§ 6. Cumuleme in writing is regularly expressed by a paragraph, but the two units are not wholly identical.

In the first place, the paragraph is a stretch of written or typed literary text delimited by a new (indented) line at the beginning and an incomplete line at the close. As different from this, the cumuleme, as we have just seen, is essentially a feature of all the varieties of speech, both oral and written, both literary and colloquial.

In the second place, the paragraph is a polyfunctional unit of written speech and as such is used not only for the written representation of a cumuleme, but also for the introduction of utterances of a dialogue (dividing an occurseme into parts), as well as for the introduction of separate points in various enumerations.

In the third place, the paragraph in a monologue speech can contain more than one cumuleme. For instance, the

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following paragraph is divided into three parts, the first formed by a separate sentence, the second and third ones presenting cumulemes. For the sake of clarity, we mark the borders between the parts by double slash:

When he had left the house Victorina stood quite still, with hands pressed against her chest. // She had slept less than he. Still as a mouse, she had turned the thought: "Did I take him in? Did I?" And if not — what? // She took out the notes which had bought — or sold — their happiness, and counted them once more. And the sense of injustice burned within her (J. Galsworthy).

The shown division is sustained by the succession of the forms of the verbs, namely, the past indefinite and past perfect, precisely marking out the events described.

In the fourth place, the paragraph in a monologue speech can contain only one sentence. The regular function of the one-sentence paragraph is expressive emphasis. E.g.:

The fascists may spread over the land, blasting their way with weight of metal brought from other countries. They may advance aided by traitors and by cowards. They may destroy cities and villages and try to hold the people in slavery. But you cannot hold any people in slavery.

The Spanish people will rise again as they have always risen before against tyranny (E. Hemingway).

In the cited passage the sentence-paragraph marks a transition from the general to the particular, and by its very isolation in the text expressively stresses the author's belief in the invincible will of the Spanish people who are certain to smash their fascist oppressors in the long run.

On the other hand, the cumuleme cannot be prolonged beyond the limits of the paragraph, since the paragraphal border-marks are the same as those of the cumuleme, i.e. a characteristic finalising tone, a pause of two and a half moras. Besides, we must bear in mind that both multicumuleme paragraphs and one-sentence paragraphs are more or less occasional features of the monologue text. Thus, we return to our initial thesis that the paragraph, although it is a literary-compositional, not a purely syntactic unit of the text, still as a rule presents a cumuleme; the two units, if not identical, are closely correlative.

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