- •I. History of english
- •1.1. Chronological division in the history of english
- •1.2. Development of the national literary english language
- •1.5. Development of subjunctive mood forms from oe to MnE
- •II. Theoretical phonetics
- •2.2. The notion of phonological opposition
- •III. Theory of grammar
- •3.1. General peculiarities of modern english structure
- •3.3. The case problem in modern english
- •Infinitive
- •3.6. Predicative complexes in modern english
- •IV. Lexicology
- •4.1. Etymological survey of the english vocabulary
- •4.2. Regional varieties of the english vocabulary
- •4.6. Ways of word-formation in modern english
- •V. Stylistics
- •5.1. Stylistic stratification of the english vocabulary
- •2. Poetic and Highly literary Words.
- •3. Barbarisms and Foreighnisms.
- •5.2. Expressive means and stylistic devices in MnE
- •5.3. Understanding as a linguostylistic problem
- •VI. Linguistic country study
- •6.1. The system of education in great britain
- •6.2. The state and political structure of great britain
- •VII. Methods of teaching
- •7.2. Listening comprehension (methods of teaching)
- •7.3. Speaking skills (methods of teaching)
- •7.4. Reading skills (methods of teaching)
2.2. The notion of phonological opposition
The outline of the problem discussed
1. The 4(3) aspects of speech sound.
2. System of phonemes.
3. Distinctive and redundant features.
4. The application of phonemic theory.
Speech sounds can be analyzed from the viewpoint of three aspects: 1)
acoustic, 2) physiological or articulatory, 3) functional (phonological).
Acoustic Aspect of Speech Sounds.
Acoustically, speech sound is a physical phenomenon produced by the
vibration of the vocal cords and perceived due to the vibration of the layers of air
which occur at the rate of 12 to 20 thousand times per second. This is the limit of
human hearing. Thus in order to produce a sound some physical body must be set
into vibration, or oscillatory motion, by the application of some external force – a
blow must be struck, or the pressure of air applied. When the vibration moves
forward, it compresses, or condenses the air.
Sounds may be periodical and non-periodical. If the vibrations of a physical
body are rhythmical, that is the same pattern of vibration is repeated at regular
intervals of time, the resultant sound waves as periodical. The auditory impression of
such periodical waves is a musical tone, or in speech – a speech-tone. If the
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vibrations are not rhythmical, that is a vibratory pattern occurs at irregular intervals
of time, the resultant wave is non-periodical and is perceived as noise, in speech – a
speech-noise.
Sounds have a number of physical properties which all exist and manifest
themselves simultaneously; each of them can be singled out and separated from the
others only for purposes of analysis.
The 1st of the properties is frequency, which is the number of vibrations per
second. Sound waves may follow one another at different rate of frequency; therefore
the number of vibrations, or cycles, as they are called, per second (cps) varies greatly.
(The greater the frequency, the higher the pitch)
Dependent on the frequency of vibration is the length of the sound wave (its
duration), i.e. its length or quantity of time during which the same vibratory motion is
maintained. It is measured in milliseconds (msecs).
Wave length is inversely proportional to the frequency of vibration; the higher
the frequency, the shorter the wave length. One should bear in mind that the
frequency of sound depends on certain physical properties of the vibrator such as its
mass, length and tension.
The greater the mass of the vibrator, the shorter its vibration, and the lower the
pitch. Some people’s vocal cords are thicker and heavier than those of others and
their voices are lower than the voices of those with thinner, lighter vocal cords.
The longer the vibrator, the slower the vibrations, the lower the frequency and
the pitch. A man’s voice is lower than a woman’s partly because his vocal cords are
longer.
The 2nd physical property of a sound is intensity, changes in which are
perceived primarily as variations in the loudness of a sound. The intensity of a sound
is produced by the amplitude of vibrations, i.e. by the degree of the condensation of
air and therefore by the force of the pressure which the displaced air particles exert on
the ear-drum. Naturally, the greater the external force applied, the greater the
amplitude of vibration, the louder the sound.
The intensity and frequency of sounds are closely interdependent.
The analysis of a sound frequency and intensity at a definite period of time can
be presented graphically with the help of a sound spectograph. Acoustic
characteristics of speech sounds are represented by spectograms.
Definitions in classifications of speech sounds are considered to be more
precise than articulatory ones, they are practically inapplicable and useless in
language teaching because the acoustic features of speech sounds cannot be seen
directly or felt by the language teacher. Acoustic descriptions, however, can be
applied in the fields of technical acoustics. They are also of great theoretical value.
Articulatory and Physiological Aspect of Speech Sounds.
To analyze a speech sound physiologically and articulatory some data of the
articulatory mechanism and its work should be introduced.
Speech is impossible without the following four (4) mechanisms:
1) the power mechanism,
2) the vibrator mechanism,
3) the resonator mechanism,
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4) the obstructor mechanism.
The power mechanism consists of the diaphragm, the lungs, the bronchi, the
windpipe (or trachea), the glottis, the larynx, the mouth cavity and the nasal cavity.
The vibrator mechanism (the voice producing mechanism) consists of the vocal
cords, they are in the larynx, or voice box. The vocal cords are 2 horizontal folds of
elastic tissue. They may be opened or closed (completely or incompletely). Voice
produced by the vocal cords vibration is modified by the shape and volume of the air
passage.
The resonator mechanism consists of the pharynx, the larynx, the mouth cavity
and the nasal cavity.
The obstructor mechanism consists of the tongue, the lips, the teeth, the soft
palate with the uvula, the hard palate, the alveolar ridge.
It should be borne in mind that the 4 mechanisms work simultaneously and that
each sound is the result of the simultaneous work of all of them.
When the air from the lungs gets into the larynx, it makes the vocal cords
vibrate and produce the sounds of noise, i.e. voiced consonants and vowels. The air
may pass through the larynx when the vocal cords do not vibrate and are taken apart.
In this case voiceless consonants are produced. When, in the production of
consonants voice prevails over noise sonorants are produced. The auditory
impression of sonorants is that of neither noise nor voice, therefore some of them are
called semi-vowels [w, j, r].
Having passed through the vocal cords the air gets into the pharynx and then, if
the nasal cavity is closed, it gets into the mouth cavity. If the soft palate is lowered,
and the passage to the stream of air is closed, the air passes out through the nasal
cavity.
Articulatory differences between vowels, consonants and sonorants depend on
the 3 articulatory criteria. They are:
1) the presence or absence of an articulatory obstruction to the air stream in
the larynx (or in the supra-glottal cavities);
2) the concentrated or diffused character of muscular tension;
3) the force of exhalation.
On the basis of these criteria consonants may be defined as sounds in the
production of which a) there is an articulatory obstruction to the air stream; b)
muscular tension is consentrated in the place of obstruction; c) the exhaling force is
rather strong.
Vowels may be defined as sounds in the production of which a) there is no
articulatory obstruction to the air stream; b) muscular tension is diffused more or less
evenly through the supra-glottal part of the speech apparatus; c) the exhaling force is
rather weak.
Sonorants are sounds intermediate between noise consonants and vowels
because they have features common to both. There is an obstruction, but not narrow
enough to produce noise. Muscular tension is concentrated in the place of
obstruction, but the exhaling force is rather weak. English sonorants are: m, n, ., l, r,
w, j.
Functional (phonological) Aspects of Speech Sounds.
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This aspect implies differentiation between the notion of speech sounds and
phonemes, as well as between the disciplines studying them – phonetics and
phonology. It also implies the notion of allophones, their types, the notion of
phonological oppositions, etc.
The founder of the phoneme theory is I.A. Baudouin de Courtenay (1845 –
1929). He did a lot in the study of phonetic alterations and the study of phonemic
alternations and was the 1st linguist who demanded accurate distinction between
synchronic and diachronic approaches to phonemic investigation.
Baudouin de Courtenay’s views were later developed and perfected by his
disciple L.V. Shcherba, who separated phonetics from phonology and stated that
sounds are not only articulatory and acoustic units but that they also possess
functional properties. L.V. Shcherba stated that in actual speech we utter a much
greater variety of sounds than we are aware of; in every language these sounds are
united in a comparatively small number of sounds types which are capable of
distinguishing the meaning and the form of words; that is they serve the purpose of
social intercourse.
As was mentioned in our first lecture there are different opinions on the nature
of the phoneme and its definition among linguists. Baudouin de Courtenay viewed
phonemes as fictitious units and considered them to be only perceptions. Ferdinand
de Sausure (France) viewed phonemes as the sum of acoustic impressions and
articulatory movements. N.S. Trubetskoy (the Prague Linguistic School) defined the
phoneme as a unity of phonologically relevant features. He wrote that when the
phoneme is neutralized it becomes an “archi-phoneme” or a unity of relevant features
common to 2 phonemes, thus it is an abstraction. O. Jespersen, head of London
school of phonology, defined phonemes as a family of sounds. The phoneme theory
in America was elaborated by the so-called structuralists: L. Bloomfield, E. Sapir and
others who defined the phoneme as a minimum unit of distinctive sound features, an
“abstractional fiction”. The representatives of Copenhagen view all linguistic
problems as “algebraic” (O. Jacobson).
In spite of the lack of consistency all of them did a lot for the development of
the phoneme theory.
L.V. Shcherba took the positive ideas from his teacher B. de Courtenay and
was the 1st to define the phoneme as a real independent distinctive unit which
manifests itself in the form of its allophones.
Shcherba’s theory was further developed by his disciples. Prof. V.A. Vassilyev
in his works states the 3 basic functions of a phoneme: 1) constitutive because
sounds constitute words, phrases and sentences, 2) distinctive because sounds help to
distinguish between them, 3) recognitive, which means that its allophones help to
recognize words and consequently phrases and sentences.
The phoneme is functional because it functions to make one word or its
grammatical form distinct from the other; it functions because it constitutes words
and because due to the fact that it really functions we recognize words (even though
they are not pronounced properly).
Since each phoneme is a member of the system it is opposed in this system to
every other phoneme by one or more articulatory / acoustic features, thus, for
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instance, labial / lingual, voiced / voiceless, sonorous / noise, occlusive / constrictive,
etc.
Each phoneme manifests itself in a certain pattern of distribution. The pattern
of distribution may be different. The simplest is free variation, that is the variation of
one and the same phoneme pronounced by the same or different speakers, e.g. [k]
with different degree of aspiration which doesn’t affect the differentiatory properties
of this phoneme.
Another pattern of phoneme environment is complementary distribution
when one and the same phoneme occurs in a definite set of contexts in which no
other phoneme occurs. In other words, if the same sound occurs in different
environments, it is supposed to be one phoneme which manifests itself in the form of
different allophones (variations complement each other to cover the whole
distribution of a phoneme).
Different phonemes can occur in identical context which is never the case with
allophones (мел, мёл, мял; pat, pet, pit).
Sounds are in contrastive distribution when we find them in contrasted pairs:
said – sad, pit – peat, bed – bad, take – cake. Here we can observe contexts which are
the same but for one sound phoneme.
The features by which phonemes are opposed are called the distinctive
features.
Apart from the distinctive features phonemes in their allophonic realization
possess redundant or concomitant features.
Correct allophones are just as important for the recognition of the words as
phonemic differences.
Redundant features are also important because potentially they are able of
performing the distinctive function. Thus, an English speaker will distinguish
between the 2 words – pence and pens, said in whisper though the difference of [s] –
[z] will be neutralized. What helps to keep the 2 words distinct is the different length
of the nasal sound before final [s]. In the word “pence” [n] is shorter than in “pens”.
The degree of length of nasal sounds being a redundant feature plays (in the whisper
situation) a distinctive role.
Category of redundancy is inherent in the language at all. It ensures its
functioning in difficult situations.
For purposes of analysis (but not in actual pronunciation) the phoneme is
further divisible into minimal distinctive features whose combination constitutes the
invariant of the phoneme present in all its allophones.
E.g. the English [p] phoneme is divisible into the following minimal distinctive
features each of which is opposed to the minimal distinctive features of other
phonemes: 1) the bilabial articulation of [p] vs. the forelingual articulation of [t] (cf.
[pen] – [ten]) and the backlingual articulation of [k] (cf. [pen] – [ken]), 2) the stop
articulation of [p] vs. the fricative articulation of [f] (cf. [pen] – [fen]), 3) voicelessfortis
articulation of [p] vs. voiced-lenis articulation of [b] (cf. [pen] – [ben] Ben).
Examples of non-distinctive (redundant, irrelevant) features: the aspiration of
[p, t, k] – this feature is non-distinctive because the aspirated and unaspirated variants
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of the phonemes [p, t, k] never occur in the same phonetic contexts and thus cannot
perform the distinctive function.
Although the phoneme is divisible into minimal distinctive features, it is
defined as the smallest (i.e. further indivisible) language unit. There is no
contradiction here. The segmental phoneme is further indivisible into smaller
consecutive segments. This means that the phoneme exists in actual speech as whole
sounds. The minimal distinctive features into which a phoneme is divisible for
purposes of analysis are concurrent in a speech sound (a variant of some phoneme).
A phoneme can only perform its distinctive function if it is opposed to another
phoneme (or to no sound) in the same position. Such an opposition is called
distinctive, or phonological.
Phonemes (as terms of phonological opposition) are discovered by the method
of minimal pairs, or by distinctive oppositions. This method consists in finding as
many pairs of words as possible which differ in one phoneme. But such pairs can
only be found if the investigator knows that the members of a pair under
consideration are really different words or grammatical forms and not just 2 different
repetitions or variant pronunciations of the same word or form by the same speaker
(aspiration, different degree).
The procedure of finding minimal pairs by substitution of one sound for
another is called commutatation test (коммутационная проверка). If such
substitution results in the change of meaning, the commuted sounds are different. It
may result in 1) the pronunciation of a different word or form, 2) the pronunciation of
a meaningless sequence of sounds, 3) a different repetition or variant pronunciation
of the same word or form.
In the 1st case the contrasted sounds will be allophones of different phonemes
or, in other words, they will represent different phonemes, e.g. [bæk] (back) – [bæt]
(bat) – [bæg] (bag) – [bæd] (bad) – [bæn] (ban) – [bæ.] (bang).
In the 2nd case the phonemic status of the contrasted sounds will remain
uncertain until a phonological opposition is found for the sound which turns a
member of the minimal pair into a meaningful sequence of sounds, cf. [bæk] (back) –
[bæt] bat, but [tæk] (tack) – [tæp] (tap), [pæt] (pat) – [kæt] (cat).
In the 3d case the different sounds occurring in the same positions will be free
variants of the same phoneme, e.g. the exploded [k]-sound and the plosionless one
that may be pronounced in the word [bæk] (back), or the dark [l]and the clear [l] that
may be pronounced in such word as “field” [fild].
Those linguists who deny, ignore or underestimate the distinctive function of
the phoneme and define the latter as the sum of total of its mutually exclusive
allophones object to the use of the semantic method of phonetic analysis. They
maintain that it is possible, as D. Jones puts it, “to group the sounds of a language
into phonemes even without knowing the meaning of words”. It is maintained that it
is possible to establish the phonetic status of any sound of a given language
exclusively on the basis of the distribution of sounds in it. This method is known in
modern phonology as the purely distributional method of identifying the phonemes
of a language as items of its system.
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Although the practical application of the purely distributional method is
theoretically feasible, its implementation in its pure form is faced with such
difficulties that it is actually a nonsense.
The first such difficulty is that of delimiting, i.e. singling out, words and their
grammatical forms in an absolutely unintelligible utterance consisting of 2 or more
words in normal speech in a continuum.
Without isolating words and their forms it is impossible to establish the
distribution of speech sounds, i.e. their occurrence in certain combinations and
positions in words and their forms.
But all that doesn’t mean that research with a view to finding formal indicators
of word and morpheme boundaries in various languages is of no theoretical
importance. Reliable acoustic data on such formal indicators are necessary not so
much for the identification of phonemes as for solving the problem of the machine
recognition of speech, i.e. for constructing cybernetic typewriters which will type
spoken words leaving spaces between them without which it is extremely difficult to
read texts.
Unlike the distributionalists, the founder of American descriptive linguistics, L.
Bloomfield considered it impossible to identify the phonemes of a language without
recourse to meaning in the ordinary sense of the word: “As long as we pay no
attention to meaning, we cannot decide whether 2 uttered forms are the same or
different. The study of significant speech sounds is phonology… It involves the
consideration of meanings”.
One of the most outstanding linguists R. Jacobson is of the same opinion:
“Each venture … to reduce language to its ultimate invariants by means of a mere
analysis of their distribution in the text and with no reference to their empiric
correlates, is condeMnEd to failure.
There are the following general phonological rules of identifying phonemes
without direct reference to the distribution of speech sounds.
One (the first) of such rules, having the character of a phonological axiom,
may be called the law of great phonemic dissimilarity. According to this law,
entirely or greatly different sounds, such as a vowel and a consonant or [m] and [s],
etc. cannot be allophones of the same phoneme. The English consonants [n] and [h]
are so different from each other that they cannot be classed together as allophones of
the same phoneme, although they are never mutually opposed because they always
occur in different positions and may, therefore, be considered, on the basis of their
distribution alone, to be allophones of the same phoneme: [n] occurs only at the end
of a word or a syllable, e.g. [bæg, bæni.] (bang, banging), whereas [h] occurs only at
the beginning of a word or a syllable, e.g. [hæv, biheiv] (have, behave).
The 2nd rule of phoneme identification without immediate distributional
evidence, although less axiomatic, may be called the law of conditioned allophonic
similarity.
According to this law, 2 more or less similar sounds, which are, at the same
time more or less different, are allophones of the same phoneme if the difference
between them is clearly due to the influence of purely external phonetic factors, such
as the neighboring sounds, stress, etc. and not to the speaker’s (usually unconscious)
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need and, therefore, habit to produce this difference for distinctive purposes in spite
of the influence of the purely phonetic factors.
When no lexical or grammatical minimal pair can be found, the phonetic status
of the “suspicious” sound can be ascertained only on the basis of its occurrence in the
so-called sub-minimal pairs, i.e. pairs of words or grammatical forms whose
members differ from each other not in one sound, as a minimal pair does, but in 2 or
more sounds, e.g.
[м ъ к л сь и н ы] (макасины) [с ъ м л в а р] (самовар)
[м ъ г л зь и н ы] (магазины) [м ы л л в а р ] (мыловар)
LITERATURE
1. Антипова А.М. Система английской речевой интонации. – М.: Высш.шк.
1979.
2. Vassilyev V.A. English phonetics (A Theoretical Course.) – M.: Higher School
Publishing House, 1970.
3. Дубовский Ю.А. Анализ интонации устного текста и его составляющих. –
Минск: Высш.шк., 1978.
4. Leontyeva S.F. A Theoretical Course of English Phonetics. – M.: Высш.шк.,
1980.
5. Торсуев Г.П. Строение слога и аллофоны в английском языке (в
сопоставлении с русским) – М.: Наука, 1975.
6. Трахтеров А.Л. Практический курс фонетики английского языка. – М.:
Высш.шк., 1976.
7. Шахбагова Д.А. Фонетические особенности произносительных вариантов
английского языка. – М.: Высш.шк., 1982.
