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Index 203
https://t.me/medicina_free
The Emperor of All Maladies
(Mukherjee),
Epicurus, 149
epiphany, 96
“epistemic posture” of doctor, 57,
68, 69
era of informed consent, 61–2
euphemisms, 65, 147
Every Patient Tells a Story
(Saunders), 70
Fadiman, Anne, 11
Feke, Tanya, 54, 55–6
female sexuality, 44
fiction: basis in diagnosis and
diagnostic moment, 19, 81–3, 91,
94–6; diagnostic moment in, 19,
81–3, 86, 91, 94–6, 97, 98, 99; doctor
as storyteller, 18; loved ones and
diagnosis, 92–3; vs. TV/cinema,
97, 98, 99; use of diagnosis, 83. See
also graphic art and novels
fiction works analyzed: All That I
Am,
19, 83–5, 95; Alone on the Wide,
Wide Sea, 19, 85–7; Complicity, 93,
95–6; The Final Diagnosis, 19, 87–9,
95; Gilead, 93; Helsinki White, 91;
Saturday, 81–2, 94; The Tiger’s Wife,
19, 89–91, 94; The Various Haunts of
Man, 91; Vital Signs, 92; Wednesday
the Rabbi Got Wet,
films. See television and cinema
The Final Diagnosis (Hailey), 19,
87–9, 95
Fitz, Kate, 73
Fleischman, Suzanne: on diagnostic
moment, 2; illness narrative,
139–40, 141, 145–7; linguistics and
words,
flu and influenza: case description
and coding, 35–6; causation
and process, 26–7; classification
and categorization, 24–5, 27,
36–7; definition and symptoms,
25–6, 33–4, 35–8; and doctors, 25,
34–5; fluidity of diagnosis, 24,
25–6, 30, 33, 37, 38; and media,
28–30; metaphors and anchors,
72–3
91–2, 94–5
12, 139–40, 141, 145–7, 151
38, 39; overview, 16–17, 23; self-
diagnosis,
strains and boundaries,
Foucault, Michel, 77
Frank, Art: on epiphany, 96; on
illness narrative,
165–6; and patient stories,
43, 137
Funder, Anna, 19, 83
gay, queer, and transgender people,
117–18, 140, 152, 166
gender, in melodrama, 105, 111,
113; in approaches to body,
151;
11; and flu,
value,
Gersuny, Robert, 49, 50, 51
Gilead (Robinson), 93
Gilman, Charlotte Perkins, 12
Glaser, B. G., 154
Google and “Dr Google”: and self-
diagnosis, 47, 53, 54, 55–6. See also
medical information, publicly
accessible
graphic art and novels: analysis of
The Bad Doctor, 20, 134–6, 137,
161–2; diagnostic sequence, 134–5;
extract from The Bad Doctor,
overview, 20; role in medicine, 135;
use and purpose of diagnosis, 125,
134, 135, 137–8, 162
graphic medicine, 125, 134,
137–8, 162
Gravatt, Zachary, 37
H1N1 (swine flu) pandemic, 25,
28–9, 36, 37
Hadra, Berthold, 18, 50
Hailey, Arthur, 19, 87
Hanne, Michael, 34–5
Harrison, John, 63–4
Harrison, K. L., 54
health anxiety disorder, 53
Heidegger, Martin, 149
Helsinki White (Thompson), 91
Hill, Susan, 91, 95
Hippocrates, 17–18, 60
30–3, 34; and story, 37;
27–30
140, 152, 156,
and explanatory narratives,
24; as a social
123
126–33
;
204 Index
https://t.me/medicina_free
Hooker, Worthington, 66
hospital drama,
House, MD, 97–8, 118–19
Hugh-Jones, Philip, 33
Hulk, 157–8, 162
Iggy and the Inhalers, 134, 162
Illness as Metaphor (Sontag), 146–7
illness narrative: Blaxter, Mildred,
141–3, 145; Caplan, Paula J.,
156; Carel, Havi, 148–50; Carver,
Raymond, 156; Charon, Rita,
12, 152–3, 164; as “coming
out,” 140; description and rise,
140–1; Ettorre, Elizabeth, 156;
Fleischman, Suzanne,
141, 145–7; and flu, 31; Frank,
Art, 140, 152, 156, 165–6; function,
21; Jurecic, Ann, 180n8 (chap. 7);
Kleinman, Arthur,
7); linguistic view, 12, 139–40, 141,
145–7, 155–6; Lorde, Audré, 152,
160; multifaceted contexts, 153–5,
156; Oakley, Ann, 156; overview,
21; philosophical view, 148–50;
popular culture and literary view,
150–2; sociological view, 141–3,
145, 153–5; Stoddart Holmes,
Martha, 150–2; use and goals, 141,
152–3, 156
illness vs. disease, 146
imaging, and representation of body,
142–5
“inciting incident” scenes, 108,
113, 120
infectious diseases, and boundaries,
27–8
influenza: case description and
coding, 35–6; definition and
representation, 25–6. See also flu
and influenza
“influenza-like illness,” 35
insurance, 10, 135
International Classification of
Diseases (ICD), 27, 36, 135
Internet. See Google and “Dr
Google”
I’ve Loved You So Long, 122
97–8
139–40,
180n8 (chap.
J-09 code, 36
Johnson, W. M., 69
Keith, Robert, 49
Kemelman, Simon, 91
Kitchen, Neil, 82
Klaver, E., 116–17
Kohn, Roy, 117–18
Kouzel, O., 54
Krecke, Albert, 49
Kushner, Tony, 117
lab tests, 136, 137
Lapham, R., 49–50
A Late Quartet, 111–15
Latour, Bruno, 4
lay stories. See patients’ stories
Leder, D.,
Lemon, George William, 7
linguistics and words, 12, 39, 155–6;
in illness narrative, 12, 139–40,
141, 145–7, 151
literature. See fiction
Little, E. Graham, 52, 68–9
Lorde, Audré, 152, 160
loved ones in fiction, 92–3
Lund, Charles, 39
Lynch, Thomas, 73
“man flu,” 24
Martin, Emily, 69
McEwan, Ian, 81–2
Médecin de campagne, 119
media, 14, 15, 28–30
medical information, publicly
accessible: impact, 17, 47–8, 52–3;
and self-diagnosis by patient,
47–54, 55–6
medicalization, 56–7
medicine and medical profession,
power in diagnosis, 12–13, 57–8,
60–1, 77
melodrama, 104, 105, 111, 113
men, in melodrama, 111
metaphors, 38–9, 146–7
Mexico, H1N1 stories, 28–9
migraine, commercial storytelling,
44, 46–7
43
Index 205
https://t.me/medicina_free
Morpurgo, Michael,
Mukherjee, Siddartha, 72–4
multi-contextual critical diagnostic
studies,
multi-epistemic approach, 156
Mulvey, Laura, 111
myelodysplastic syndrome, 145–6
narrative medicine, 11–12, 164
“narrative surrender,” 137
narrative therapy, 164
nations, boundaries and epidemics,
27–9
New Zealand: doctors and
Dr
31, 37, 38
non-scientifically trained providers
vs. doctors, 51–2, 68–9, 77. See also
quacks vs. doctors
nouns,
obesity, framing of, 7
Obreht, Téa, 19, 89
online information. See Google and
“Dr Google”
Orman, Ben,
Osler, William, 71
ovaries and ovarian cancer, 150–1
Palfrey, Francis, 67–68
patient: and beginning of story, 8,
41–3; and doctors’ stories, 63–8,
70–1, 78–9; labelling process,
135; and medical information,
publicly accessible, 47–56;
and power of diagnosis, 12,
58, 78–9, 135; as protagonist
in story, 62–3, 72; rehearsal
before diagnosis, 1; role as good
patient, 50–1; self-diagnosis (see
self-diagnosis)
patients’ stories: and authority
of diagnosis, 58; “narrative
surrender,” 137; and self-
diagnosis, 47–50. See also illness
narrative
personal change and transformation,
158–60
154
Google,
146
19, 85
54; H1N1 stories, 29,
73
pharmaceutical companies, 44–7, 57.
See also commercial storytelling
“Pink Ribbons and Public Private
Parts” (Stoddard Holmes),
150, 165
pink ribbons for breast cancer, 150–1
poor, the, 62
popular culture, and illness
narrative, 150–2
Prior, Lindsey, 33
process of diagnosis: beginning
of story by patient, 8, 41–3;
commercial storytelling,
51–2; diagnostic authority,
43–4, 47–8, 56, 58; doctor-patient
interaction, 42–3, 48, 55; and
medical information, publicly
accessible,
contexts, 154–5, 156; overview, 17,
41–2; and self-diagnosis, 47–50;
social aspects, 142–3
Psycho, 122
psychosocial factors of
diagnosis, 143
quacks vs. doctors, 51–2, 68
queer, gay, and transgender people,
117–118, 140, 152, 166
Read Code, 135–6, 137
Reed, Carla, 72–3
Richardson, M. H., 63–5
Riggs, Austen, 68
Rimmon-Kenan, Slomith, 115, 116
Sachs, Dr Bernard, 39
Sanders, Lisa, 70–2, 77
Saturday (McEwan), 81–2, 94
Saundby, R., 69
Schofield, Alfred T., 65
Seelig, M. G., 65
self-diagnosis: flu and influenza,
30–3, 34; and medical information,
publicly accessible 47–54, 55–6;
outcome, 54–5; and patient stories,
47–50; and pharmaceutical
companies, 57; and power, 135; in
process of diagnosis, 47–50
47–56; multifaceted
44–7,
206 Index
https://t.me/medicina_free
semantics. See linguistics and words
Sentence of Death,
sexual drive, and commercial
storytelling,
“sick role,” 10–11
Side Effects, 119–20
socialization, 162
social pattern analysis, 94, 154
sociology, and illness narrative,
153–5
Socrates, 5
Sontag, Susan, 146–7
“Spanish” flu, 30
Spence, Des, 53, 54
Sperry, W. L., 68
Srivastava, Ranjana, 74–6
Still Alice, 104–11; diagnostic
sequences, 106–10
Stoddart Holmes, Martha, 16, 165;
illness narrative,
stomach flu, 24
story: beginning of, 2–3, 8–9, 10,
13–14, 41–3; as boundary object,
4, 163; as classification tool, 5–7;
co-construction,
and function, 8–9, 72; diagnosis
as, 70–1, 163; framing of, 8; and
health care provision, 161, 163–5;
multifaceted approaches, 153–4,
156, 163–6; and outcomes, 153;
and personal change, 158–60;
power and influence, 3–4, 10–11,
16, 21, 167–8; protagonists, 62–3,
72; refraction of reality, 138. See
also doctors’ stories; patients’
stories; specific topics
Strauss, A. L., 154
students, and diagnosis, 75
de Styrap, Juke, 51
Superman, 138, 160
Surbone, Antonella, 40, 80
swine flu (H1N1) pandemic, 25,
28–9, 36, 37
14
44
150–2
163; description
122–3; diagnostic revelation, 98,
99, 104, 110–11, 112–13, 120–1, 122;
diagnostic scene,
159; diagnostic sequence, 100–1,
102, 106–11, 112–13, 114, 118; vs.
fiction and literature,
and genre, 103–4; opening scenes
and shots,
power relations, 114–15, 118,
119–20; shots, use for storytelling,
97, 99–102, 103, 105–6, 107–8, 109,
110, 112–13, 114, 117, 123
television and cinema analyzed:
Angels in America, 117–18; Bíutiful,
120–1; Breaking Bad series, 20,
100–3, 119; Cléo From 5 to 7, 121–2;
House, MD, 97–8, 118–19; I’ve Loved
You So Long,
111–15; Médecin de campagne, 119;
Psycho, 122; Side Effects, 119–20;
Still Alice,
tension in the diagnosis, 11, 13, 17,
41, 49, 110, 118, 120, 135, 136
Tell Me the Truth: Conversations about
Life and Death (Srivastava), 74
The Tiger’s Wife (Obreht), 19,
89–91, 94
being “told,” 67
transgender, gay, and queer, people,
117–118, 140, 152, 166
truth: in diagnosis and story, 60, 65,
66–7, 77–8, 156; and diagnostic
moment, 160–1
“truth disclosure,” 66
United States, H1N1 stories, 28–29
unqualified practitioners vs. doctors,
51–2, 68–9, 77
The Various Haunts of Men (Hill), 91
verbs, 146
victim as term or metaphor, 155–6
Vital Signs (McWatt), 92–3
104, 118, 123,
97, 98, 99;
105–6, 114, 115–16;
122; A Late Quartet,
104–11; Wit,
114–17
television and cinema: closing
scenes, 121–2; diagnostic moment,
19–20, 97–100, 102, 103–4, 118, 120,
Webb, Gerald, 164
Wednesday the Rabbi Got Wet
(Kemelman), 91–2, 94–5
Index 207
https://t.me/medicina_free
Weir, Silas M.,
Western practice, power of
diagnosis,
White, Walter (character), 20,
100–3
Whooley, Owen, 57, 60
Wilkins, Damien, 159, 160
Williams, Ian, 20, 134–5, 137
11–12, 67
15
Wit, 114–17
women, in melodrama, 105, 111
words. See linguistics and words
“worried well,”
cyberchondria
Zerubavel, Eviatar,
Zola, Irving, 56–7, 71
53. See also
94, 147, 154
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