- •Bittersweet
- •Imogene’s narrow lower lip trembled; she pressed her fingers against it and coughed.
- •Imogene settled back against the seat and tucked the lap robe snug around her waist.
- •Imogene was silent.
- •Imogene ushered them in. “I’d offer you tea or coffee, but my things haven’t been brought from the station yet.”
- •Imogene pointed to the floor.
- •Imogene extended her hand but he didn’t take it, so she tucked it back under her cloak. “I am bigger than most of your bigger boys, Mr. Ebbitt.”
- •It was still light out when they finished supper. Sarah scraped her chair back, poised on its edge for flight. “Can I be excused, Mam? There’s enough light so I can finish with Myrtle.”
- •Imogene’s breath went out of her as though he’d slapped her. She pulled herself up straight and looked down at him. “I am a woman, Sam Ebbitt, and I make my living as a teacher. In school.”
- •Imogene ran down the steps. “Quick, child, run. I can keep up.” She turned to the older woman. “I’ve got to get to her.”
- •Imogene caught sight of Melissa and her mother cowering in the twilight.
- •Imogene mechanically dabbed water from the pail and flicked it onto the inside of her wrist. “Water’s too cool.”
- •Imogene stepped between her and the baby. “What do you mean to do?”
- •Imogene found voice. “Karen, I’m sorry. I didn’t mean to be rude. It took me a moment. You look very different. Hello.”
- •Imogene wrung the cloth with a vicious twist. “This will hurt a little.” She washed the injuries tenderly. “I never knew a willow whip to cut this bad.”
- •Imogene sniffed audibly.
- •Imogene came out of her reverie at the sound of his voice. “No, thank you. I’m fine. A bit chilled. Perhaps you’re right, I’d best take myself home straight away.”
- •Imogene stared at the ruined back; the fine white skin cut to ribbons, black knotted blood puckering the edges of the gashes.
- •Imogene looked from the helpless white fingers to her own blunt, capable hands, and a heavy tiredness blanketed her features. Lying down on the cot by the far wall, she let herself sleep.
- •Imogene penned in reasonable rates under the name of the hotel.
- •Imogene sang softly, an old lullaby imperfectly remembered from childhood.
- •Imogene laughed. “Not many.”
- •Imogene thought for a moment. “Yes.” The one word carried the weight of her life’s worth.
- •Imogene sat like a stone. Her jaw jerked once before she spoke. “Of course.” She was overly loud. “I’ll bring the address by tomorrow, if that would be convenient.”
- •Imogene nodded abruptly. “I understand.” She did not tell Sarah.
- •Imogene hugged her, her cheek pressed against the tangled hair. She held her, thinking. Mam’s letter stared up from the mess of blankets.
- •It was a short letter, filled with warmth and caring. When it was finished, Sarah signed her name, a shaky, spidery hand under Imogene’s sure black strokes.
- •Imogene pressed her hand. “It is good to be out of doors. I think we both had a touch of cabin fever.”
- •Imogene was in high spirits as she loaded the last of their things into the wagon. “Sarah,” she called, “are you ready?”
- •Imogene cut her off. “What do you pay her?”
- •Imogene walked quickly, with long clean strides, and Harland Maydley, with his shorter legs, had to skip every few steps to keep up.
- •It was the first time he had ever called her by her Christian name, and she looked up, startled.
- •Imogene turned to Nate. “Please leave, Mr. Weldrick. Your attentions are not appreciated here.”
- •Imogene stirred her tea.
- •Imogene kissed the golden crown of hair. “Take care of yourself, Sarah. Your love is more than a net under me. It is the tower from which I shout down the world.”
- •Imogene looked at the watch pinned on her bodice. “All right, girls,” she said, turning back to her students, “time is up. Put down your pens.”
- •Imogene swirled around the floor, her feet attending to the calls, her eyes and mind on the darkness beyond the lanterns.
- •Imogene spread her shawl over the rock to protect their dresses. “Sarah, would you be happier married?”
- •Imogene smiled wanly. “Oh dear, I’d hoped to slip away without good-byes. I’m glad I didn’t. We’re leaving Reno, Kate.”
- •Imogene sighed and pushed impatiently back from her desk. “The sheriff is letting Nate Weldrick out of jail this afternoon. Mac told me.”
- •Imogene laughed self-consciously.
- •Imogene smiled at her earnestness.
- •Imogene came to bed after midnight, walking softly so she wouldn’t awaken Sarah if she was sleeping.
- •Imogene shook her head and arranged her skirts around the swaddled coyote so he couldn’t reach her with his teeth.
- •Imogene greeted the passengers as Mac and Noisy busied themselves with the livestock. It wasn’t until after lunch had been served and cleared away that Imogene remembered the coyote pup.
- •Imogene leaned back in her chair, her eyes resting on Mac’s gnarled old face.
- •Inside, the six onlookers howled. David laughed so hard his eyes were wet, and Sarah bounced and murmured “Shh, shh,” between fits of the giggles.
- •In the kitchen, Sarah heard the door bang and called out, “How many for lunch, Imogene?”
- •Imogene laved her face and neck. “You’ve even heated the water. What harm can come to me, with you looking after me?”
- •Imogene snorted. “He expected to sleep and eat here for nothing as a representative of Dizable & Denning.”
- •Imogene caught her hand and kissed the palm. “I’ve never felt better. Not in all the years of my life. No one need be sorry for me.”
- •In the morning Lucy would not come down to breakfast, but pleaded illness. “She’s faking so she can stay and make eyes at Mr. Saunders,” the second Wells daughter declared.
- •I all alone beweep my outcast state,
Imogene looked at the watch pinned on her bodice. “All right, girls,” she said, turning back to her students, “time is up. Put down your pens.”
The Saturday after school let out, the Reno Wheelmen sponsored a dance, a fund-raiser, in the meadow south of town. Some of the older girls were allowed to stay at Bishop Whitaker’s an extra day to attend. The bishop promised to drive them to and from the affair himself with his wife, Miss Sills, Mrs. Ebbitt, and Miss Grelznik along to chaperone.
Saturday was beautiful. It was early summer, the grasses in the meadow not yet baked desert-brown and the wildflowers at their most abundant.
Fred Bone’s grocery wagon was full of picnickers. He and Lutie shared the front seat, Fred looking dapper in a new haircut, his mustache freshly dyed, and Lutie resplendent in yards of pale yellow gingham. Behind, in the open bed, Fred had arranged bales of hay in a square and covered them with canvas to form makeshift seats. Evelynne Bone sat on one bale, straight and proper and over-coiffed, bestowing flirtatious glances on her seat partner, Judge Curler. The judge, in his bowler and spectacles, a whiskey blush clowning the end of his nose, was as dignified as she. He was holding forth on the hair-raising adventures of a Wells Fargo employee. The latest hullabaloo, he said, had involved one of the remote stations: the wife of the stationmaster at Round Hole had gone out of her mind contemplating another summer in the Smoke Creek Desert. Dizable & Denning, the firm that leased the buildings at the stage stop, were searching desperately for a replacement.
Sarah and Imogene sat together on another bale. The two were turned around almost backwards in an attempt to ignore the scrutiny of the judge’s assistant, Harland Maydley. Several picnic baskets, covered with cloths to discourage the flies, bumped along between the bales. One of the Wheelmen, his starched collar gleaming white, his tie nattily in place, whizzed by them as they approached the meadow. At the sight of a man on a bicycle, the horses shied and showed the whites of their eyes.
Lutie clucked. “They just work their feet to death to give their fannies a ride!” she declared.
“Lutie Bown-yay! What language. And in front of a gentleman, too.” Lutie’s mother-in-law smiled coyly at the judge.
“It’s Bone, Ma,” Fred said mildly. “B-O-N-E. Bone.”
The meadow was already filling with wagons and carriages. Young girls in bright summer dresses dotted the landscape like wildflowers. Their mothers, only slightly less excited, stayed back in the shade of the carriages or under the canvas roof of the pavilion. Men wearing colorful shirts, unstained by their day-to-day labors, hair dark with grease and combed close to the head, mustaches dyed and waxed, visited in groups, admiring one another’s horses and equipage. The murmur of voices and the creak of wagons was punctuated by the staccato beat of the Wheelmen hammering together the dance floor.
As soon as the wagon rolled to a stop, Imogene excused Sarah and herself to find the bishop’s party. Harland Maydley invited himself along, but Lutie, seeing Sarah’s distress, called him back to help carry the picnic baskets.
In the afternoon, the Wheelmen, smart in their striped jackets and knickers, put on a show. They rode backwards, seated on the handlebars; four men got onto one bicycle, tangled together like affectionate acrobats, and pedaled an eighth of a mile down the wagon road; a line of cyclists coasted down a gentle slope by the creek, their bellies on the seats, their feet pointing out behind; they rode every way a person could contort and still manage to push the pedals and steer. The performance met with such success that they did several of the tricks a second time. Afterwards they gave free rides to the young ladies, filling their arms with chintz and white ruffled cotton as the girls tried to balance on the narrow handlebars.
Cowhands from the nearby ranches grew restless and green-eyed, watching the girls flock around the cyclists, crying prettily for another turn, and they set up a riding course of picnic baskets and tree stumps. Their show of fancy horsemanship brought the dimples and adoring glances back from the Wheelmen, but the cowboys’ opposing offers of free horseback rides were not so well received; most of the girls had grown up around horses. The cowboys were deluged with tots anxious to grow into cowboys themselves, and spent a disgruntled hour or so riding ecstatic children down the meadow and back.
Near sunset the musicians took their places on the completed bandstand and tuned up. The soft lights and the discordant sounds drew the picnickers in from the meadow and the fringe of evergreens that flanked it. By the time the first star of evening had risen in a mother-of-pearl sky, and the breeze had died away to a zephyr, the people were all gathered around the dance floor, their blankets spread on the grass.
Imogene and Sarah were near the steps opposite the musicians’ stand. Sharing their blanket were two of the bishop’s girls, Fanny May Enor and Emma Hazlet. When the call to choose partners came, the two girls feigned great indifference and talked animatedly between themselves, watching the comings and goings of booted feet out of the corners of their eyes. Under the pressure of being chosen or left to sit, Sarah grew as nervous as the schoolgirls and confined her eyes to her folded hands. Boys nudged each other and giggled, but they were the choosers, and those fearing rejection could choose not to take the chance. Girls had only the power to veto, and for the ugly and the shy it was no consolation.
Couples passed, climbing the steps arm in arm, some stopping to plunk small children in a box behind the accordionist for safekeeping before taking to the floor. On the blanket spread by the steps, only Imogene was at her ease with the frilly dresses and bouncing lights. And only Imogene was asked to dance. Mac entrusted his hat to Sarah and led the schoolteacher onto the floor.
Toe-tapping music and swaying lights finally overcame even the most reticent swains, and by moonrise all the girls were dancing. Evelynne Bone had even taken a stately turn around the floor with Judge Curler before one of the wags watching told her he was called “Judge” only because he could drink more than any two men and still look sober. Disappointed in love, Evelynne had retired to spend the rest of the evening pleading a headache.
Nearly everyone danced. There weren’t enough women, so some of the men tied handkerchiefs around their arms to signify that they were “ladies” for a square, and, out of the way, under the lanterns, the children danced their own versions of what they saw. A burly shopkeeper, with his partner literally on his arm, danced a dignified square with his four-year-old daughter.
The moon, three-quarters full, flooded the meadow with silver light, and the dance floor, with its colored lanterns, shone like a fairy ring.
Sarah and Imogene were resting after a square, clapping in time with the music, watching the stars rise over the black bulk of the mountains, when suddenly Sarah stopped and clasped her hands to her breast. Beyond the dancers, pale and otherworldly in the moonlight, Nate Weldrick rode up the dirt track from town. In the cold light, the claybank stallion showed a dull pewter.
“Sarah? What’s the matter?” Imogene asked. Sarah pointed a rigid finger toward the approaching horseman.
Nate rode out of sight behind the pavilion, reemerging into the moonlight a few minutes later on foot. Both women had forgotten the noise and the lights and the dancing.
“Miss Grelznik! You two moonstruck? This is the third asking.”
They looked up into Fred’s friendly face. He had his arm thrust out in a welcoming hook. “I haven’t had a dance yet. Come on, as soon as they get swept, we’ll be setting new squares.”
Distracted, Imogene shook her head. “I’m tired. Thank you, though, Fred.”
“Not enough dances in this part of the country for anybody to get tired. Especially the gals. In some counties it’s the law they got to bring an extra pair of shoes, because the boys are going to dance them through one pair before midnight.” Fred had pulled Imogene up and walked her halfway to the dance floor. The music started, and holding her arm firmly, he ran to form the side of a square.