901)
- •Fyodor Dostoyevsky (1821-1881)
- •Notes from Underground
- •* Crime and Punishment (1866)
- •* The Brothers Karamazov (1880)
- •Leo Tolstoy
- •What is Art?
- •War and Peace
- •Anna Karenina
- •Thomas Mann (1875-1955)
- •Buddenbrooks
- •“Death in Venice”
- •The Magic Mountain
- •Henrik Ibsen
- •A Doll’s House
- •An Enemy of the People
- •The Wild Duck
- •Hedda Gabbler
- •Chinua Achebe (b. 1930)
- •Things Fall Apart (1958)
- •Nadine Gordimer (b. 1923)
- •Jorge Luis Borges (1899-1986)
- •“The Library of Baebel”
- •Gabriel García Márquez (b. 1928)
- •One Hundred Years of Solitude
- •Literary Terms, Verse Forms, Meter, etc.
- •Literary Terms, Verse Forms, Meter, etc.
- •Grammar
- •The Sonnet
- •Italian Sonnet (Petrarchan)
- •The English (or Shakespearian) Sonnet
- •Spenserian Sonnet
- •Curtal Sonnet
- •Literary Theory
- •Formalism
- •New Criticism
- •Structuralism
- •Post-structuralism
- •Deconstructionism
Harlem Renaissance
James Baldwin (1924-1987)
Most of Baldwin's work deals with racial and sexual issues in the mid-20th century United States. His work is notable for the deeply personal - even courageous - way in which he explores questions of identity and meaning. His novels mime all the complex, social and psychological pressures related to being both black and homosexual at a time well before the social, cultural or political equality of these groups could be assumed.
His most important works are Notes on a Native Son (essays) and Go Tell it On the Mountain.
Go Tell it on the Mountain examines the role of the Christian Church in the lives of African-Americans, both as a source of repression and moral hypocrisy and as a source of inspiration and community. It also, more subtly, examines racism in the United States. The protagonist is John Grimes.
Countee Cullen (1903-1946)
Countee Cullen was an American poet, one of the finest of the Harlem Renaissance. His most famous poems are "Yet Do I Marvel" and "Incident", the latter of which describes a childhood trip to Baltimore marred by a racial slur. Countee Cullen was raised and educated in a primarily white community. Countee Cullen differed from many other poets of the Harlem Renaissance because he lacked the background to comment from personal experience on the lives of other blacks or use popular black themes in his writing.
“Yet do I Marvel” (Note that this is a Shakespearean sonnet)
I doubt not God is good, well-meaning, kind And did He stoop to quibble could tell why The little buried mole continues blind, Why flesh that mirrors Him must some day die, Make plain the reason tortured Tantalus Is baited by the fickle fruit, declare If merely brute caprice dooms Sisyphus To struggle up a never-ending stair. Inscrutable His ways are, and immune To catechism by a mind too strewn With petty cares to slightly understand What awful brain compels His awful hand. Yet do I marvel at this curious thing: To make a poet black, and bid him sing!
“Incident” Once riding in old Baltimore, Heart-filled, head-filled with glee, I saw a Baltimorean Keep looking straight at me.
Now I was eight and very small, And he was no whit bigger, And so I smiled, but he poked out His tongue, and called me, "Nigger."
I saw the whole of Baltimore From May until December; Of all the things that happened there That's all that I remember.
Ralph Ellison (1914-1994)
Ellison's most famous work is Invisible Man, which explores the theme of man’s search for his identity and place in society, as seen from the perspective of a black man in the New York City of the 1940’s. In contrast to his contemporaries such as Richard Wright and James Baldwin, Ellison created characters who are dispassionate, educated, articulate and self-aware. Through the protagonist, Ellison explores the contrasts between the Northern and Southern varieties of racism and their alienating effect. The narrator is "invisible" in a figurative sense, in that "people refuse to see" him, and also experiences a kind of dissociation.
Langston Hughes (1902-1967)
Like many writers of the post-WWI era, such as Ernest Hemingway and Gertrude Stein, Hughes spent time in Paris during the early 1920s. For most of 1924 he lived at 15 Rue de Nollet. In November 1924 Hughes moved to Washington D.C. His first book of poetry, The Weary Blues, was published in 1926. In 1929 he graduated from Lincoln University in Pennsylvania. In 1930, his first novel, Not Without Laughter, won the Harmon gold medal for literature. Hughes, who claimed Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the 1920s through the 1960s. Much of his writing was inspired by the blues and jazz of that era; an example is "Montage of a Dream Deferred", from which a line was taken for the title of the play Raisin in the Sun by Lorraine Hansberry.
"Montage of a Dream Deferred"
What happens to a dream deferred?
Does it dry up like a raisin in the sun? Or fester like a sore--
And then run? Does it stink like rotten meat? Or crust and sugar over-- like a syrupy sweet?
Maybe it just sags like a heavy load.
Or does it explode? other poetry
Many of his poems are in the form of blues lyrics, such as the opening verse to "Po' Boy Blues": When I was home de Sunshine seemed like gold. When I was home de Sunshine seemed like gold. Since I come up North de Whole damn world's turned cold.
Zora Neale Hurston (1891-1960)
Her most famous work is Their Eyes Were Watching God. The main character, Janie, embarks on an epic journey. Her search for self-fufillment as a woman and as an African-American is paralleled with that of Odysseus as her journey takes her far and wide and pits her against the forces of nature and "monsters" that try to stop her from reaching self-actualization:
The main character, a black woman in her early forties named Janie Crawford, tells the story of her life and journey via an extended flashback to her best friend, Pheoby. Her life has three major periods corresponding to her marriages to three men.
Janie's grandmother, Nanny, was a slave who was impregnated by a white man (Hurston implies that it was the slaveowner) and gave birth to a daughter. That daughter was raped as a teenager and became pregnant with Janie, but left Janie with Nanny and is not present in the novel. Nanny sees Janie kissing a neighborhood boy and fears that Janie will become a "mule" to some man, so she arranges for Janie to marry Logan Killicks, an older man and farmer who is looking for a wife to keep his home and help on the farm. Janie has the idea that marriage must involve love, forged in a pivotal early scene where she sees bees pollinating a pear tree and believes that marriage is the human equivalent to this natural process. Logan Killicks, however, wants a domestic helper rather than a lover or partner, and after he begins to hit Janie and to try to force her to help him with the hard labor of the farm, Janie runs off with the glib Joe (Jody) Starks, who takes her to Eatonville (which in reality was Hurston's hometown).
Starks arrives in Eatonville (the United States's first all-black community) to find the residents devoid of ambition, so he arranges to buy more land from the neighboring landowner, hires some local residents to build a general store for him to own and run, and has himself appointed mayor. Janie soon realizes that Joe wants her as a trophy. He wants the image of his perfect wife to reinforce his powerful position in town, as he asks her to run the store but forbids her from participating in the substantial social life that occurs on the store's front porch.
After Starks dies, Janie finds herself financially independent and beset with suitors, some of whom are men of some means or have prestigious occupations, but she falls in love with a drifter and gambler named Tea Cake. She sells the store and the two head to Jacksonville and get married, only to move to the Everglades region soon after for Tea Cake to find work planting and harvesting beans. While their relationship has its ups and downs, including mutual bouts of jealousy, Janie now has the marriage with love that she had wanted.
The area is hit with a hurricane, and while Tea Cake and Janie survive it, Tea Cake is bitten by a rabid dog while saving Janie from drowning. He contracts the disease himself. He ultimately tries to shoot Janie with his pistol, but she shoots him with a rifle in self-defense. She is charged with murder. At the trial, Tea Cake's black, male friends show up to oppose her, while a group of local white women is there to support her. The all-white jury acquits Janie, and she returns to Eatonville, only to find the residents gossiping about her and assuming (or perhaps wishing) that Tea Cake has run off with her money.
James Weldon Johnson (1871-1938)
James Weldon Johnson was a leading African American author, poet, early civil rights activist, and prominent figure in the Harlem Renaissance. Born in Jacksonville, Florida, he was the first African American accepted to the Florida bar. He served in several public capacities, including as consul to Venezuela and Nicaragua, but he is best remembered today for his writing, which included novels, poems, and collections of folklore.
His first major literary sensation was The Autobiography of an Ex-Colored Man (1912), a fictional account of a light-skinned black man's attempts to succeed and survive in the early 20th century. It was while serving as executive secretary of the NAACP from 1920 through 1931 that he released God's Trombones, Seven Negro Sermons in Verse, one of the works he is best remembered for today
Richard Wright (1908-1960)
The grandson of slaves, Wright became a respected author, best known for his novel Native Son (1940). It tells the story of Bigger Thomas, an African-American of the poorest class, struggling to live in the Chicago, Illinois of the 1930s. His life, however, is doomed from the outset: after Bigger accidentally kills a white woman, he runs from the police, kills his girlfriend and is then caught and tried.
Wright is also renowned for the semi-autobiographical Black Boy (1945), which describes his early life from Roxie through his move to Chicago, his clashes with his Seventh-day Adventist family, his difficulties with white employers and social isolation.