8) Why were theatres closed during the Civil War period in 17 th century in England?

In 1642 civil war broke out in England and theatres were closed to prevent public disorder. The theatres remained closed for 18 years, causing considerable hardship to professional theatre performers, managers and writers. Illegal performances were only sporadic and many public theatres were demolished. Theatres reopened after having been closed during the protector ship of Oliver Cromwell, Puritanism lost its momentum, and the bawdy "Restoration comedy" became a recognizable genre. In addition, women were allowed to perform on stage for the first time. In Scotland, Episcopacy was reinstated.

To celebrate the occasion and cement their diplomatic relations, the Dutch Republic presented Charles with the Dutch Gift, a fine collection of old master paintings, classical sculptures, furniture, and a yacht.

9) Who were the Puritans and what literature did they write?

The Puritans were a significant grouping of English Protestants in the 16th and 17th centuries. Puritanism in this sense was founded by some Marian exiles from the clergy shortly after the accession of Elizabeth I of England in 1558, as an activist movement within the Church of England.

They were blocked from changing the system from within, but their views were taken by the emigration of congregations to the Netherlands and later New England, and by evangelical clergy to Ireland and later into Wales, and were spread into lay society by preaching and parts of the educational system, particularly certain colleges of the University of Cambridge. Initially, Puritans were mainly concerned with religious matters, rather than politics or social matters. They took on distinctive views on clerical dress and in opposition to the episcopal system, particularly after the 1619 conclusions of the Synod of Dort were resisted by the English bishops. They largely adopted Sabbatarian views in the 17th century, and were influenced by millennialism.

The literature on Puritans, particularly biographical literature on individual Puritan ministers, became large already in the 17th century, and indeed the interests of Puritans in the narratives of early life and conversions made the recording of the internal lives important to them. The historical literature on Puritans is, however quite problematic and subject to controversies of interpretation. The early writings are those of the defeated, excluded and victims. The great interest of authors of the 19th century in Puritan figures was routinely accused in the 20th century of consisting of anachronism and the reading back of contemporary concerns. Peter Gay writes of the Puritans' standard reputation for "dour prudery" as a "misreading that went unquestioned in the nineteenth century", commenting how unpuritanical they were in favour of married sexuality, and in opposition to the Catholic view of virginity, citing Edward Taylor and John Cotton.

10) What was the Globe theatre? Why is it important?

The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and closed in 1642. The Globe was owned by actors who were also shareholders in Lord Chamberlain's Men. Two of the six Globe shareholders, Richard Burbage and his brother Cuthbert Burbage, owned double shares of the whole, or 25% each; the other four men, Shakespeare, John Heminges, Augustine Phillips, and Thomas Pope, owned a single share, or 12.5%. (Originally William Kempe was intended to be the seventh partner, but he sold out his share to the four minority sharers, leaving them with more than the originally planned 10%). These initial proportions changed over time as new sharers were added. Shakespeare's share diminished from 1/8 to 1/14, or roughly 7%, over the course of his career.

The Globe was built in 1599 using timber from an earlier theatre, The Theatre, which had been built by Richard Burbage's father, James Burbage, in Shoreditch in 1576. The Burbages originally had a 21-year lease of the site on which The Theatre was built but owned the building outright. However, the landlord, Giles Allen, claimed that the building had become his with the expiry of the lease. On 28 December 1598, while Allen was celebrating Christmas at his country home, carpenter Peter Street, supported by the players and their friends, dismantled The Theatre beam by beam and transported it to Street's waterfront warehouse near Bridewell. With the onset of more favourable weather in the following spring, the material was ferried over the Thames to reconstruct it as The Globe on some marshy gardens to the south of Maiden Lane, Southwark. The new theatre was larger than the building it replaced, with the older timbers being reused as part of the new structure; the Globe was not merely the old Theatre newly set up at Bankside. It was probably completed by the summer of 1599, possibly in time for the first production of Henry V and its famous reference to the performance crammed within a "wooden O". The first performance for which a firm record remains was Jonson's Every Man out of His Humour—with its first scene welcoming the "gracious and kind spectators"—at the end of the year.