
- •Министерство образования и науки
- •Рецензенты:
- •Введение
- •Section 1 the system of english consonants
- •Assimilation of consonants
- •Types of assimilation
- •1. Train different degrees of aspiration in the following pairs of words:
- •2. Train the loss of aspiration in the following words:
- •3. Read aloud the following words and word combinations. Mind the nasal plosion within the words and at word boundaries:
- •4. Read aloud the following words and word combinations. Mind the lateral plosion within the words and word boundaries:
- •Practise palataization of some consonants:
- •Train ”light” and ”dark” variants of the phoneme [l]:
- •Train a slight palatalization of the following consonants. To achieve this raise the front of the tongue towards the soft palate:
- •7. Train the loss of plosion in the following words and at word boundaries:
- •12. Train the following cases of false assimilation. Try to pronounce distinctly sound combinations:
- •13. Find the examples of true and false assimilation in the following words and word combinations written in transcription:
- •14. Read in a loud voice the following combinations of words with consonant clusters. Mind different phonetic phenomena in them:
- •15. Identify different phonetic phenomena in the following rhyme. Read the rhyme:
- •I’ll meet you any time you want,
- •Section 2 the system of english vowels
- •Phonetic peculiarities of english vowels
- •Practical material
- •Practice to pronounce the combinations of two vowels smoothly:
- •2. Mind positional length of the phonemes [j] and [l] in the following chains of words:
- •3. Train the phonetic syllabication in the following phrases:
- •5. Train the pronunciation of the linking [r] in the following phrases:
- •6. Make vowel rhymes choosing the correct word on the right:
- •7. Cross out the word which does not contain the vowel sound on the left:
- •8. Read aloud the phrases below. Pay attention to the pronunciation of front vowels:
- •9. Read aloud the sentences below. Be careful to pronounce correctly the front vowels:
- •10. Read aloud the phrases below. Pay attention to the pronunciation of the back vowels:
- •11. Read aloud the sentences below. Be careful to pronounce correctly the back vowels:
- •12. From each line write out one word in which the stressed vowel is pronounced differently.
- •Our queer language
- •Section 3 reduction of vowels
- •3. The following words are never reduced:
- •Indefinite pronoun ”some” in the meaning of “certain”
- •The table of weak and strong forms of form words
- •Practical material
- •1. Pronounce each of the following expressions as a blend unit. Be careful to weaken unstressed syllables properly:
- •2. Read and transcribe the following sentences:
- •3. Compare the full forms of the vowels in the words from the left column with the reduced form in the words from the right column:
- •4. Read the following sentences, paying attention to prepositions before final pronouns. The prepositions may have no stress, but they are used in their strong forms:
- •Section 4 accentual sructure of english words
- •Practical exercises
- •Pronounce the following words observing full or partial stress. Then read the sentences paying special attention to the words with two stresses:
- •6. Read the following sentences paying attention to the differentiating function of stress in the italized words:
- •7. Find the meaning of the following words which may be used either as nouns and verbs. Write these words in transcription. Mind their pronunciation:
- •9. Put the following countries into the correct stress columns below:
- •10. Write the nationality words next to each country.
- •11. Read the following sentences aloud. Mind the sentence stress.
- •12. Mark the sentence stress in the following sentences. Practice reading the sentences aloud:
- •13.* Listen to the following sentences and mark the sentence stress in them:
- •14. Give the stress patterns for these sentences.
- •15. * Listen to the poem and mark the sentence stress. The first verse is done for you. Then read aloud the verse. Future intentions
- •16. Read the poem and mark the sentence stress. Learn it by heart:
- •17. By using the logical stress, make the following sentences serve as an answer to each of the following questions.
- •I put my black coat away.
- •She lost her pocketbook.
- •18. Read the following sentences according to the indications given in brackets.
- •19. In the following sentences, the words which are logically stressed are in bold type. Read the sentences, note the shift of nucleus in them.
- •20. Read the following sentences paying attention to the unstressed as…as:
- •21. Care should be taken not to put a stress on as…as:
- •23. Read the following sentences, paying attention to prepositions preceded by the verb “to be”. They are usually stressed when there is no stressed word before them.
- •Section 5 english rhythm
- •Practical exercises
- •2. Break the following sentences into rhythmical groups and read them fluently beating the time:
- •3. The following exercise will help you to maintain the regular beat of the stresses. Read the lines aloud:
- •4. Read the following sentences, paying attention to the number of syllables in each group in bold type and changing the rate of speech accordingly.
- •6.* Listen to the following dialogues and imitate the rhythm in them:
- •7.* Let’s sing a song!
- •8. Read the following rhymes. Mind the English rhythm:
- •9. Mark the sentence stress in the following sentences. Match them with the rhythmic patterns given below. One sentence is odd:
- •10. Sentences for rapid reading. Note the loss of stress:
- •Section 6 english intonation
- •Intonation is a complex unity of variations in pitch, stress, tempo and timbre.
- •Low fall
- •Practical exercises
- •1. Reading practice. Read the following sentences and write tonograms to each of them:
- •2. Read the following short imperatives and then expand them using the words in brackets. Observe the change of the position of the Low Fall in them:
- •Low rise
- •Practical material
- •1. Reading practice. Read the following sentences and write tonograms for each of them:
- •Intonation of enumeration
- •Practical material
- •1. Train the intonation of enumeration in the following sentences:
- •2. Intone the following poem and read it:
- •Intonation of commands, violations, requests and advice
- •Practical material
- •Sequence of tones in alternative sentences
- •Practical material
- •1. Read the following alternative questions:
- •Practical exercises
- •1. Reading practice. Read the following sentences and write tonograms to each of them:
- •2. Reading practice. Train the Low Fall, Low Rise and High Fall in the following sentences:
- •High rise
- •Practical material
- •1. Reading practice. Read the following sentences and write tonograms for each of them:
- •2. Reading practice. Work in pairs training the High Rise. Change the roles:
- •Accidental Rise (Special Rise)
- •Fall rise
- •Practical material
- •1. Reading practice. Train the Fall-Rise in pairs. Change the roles:
- •2. Train the “undivided” Fall-Rise in the following sentences:
- •3. Train the “divided” Fall-Rise in the following sentences. Write tonograms for them:
- •4. Reading practice. Train 5 Nuclear Tones:
- •Rise-fall
- •Practical material
- •1. Train the Rise-Fall in the following sentences.
- •2. Reading practice. Train 6 Nuclear Tones:
- •Rise-fall-rise
- •Level tones
- •Intonation of parentheses
- •Intonation of vocatives
- •Intonation of the author’s words (reporting phrases)
- •Sequence of tones Sequence of Tones in simple sentences
- •Sequence of Tones in complex sentences
- •Practical material
- •Read the following sentences; practise the Rising Intonation in
- •2. Read the following sentences; practice the Falling Intonation in the first sense-group. It is frequently heard in grammatically complete non-final groups:
- •3. Read the following sentences; practise the Rising Intonation of final phrases and clauses added to a statement as an afterthought:
- •Sequence of Tones in alternative questions
- •1. Read the following alternative questions, paying attention to the combination of tones:
- •The scheme of the phonetic analysis
- •1. Analize the following sentences according to the scheme:
- •Section 7 supplementary material Limerics
- •In England once there lived a big
- •Reading dialogues
- •Sightseeing
- •2. Catching a bus
- •3. Dinner invitation
- •4. Discussing a new story
- •5. Daily needs
- •6. Greetings a. Acquaintances
- •B. Good friends
- •Elevenses (Lunch)
- •8. About prices
- •9. At the Police
- •10. Gossips
- •In this dialogue train the Rise-Fall in short general questions to show surprise.
- •11. Home-made food
- •In the following dialogue choose the right Nuclear Tones while pronouncing the interjection “mm”. It has several meanings. “Mm” means “What did you said?”, “Yes” and “How nice!”
- •12. At the shop
- •Reading Texts
Assimilation of consonants
The process in which the articulation of one phoneme (sound) influences the articulation of a neighbouring phoneme making it similar or even identical to itself is called assimilation.
The phoneme that influences a neighbouring phoneme is called the assimilating phoneme. The phoneme which is under the influence of a neighbouring phoneme is called the assimilated phoneme. In English it is mostly consonant phonemes that are effected by assimilation. Different types of assimilation may be observed within the words and at their boundaries.
Types of assimilation
PROGRESSIVE ASSIMILATION occurs when the preceding phoneme influences the following one.
Principle cases of progressive assimilation:
1. In plural forms of nouns the ending –s is pronounced according to the previous consonant. If it is voiced we pronounce –s [ z ], e.g. pens [ penz]. If it is voiceless we pronounce –s [s ], e.g. cats [ kxts ]. The same phenomenon is observed in notional verbs of the 3rd person, singular form, Present Simple, e.g. read-reads [z], put-puts [s] as well as in notional verbs in Past Simple ending –ed, e.g. kiss-kissed [t], open-opened [d]
2. The post-alviolar consonant [r ] becomes alveolar after the interdental [T, D] ( within a word and at the junction of words). e.g. thrill, with Ruth.
3. Voiceless consonants usually influence the sonorants [m,n,l,r,w,j] in such a way that the sonorants become partially devoiced. This phenomenon is called partial devoicing. e.g. try, prey, price, clean, floor, swim, small.
In such words as sandwich ['sxnwiC], kindness ['kainnis ], handkerchief['hxNkqCif],grandmother ['grxnmADq ] the sound [n ] influences [d ] in such a way that the latter disappears.
REGRESSIVE ASSIMILATION occurs when the preceding phoneme is influenced by the following one.
Principle cases of regressive assimilation:
1. Consider the following compound words: news + paper = newspaper, [nju:z ] but [nju:speipq] and goose + berry = gooseberry, [gu:s] but ['gu:zberi]. In the first example the sound [p] devoices [z], and in the second example the sound [b] makes the previous sound voiced.
2. Alveolar consonants [t,d,l,n,] are replaced by their dental variants before the interdental [T,] [D]. e.g. width, in them, tenth, all this. At the same time the same consonants become post-alveolar before the post-alveolar (cacuminal) [r]. e.g. dry, drink, Henry, already, all right.
The students should avoid false assimilation, that is incorrect articulation of adjacent sounds which results in distortion of the norms of pronunciation. False assimilation occurs in the combinations of sounds [s],[z] and [T], [D] and vice versa. It is necessary to retain apical-alveolar articulation of the sounds [s], [z] and avoid interdental articulation in such phrases as what’s this [wOts Dis] or let’s think [lets TiNk]. False assimilation is also observed in the combinations of sounds [f] [v] and [w] or [f] [v] and [T] [D]. Do not make the previous sounds bilabial ( in the first case) and interdental (in the second case). e.g. of water [qv 'wLtq], fifth [fifT].
RECIPROCAL (DOUBLE, MUTUAL) ASSIMILATION is observed when two adjacent phonemes influence each other.
Principle cases of reciprocal assimilation:
1. In the combinations [tw] and [kw] both sounds influence each other. [t] partially devoices [w] while [w] changes the articulation of [t] and makes it bilabial. e.g . twenty, twice, quick, quite.
2. In the combination [tr] the sound [t] partially devoices [r] while [r] changes the articulation of [t] and makes it cacuminal. e.g. tree, true.
3. Reciprocal assimilation is also observed in the combinations of sounds [tj] and [dj] which in the rapid speech are pronounced [C] and [G]. e.g. don’t you ['dounCu:], did you ['diGu:].
COMPLETE ASSIMILATION occurs when the articulation of the assimilated phoneme fully coincides with that of the articulating one, that is two adjacent phonemes coincide with each other.
Principle cases of complete assimilation:
Complete assimilation is observed at the junction of the sounds [s,z] and [S]. Mind the pronunciation of the word combinations horse-shoe ['hLSSu:] and does she [dASSi:] where the sound [S] influences the articulation of the previous sounds [s] and [z].
HISTORICAL ASSIMILATION takes place if a present-day pronunciation of a word is the result of an assimilation which took place during the development of the language.
The following words and their pronunciation are the examples of this type of assimilation:
session [seSn] (present-day), but ['sesjqn] (before)
occasion [q'keizn], but [q'kxzjOn]
culture ['kAlCq], but ['kAltjur]
orchard ['LCqd], but ['Ltjqd]
PRACTICAL MATERIAL