- •Intonation
- •Imperatives (calm, unemotional, serious)
- •Imperatives (firm, serious, pressing)
- •Imperatives (calmly warning, soothing)
- •Imperatives (soothing, encouraging, calmly patronising)
- •Imperatives (reprovingly critical, resentful)
- •Imperatives (expressing warmth)
- •Imperatives (lively, with a note of critical surprise)
- •Imperatives (sounding lively; suggesting a course of action to the listener)
- •Imperatives (sounding plaintive, pleading, reproachful)
- •Imperatives (sounding hostile, disclaiming responsibility)
Imperatives (expressing warmth)
Do you think this hat will fit me? - Try it.
He'll be terribly angry. - Let him.
A letter won't reach Ann in time. - Phone her, then.
He doesn't want to play. - Then make him.
I'm awfully sorry. - Forget it.
He can't afford to pay. - Well give it to him, then.
Exclamations (very emotional)
He's over seventy. - Well!
Alice is coming as well. - Really! Splendid!
Will you have a drink? - Thank you!
That you Mr. Archer? - Good morning! Good morning to you.
I'll give it to you. - How lovely!
I'm most grateful to you. - Don't mention it, my dear chap.
She says you're to blame. - What nonsense!
Isn't it a lovely view! - Enchanting!
INTONATION PATTERN IX (LOW PRE HEAD+) RISING HEAD+HIGH FALL (+TAIL)
I wonder when Alice's train is due. - Look it up in the time-table.
Stress-and-tone mark: the first stressed syllable [ ]
The syllables of the Rising Head preceding the High Fall gradualIy carry the pitch up.
This intonation pattern is used:
1. In statements, conveying personal concern, involvement, disgruntled protest. e.g. Haven't you brought the car? - You didn't ask me to.
2. In questions: a) In special questions sounding unpleasantly surprised or displeased, protesting. e.g. Send them at once. - Where to?
b) In genera1 questions, protesting, sometimes impatient. e.g. Thursday's a hopeless day for me. - Can't we make it a Friday then?
3. In imperatives, lively, with a note of critical surprise. e.g. What shall I do? - Try it again.
4. In exclamations, conveying affronted surprise, protesting. e.g. John's coming. - What an extraordinary thing.
EXERCISES
Read the following conversational situations, intone the replies according to the suggested attitudinal meanings and read them properly.
Statements (conveying personal concern, involvement, disgruntled protest)
I must see Mr. Roberts. - I'm afraid you can't. He's gone out.
What did you think of the house? - I was rather taken with it. It seems quite nice.
"He says he knows nothing about it. - I just can't understand it. I distinctly remember telling him.
Haven't you finished that book yet? - I've only just begun it.
I'm afraid I failed my exam. - I'm not at all surprised. You must try working a bit harder.
You ought to have informed me at once. - I didn't realize it was so important.
Special questions (sounding displeased, unpleasantly surprised, protesting)
What's that you say? - Why don't you listen?
I can't find the file anywhere. - What have you 'done with it?
You can't easily mend it. - What do you mean, easily?
I gave it to her personally. - But when did you see her?
Which one shall I have? - Which would you prefer?
I shall write to him again. - Whatever do you hope to gain by that?
I was too late. They'd sold out. - Why ever didn't you buy when you had the chance?
General questions (protesting, impatient)
I'm terribly hard up! - Aren't we all?
It's always possible. - But do you think it's likely?
I'm quite booked up next week. - Will the week after I suit you better?
In my view he's a culprit. - Could you be mistaken?
I can't meet you this Tuesday. - Shall we leave it till next week?
I can't say I do like this coat. - Would you have preferred the plum coloured one?