стилистика / Seminars_style
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TENTATIVE CLASS SCHEDULE IN STYLISTICS
(VII Term, November - December 2009)
Литература:
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Кухаренко В.А. «Практикум по стилистике английского языка» М.: Высшая школа, 1986.
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Гальперин И.Р. «Стилистика английского языка» М.: Высшая школа, 1986.
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Арнольд И.В. «Стилистика. Современный английский язык: Учебник для вузов» М.: Флинта: Наука, 2002.
Seminar # 1: Lexical Stylistic Devices
Литература: В.А. Кухаренко «Практикум по стилистике английского языка» с. 22-24, с. 37-66 (+ лекции).
1. Word and its semantic structure. Connotational meanings. Role of context in the actualization of meaning (pp 22-24)
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Metaphor (theory -pp.37-39, Ex. I p. 39-40)
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Metonymy (theory – pp. 40-41. Ex. II pp. 41-42)
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Play on Words (theory – pp.42 –44. Ex. III pp.44-46)
5. Irony (theory – pp.46-47. Ex. IV pp.47-49)
6. Antonomasia (theory – pp.50-51. Ex. V pp.51-52)
7. Epithet (theory – pp. 53-55. Ex. VI pp. 55-57)
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Hyperbole (theory – pp. 57-58. Ex. VII pp. 58-59)
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Oxymoron (theory – pp. 60-61. Ex. VIII pp. 61-62)
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Work out the classification of lexical stylistic devices (according to Prof. Kukharenko)
Assignments for self-control: p. 46, 49, 52-53, 57, 60, 62.
Seminar #2: Syntactical Stylistic Devices
Кухаренко, с. 66-96.
Test assignment: Ex. IX pp.62- 66 (No 25 pp. 65-66) – in writing (workbook)
1. Main characteristics of the sentence (theory – pp.66-68. Ex. I pp.68-71)
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Rhetorical question. Repetition. Parallel Construction. Chiasmus (theory – pp. 71-73. Ex. II pp.73-75)
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Detachment. Suspense. Inversion (theory – pp. 76-77. Ex. III pp.77-78)
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Ellipsis. Break. Types of connection (theory – pp. 78-80, 82-83. Ex. IV pp.80-82, ex. V p.83)
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Antithesis (pp. 84-85. Ex. I pp.85-86)
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Climax / anticlimax (pp. 86-87. Ex II pp. 87-88)
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Simile (pp. 89-90. Ex. III pp.90-93)
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Litotes (p.93. Ex. IV pp.93-94)
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Periphrasis (pp.94-95. Ex.V pp.95-96)
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Work out the classification of syntactical and lexico-syntactical devices (two points of view)
Assignments for self-control: pp. 71, 75-76, 78, 84, 86, 88, 93, 94, 96.
Seminar # 3: Types of Narration and Compositional Forms
Кухаренко, с. 100-108.
Test assignment # 2 Ex. VI pp. 96-100 – in writing (workbook)
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Author’s Narrative. Dialogue. Interior Speech. Represented Speech. Compositional Forms (pp.100-103. Ex. Pp. 103-107)
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Test on types of narration and narrative compositional forms.
Assignments for self-control: pp. 107-108.
Seminar # 4: Functional Styles
Кухаренко, с. 108-120.
1. Colloquial vs. Literary Type of Communication. Oral vs. Written Form of Communication (pp. 108-111. Ex. pp. 111-119) + lecture notes on Functional styles!
2. Test on Functional styles.
Assignments for self-control: p. 120
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Seminar # 5: Comprehensive Stylistic Analysis
Кухаренко, с. 120-140
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Study essentials of stylistic analysis (p.120 in the middle of the page) and samples of stylistic analysis in Supplement I (pp. 120-124).
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Prepare comprehensive stylistic analysis of No 1, 4, 16 (pp.124-127)
Evaluation procedures:
Examination (50%):
Theory – 25%
Analysis – 25%
Coursework (50%):
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Seminars and lectures– 15% :
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Attendance, participation, take-home assignments – 5%
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2 (in-class) tests – seminars # 3 and 4 (10%)
2. Test No 1(on lexical SDs, in class) – 10%
3. Test No 2 (on syntactical SDs, in class) – 10%
4. Final Test (at the last lecture) – 15%
Evaluation Scale
90 –100% - “5”
80 – 89% - “4”
70 – 79% - “3”
less than 70% -“2”
Evaluation Criteria (oral examination)
Theory – 25 % (5 aspects - 5 points maximum each)
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Purpose - adequate (full) coverage of the topic, the knowledge of at least two points of view on the problem, accurate use of terms, definitions, etc.;
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Impression - student’s own examples (found in original literature)
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Range of vocabulary and structures
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Style of interpretation
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Accuracy (grammatical, phonetic)
Analysis - 25 % (5 aspects – 5 points maximum each)
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Purpose – adequate coverage of the SDs in the extract under discussion, accurate use of terms and definitions, accurate identification of SDs and their functions
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Interpretation of contents: accuracy, logic, clarity
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Range of vocabulary and structures
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Accuracy (grammatical, phonetic, etc.)
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Impression (relevance of tone, fluency, appropriacy)