
- •Методичні рекомендації
- •Вступ до методичних рекомендацій
- •Unit I Painting
- •II Reading
- •III. Language
- •IV. Text understanding
- •VII Language
- •VIII Text understanding
- •Exercise 19. Define the type of technique of paintings. What techniques were not mentioned in this text?
- •XI. Oral Practice
- •I. Vocabulary
- •II Reading
- •III. Language
- •IV. Text understanding
- •V. Oral practice.
- •VI Reading and Comprehension
- •Text b Tone, form and proportion, perspective
- •VII. Language
- •VIII Text understanding
- •IX Oral Practice
- •X Reading and Comprehension
- •XI Oral Practice
- •II Reading
- •III. Language
- •IV. Text understanding
- •Guideline – керівний принцип
- •Text b Rule of thirds
- •Rule of odds
- •VII Language
- •VIII Text understanding
- •X Reading and Comprehension
- •Text c Top 10 Painting Tips for Strong Compositions
- •Text d Guide on Choosing the Appropriate Format When You Design a Drawing or Painting
- •A painting can take on different looks with each format.
- •XI. Oral Practice
- •IV Color
- •II Reading
- •Text a Color theory
- •III. Language
- •IV. Text understanding
- •Text b What is Color Harmony?
- •Creating Color Harmony
- •Color Harmonies
- •VII Language
- •VIII Text understanding
- •IX Reading and Comprehension
- •Examples
- •Examples
- •Examples
- •X. Oral Practice
- •Appendix
- •Table 3
- •Список рекомендованої літератури
Guideline – керівний принцип
grid – решітка
Text b Rule of thirds
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The rule of thirds is thought to be a simplification of the golden mean. The golden mean is a ratio that has been used by visual artists for centuries as an aid to composition. When two things are in the proportion of 1:1.618 (approximately 3/8 to 5/8), they are said to be in the golden mean.
Dividing the parts of an image according to this proportion helps to create a pleasing, balanced composition. The intersection points on a golden mean grid appear at 3/8 in and 3/8 down/up, rather than at 1/3 in and 1/3 down/up on the grid of thirds.
Rule of odds
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The "rule of odds" suggests that an odd number of subjects in an image is more interesting than an even number. Thus if you have more than one subject in your picture, the suggestion is to choose an arrangement with at least three subjects. An even number of subjects produces symmetries in the image, which can appear less natural for a naturalistic, informal composition.
An image of a person surrounded/framed by two other persons, for instance, where the person in the center is the object of interest in that image/artwork, is more likely to be perceived as friendly and comforting by the viewer, than an image of a single person with no significant surroundings.
VII Language
Exercise 18. Match the word combinations in column A with their equivalents in column B:
A |
B |
1. to frame 2. to bisect 3. to create 4. to reflect 5. to choose 6. to produce |
a. an arrangement b. symmetry d. the object of interest e. a balanced composition f. preferences g. the image |
Exercise 19. Match painting media in column A to their definitions in column B:
A |
B |
1. The rule of thirds
2. The golden mean
3. The rule of odds
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a. is a ratio that has been used by visual artists for centuries as an aid to composition.
b. suggests that an odd number of subjects in an image is more interesting than an even number.
c. means to stop the subject(s) and areas of interest from bisecting the image, by placing them near one of the lines that would divide the image into three equal columns and rows. |