Добавил:
Опубликованный материал нарушает ваши авторские права? Сообщите нам.
Вуз: Предмет: Файл:

Color Theory. Tutorial

.pdf
Скачиваний:
0
Добавлен:
07.09.2026
Размер:
2 Мб
Скачать
psyche, and causes anxiety and severe forebodings. S. Holbeche classifies brown as a color that has withdrawn into itself.
Beige and brown are a combination of several colors. They can be
warmed up by adding more red (terracotta). They can be cooled by adding green color (khaki).
Brown is perceived as the most natural color. Brown and beige
colors are very common in nature. We can see them in wood, bamboo, sand, autumn leaves, etc. Brown includes such colors as mahogany, chocolate, coffee, etc.
We perceive brown as the color of the earth and forests, the color
of home and heart. Homemade bread and cookies always have a golden brown tint.
White can make a space larger. It can act tiring, cause a feeling of
fatigue. White is the king of all colors in clothes. It is perceived both as solemn and as gently touching. It complements perfectly all other colors.
The white color is associated with sterile purity, novelty, peace and
innocence, as well as with high quality. It is cold and noble.
If the surface is painted with blue-white paint, and the adjacent one
is painted with yellowish-white, you will immediately see the difference between these two surfaces. The first shade is reminiscent of high-altitude glaciers, while the second is reminiscent of sea pearls. Nevertheless, no matter how difficult it is to choose the right shade of white, it is always associated with simplicity. White is a classic color for all time.
However, sometimes the white color can evoke negative
associations: a white lie, a white elephant and a white flag of defeat. A large amount of white creates a feeling of sterility and a hospital atmosphere. If you use a color without any accents or embellishments, your dress may seem cheap and primitive, like white disposable plates and cups. If you have painted your bathroom a cold blue-white color, you will never get warm under a hot shower. However, white color visually enlarges the space that is widely used in interior design. A white dress can convince anyone to go on
71
the strictest diet. We are to take into account negative associations connected with the white color.
Black color causes sadness, acts depressingly and symbolizes
isolation, silence, independence, and stubbornness.
Black color reminds of a failure, a bottomless abyss. But at the same
time, it is associated with elegance, sophistication and sexuality. It is the main color in the clothes of modern women living in cities. Typically, women wear black suits for business meetings. A black tuxedo and a little black dress are the best choice for any formal occasion. Black dress looks very sexy, because black is also associated with danger.
Black is the color of night and death, the color of witchcraft and black
magic, the color of illegal activities (black market), the color of rejection (black list) and exile (black sheep). In proverbs and sayings, black is often associated with fear, anger, and depression. Black color encourages confrontation and violation of taboos.
Black color has gained popularity among the artists, fashion and
interior designers, because it always symbolizes the violation of bans. The negative qualities of black color have made it the best one among fashion designers and artists.
Black combines well with other colors. In addition, it is slimming.
Black color always speaks of strength, power and exquisite taste. This is a completely safe choice. According to S. Holbeche, black means indifference and unconsciousness.
Gray is perceived as passive, weak and insecure color. Gray is a classic neutral color. It reflects all colors and is not
dominated by any of them. It is widely used for creating background. It is moderately conservative, traditional and intelligent. S. Holbeche characterizes gray as the color of separation, alienation.
To smooth out the neutrality of gray, you can “warm” it a little by
adding red or yellow, or “cool” it by adding green or blue.
72
In nature, gray is present in granite and cold gray in shale. Modern
blood pressure
кровяное давление
breathing rhythm
дыхательный ритм
color exposure time
время воздействия цвета
color fatigue
цветовая усталость
technologies allow you to get gray with pink or lavender hues, as well as hundreds of other interesting colors.
Silver, metallic color is associated with wealth. Dark gray is an
indispensable attribute of a serious businessman.
Sometime gray color can seem old, boring and uninteresting.
However, gray looks strong, energetic, sophisticated and beautiful in combination with other neutral (black, white, beige, brown) or bright colors. Some people say that dull gray causes apathy and boredom.
S. Holbish characterizes many other colors. Golden symbolizes
enlightenment. It is the color of God. Indigo symbolizes imagination and intuition. Silver is the color of coldness and mysticism. It refers to the Moon. Lavender color is associated with spirituality. A combination of black and pink symbolizes the destruction. Amber color is considered as vitality. It is the color of the Sun.
LECTURE QUESTIONS
1. What factors influence the quantity of color?
2. What colors have an exciting effect on a person?
3. What colors have a calming effect on a person?
4. How does the time of color perception affect a person?
5. What colors have the greatest impact on a person?
6. What is the psychological meaning of each color of the rainbow according to Luscher's theory?
LECTURE VOCABULARY LIST
73
color saturation
насыщенность цвета
color spot area
площадь цветового пятна
color symbolism
цветовая символика
crimson color
багряный цвет
eye fatigue
усталость глаз
lighting conditions
условия освещения
muscular tension
мускульное напряжение
visual illusion
иллюзия зрения
10. COLOR PALETTES OF THE WORLD
Color preferences of the future
While color symbolism is constant, some aspects of color are in
constant evolution.
The new colors are the result of the efforts of professional colorists
and designers who try to understand what people will be buying next season. Marketers and fashion designers work in close cooperation to create new color schemes. Companies understand that color is the most powerful tool to make people buy their products. Naturally, we buy items based on their quality and price. However, if the manufacturer chooses the wrong color, the buyer may choose a competitor's product.
However, determining the color preferences of the future is not
the privilege of a small number of amateur experts who dictate their tastes to the public. In fact, the public dictates their tastes to producers. It is the buyers who determine whether a new color will live on or quietly disappear from the scene. Success in the market depends only on the taste of buyers.
Of course, manufacturers do their best to make a right choice, since
the price of a wrong step is very high. It is much better to choose the right color right away than to lower the price of stale goods later. That is why many companies resort to the services of professional experts.
Predicting color trends is both a science and an art. Experts and
fashion designers analyze modern tendencies of society. Experts should be open to the world. Their goal is to identify colors that are attractive to people, regardless of their own preferences. Such people should be able to leave personal tastes behind and listen to the opinion of society.
New color schemes are shown at various trade shows. In addition,
there are many color prediction firms in both Europe and the US. Some of them specialize in certain industries, others give broader forecasts. These are professional organizations advising large and small companies. Many
75
manufacturers send their employees to seminars, meetings and other events held by such organizations.
Color infinity
The combination of colors is endless. People do not want to live in
a house decorated with only one or two colors. Color allows us to feel the beauty of the world around us. We see new colors and they make us happy. We change our lives in accordance with colors. They charge us with their energy, and we gladly accept it.
The use of a new color is always a celebration, a break in the daily
routine, a meeting with something special. Color is closely connected with health and well-being. Some people claim that they are able to see the aura, the colored field that surrounds the human body. Such extrasensory perception experts can determine the state of health and mind of people by their aura. Some people believe them; some people think that this approach does not work.
Colors and color combinations can bring joy and happiness, lead to
well-being. You should use color to recharge your batteries and energy as well as to relax and calm down.
The role of light and color in human life
Color has a great impact on our lives - on mood, emotions, well-
being, and choice of things. Color sends signals. People spontaneously respond to these signals. Color can be attractive and disgusting, soothing and exciting, seductive and exciting.
Color has the strongest influence on the decision-making process of
people. We live in a world that offers different color compositions. In 1856, William Henry Perkin, an English chemist, synthesized the first aniline dye, which was called mauve. Adolf von Baeyer, a German chemist, Nobel Prize winner in 1905, created a whole range of colors, opening the era of artificial,
76
man-made colors. Now products and goods have the most unimaginable colors. There are different new technologies widely used for producing metallic and pearling paints as well as paints imitating various textures. Nowadays, whatever you think of is available to you in a wide variety of colors.
If you know the secret of color, you can determine the color
preferences of anyone with whom you have to come into contact. You can understand the universal meaning of color and be able to choose the most effective color solution for any situation and object. You can find out how businessmen and manufacturers use color in order to influence buyers, and, therefore, to sell their products.
Color helps people communicate with each other. Color is the main
subject that designers and artists, publishers and printers, car mechanics and textile workers, cameramen and television directors study. Color plays a defining and decisive role for a great number of professions.
Color is a gift of nature. Our life would be monotonous without
colors. The world will always change and intrigue you thanks to color.
LECTURE QUESTIONS
1. What color is the symbol of a dynasty in Japan?
2. What is the color of mourning in China?
3. What color do Parisians prefer in business clothes?
4. What colors do Scandinavians use to compensate for the lack of natural color?
5. What is the reason for the diversity of the palette and style in clothes and household items in America?
6. When was the aniline dye synthesized?
7. Who initiated the era of creating artificial colors?
77
LECTURE VOCABULARY LIST
aniline dye
анилиновый краситель
color palette
цветовая палитра
color preference
цветовое предпочтение
decision-making process
процесс принятия решений
extrasensory perception expert
экстрасенс
mauve
розовато-лиловый цвет
metallic paint
металлизированная краска
pearling
перламутровый
stale goods
залежалые товары
REFERENCES
1. Абдуллин, И. Ш. Цвет и дизайн: учебное пособие / И. Ш. Аб-
дуллин, Г. Г. Лутфуллина. – Казань: КГТУ, 2006. – 126 с.
2. Ашкенази, Г. И. Цвет в природе и технике / Г. И. Ашкенази. –
Москва: Энергоатомиздат, 1985. – 94 с.
3. Кириллов, Е. А. Цветоведение / Е. А. Кириллов. – Москва: Лег-
промбытиздат, 1987. – 128 с.
4. Ивенс, Р. М. Введение в теорию цвета / Р. М. Ивенс. – Москва:
Мир, 1964. – 442 с.
5. Джадд, Д. Цвет в науке и технике / Д. Джадд, Г. Вышецки. –
Москва: Мир, 1978. – 592 с.
6. Анцев, В. Г. Краткий справочник фотолюбителя / В. Г. Анцев,
А. И. Геодаков, Ю. И. Журба. – Москва: Искусство, 1985. – 368 с.
7. Чельцов, В. С. Справочник фотолюбителя / С. В. Чельцов; под
ред. В. С. Чельцова. – Москва: Московская правда, 1960. – 416 с.
8. Хоккинс, Э. Фотография. Техника и искусство / Э. Хоккинс,
Д. Эйвон. – Москва: Мир, 1986. – 280 с.
9. Кащавцев, С. В белый цвет как в копеечку / С. Кащавцев // Ком-
пьютера. – 1998. – № 45. – С. 22–25.
10. Страхов, И. П. Химия и технология кожи и меха / И. П. Стра-
хов. – Москва: Легпромиздат, 1985. – 490 с.
11. Холбиш, С. Могущество самоцветов и снов / С. Холбиш; пер.
с. англ. – Минск, 1995. – 447 с.
12. Люшер, М. Типология психологических свойств человека /
Макс Люшер. – Москва: Медицина, 1994. – 125 с.
13. Купер, М. Язык цвета / М. Купер. – Москва: Эксмо, 2002. –
144 с.
14. Савельева, И. Н. Роль цвета в художественном проектировании
образцов промышленного искусства / И. Н. Савельева. – Москва: Лег­кая индустрия, 1981. – 42 с.
15. Манджини. Цвет и красители / Манджини. – Москва: Знание,
1983. – 64 с.
16. Михеев, В. В. Химия красителей и крашения: учебное пособие /
В. В. Михеев. – Казань, 1998. – 108 с.
17. Андросов, В. Ф. Синтетические красители в легкой промыш-
ленности: справочник / В. Ф. Андросов. – Москва: Легпромбытиздат,
1989. – 368 с.
79
18. Есина, Г. Ф. Отделка меха / Г. Ф. Есина, Л. Б. Санкин. – Москва:
Легпромбытиздат, 1994. – 208 с.
19. Александров, А. А. Справочник колориста производства хромо-
вых кож / А. А. Александров. – Москва: Легкая индустрия, 1966. – 256 с.
20. НТК «Красители и вспомогательные вещества для кожевенной
имеховой промышленности» / Доклады. – Санкт-Петербург, 1992. – 71 с.
21. Хан-Магометов, С. О. Пионеры советского дизайна / С. О. Хан-
Магометов. – Москва: Знание, 1995.
22. Дирборн, Н. Дизайн США / Н. Дирборн; под ред. Н. Дирборна //
Материалы выставок. – 1989. – 64 с.
23. Бердник, Т. О. Моделирование и художественное оформление
одежды / Т. О. Бердник. – Ростов-на/Д.: Феникс, 2001. – 352 с.
24. Андросова, Э. М. Основы художественного проектирования ко-
стюма: учебное пособие / Э. М. Андросова. – Челябинск: Медиа-Принт,
2004. –184 с.
25. Совершенствование оценки качества одежды легкой промыш-
ленности / Л. И. Лиходиевская [и др.]. – Москва, 1980. – 40 с.
26. Шершнева, Л. П. Качество одежды / Л. П. Шершнева. – Москва:
Легпромиздат, 1985. – 192 с.
27. Шпак, Н. В. Совершенствование процессов крашения пушно-
мехового сырья на базе использования химических материалов компа­нии «Lowenstein» / Н. В. Шпак. – Новосибирск, 2000.
28. Росленко, И. Скорняжное дело / И. Росленко. – Ростов-н/Д.: Фе-
никс, 2000. – 320 с.
29. Линь, В. В. Обработка кожи и меха / В. В. Линь. – Москва: Аде-
лант, 2000. – 384 с.
30. Рассадина, С. П. Оценка цвета волосяного покрова пушно-ме-
ховых полуфабрикатов / С. П. Рассадина, Ж. Ю. Койтова, И. А. Кавзи­надзе // Кожевенно-обувная пром-сть. – 2002. – № 3. – С. 33.
31. Пыльцина, М. Краткая энциклопедия скорняка / М. Пыль-
цина. – Ростов-н/Д.: Проф-Пресс, 1999. – 480 с.
32. Кутюшев, Ф. С. Скорняжное производство / Ф. С. Кутюшев. –
Москва: Легпромбытиздат, 1989. – 224 с.
33. Голубинцева, Е. Подарки из кожи / Е. Голубинцева. – Москва–
Санкт-Петербург: ЭКСМО – Валери СПД, 2002. –128 с.
34. Симонов, Е. А. Технология и производство овчин Дабл Фейс /
Е. А. Симонов, Т. П. Назарова. – Москва: АООТ «Концерн Российский мех», 1999. – 92 с.
80