
- •Министерство образования и науки
- •Рецензенты:
- •Введение
- •Section 1 the system of english consonants
- •Assimilation of consonants
- •Types of assimilation
- •1. Train different degrees of aspiration in the following pairs of words:
- •2. Train the loss of aspiration in the following words:
- •3. Read aloud the following words and word combinations. Mind the nasal plosion within the words and at word boundaries:
- •4. Read aloud the following words and word combinations. Mind the lateral plosion within the words and word boundaries:
- •Practise palataization of some consonants:
- •Train ”light” and ”dark” variants of the phoneme [l]:
- •Train a slight palatalization of the following consonants. To achieve this raise the front of the tongue towards the soft palate:
- •7. Train the loss of plosion in the following words and at word boundaries:
- •12. Train the following cases of false assimilation. Try to pronounce distinctly sound combinations:
- •13. Find the examples of true and false assimilation in the following words and word combinations written in transcription:
- •14. Read in a loud voice the following combinations of words with consonant clusters. Mind different phonetic phenomena in them:
- •15. Identify different phonetic phenomena in the following rhyme. Read the rhyme:
- •I’ll meet you any time you want,
- •Section 2 the system of english vowels
- •Phonetic peculiarities of english vowels
- •Practical material
- •Practice to pronounce the combinations of two vowels smoothly:
- •2. Mind positional length of the phonemes [j] and [l] in the following chains of words:
- •3. Train the phonetic syllabication in the following phrases:
- •5. Train the pronunciation of the linking [r] in the following phrases:
- •6. Make vowel rhymes choosing the correct word on the right:
- •7. Cross out the word which does not contain the vowel sound on the left:
- •8. Read aloud the phrases below. Pay attention to the pronunciation of front vowels:
- •9. Read aloud the sentences below. Be careful to pronounce correctly the front vowels:
- •10. Read aloud the phrases below. Pay attention to the pronunciation of the back vowels:
- •11. Read aloud the sentences below. Be careful to pronounce correctly the back vowels:
- •12. From each line write out one word in which the stressed vowel is pronounced differently.
- •Our queer language
- •Section 3 reduction of vowels
- •3. The following words are never reduced:
- •Indefinite pronoun ”some” in the meaning of “certain”
- •The table of weak and strong forms of form words
- •Practical material
- •1. Pronounce each of the following expressions as a blend unit. Be careful to weaken unstressed syllables properly:
- •2. Read and transcribe the following sentences:
- •3. Compare the full forms of the vowels in the words from the left column with the reduced form in the words from the right column:
- •4. Read the following sentences, paying attention to prepositions before final pronouns. The prepositions may have no stress, but they are used in their strong forms:
- •Section 4 accentual sructure of english words
- •Practical exercises
- •Pronounce the following words observing full or partial stress. Then read the sentences paying special attention to the words with two stresses:
- •6. Read the following sentences paying attention to the differentiating function of stress in the italized words:
- •7. Find the meaning of the following words which may be used either as nouns and verbs. Write these words in transcription. Mind their pronunciation:
- •9. Put the following countries into the correct stress columns below:
- •10. Write the nationality words next to each country.
- •11. Read the following sentences aloud. Mind the sentence stress.
- •12. Mark the sentence stress in the following sentences. Practice reading the sentences aloud:
- •13.* Listen to the following sentences and mark the sentence stress in them:
- •14. Give the stress patterns for these sentences.
- •15. * Listen to the poem and mark the sentence stress. The first verse is done for you. Then read aloud the verse. Future intentions
- •16. Read the poem and mark the sentence stress. Learn it by heart:
- •17. By using the logical stress, make the following sentences serve as an answer to each of the following questions.
- •I put my black coat away.
- •She lost her pocketbook.
- •18. Read the following sentences according to the indications given in brackets.
- •19. In the following sentences, the words which are logically stressed are in bold type. Read the sentences, note the shift of nucleus in them.
- •20. Read the following sentences paying attention to the unstressed as…as:
- •21. Care should be taken not to put a stress on as…as:
- •23. Read the following sentences, paying attention to prepositions preceded by the verb “to be”. They are usually stressed when there is no stressed word before them.
- •Section 5 english rhythm
- •Practical exercises
- •2. Break the following sentences into rhythmical groups and read them fluently beating the time:
- •3. The following exercise will help you to maintain the regular beat of the stresses. Read the lines aloud:
- •4. Read the following sentences, paying attention to the number of syllables in each group in bold type and changing the rate of speech accordingly.
- •6.* Listen to the following dialogues and imitate the rhythm in them:
- •7.* Let’s sing a song!
- •8. Read the following rhymes. Mind the English rhythm:
- •9. Mark the sentence stress in the following sentences. Match them with the rhythmic patterns given below. One sentence is odd:
- •10. Sentences for rapid reading. Note the loss of stress:
- •Section 6 english intonation
- •Intonation is a complex unity of variations in pitch, stress, tempo and timbre.
- •Low fall
- •Practical exercises
- •1. Reading practice. Read the following sentences and write tonograms to each of them:
- •2. Read the following short imperatives and then expand them using the words in brackets. Observe the change of the position of the Low Fall in them:
- •Low rise
- •Practical material
- •1. Reading practice. Read the following sentences and write tonograms for each of them:
- •Intonation of enumeration
- •Practical material
- •1. Train the intonation of enumeration in the following sentences:
- •2. Intone the following poem and read it:
- •Intonation of commands, violations, requests and advice
- •Practical material
- •Sequence of tones in alternative sentences
- •Practical material
- •1. Read the following alternative questions:
- •Practical exercises
- •1. Reading practice. Read the following sentences and write tonograms to each of them:
- •2. Reading practice. Train the Low Fall, Low Rise and High Fall in the following sentences:
- •High rise
- •Practical material
- •1. Reading practice. Read the following sentences and write tonograms for each of them:
- •2. Reading practice. Work in pairs training the High Rise. Change the roles:
- •Accidental Rise (Special Rise)
- •Fall rise
- •Practical material
- •1. Reading practice. Train the Fall-Rise in pairs. Change the roles:
- •2. Train the “undivided” Fall-Rise in the following sentences:
- •3. Train the “divided” Fall-Rise in the following sentences. Write tonograms for them:
- •4. Reading practice. Train 5 Nuclear Tones:
- •Rise-fall
- •Practical material
- •1. Train the Rise-Fall in the following sentences.
- •2. Reading practice. Train 6 Nuclear Tones:
- •Rise-fall-rise
- •Level tones
- •Intonation of parentheses
- •Intonation of vocatives
- •Intonation of the author’s words (reporting phrases)
- •Sequence of tones Sequence of Tones in simple sentences
- •Sequence of Tones in complex sentences
- •Practical material
- •Read the following sentences; practise the Rising Intonation in
- •2. Read the following sentences; practice the Falling Intonation in the first sense-group. It is frequently heard in grammatically complete non-final groups:
- •3. Read the following sentences; practise the Rising Intonation of final phrases and clauses added to a statement as an afterthought:
- •Sequence of Tones in alternative questions
- •1. Read the following alternative questions, paying attention to the combination of tones:
- •The scheme of the phonetic analysis
- •1. Analize the following sentences according to the scheme:
- •Section 7 supplementary material Limerics
- •In England once there lived a big
- •Reading dialogues
- •Sightseeing
- •2. Catching a bus
- •3. Dinner invitation
- •4. Discussing a new story
- •5. Daily needs
- •6. Greetings a. Acquaintances
- •B. Good friends
- •Elevenses (Lunch)
- •8. About prices
- •9. At the Police
- •10. Gossips
- •In this dialogue train the Rise-Fall in short general questions to show surprise.
- •11. Home-made food
- •In the following dialogue choose the right Nuclear Tones while pronouncing the interjection “mm”. It has several meanings. “Mm” means “What did you said?”, “Yes” and “How nice!”
- •12. At the shop
- •Reading Texts
4. Read the following sentences, paying attention to prepositions before final pronouns. The prepositions may have no stress, but they are used in their strong forms:
1. Here’s an apple for you.
2. Take some water with it.
3. Let me carry it for you.
4. William explained it to me.
5. Have a drop of tonic with it.
6. It was a big chance for him.
7. I paid in cash. They insisted on it.
8. Will you run though these accounts for me?
9. This is a big car. There’ll be room enough for all of us in it.
10. You’re just the person we’ve been looking for.
11. Here’s your bread. Put some butter on it.
Section 4 accentual sructure of english words
Word stress
Word stress is a greater prominence of one or more syllables in a word as compared with the other syllable or syllables in the same word.
In the English language the stress is free. It means that in different words the accent falls on different syllables.
It is necessary to know the basic rules of English word accentuation to avoid making accentual mistakes.
1. In most disyllabic words the accent falls on the initial syllable: 'ready, 'dinner, 'mother, 'colour.
In disyllabic words with a prefix which has lost its meaning the stress falls on the second syllable, that is on the root syllable: be'come, be'gin, pro'nounce, assist, repair, afraid, elect.
In disyllabic words ending in – ate, -ise,- ize,- fy the stress falls on the last syllable: dic'tate, sur'prise, de'fy.
2. In most three- or four- syllable words the accent falls on the 3rd syllable from the end:
'family, 'cinema, 'factory, 'demonstrate, 'recognize, 'quality (3-syllable words).
ge'ography, de'mocracy (4-syllable words).
Exception: 'ordinary, 'regularly (in 4- syllable words the stress falls on the 1st syllable).
ex'perience, e'fficient, de'licious (in 3-syllable words the stress falls on the 2nd
syllable)
refu'gee, employ'ee, engi'neer (in 3-syllable words the stress falls on the 3rd syllable)
3. Most words of more than four syllables are of French origin and have two stresses: primary (nuclear) and secondary (weak) : ﺍedu'cation, proﺍnunci'ation, orﺍgani'zation, aﺍcade'mician, ﺍfunda'mental.
4. Some English words have two primary stresses. Most of English words which have two primary stresses are formed with prefixes and suffixes. One of two primary stresses falls on the root syllable, the other on the prefix.
The following words have two primary stresses when they are used separately and in a slow speech:
a) numerals from 13 to 19.
b) words with separable prefixes , such as:
-un, -dis, -non, -in, -il, -im, -ir (negative prefixes): e.g. 'non- 'final, 'ir 'regular
-ex meaning “former”: e.g. 'ex-'minister, 'ex-'wife.
-re denoting “ repetition”: e.g. 're'organize, 're'write
-under denoting “subordination, assistance, insufficiency”: e.g. 'under-'secretary, 'under'estimate, 'under-'production.
Mind also some other prefixes with separable meaning which are stressed:
-anti (meaning “contrary to”): e.g. 'anti'war, 'anti'septic.
-sub (meaning “subordinate, assistant”): e.g. 'sub-'librarian, 'sub-'editor.
-inter (meaning “among”): e.g. ' inter'national, ' inter'change.
c) composite verbs: to 'get 'up, to 'give a'way.
d) compound adjectives, if both parts are equally significant, e.g. 'well-'known, 'good-'looking. If not, only the first part is stressed, eg. 'child-like, 'spring-like, 'oval-shaped.
e) compound nouns have, as a rule, only one stress on the first syllable: e.g. 'railway, 'snowman, 'dressing-table. Double-stressed compound nouns are comparatively rare: e.g. 'ice-'cream, 'arm-'chair, 'tea-'pot, 'gas-'stove, 'absent- 'mindedness. These words should be learned individually.
All words with two strong stresses are subjected to the influence of English rhythm in connected speech. The first stressed element is weakened if it is preceded by another stressed syllable or the second stress is lost if it is followed by a stressed syllable. Look at the examples: A 'good-natured 'woman. The 'mother’s ex'tremely good-'natured. He 'puts it 'on. 'John put his 'coat on.
Shift of stress
A large group of words, which may be used either as nouns or verbs, have a difference in stress to indicate the difference in meaning. In all these cases, the noun is accented on the first syllable, the verb on the second. Look at the examples: a concert ['kOnsqt] – согласие, to concert [kqn'sWt]- договариваться. Shift of stress in the verb causes the reduction of the vowel in an unstressed syllable. The difference in stress is also observed in homonymous words and word combinations: e.g. ' bluebottle – василек and 'blue ' bottle – синяя бутылка; ' blackbird –дрозд and ' black ' bird – черная птица.
Shift of stress is also observed in derivatives. The addition of one of the following suffixes –tion, -sion, -ic, -ical, -ity may result in a shift of stress: e.g. to contribute [kqn'tribjHt] – contribution [ﺍkqntri ' bjHSn]; economy [i'kOnqmi] - economic [ﺍekq'nOmik]. Moreover, words with these suffixes acquire two stresses: primary and secondary.
However, in many words with added suffixes, the new form is stressed on the same syllable as was the basic word: e.g. to abandon [q 'bxndqn] – abandonment [q'bxndqnment], adventure [qd 'venCq] - adventurous [qd 'venCqrqs].
Sentence stress
English is considered a stress-timed language (тактированный по ударению) while many other languages (French, Spanish, Italian) are considered syllabic or syllable-timed languages (тактированный по слогу). What does that mean? It means that, in English, they give stress to certain words while the other words are quickly spoken. In other languages each syllable receives equal importance.
Many speakers of syllabic languages do not understand why the English people speak quickly swallowing a number of words in a sentence. While in syllabic languages each syllable has equal importance and therefore equal time is needed, English, however, spends more time on specific stressed words which are called notional or content words while quickly gliding over the other, less important, words which are called form words or function words. This phonetic phenomenon is called sentence stress. Let us look at a simple example: the modal verb “can”. When we use the positive form of “can’ we quickly glide over the can and it is hardly pronounced because it is unstressed:
They can come on Friday.
On the other hand, we use the stressed negative form “can’ t” to stress the fact that it is the negative form :
They can’t come on Friday.
As you can see from the above example the sentence ”They can’t come on Friday” is longer than “They can come on Friday” because both the modal “can’t” and the verb “come” are stressed. All the form words are not stressed and they are pronounced rather quickly. Stressed words or notional words are the key to excellent pronunciation and understanding of English.
Sentence stress is a greater prominence of the notional words in a sentence. The notional words are: nouns, notional verbs, negative forms of auxiliary verbs (don’t, can’t etc.), adjectives, adverbs, pronouns: demonstrative (this, that, these, those), absolute form of possessive pronouns (mine, yours, his etc.), emphatic pronouns (myself, yourself etc.), indefinite pronouns and indefinite quantitative pronouns (all, each, every, either, neither, both, some, any, no, much, many, a few, other, another etc.), interrogative words (what, why, who, where etc.) , numerals, interjections, two-syllable prepositions. Look at the example:
I’m 'sending you 'two 'tickets for the 'theatre.
However, in the flow of speech under the influence of rhythm notional words often lose their stress:
e.g. I 'don’t think I 'can.( the verb “think” loses its stress).
Study the following information on sentence stress:
1. In the combinations 'so on, ' so forth the first element is stressed. 2. Conjunctions ( as, since, when, after, before, provided, if, unless, until) are stressed when they are used initially and there is no a stressed syllable followed it: e.g. 'If I 'do this…but When 'winter ' comes…..
3. The comparative construction as…as is never stressed. The stress falls on the adjective.
e.g. He is as 'cool as 'cucumber.
Logical stress
Logical stress is the singling out of the word which seems to be the most important in the sentence. Thus, a new utterance with a new semantic centre is created. Compare these three sentences pronouncing words in bold with greater prominence: Take this book! Take this book! Take this book!
Logical stress expresses something new to the listener, contrast or some kind of importance the speaker attaches to the word. Any word in a sentence may be logically stressed. A word which is made prominent by the logical stress may stand at the beginning, in the middle or at the end of a sentence.