forgel - Don't you forget. This scarcity of morphological EM which is predetermined by the analytical character of the English language is compensated by a great variety of SD.

Morphological SI) as a deliberate shift (сдви. смена) in the fixed distribution of morphemes can be created by means of:

1. the violation of the usual combinability of morphemes within a word. e.g. the plural of uncountable nouns (sands, waters, times), or the Continuous forms of the verbs of sense perception (to be seeing, to be knowing, to he feeling);

2. the violation of the contextual distribution of morphemes, which is called form transposition.

1. Si) based on the use of nouns

The invariant grammatical meaning of the noun, that of substance, is realized through grammatical categories of number, case definiteness/ indefiniteness which can be used for stylistic purposes.

Such SD may be based on

1. repeating the same words in a syntactical construction, e.g. w'omen are women, or

2. using metaphorically nouns which belong to different lexico-grammatical classes, e.g. Fie is a devil with the women (S.Barstow)

3. the opposition of singular - plural the latter is a marked member, and. accordingly, the possibilities of its stylistic use are greater. Nevertheless, singular forms can also acquire stylistic meaning, e.g. to shoot dark, to hunt pig.

4. the formant V as the marker of the category of possessiveness - combines with inanimate (неодушевленный) and abstract nouns, e.g. kitchen’s work, the plan's failure. Sometimes it refers to a word group or a sentence, e.g. The blonde I had been dancing with’s name was Bemice Crabs or Krebs (J. Salinger).

2. Si) basel) on the use of articles

Articles which form the nucleus (ядро) of the category of definiteness / indefiniteness in modern English may be regarded as analytical formants that might impact (воздействие) to the noun a stylistic coloring.

1. the violation of usual combinability of the definite and indefinite articles with proper names and the nouns denoting unique objects (sun, moon, sky, earth). The indefinite article with proper names might acquire evaluative meaning.

2. the transposition of the meaning of an article in context. In this case the objects or phenomena are introduced by the narrator as if they are familiar to the reader.

3. Sd based on the use ok adjectives

In contrast with nouns, adjectives have only one grammatical category, that of comparison.

• The violation of morphemic combinability in adjectives which express different degree of comparison are typical of advertising techniques, e.g. the most Italian car.

• Adjectives with the -ish suffix, e.g. mannish, womanish, which are occasional words which sound less categoric.

4. Si) based on the use of pronouns

Being very abstract, pronouns in contrast with nouns and adjectives are rarely used stylistically, which makes their stylistic usage especially expressive.

• Pronouns may acquire stylistic value if they denote persons or objects that have not been named or introduced but are still represented as familiar - maky the author’s narrative more intimate (see E. Hemingway's stories Now I Lay Me and In Another Country).

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