Conclusion
Antoni Gaudí is one of the greatest architects of the first half of 20th century. He had highly individual and distinctive style. This style combined art nouveau forms, bionics, neo-gothic elements and aesthetics, religious symbology.
Nobody knew about bionics in the first half of the 20th century. Architectural style of this period was Art Nouveau. But Antoni Gaudí was a first who combined this style with bionics forms and constructions.
He was a great architect, engineer and a designer. He studied organic and anarchic geometric forms of nature thoroughly, searching for a way to give expression to these forms in architecture. And this studying was reflected in the projects combining Bionics and Art Nouveau.
References
Isabel Artigas, Gaudí: Living Architecture, Barcelona, Spain, 2008
Joan Bassegoda Nonell, Gaudí - all works, Barcelona, Spain, 2009
Antoni Gaudí//Wikipedia the free encyclopedia:
URL: http://en.wikipedia.org/wiki/Antoni_Gaud
Klimienko, Fedor Shekhtel and the Epoch of Art Nouveau, 2009
Casa Batlló//Wikipedia the free encyclopedia:
URL: http://en.wikipedia.org/wiki/Casa_Batlló
Park Güell// Wikipedia the free encyclopedia:
URL: http://en.wikipedia.org/wiki/Park_Güell
Bionic architectural culture of the new trend// Online British College:
URL: http://eng.hi138.com/?i100
Double twisted column//Basilica de la Sagrada Familia: URL: http://www.sagradafamilia.cat/sf-eng/docs_instit/geometria1.php
Helicoid and conoid//Basilica de la Sagrada Familia: URL: http://www.sagradafamilia.cat/sf-eng/docs_instit/geometria5.php
Ellipsoid//Basilica de la Sagrada Familia: URL:
http://www.sagradafamilia.cat/sf-eng/docs_instit/geometria6.php
Hyperboloid//Basilica de la Sagrada Familia: URL:
http://www.sagradafamilia.cat/sf-eng/docs_instit/geometria3.php
Geometry//Basilica de la Sagrada Familia: URL:
http://www.sagradafamilia.cat/sf-eng/docs_instit/arquitectura_d.php
Introduction 1
1.Antoni Gaudí 2
2. Art Nouveau and Bionics in creativity of Gaudí 4
2.1 Art Nouveau forms in buildings of Gaudí 5
2.2 Bionics in buildings of Gaudí 7
Conclusion 19
References 20