- •Передмова
- •Основна частина warming-up activities Sounds /p, t, k/
- •Sounds /s, z, Iz/
- •Look at the verbs you have underlined. Work in pairs. Put the verbs into three groups according to the pronunciation of the third person ending
- •Circle the correct pronunciation to complete the rules.
- •Work in pairs. How much of the passage can you remember? Use the verb list to help you. Pay attention to the pronunciation of the verb endings.
- •Make up a story about people of other professions: a teacher, a lawyer, a bricklayer, etc. Ending -ed
- •Work in pairs. Put the verbs into three groups according to the pronunciation of the -ed ending. Make up the rules explaining it.
- •Illnesses
- •Listening discrimination.
- •Listen carefully to each pair of words. Are the vowels, they contain, the same or different? Clap your hands if they are the same.
- •2) Which word does the speaker pronounce? Circle the word you hear.
- •Sounds /t–d/
- •Read the words. Mind! /f/ is voiceless, /V/ is voiced.
- •Learn the tongue twisters :
- •Practise reading the following story. Think of the possible reasons of the boys' fight.
- •An explanation of how to pronounce each sound:
- •Read the words taking care to pronounce phonemes /t‒s/ correctly.
- •The teacher reads one or the other item of a minimal pair and the students are asked to say whether the item contains sound /s/ ("1") or sound /t/ ("2").
- •The students should give the contrasting item of the pair:
- •Students compose a dialogue from the key words given in curds, supplying all necessary forms:
- •Learn the poem by heart.
- •Read the words. Mind! /t/ is voiceless and /d/ is voiced.
- •Read the words taking care to pronounce the phonemes /t‒t/.
- •Listen to these pairs of words. Some of them are minimal, some identical. Raise your hands if they are identical:
- •Give the contrasting item of a minimal pair:
- •Sing a song "Three blue pigeons".
- •VI. Choose eight words out of the list of words below and make up a story:
- •Try to guess the names of animals, containing phonemes /k/, /g/:
- •Make up a short story using the following words:
- •Illnesses and diseases
- •Guess what it is.
- •Read the story and say what is the lesson of this story.
- •Read the words taking cake to pronounce the phonemes /l–r/ correctly:
- •Learn the tongue-twister:
- •In small groups choose eight words from the list below. Then create a story using these words in any order.
- •Words with these phonemes:
- •Illnesses and diseases:
- •Which underlined word does the speaker pronounce? Circle the word you hear:
- •Read the story. Pay attention to the pronunciation of the phonemes /r–a/.
- •Characterize these phonemes:
- •Look at the list of words. Circle the words which contain an /aI/ sound and box the words that have an /I/ sound.
- •You will hear sentences. Listen and decide what words the speaker will pronounce.
- •The letters I, y, can be pronounced as /I/ or /aI/. Put the following words into the correct column below according to their pronunciation.
- •Match up the following mini-dialogues.
- •Choose eight words from the list below. Create a story using these words in any order.
- •Read the words:
- •Illnesses and Diseases:
- •Play a game "Broken telephone".
- •Strip Story.
- •Words with these phonemes:
- •Illnesses and diseases
- •Learn the tongue twister:
- •Listen carefully to each pair of words. Are the diphthongs they contain the same or different? Clap your hands if they are the same.
- •Prepare good reading of the dialogue. Reproduce it in indirect speech.
- •Theoretical Section module 1 reduction
- •Articles
- •Prepositions
- •Conjunctions
- •Particles
- •Verbs (modal, link, auxiliary)
- •Pronouns
- •6.1. Personal pronouns
- •6.2. Possessive pronouns
- •6.3. Relative pronouns
- •6.4. Reflexive pronouns
- •6.5. Indefinite pronouns
- •Articles. Prepositions
- •Give the transcription of the correct form of the italicized words.
- •II. Write the weak forms of the underlined words. London
- •Destination Hawaii
- •III. Read and transcribe the following sentences.
- •IV. Complete the following tables.
- •Conjunctions. Particles
- •Transcribe the sentences; underline and explain the cases of reduction.
- •Transcribe the underlined words and explain the reduction type. Quite a Script!
- •Tickle down the sentences where the underlined conjunctions preserve their full form.
- •IV. Complete the following table.
- •V. Find conjunctions and particles in the given text and explain whether they undergo reduction. My Week in Cambridge
- •VI. Complete the following table.
- •VII. Choose the correct answer.
- •Pronouns
- •Read the sentences and pay attention to the underlined words. Define which of them are pronouns and which are not, and what class they belong to. Transcribe the sentences.
- •Transcribe the given sentences according to the rules of reduction.
- •Complete the following table.
- •IV. Find in the text reduced pronouns and give their full forms. Punishment
- •V. Explain if the italicized words undergo reduction. Transcribe the word combinations in bold type.
- •VI. Complete the following table.
- •VII. Read the sentences carefully and put pluses near the ones where pronouns are reduced and minuses where they aren't.
- •VIII. Complete the following table.
- •IX. Transcribe the word combinations according to the rules of reduction.
- •X. Brush up the theory on pronouns! Underline the right variant.
- •Give the transcription of the correct form of the italicized words.
- •II. Write the weak forms of the underlined words. Brains and Beauty
- •Larger than Life
- •Interview with Mr. Ian Beer, Head Master of Harrow School
- •III. Read and transcribe the following sentences.
- •IV. Complete the following table.
- •Revision
- •Give the transcription of the correct form of the italicized words.
- •Write the weak forms of the underlined words.
- •Read and transcribe the following sentences.
- •Module 2 basics of intonation
- •Module 3 the anatomy of an intonation pattern
- •I. Transcribe and pronounce the following words.
- •Match the words with their definition.
- •Finish the following definitions.
- •Read and transcribe the following sentences. Draw on the staves the correct variant of the tonogram for each sentence. Define the structure of the intonation pattern.
- •Transcribe the sentences of the jokes. Put stresses and nuclear tones. In your transcription, point out the Pre-Head, the Head, the Body/Scale, the Nuclear Tone and the Tail.
- •Module 4 the graphical structure of an intonation group
- •Module 5 types of scales
- •Read and transcribe the following sentences. Draw on the staves the correct variant of the tonogram for each sentence.
- •Choose the correct variant of the tonogram, which corresponds to the tonetic stress marks suggested in the sentence.
- •Read, transcribe and intone the following sentences. Put necessary tonetic stress marks in each sentence to show the type of scales suggested in brackets.
- •Transcribe and intone the following sentences using all types of the Descending Scales. Be sure to take a new nuclear tone for each sentence.
- •Transcribe and intone the following sentences using all types of the Ascending Scales. Be sure to take a new nuclear tone for each sentence.
- •Transcribe and intone the following sentences using all types of the Level Scales. Be sure to take a new nuclear tone for each sentence.
- •Module 6 phonostylistics as the branch of linguistics
- •Practical Tasks
- •Transcribe the following words.
- •Give the equivalents to the following words and word combinations.
- •Finish up the sentences, using the theoretical material.
- •Fill in the gaps.
- •Agree or disagree to the following.
- •Discuss the questions.
- •Phonostylistics as the Branch of Linguistics
- •Module 7 functional style
- •Practical Tasks
- •Transcribe the following words.
- •Give find the equivalents to the following.
- •Form as many synonyms as possible.
- •Finish up the sentences.
- •Fill in the gaps.
- •Agree or disagree to the following.
- •Discuss the following questions.
- •Module 8
- •Informational style
- •Practical Tasks
- •Transcribe the following words.
- •Give the equivalents to the following.
- •Fill in the gaps.
- •Agree or disagree to the following.
- •Discuss the following questions.
- •Tapescripts.
- •It is not expected that each student will intone the text in the same way.
- •Act out the situations.
- •Informational style
- •Module 9 scientific (academic) style
- •Practical Tasks
- •Transcribe the following words.
- •Translate the following words and word combinations.
- •Find the sentences with the word combinations listed above in the text and read them aloud.
- •Fill in the gap in the following sentences.
- •Questions for discussion.
- •Tapescripts
- •It is not expected that each student will intone the text in the same way.
- •Act out the situations.
- •Scientific (Academic) Style.
- •Module 10 Publicistic Style
- •Types of Speeches Speeches Focused on Persons
- •Speeches for Special Occasions
- •Types of Informative Speeches
- •Practical Tasks
- •Transcribe the following words.
- •Give the equivalents to the following words and word combinations:
- •Finish up the sentences using the theoretical material.
- •Fill in the gaps.
- •Discuss the following questions.
- •Tapescripts
- •It is not expected that each student will intone the text in the same way.
- •7. Act out the situations.
- •Imagine you are invited to take part in the students’ discussion concerning tastes in music. This is the part of your speech.
- •Publicistic Style
- •Module 11 declamatory style
- •Stepping Head Broken Stepping Head Heterogeneous Head
- •Practical Tasks
- •Transcribe the following words.
- •In the text provided find the sentences with the following word combinations, translate them and learn by heart.
- •Complete the sentences.
- •Questions for discussion.
- •5. Tapescripts
- •Etiquette
- •The stag's antlers
- •6. Test
- •Declamatory style.
- •Module 12 Familiar (Conversational) Style
- •Practical Tasks
- •Transcribe the following words.
- •In the text provided find the sentences with the following word combinations, translate them and learn by heart.
- •Agree or disagree to the following.
- •Questions for discussion.
- •Tapescripts
- •The Patient and the Doctor
- •6. Test
- •Familiar (Conversational) Style
- •Final Tests Phonostylistics as the Brand of Linguistics
- •Functional Styles
- •Informational Style
- •Scientific/Academic Style
- •Publicistic Style
- •Familiar Style
- •Література
Particles
|
strong forms |
weak forms |
||
|
quantitative reduction |
qualitative reduction |
zero reduction |
|
to |
/tH/ |
|
/tV/ + V /tq/ + C |
|
there (in: there is, there are, etc.) |
/DFq/ + C /DFqr/ + V |
|
/Dq/ + C /Dqr/ + V |
|
not (in: … n’t) |
/nPt/ |
|
|
/nt/ |
Verbs (modal, link, auxiliary)
|
strong forms |
weak forms |
||
|
quantitative reduction |
qualitative reduction |
zero reduction |
|
can |
/kxn/ |
|
/kqn/ |
/kn/, /kN/ before k, g |
could |
/kVd/ |
|
/kqd/ |
/kd/ |
must |
/mAst/ |
|
/mqst/ |
/mqs/ |
be |
/bJ/ |
/bi., bi/ |
/bI/ |
|
been |
/bJn/ |
/bi.n, bin/ |
/bIn/ |
|
are |
/R/ + C /Rr/ + V |
/Q., Q/ + C /Q.r, Qr/ + C |
/q/ + C /qr/ + C |
|
am |
/xm/ |
|
/qm/ |
/m/ (in: I’m) |
is |
/Iz/ |
|
|
/z/ after V, voiced C /s/ after voiceless C |
was |
/wPz/ |
|
/wqz/ |
|
were |
/wE:/ + C /wE:r/ + V |
/wE., wE/ + C /wE.r, wEr/ + V |
/wq/ + C /wqr/ + V |
|
have |
/hxv/ |
|
/hqv/ |
/qv/; /v/ after personal pronouns |
has |
hxz |
|
/hqz/ |
/qz/; /z, s/ after personal pronouns |
had |
/hxd/ |
|
/hqd/ |
/qd/; /d/ after personal pronouns |
will |
/wIl/ |
|
|
/l/ after personal pronouns |
would |
/wVd/ |
|
/wqd/ |
/qd/; /d/ after personal pronouns |
shall |
/Sxl/ |
|
/Sql/ |
/Sl/ after personal pronouns |
should |
/SVd/ |
|
/Sqd/ |
/Sd/ after personal pronouns |
do |
/dH/ |
/du., du/ |
/dV, dq/ |
|
does |
/dAz/ |
|
/dqz/ |
|
NOTES:
T he verbs to be, to have, to do and their grammatical forms are stressed and nor reduced when they are used in their direct meaning „бути”, „мати”, „робити”.
e .g. To be or not to be … /tq bJ O. 'nPt tq bJ/
I have a sister. /aI hxv q sIstq/
S he does this work every day. /SI dAz 'DIs 'wE:k 'evrI deI/
Auxiliary, modal and link verbs are usually stressed and used in their full forms when they begin a sentence.
e .g. Can you go there? / kxn jV gEV DFq/
3) Auxiliary, modal and link verbs have their full forms at the end of a sentence or a sense-group. They are either stressed and unstressed.
e.g. - Are you a student?
- Yes, I am. /… aI xm/
- Who has done it?
- Ann has. / xn hxz/
- She looked beautiful.
- She was. /SI wPz/
4) Auxiliary, modal and link verbs are stressed and not reduced in their contracted negative forms.
e .g. I cannot come. /aI kxnqt kAm/
H e hasn’t come. /hI hxznt kAm/
S he wasn’t a student. /SI wPznt q studqnt/
5) The auxiliary verb to do is stressed and used in its full form when it is used emphatically.
e .g. I do hate him. /aI dH .heIt hIm/