- •Bittersweet
- •Imogene’s narrow lower lip trembled; she pressed her fingers against it and coughed.
- •Imogene settled back against the seat and tucked the lap robe snug around her waist.
- •Imogene was silent.
- •Imogene ushered them in. “I’d offer you tea or coffee, but my things haven’t been brought from the station yet.”
- •Imogene pointed to the floor.
- •Imogene extended her hand but he didn’t take it, so she tucked it back under her cloak. “I am bigger than most of your bigger boys, Mr. Ebbitt.”
- •It was still light out when they finished supper. Sarah scraped her chair back, poised on its edge for flight. “Can I be excused, Mam? There’s enough light so I can finish with Myrtle.”
- •Imogene’s breath went out of her as though he’d slapped her. She pulled herself up straight and looked down at him. “I am a woman, Sam Ebbitt, and I make my living as a teacher. In school.”
- •Imogene ran down the steps. “Quick, child, run. I can keep up.” She turned to the older woman. “I’ve got to get to her.”
- •Imogene caught sight of Melissa and her mother cowering in the twilight.
- •Imogene mechanically dabbed water from the pail and flicked it onto the inside of her wrist. “Water’s too cool.”
- •Imogene stepped between her and the baby. “What do you mean to do?”
- •Imogene found voice. “Karen, I’m sorry. I didn’t mean to be rude. It took me a moment. You look very different. Hello.”
- •Imogene wrung the cloth with a vicious twist. “This will hurt a little.” She washed the injuries tenderly. “I never knew a willow whip to cut this bad.”
- •Imogene sniffed audibly.
- •Imogene came out of her reverie at the sound of his voice. “No, thank you. I’m fine. A bit chilled. Perhaps you’re right, I’d best take myself home straight away.”
- •Imogene stared at the ruined back; the fine white skin cut to ribbons, black knotted blood puckering the edges of the gashes.
- •Imogene looked from the helpless white fingers to her own blunt, capable hands, and a heavy tiredness blanketed her features. Lying down on the cot by the far wall, she let herself sleep.
- •Imogene penned in reasonable rates under the name of the hotel.
- •Imogene sang softly, an old lullaby imperfectly remembered from childhood.
- •Imogene laughed. “Not many.”
- •Imogene thought for a moment. “Yes.” The one word carried the weight of her life’s worth.
- •Imogene sat like a stone. Her jaw jerked once before she spoke. “Of course.” She was overly loud. “I’ll bring the address by tomorrow, if that would be convenient.”
- •Imogene nodded abruptly. “I understand.” She did not tell Sarah.
- •Imogene hugged her, her cheek pressed against the tangled hair. She held her, thinking. Mam’s letter stared up from the mess of blankets.
- •It was a short letter, filled with warmth and caring. When it was finished, Sarah signed her name, a shaky, spidery hand under Imogene’s sure black strokes.
- •Imogene pressed her hand. “It is good to be out of doors. I think we both had a touch of cabin fever.”
- •Imogene was in high spirits as she loaded the last of their things into the wagon. “Sarah,” she called, “are you ready?”
- •Imogene cut her off. “What do you pay her?”
- •Imogene walked quickly, with long clean strides, and Harland Maydley, with his shorter legs, had to skip every few steps to keep up.
- •It was the first time he had ever called her by her Christian name, and she looked up, startled.
- •Imogene turned to Nate. “Please leave, Mr. Weldrick. Your attentions are not appreciated here.”
- •Imogene stirred her tea.
- •Imogene kissed the golden crown of hair. “Take care of yourself, Sarah. Your love is more than a net under me. It is the tower from which I shout down the world.”
- •Imogene looked at the watch pinned on her bodice. “All right, girls,” she said, turning back to her students, “time is up. Put down your pens.”
- •Imogene swirled around the floor, her feet attending to the calls, her eyes and mind on the darkness beyond the lanterns.
- •Imogene spread her shawl over the rock to protect their dresses. “Sarah, would you be happier married?”
- •Imogene smiled wanly. “Oh dear, I’d hoped to slip away without good-byes. I’m glad I didn’t. We’re leaving Reno, Kate.”
- •Imogene sighed and pushed impatiently back from her desk. “The sheriff is letting Nate Weldrick out of jail this afternoon. Mac told me.”
- •Imogene laughed self-consciously.
- •Imogene smiled at her earnestness.
- •Imogene came to bed after midnight, walking softly so she wouldn’t awaken Sarah if she was sleeping.
- •Imogene shook her head and arranged her skirts around the swaddled coyote so he couldn’t reach her with his teeth.
- •Imogene greeted the passengers as Mac and Noisy busied themselves with the livestock. It wasn’t until after lunch had been served and cleared away that Imogene remembered the coyote pup.
- •Imogene leaned back in her chair, her eyes resting on Mac’s gnarled old face.
- •Inside, the six onlookers howled. David laughed so hard his eyes were wet, and Sarah bounced and murmured “Shh, shh,” between fits of the giggles.
- •In the kitchen, Sarah heard the door bang and called out, “How many for lunch, Imogene?”
- •Imogene laved her face and neck. “You’ve even heated the water. What harm can come to me, with you looking after me?”
- •Imogene snorted. “He expected to sleep and eat here for nothing as a representative of Dizable & Denning.”
- •Imogene caught her hand and kissed the palm. “I’ve never felt better. Not in all the years of my life. No one need be sorry for me.”
- •In the morning Lucy would not come down to breakfast, but pleaded illness. “She’s faking so she can stay and make eyes at Mr. Saunders,” the second Wells daughter declared.
- •I all alone beweep my outcast state,
Imogene hugged her, her cheek pressed against the tangled hair. She held her, thinking. Mam’s letter stared up from the mess of blankets.
“We won’t let Matthew forget,” Imogene said suddenly. She lifted Sarah from her shoulder. “We will write every day. You write a letter to Matthew every day and at the end of every week I’ll post them.”
Sarah’s eyes brightened for a moment, then dimmed. “Matthew’s a baby.”
“Mam will read them to him. He’ll not understand much, but you’ll always be there with him. He’ll know he has a mother and when he’s older he’ll know you always thought of him, always loved him. I’ll help. We’ll start today.” She got ink and paper. “Sit up.” Pillows were pushed behind her and covers tucked around her until Sarah appeared upright and stable. Imogene spread the paper over a book and dipped her pen. “Dear Matthew?”
Sarah bit her underlip and then began, “My Dear Son Matthew…”
It was a short letter, filled with warmth and caring. When it was finished, Sarah signed her name, a shaky, spidery hand under Imogene’s sure black strokes.
The parlor chair and the washbasin were ruined. Imogene overruled Lutie’s protests and they were added to her bill. She replaced the broken looking glass herself, smuggling in the new one wrapped in a shawl, rather than face the same odd looks occasioned by the chair and the burnt basin. An hour’s scrubbing had gotten the worst of the soot off the ceiling above the washstand where the paintings had been burned.
Evelynne Bone, who had seen the paint-smeared chair and the charred basin, gossiped of it. One evening she made the mistake of cornering McMurphy while he waited in the parlor for his lesson. She told him what she had seen. “It smacks of necromancy,” she whispered with satisfaction. For her pains, the old miner told her she might put it in her pocket and ride on it; he didn’t know what “neck-romancing” was, but he’d bet the old bat had never had any herself.
Two days later, Imogene came home from school at an unaccustomed hour to collect some books she had forgotten. Evelynne Bone was rummaging through the top drawer of the dresser in their room. The old woman scuttled out, snapping a whispered explanation of “seeing to the poor child, alone all day.” Sarah was asleep. Without waking her, Imogene kissed her forehead and whispered, “I’ll find us a home.”
21
SARAH’S FEVER SEEMED TO HAVE BURNED UP WITH THE PAINTINGS; morning after morning she awoke with a cool brow and clear eyes. Imogene began to hope she was finally mending. Weak from the long illness, Sarah stayed in their room much of the time. The first jewellike days of autumn, she had ventured out to sit on the porch in the sun, but the overzealous ministrations of Evelynne Bone had driven her back inside.
With her health, her spirit began to recover. Letters to her son, Matthew, were her chief joy. As she grew stronger, she delighted in keeping house for Imogene. The room was always tidy and a new painting or a spray of sage, carefully arranged, would cheer the schoolteacher’s desk. And Imogene’s undergarments were mended with such delicate stitchery that Lutie said it was a shame she couldn’t show it off to the menfolk.
Both Imogene and Lutie looked for a day when they could take Sarah to the mountains. On a Saturday in Indian summer, they borrowed Fred’s vegetable cart and drove Sarah to the meadow west of town. Though there was already snow on the peaks, the air was soft and the sun warm on their backs. Birdsong played with the rush of streams. The summer’s last warmth brought out the smell of the pines.
Tethering the pony in the shade of a white pine, they spread their blanket on the bank of a stream that cut through the new grass of the meadow. Sarah, imprisoned so long in her convalescence, turned her face to the sky like a sunflower. In the fresh mountain air she was persuaded to eat half again what she would have at the Broken Promise.
After lunch, Imogene and Sarah left Lutie to doze over her crocheting and walked arm in arm along the creek. Stands of willows bowed over the water, dappling the light with thin, bladelike leaves.
Sarah held tight to Imogene’s arm, breathing deeply of the sweet air. “There’s no smell like this in the world, Imogene. It makes me feel that if I could only breathe in enough, I could float—like those hot-air balloons you read to me about from the newspaper.”