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186 The Voice and Voice Therapy
TABLE 69. Voice Range Profile Measures for Adult Females With
Dysphonic Voices Versus Adult Females With Normal Voices
Measures Dysphonic (n = 90) Normal Voice (n = 35)
Frequency Measures Mean SD Mean SD
Lowest frequency (Hz) 127.65 20.99 115.01 12.00
Highest frequency (Hz) 854.98 251.25 1232.85 221.42
Total number of semitones 32.36 6.39 40.89 3.73
Intensity Measures Mean SD Mean SD
Lowest intensity (in dB) 60.64 7.41 48.91 3.12
Highest intensity (in dB) 109.28 5.18 105.66 6.12
Total intensity range (in dB) 48.63 8.06 56.74 6.29
Source: Measures as reported by Ma and colleagues (2007).
example, Figure 6–14 shows electroglottograms for a prolonged /i/ vowel produced with a normal voice quality, a breathy voice quality, and a hoarse voice quality.
By standardizing the collection, recording, and analysis of acoustic data, the recommended proto­cols aim to improve the reliability and comparability of vocal assessments. This, in turn, enhances the evidence base for the management of voice disorders, enabling more effective evaluation and treatment strategies.
Intensity Variability
Intensity variability is the range of intensities used in connected speech. Normal voices have some intensity variability, perceived by the listener as acceptable changes in intonation. In some dysphonic speakers, however, intensity can be either more or less variable than expected or tolerated by the listener. In connected speech, decreased intensity variability may be perceiv­ed as monoloudness. Abnormal intensity variability may have either a physiological etiology (such as Parkinson’s disease, vocal fold paralysis, or hearing loss) or may result from learned behavior. Intensity variability is measured in terms of the SD from the average intensity. This SD reflects the range of intensities around the average intensity (measured in dB SPL). Intensity SD for a neutral, unemotional sentence is around 10 dB, but it can be higher depending on the speaker’s mood.
Dynamic Range
Dynamic range is the physiological range of intensities, from the softest nonwhisper to the loudest shout, that the patient can produce without undue physical strain. Speakers rarely speak at either
CHAPTER 6 Evaluation of the Voice 187
A
B
C
FIGURE 614. Electroglottograms. These three
electroglottograms are productions of the /i/ vowel with normal vocal quality (A), breathy quality (B), and hoarse vocal quality (C). The normal trace (A) demonstrates a sharp vertical rise, a narrow peak, an even return to baseline, and a substantial closed phase. Trace B, the breathy voice quality, is represented in the sloping voice onset, rather than the vertical rise seen in the normal trace and the long open phase. Trace C, the hoarse voice, is indicated by the lack of a uniform waveform from one cycle to the next.
end of their dynamic range (approximately 40 to 115 dB) for extended periods. Therefore, the clinician should focus attention on the dynamic range available to the patient around their habitual loudness. Table 6–10 presents data on select lung volumes and capacities across the lifespan (Siup­sinskiene & Lycke, 2011). The dynamic range depends on the F0 produced. It tends to be greatest for F0 in the midrange and less for F0 that is much lower or higher (Ferrand, 2007). The fact that F0 and intensity co-vary leads some to propose the use of the VRP to assess some patients.
Aerodynamic Analysis of the Voice
Aerodynamic analysis of the voice is also becoming increasingly more possible and common in clinical practice. Aerodynamic measures reflect the patient’s ability to use the larynx to regulate the flow of air for phonation. Prior to quantitatively assessing respiration, we suggest carefully
188 The Voice and Voice Therapy
TA BLE 6 10. Group Means of Seven Age Groups of Subjects for
Some Lung Volumes and Capacities (in Cubic Centimeters)
Subjects’ Age Group 7 10 13 16 25 50 75
Males
TLC 2120 3140 4330 6200 6740 7050 6630
VC 1670 2510 3550 5080 5350 5090 4470
FRC 980 1400 1970 2940 3120 3460 3440
ERV 530 770 1180 1810 1730 1500 1280
Females
TLC 2070 2980 3740 4980 5030 5310 4860
VC 1580 2340 2999 3780 3930 3600 2940
FRC 970 1430 1690 2560 2420 2930 2590
ERV 480 780 940 1350 1320 1220 670
Note: ERV = expiratory reserve volume; FRC = functional residual capacity; TLC = total lung capacity; VC = vital capacity.
Source: Adapted from Hoit and Hixon (1987); Hoit, Hixon, Altman, and Morgan (1989); and Hoit, Hixon, Watson, and Morgan (1990).
observing the patient’s breathing patterns. An inefficient breathing pattern or a lack of coordination between inspiratory and expiratory movements can contribute to dysphonia. For example, the patient may have to take more frequent breath groups or may adopt increased musculoskel­etal tension resulting in vocal hyperfunction. There are three basic types of breathing patterns: clavicular, thoracic, and diaphragmatic-abdominal, as described here:
Clavicular breathing. This inefficient type of breathing is probably the easiest to
identify. The patient elevates the shoulders on inspiration, using the neck accessory muscles as the primary muscles of inspiration. This upper chest breathing, characterized by noticeable elevation of the clavicles, is unsatisfactory for good voice for two reasons. First, the resulting weak and shallow inspiration does not provide adequate respiratory support for speech and voice. Second, overuse of many of the neck accessory muscles for respiration (particularly the sternocleidomastoids) may cause an increase in laryngeal tension (Prater et al., 1999).
Thoracic breathing. This type of breathing is characterized by expansion of the thorax
and contraction of the abdomen during inspiration, reversed during expiration. It is the normal breathing pattern for most people. In some cases, however, thoracic breathing can be characterized by shallow breathing punctuated by breath holding or gasping.
CHAPTER 6 Evaluation of the Voice 18 9
Diaphragmatic-abdominal breathing. This may well be the preferred method of
respiration, especially if the patient has heavy vocal demands, as in singing or acting. This breathing pattern is characterized by abdominal and lower thoracic expansion on inspiration, with little noticeable upper chest movement, and a gradual decrease in abdominal and lower thoracic prominence on expiration.
Hixon and Hoit (1998, 1999, 2000) have written extensively about the clinical evaluation of speech breathing and have also published a comprehensive text on the evaluation and management of speech breathing disorders (Hixon & Hoit, 2005). In their writings, these authors emphasize the role of the speech breathing case history in the evaluation of patients. The speech breathing case history described by Hixon and Hoit (2005) includes the following sections: (a) alerting signs and symptoms; (b) airway risk factors; (c) medical evaluations, diagnoses, and treatments; (d)breathing and speaking experiences; and (e) client perceptions of speech breathing. Figure 6–15 lists some of the alerting signs and symptoms described (p. 196), and Figure 6–16 lists some of the abnormal client perceptions of speech breathing (pp. 200–201).
Our clinical protocol includes assessment of (a) lung volumes and capacities, (b) air pressure, (c) airflow, and (d) laryngeal resistance. In the sections that follow, we briefly describe each measure and the equipment needed.
Lung Volumes and Capacities
Part of evaluating respiratory adequacy is measuring the patient’s lung volume. Lung volumes refer to the amount of air in the lungs at a given time and how much of that air is used for various purposes, including speech (Solomon & Charron, 1998). Only a small amount of the air in the lungs is exchanged during a single quiet respiratory cycle. The total volume of the lungs can be divided into volumes and capacities (see Table 2–1). Lung volumes, also known as respiratory volumes, refer to the amount of air in the lungs at a given time and how much of that air is used for various purposes, including speech (Solomon & Charron, 1998). Respiratory volumes
FIGURE 615. Alerting speech breathing signs and symptoms.
190 The Voice and Voice Therapy
FIGURE 616. Abnormal client perceptions of speech breathing.
include tidal volume, inspiratory reserve volume, expiratory reserve volume, and residual volume. Lung capacities combine two or more of the respiratory volumes and include inspiratory capacity, vital capacity, functional residual capacity, and total lung capacity. These volumes and capaci­ties are useful for diagnosing problems with pulmonary ventilation (Bajc et al., 2004; Moini,
2012). Respiratory volumes and capacities vary depending on the patient’s age, gender, level of physical exertion, and vocal training. Data reported by Hoit and Hixon (1987) and Hoit and colleagues (1989, 1990) indicate that, in general, lung volumes and capacities increase from infancy through puberty and then remain stable until advancing age, when they decrease slightly (see Table 6–10).
Air Pressure
Various air pressures are necessary for speech, including pressure inside the lungs, pressure below the vocal folds, and pressure inside the oral cavity. Air pressure is measured and expressed in units of cm H or more, yet the pressure needed for conversational speech is only around 5 to 10 cm H
O. The total pressure that a person can generate may be as high as 50 cm H2O
2
2
O. Greater pressures than this may be required, however, depending on syllable stress and loudness demands (Stathopoulos & Sapienza, 1997). Pressure below the vocal folds is estimated indirectly by measuring oral pressure during production of the closed portion of a voiceless bilabial conso­nant such as /p/. When producing this consonant, the lips are closed, the velopharyngeal port
CHAPTER 6 Evaluation of the Voice 191
is sealed, and the glottis is open; thus, pressures throughout the system are equal. Oral pressure is measured by a pressure transducer connected to a small tube placed just inside the mouth (Smitheran & Hixon, 1981).
Laryngeal Airflow
Laryngeal airflow is the volume of air passing through the glottis in a fixed period. It is measured in cubic centimeters (cc) or milliliters (mL) per second. For example, the /a/ vowel produced with a normal voice quality is characterized by an approximate laryngeal airflow of 100 cc/s (Baken,
1996). That same vowel produced with a breathy voice quality (perhaps by a patient with large bilateral nodules) would be characterized by a laryngeal airflow of higher than 100 cc/s due to excessively decreased glottal resistance to airflow. At the opposite end of the continuum, that same vowel produced with a strained-strangled voice quality (perhaps by a patient with adductor spasmodic dysphonia) would be characterized by a laryngeal airflow of less than 100 cc/s due to excessively increased glottal resistance to airflow. Peak airflow (i.e., greatest flow) can be consider­ably higher than 100 cc/s and depends on articulatory demands; for example, peak airflow during production of fricatives and stop consonants may exceed 500 cc/s (Stathopoulos & Weismer,
1985). Children and older adults tend to demonstrate higher laryngeal airflows than younger adults (Stathopoulos & Sapienza, 1997).
Laryngeal Resistance
Laryngeal resistance is a measure derived from peak intraoral pressure and peak airflow during production of the /pi/ syllable repeated at a rate of approximately 1.5 syllables per second. Peak intraoral pressure is estimated from the /p/ portion of the syllable, and peak airflow is measured from the /i/ portion of the syllable. A breathy voice would suggest decreased laryngeal resistance, while a strain-strangled voice would suggest increased laryngeal resistance. When interpreting laryngeal resistance values, the clinician must examine the relative contribution of air pressure and airflow to that value.
The capacities and volumes we need to measure can be determined by using wet or dry spirometers. In the wet spirometer, a container floats in water placed in a larger container. As air is introduced into the smaller floating container, it floats higher in proportion to the volume of air introduced. The distance or rise of displacement is measured in terms of cubic centimeters or liters. Some spirometers are of the dry type. A flexible container enlarges on inspiratory tasks and decreases in volume on expiratory tasks, in both instances measuring the volume of displacement. Recent advances in technology have resulted in miniaturization and digitization of dry spirom­eters, allowing for ease of use and reduced cost compared to the wet spirometers.
Relatively inexpensive pressure measuring gauges and manometers are available for the measurement of airflow pressures. For example, Hixon and colleagues (1982) described a simple water manometer test that can be used to estimate the ability to generate respiratory driving pressure sufficient for voice and speech. The test requires a drinking glass that is 12 cm deep or deeper, filled with water, and calibrated in centimeters by a marker pen. A plastic straw is attached to the cup with a paper clip. The bottom tip of the straw is anchored at 10 cm below the rim. The patient is instructed to blow bubbles through the straw. If the patient maintains a stream of
192 The Voice and Voice Therapy
bubbles for 5 s with the straw at a depth of 10 cm, 10 cm H2O, the authors suggest that breath support is adequate for conversational speech.
The Phonatory Aerodynamic System (PAS) (PENTAX Medical Corp., Montvale, New Jersey), shown in Figure 6–17, is the latest pneumotachograph-based system for aerodynamic analysis of the voice. The PAS is a noninvasive device that can simultaneously capture sound intensity, intraoral pressure, airflow rate, and fundamental frequency and has an auxiliary port to allow for the collection of electroglottography. It also includes protocols for common phonatory measurements including vital capacity, air pressure screening, comfortable sustained phonation, vocal efficiency, and running speech analysis (Huth et al., 2020). Zraick, Smith-Olinde, and Shotts (2012) reported the first adult normative data for this system, obtained from 157 speakers over the age of 18 years. Weinrich and colleagues (2016) reported pediatric normative data for this system, obtained from 60 children whose ages ranged from 6 to 17 years. Both studies discovered age­and gender-related differences. This information can aid the voice clinician in the interpretation of developmental changes that occur in male and female respiratory and laryngeal systems, and disclose whether the results are age or gender dependent (Schaeffer, 2017). There currently are no substantive normative data for geriatric speakers. Awan and colleagues (2013) found the system to be highly reliable in a 1-week test-retest reliability measure for the majority of aerodynamic measures in 60 healthy adults between the ages of 18 and 31 years. Schaeffer (2017) reported that the system was sensitive to the effects of stimulation training (before and after stimulation) on 20participants with vocal complaints.
FIGURE 617. The Phonatory Aerodynamic System. Used with the
permission of Pentax Medical.
CHAPTER 6 Evaluation of the Voice 19 3
Maximum Phonation Time
MPT is the longest period during which a patient can sustain phonation of a vowel sound, typically /a/, at their most comfortable pitch and loudness. Historically, MPT (also referred to
ɑ
as maximum phonation duration) of sustained phonemes (/
/, /i/, /u/) has been used as a simple clinical test to distinguish the disordered voice (initially defined as weak and breathy voice) from normal voice (Ptacek & Sander, 1963). Eckel and Boone (1981) postulated that reduced MPT in individuals with benign vocal pathologies was “due to inefficient regulation of the airstream” (p 147). Maslan and colleagues (2011) describe knowledge about the effect of age, gender, and number of trials on MPT values. They report that (a) children tend to have shorter MPTs, require more trials to learn how to maximally phonate, and show more variation than young adults; (b) young adults have less variability in MPT as a group and can phonate for a comparatively longer time than either children or older adults; (c) older adults have shorter MPTs; and (d) across all age groups, men can sustain a longer MPT on average than women. If laryngeal airflow is high, MPT is shorter than normal; if laryngeal airflow is low, MPT may be longer than normal. As Kent and colleagues (1987, p. 368) note, however, MPT by itself cannot be used to distinguish a deficit in respiratory support (reduced phonation volume) from an inefficiency in vocal fold vibration (high airflow). This is particularly the case with older adult speakers (Matsuzaki & Makiyama, 2017). Table 6–11 presents select normative MPT data for adults and children.
When eliciting MPT, the clinician should give standardized instructions regarding depth of inhalation, and the clinician should provide a visual and auditory model and visual feedback about performance. There is some disagreement in the literature about how many trials should be elicited (one vs. three to five), and whether one should take the longest utterance or an average of the utterances (Johnson & Goldfine, 2016). Practically speaking, an average of three trials should result in a representative MPT for most patients. A timer and audio recorder are the only equipment needed to measure MPT. Speyer and colleagues (2010) have shown that an individual’s MPT is highly consistent over a period of 6 weeks, and that clinician intrarater reliability is high for repeated measurements of the same trial. Perhaps one of the most efficient uses of MPT is as a baseline against which future comparisons can be made during and at the conclusion of voice therapy.
S/Z Ratio
The s/z ratio is also an indirect index of laryngeal airflow. To obtain the s/z ratio, the clinician asks the patient to first sustain the /s/ as long as possible, and then to sustain the /z/ as long as possible, each at normal pitch and loudness following a maximal inhalation. Verbal encourage­ment is usually given, and the longest /z/ and longest /z/ from one of three alternating /s, z/ trials is used to calculate the ratio. Boone (1977) proposed that evaluating vocal function should go beyond just the sustained phonation of vowels. He introduced the idea that comparing the duration of producing a sustained voiceless /s/ sound to that of a voiced /z/ sound could offer indirect clues about glottal resistance, as this comparison is influenced by airflow duration. Boone theorized that if there is a mass on the glottal margin, it would likely lower glottal resistance. This decrease in resistance would lead to an increase in airflow, resulting in a shorter phonation time for the voiced /z/ sound, while the duration of the voiceless /s/ sound, which involves resistance at the
194 The Voice and Voice Therapy
TA BL E 611. Select Maximum Phonation Time (MPT) for Normal Speakers
Producing /a/
Standard
Age Range
Source
Finnegan (1984) 3–5 Male 9.3 2.4 4.5–14.1
(years) Sex Mean (s)
Female 8.5 2.1 4.5–12.6
6–9 Male 15.5 4.1 7.5–23.6
Female 14.8 3.6 7.7–21.9
10–13 Male 21.1 5.6 10.2–23.1
Female 16.3 4.1 10.4–24.3
14–17 Male 18.5 5.9 11.6–34.8
Female 15.6 5.1 10.5–30.9
Deviation or
Standard Error Range (s)
Tavares and colleagues (2012)
Ma and Yiu (2006)
Maslan and colleagues (2011)
4–6 Male 6.0 1.8 Not reported
Female 6.2 2.0
7–9 Male 8.1 2.0 Not reported
Female 7.9 2.0
10–12 Male 9.2 2.3 Not reported
Female 9.1 2.0
20–55 Combined 22.9 8.9 Not reported
61–70 Male 26.2 1.2 16.0–35.0
Female 18.8 2.5 8.0–60.0
71–80 Male 23.1 1.7 7.0–58.0
Female 22.8 1.4 12.0–45.0
81–90 Male 21.7 1.5 10.0–50.0
Female 21.0 0.9 5.0–60.0
teeth, would remain unchanged. Boone hypothesized that persons with normal vocal folds could be expected to prolong the voiceless /s/ and the voiced /z/ phonemes for about the same length of time, resulting in an s/z ratio approximating 1.
Eckel and Boone (1981) studied three groups of adult and pediatric speakers (those with vocal fold nodules or polyps, those with functional dysphonia, and those with normal larynges and voices) and reported s/z ratios greater than 1.40 in 95% of those speakers with nodules or
CHAPTER 6 Evaluation of the Voice 19 5
polyps (p. 147). The s/z ratios for those speakers with functional dysphonia or normal voices were approximately 1.0 and did not significantly differ from each other. Across groups, however, there was a wide range of s/z ratios obtained: Some speakers with nodules or polyps or functional dysphonia exhibited s/z ratios less than 1.0, while some speakers with normal voices exhibited s/z ratios greater than 1.0. A number of subsequent studies of the s/z ratio with adults and children have been conducted, with most reporting quite variable results both within and across dysphonic and normal speakers. A review of the literature by Gelfer and Pazera (2006) confirmed a consider­able overlap in the s/z ratios in normal subjects and those with laryngeal disorders, which called into question the diagnostic validity of the ratio. (Fendler & Shearer, 1988; Gelfer & Pazerra, 2006; Hufnagle & Hufnagle, 1988; Larson et al., 1990; Mohammadzadeh & Sandoughdar, 2017; Rastatter & Hyman, 1982; Soman, 1997; Sorenson & Parker, 1992; Tait et al., 1980; Treole & Trudeau, 1997; Trudeau & Forrest, 1997; Van der Meer et al., 2010). Despite the lack of reliability evidence and normative data, the s/z ratio continues to be used both in research and clinically. Johnson and Goldfine (2016) suggested that measures such as MPT and the s/z ratio should not be used at all as evaluative tools, due to lack of consistency and reliability. However, while Gilman (2021) agrees that these tasks cannot determine the level of impairment or course of therapy by themselves, they provide additional insight into the vocal capabilities and functional abilities of the patient when taken together with the other metrics including airflow, pitch, overall quality, and endurance that are taken or observed during the initial evaluation process. Table 6–12 presents select normative s/z duration data for adults and children.
By standardizing the collection, recording, and analysis of aerodynamic data, the recom­mended protocols aim to improve the reliability and comparability of vocal assessments. This, in turn, enhances the evidence base for the management of voice disorders, enabling more effective evaluation and treatment strategies.

Analysis of Voice Dosage

Many voice disorders are chronic or recurring conditions that result from faulty and/or abusive vocal behaviors. Such behaviorally based disorders are difficult to assess and rehabilitate because patient self-reporting and self-monitoring are subjective and often unreliable. Instrumentation is available that gives clinicians and researchers quantitative data on a patient’s voice use throughout the day.
Voice dosimeters are innovative tools akin to fitness trackers but for vocal health. They provide precise measurements of vocal usage, quantifying this in terms of vocal load or dose. Designed for versatility, they can be utilized across various settings, including everyday environ­ments (Popolo et al., 2005). These devices are designed for ambulatory use, allowing individuals to carry on with their daily activities while the dosimeter collects data on the number of vocal fold vibrations as well as average frequency and amplitude of vocalization. Advances in technology now enable the analysis of voice quality through dosimeter data, including aspects such as clarity, perturbation, and resonance.
A voice dosimeter measures a person’s voice use by using a special sensor, called an acceler­ometer transducer or contact microphone, which is placed on the neck. This sensor is excellent at picking up vibrations from the voice because it is tuned to catch skin vibrations while ignoring