- •American Literature : Colonial America -- prose and poetry
- •18Th & 19th Century American Prose
- •18Th & 19th Century American Poetry
- •Modernist Poetry
- •Modernist Novel
- •Harlem Renaissance
- •Post-Modern & Contemporary Poetry
- •Contemporary American Novel and Drama
- •British Literature Medeival and Early British literature
- •Renaissance
- •Important Quotations
- •Important Quotations
- •Important Quotations
- •The Restoration -- Historical Context
- •Restoration Commedy
- •Colley Cibber
- •William Congreve
- •Oliver Goldsmith
- •Richard Brinsley Sheridan
- •The Rivals (1775)
- •The School for Scandal (1777)
- •William Wycherley
- •The Restoration Aphra Behn (1640 - 1689)
- •John Bunyan
- •Samuel Butler
- •Hudibras
- •“Epigram on Milton”
- •“A Song for St. Cecilia’s Day”
- •Anne Finch (1661-1720)
- •John Milton (1609-1674)
- •“How Soon Hath Time”
- •“On Shakespeare”
- •“On the Late Massacre in Piedmont”
- •“When I Consider How My Light Is Spent” (also sometimes called “On his blindness”)
- •Aeropagitica
- •Of Education
- •Samson Agonistes
- •Lycidas
- •Alexander Pope (1688–1744)
- •"The Rape of the Lock"
- •*“Essay on Criticism”
- •“Essay on Man”
- •The Dunciad
- •“Eloisa to Abelard”
- •“To a Lady”
- •Joseph Addison & Richard Steel
- •Jonathan Swift (1667-1745)
- •*Gulliver’s Travels
- •A Modest Proposal
- •A Tale of a Tub
- •“A Description of a City Shower”
- •The Scriblerus Club
- •Late 17th & 18th Century British poetry The Cavalier Poets
- •Thomas Carew
- •“An Elegy upon the Death of the Dean of St. Paul’s, Dr. John Donne”
- •Robert Herrick
- •“To the Virgins, To Make Much of Time” (often compared to Marvell’s ‘Coy Mistress’)
- •“Upon julia's clothes”
- •"Upon Julia’s Breasts"
- •“The Night Piece, to Julia"
- •“Corinna’s Going a-Maying”
- •Ben Jonson (1572 – 1637)
- •“To the Memory of My Beloved Master William Shakespeare”
- •“To Penhurst”
- •“On My First Son”
- •Volpone
- •Metaphysical Poets
- •John Donne (1572-1631)
- •"The Canonization"
- •“The flea”
- •“A Valediction Forbidding Mourning”
- •*“The Sun Rising”
- •“Air and Angels”
- •*Holy Sonnets: XIV
- •*Holy Sonnets: X
- •*"The Bait"
- •"The Ecstacy"
- •An Anatomy of the World
- •George Herbert
- •“The Pulley”
- •“The Collar”
- •“Easter-Wings"
- •"The Altar"
- •Richard Lovelace
- •“To Lucasta, on Going to the Warres"
- •"To Althea from Prison"
- •Andrew Marvell
- •* “To his Coy Mistress”
- •“The Definition of Love”
- •“On Mr. Milton's Paradise Lost”
- •The “Mower” poems
- •"An Horatian Ode: Upon Cromwell's Return from Ireland"
- •"Graveyard Poets"
- •Thomas Gray (1716-1771)
- •*“Elegy Written in a Country Churchyard"
- •"On The Death Of a Favourite Cat, Drowned In a Tub Of Gold Fishes"
- •“The Progress of Poesy”
- •“The Bard”
- •Robert Blair
- •Robert Burns (late 1700s)
- •"A Red, Red Rose"
- •"Tam o’ Shanter: a Tale" (1790)
- •“A Fond Kiss”
- •18Th & 19th Century British Prose Henry Fielding
- •Shamela and Joseph Andrews
- •The History of Tom Jones, a Foundling
- •Samuel Richardson (1689 –1761)
- •Pamela, or Virtue Rewarded
- •Clarissa
- •Gothic Novel
- •Horace Walpole’s The Castle of Otranto
- •Anne Radcliffe’s The Mysteries of Udolpho and The Italian
- •M. G. Lewis’s The Monk
- •Jane Austen's Northanger Abbey
- •Jane Austen
- •Sense and Sensibility
- •Pride and Prejudice
- •Emily Bronte (1818 – 1848)
- •Wuthering Heights
- •Samuel Butler (1835-1902)
- •The Way of All Flesh (1903)
- •Erewhon (1872)
- •Fanny Burney (1752-1840)
- •Evelina
- •Charles Dickens David Copperfield
- •The Pickwick Papers
- •Bleak House
- •Nicholas Nickleby
- •Great Expectations
- •Hard Times (1854)
- •Oliver Twist
- •George Eliot (1819 – 1880)
- •Middlemarch
- •Silas Marner
- •Adam Bede (1859)
- •Thomas Hardy
- •Tess of the d'Urbervilles
- •The Mayor of Casterbridge
- •Jude the Obscure
- •Far from the Madding Crowd
- •Hardy's Poetry
- •William Thackeray (1811-1863)
- •Vanity Fair
- •19Th Century Essayists
- •John Ruskin
- •John Stuart Mill (1806-1873)
- •John Henry, Cardinal Newman
- •Thomas Carlyle
- •British Romantic Poetry William Blake (1757–1827)
- •"Songs of Innocence"
- •“The Lamb”
- •Songs of Experience
- •“The Tyger"
- •“Mock On, Mock On, Voltaire, Rousseau”
- •The Marriage of Heaven and Hell
- •Visions of the Daughters of Albion
- •“London”
- •Lord Byron
- •“She Walks in Beauty”
- •"Manfred"
- •Byronic Hero
- •Childe Harold’s Pilgrimages
- •“Kubla Khan”
- •“The Rime of the Ancient Mariner”
- •John Keats (1795-1821)
- •Endymion
- •“The Eve of St. Agnes”
- •Isabella
- •“La Belle Dame sans Merci”
- •Theory from the Letters
- •“Ode on a Grecian Urn”
- •“Ode on Melancholy”
- •“Ode to a Nightingale”
- •**“On First Looking Into Chapman’s Homer”
- •“Ode to Autumn”
- •Percy Bysshe Shelley (1792-1822)
- •"Adonais: An Elegy on the Death of John Keats”
- •“Mont Blanc: Lines Written in the Vale of Chamouni”
- •“Ode to the West Wind”
- •*“Ozymandias”
- •Prometheus Unbound
- •Matthew Arnold
- •“Dover Beach”
- •“To Marguerite—Continued”
- •Robert Browning (1812-1889)
- •“The Bishop Orders His Tomb at Saint Praxed’s Church”
- •“Fra Lippo Lippi”
- •**“My Last Duchess”
- •*“Porphyria’s Lover”
- •Gerard Manley Hopkins (1844 - 1889)
- •*“The Windhover”
- •“Carrion Comfort”
- •*“Pied Beauty”
- •“Spring and Fall”
- •‘Thou art indeed just, Lord, if I contend’
- •Christina Rossetti
- •Goblin Market
- •“Remember”
- •Dante Gabriel Rossetti
- •“A Superscription”
- •"The ballad of dead ladies"
- •Alfred Lord Tennyson
- •*“Ulysses”
- •*In Memoriam a.H.H.
- •“The Lady of Shalott”
- •“The Lotus-Eaters”
- •“Mariana”
- •“To e. FitzGerald”
- •The Idylls of the King
- •*“Break, Break, Break”
- •British and Irish Modernism
- •Irish Literary Revival
- •J. M. Synge
- •William Butler Yeats
- •Sean o’Casey
- •Oscar Wilde Samuel Beckett (1906-1989)
- •Waiting for Godot
- •Happy Days
- •George Bernard Shaw (1856-1950)
- •*Pygmalion (1913)
- •Arms and the Man
- •Man and Superman (1902)
- •Major Barbara (1905)
- •Mrs. Warren’s Profession
- •Oscar Wilde (1854-1900)
- •The Picture of Dorian Gray The Importance of Being Earnest
- •The Ballad of Reading Gaol
- •Poetry w.H. Auden (1907-1973)
- •**“Musée des Beaux Arts”
- •*“In Memory of w.B. Yeats”
- •“Lay your sleeping head, my love”
- •A.E. Housman (1859-1936)
- •"When I was one-and-twenty"
- •"Terence, this is stupid stuff"
- •"To an Athlete Dying Young"
- •Dylan Thomas (1914-1953)
- •“Do not go gentle into that good night”
- •“And Death Shall Have No Dominion”
- •*“Fern Hill”
- •William Butler Yeats (1865-1939)
- •"The Lake Isle of Innisfree"
- •"When You are Old"
- •"The Wild Swans at Coole"
- •**"The Second Coming"
- •“Sailing to Byzantium”
- •" Leda and the Swan"
- •“Crazy Jane Talks with the Bishop”
- •Stanza VI from “Among School Children”
- •“The Dolls”
- •Fiction Joseph Conrad (1857-1924)
- •Heart of Darkness
- •Lord Jim
- •The Secret Sharer
- •E.M. Forster (1879-1970)
- •Where Angels Fear to Tread (1905)
- •A Room with a View
- •Howards End
- •A Passage to India (1924)
- •The Road to Colonus
- •"What I Believe"
- •*Aspects of the Novel
- •James Joyce (1882-1941)
- •Dubliners
- •Portrait of the Artists as a Young Man
- •Ulysses
- •Finnegans Wake
- •D.H. Lawrence (1885-1930)
- •The Rainbow (1915)
- •Women in Love
- •Sons and Lovers (1913)
- •“The Odour of Chrysanthemums”
- •“The Horse Dealer’s Daughter”
- •Lawrence's non-fiction
- •Virginia Woolf (1882-1941)
- •Mrs. Dalloway
- •A Room of One's Own
- •Postmodern/Contemporary British Literature Philip Larkin
- •Antiquity and "World" Literatures Classical Literature
- •The Trojans
- •The Gods and Immortals
- •The Eclogues
- •Cupid and Psyche (Roman myth)
- •Albert Camus (1913-1960)
- •The Plague
- •The Fall
- •The Stranger
- •Gustave Flaubert (1821-1880)
- •Madame Bovary
- •The Sentimental Education
- •Molière (1622-1673)
- •Tartuffe
- •Jean Racine
- •Jean-Paul Satre (1905 – 1980)
- •No Exit
- •Stendhal (1783-1842)
- •The Red and the Black
- •Anton Chekhov (1860-1904)
- •The Seagull (1896)
- •The Cherry Orchard (1904)
- •Three Sisters (1901)
- •Fyodor Dostoyevsky (1821-1881)
- •Notes from Underground
- •* Crime and Punishment (1866)
- •* The Brothers Karamazov (1880)
- •Leo Tolstoy
- •What is Art?
- •War and Peace
- •Anna Karenina
- •Thomas Mann (1875-1955)
- •Buddenbrooks
- •“Death in Venice”
- •The Magic Mountain
- •Henrik Ibsen
- •A Doll’s House
- •An Enemy of the People
- •The Wild Duck
- •Hedda Gabbler
- •Chinua Achebe (b. 1930)
- •Things Fall Apart (1958)
- •Nadine Gordimer (b. 1923)
- •Jorge Luis Borges (1899-1986)
- •“The Library of Baebel”
- •Gabriel García Márquez (b. 1928)
- •One Hundred Years of Solitude
- •Literary Terms, Verse Forms, Meter, etc.
- •Literary Terms, Verse Forms, Meter, etc.
- •Grammar
- •The Sonnet
- •Italian Sonnet (Petrarchan)
- •The English (or Shakespearian) Sonnet
- •Spenserian Sonnet
- •Curtal Sonnet
- •Literary Theory
- •Formalism
- •New Criticism
- •Structuralism
- •Post-structuralism
- •Deconstructionism
A Tale of a Tub
A Tale of a Tub is divided between various forms of digression and sections of a "tale." The "tale," or narrative, is an allegory that concerns the adventures of three brothers, Peter, Martin, and Jack, as they attempt to make their way in the world. Each of the brothers represents one of the primary branches of Christianity in the west. This part of the book is a pun on "tub," which Alexander Pope says was a common term for a pulpit, and a reference to Swift's own position as a clergyman. Peter (named for Saint Peter) stands in for the Roman Catholic Church. Jack (who Swift connects to "Jack of Leyden") represents the various dissenting Protestant churches whose modern descendants would include the Baptists, Presbyterians, Quakers, Mennonites, and the assorted Charismatic churches. The third brother, middle born and middle standing, is Martin (named for Martin Luther), who Swift uses to represent the 'via media' of the Church of England. The brothers have inherited three wonderfully satisfactory coats (representing religious practice) by their father (representing God), and they have his will (representing the Bible) to guide them. Although the will says that the brothers are forbidden from making any changes to their coats, they do nearly nothing but alter their coats from the start. Inasmuch as the will represents the Bible and the coat represents the practice of Christianity, the allegory of the narrative is supposed to be an apology for the British church's refusal to alter its practice in accordance with Puritan demands and its continued resistance to alliance with the Roman church.
A Tale of a Tub is an enormous parody with a number of smaller parodies within it.
“A Description of a City Shower”
Careful observers may foretell the hour (By sure prognostics) when to dread a shower: While rain depends, the pensive cat gives o'er Her frolics, and pursues her tail no more. Returning home at night, you'll find the sink Strike your offended sense with double stink. If you be wise, then go not far to dine, You spend in coach-hire more than save in wine. A coming shower your shooting corns presage, Old aches throb, your hollow tooth will rage. Sauntering in coffee-house is Dulman seen; He damns the climate, and complains of spleen.
Mean while the South rising with dabbled wings, A sable cloud a-thwart the welkin flings, That swilled more liquor than it could contain, And like a drunkard gives it up again. Brisk Susan whips her linen from the rope, While the first drizzling shower is born aslope, Such is that sprinkling which some careless quean Flirts on you from her mop, but not so clean. You fly, invoke the gods; then turning, stop To rail; she singing, still whirls on her mop. Not yet, the dust had shunned the unequal strife, But aided by the wind, fought still for life; And wafted with its foe by violent gust, 'Twas doubtful which was rain, and which was dust. Ah! where must needy poet seek for Aid, When dust and rain at once his coat invade; Sole coat, where dust cemented by the rain, Erects the nap, and leaves a cloudy stain.
Now in contiguous drops the flood comes down, Threatening with deluge this devoted town. To shops in crowds the daggled females fly, Pretend to cheapen Goods, but nothing buy. The Templar spruce, while every spout's a-broach, Stays till 'tis fair, yet seems to call a coach. The tucked-up sempstress walks with hasty strides, While streams run down her oiled umbrella's sides. Here various kinds by various fortunes led, Commence acquaintance underneath a shed. Triumphant Tories, and desponding Whigs, Forget their feuds, and join to save their wigs. Boxed in a chair the beau impatient sits, While spouts run clattering o'er the roof by fits; And ever and anon with frightful din The leather sounds, he trembles from within. So when Troy chairmen bore the wooden steed, Pregnant with Greeks, impatient to be freed, (Those bully Greeks, who, as the moderns do, Instead of paying chairmen, run them through.) Laocoon struck the outside with his spear, And each imprisoned hero quaked for fear.
Now from all Parts the swelling kennels flow, And bear their Trophies with them as they go: Filth of all hues and odours seem to tell What streets they sailed from, by the sight and smell. They, as each Torrent drives, with rapid force From Smithfield, or St. Pulchre's shape their course, And in huge confluent join at Snow-Hill ridge, Fall from the conduit prone to Holborn-Bridge. Sweepings from butchers stalls, dung, guts, and blood, Drowned puppies, stinking sprats, all drenched in mud, Dead cats and turnips-tops come tumbling down the flood.