
- •I can leave my name to the ages.
- •Is red, this side black, I blow on it, and red becomes black. Hey, look over
- •X. You should wash your hair after you fool around with someone.
- •I'm running out of patience.
- •Is drawn. He goes in front of the table and fishes out toothbrushes from his
- •Isn't the least bit excited.
- •In my company. I use English daily without any problems. And, I can also
- •If I fit together with you it would appear that you're also not so good."
- •Is willing to give it a try?
- •In all my life I've never seen such a man. How many resolutions have I made
- •I've never been able to finish inside.
- •In the mud. Malu slowly sinks into the mud.
- •It's got fresh cream and fruit.
- •I love you, something that nobody would question. But there's nothing,
- •If I could only hold you in my arms once more, I would rather sleep forever
- •99.75 Points. Number two receives zero. Number one wins.
- •It. She just takes it for granted.
- •Indestructible, a manifestation of humanity's wisdom and strength. The
- •I wouldn't let you leave me. I've been preparing for a very long time. I've
- •Is my money any different from theirs?
- •In and out of focus; it's like being in a movie:
- •Itself. In front of you is the vast African savannah. The setting sun hangs
- •I love you so much Mingming.
Rhinoceros in Love Rhinoceros in Love*
By Liao Yimei №щ¤@±ц; Directed by Meng Jinghui ©sЁКЅч
Translated by Mark Talacko
Dramatis Personae:
Ma Lu -- a loner and rhino keeper obsessed with his neighbour, Ming Ming,
whose unrequited love drives him to extremes.
Ming Ming -- Malu's neighbour, a product of her time, materialistic and
modern, hopelessly in love with a man who mistreats her.
Heizi -- Malu's friend
Daxian -- Malu's friend, a wiseacre and hooligan.
Toothbrush -- A salesman befriended by Heizi, Daxian and Malu.
Hong Hong -- A TV producer with a cynical realist's take on love.
Lily -- A TV producer and friend of Hong Hong who falls in love with
Heizi.
PROLOGUE
On stage: A woman, Mingming, is blindfolded and tied to a chair. A young
man, Malu, is sitting beside her.
Malu: Dusk is the worst time for my vision. My eye wanders to the busy
street. All I see are pretty girls. The buildings and streets are shifting
in and out of focus; it's like being in a movie:
You're standing on the corner of the stairs. There's a strange, fragrant
scent. It's a little warm. It smells strange. It's only when it brushes
against your body that you notice that you're crying. That's when it all
started.
I've got a friend, Toothbrush. He wants me to believe in myself only when
I'm in a rut, like when Tula's pushing his way through the African savannah.
But I know our situations are not the same. You're not the same. You're
unique, soft, clean like the sky. My Mingming, how can I ever make you
understand? You're like a warm glove, an ice-cold beer, a shirt laundered in
the sun, a never-ending dream.
You're sweet and distressed, with fresh hope daubed upon your lips. Your
freshness and hope make you unpredictable, like a wild beast; inescapable,
like the sun's rays; phony, like a shameless starlet; ruthless, like the
starving.
I want to give you a home, be the father to your child. I want to give you
everything you want. When you wake up I want to show you sunlight, want to
caress your back, make you spread your wings to heaven. Can't you feel how
strong my desire rushes toward you, rises over the top of your feet,
submerges your legs and completely drowns you? I think of you. I open my
mouth wide, brazenly long for you; long for your hair, for your eyes; long
for your chin, your breasts, your splendid waist and stomach, the scent
diffused through your pores. I long for the way you wring your hands when
you're sad. You have the face of an angel and the heart of a bitch.
I love you. I truly love you from the bottom of my heart. I love you madly.
I flatter you shamelessly. I swear to you my eternal love. Whatever I can do
I'll do it. How can I possibly make you understand that I love you this
much? Silently bear it and swallow my tears? Shout it at the top of my lungs
until I'm hoarse and collapse from exhaustion? Curse myself bitterly before
the mirror? Rush into your office and knock you to the floor? Go to
university, get a PhD and become an author? Give myself up for lost and be
pitied by others from now on? Check into a mental hospital and love you
until I actually have a breakdown? Get lovesick? Or should I set myself on
fire beneath your window? Mingming, tell me what I should do. You're smart,
clever, quick-witted and silver-tongued, foolish beyond compare. My love, my
Mingming . . .
Act I
The entirety of the back of the stage is filled by a base of an enormous
clock that towers, unseen, into the sky. A group of people is gathered in
front of it.
The group sings with one voice.
This is an age of too many things
This is an age of too much emotion
This is an age of too much knowledge
This is an age of too much information
This is an age of intellect and reason
This is an age of sincerity and pragmatism
We have too many tasks to do
We have too many things to learn
We have too many voices to listen to
We have too many desires to fulfill
Love is a candle, giving you light,
Snuffed out with one gust of wind.
Love is a bird in flight, decorating the scene
Gone with a change in weather.
Love is a freshly blooming flower, thrilling with its scent,
Withered after May.
Love is a rainbow, a multitude of splendid colours,
A twinkling hoax, evaporated by the first rays of the sun.
Love is so wonderful, but delicate to the touch.
Love is so wonderful, but delicate to the touch.
Crowd: Before the arrival of the new century, we want to organise the wealth
of the world.
Before the arrival of the new century, we want to sweep away all the useless
junk.
Before the arrival of the new century, we want to overthrow all unrealistic
thought.
Before the arrival of the new century, we want to discard all the weak
things.
Master of Ceremonies: We will welcome the coming of the new century with a
giant clock, unequaled in size anywhere in the world. It will stand tall and
firm, indestructible, an expression of humanity's wisdom and strength. The
atmosphere around the construction site is tense but merry. Designers and
labourers are working overtime; the city's residents have gathered around
the site for a long time, not daring to leave. Everyone is joyously inspired
by our pioneering work. They're excited beyond belief!
Resident A: One hundred kilograms, the second hand alone is one hundred
kilograms. Time has never felt so heavy.
Resident B: That's the miracle of modern technology. Each gear has been
supplied by the National Space Administration and is entirely made from
titanium to resist, warping by the great changes time brings to the
world--any warping would be dishonourable. It is a monument to our people.
Resident C: Each curve is meticulously carved. Each target will go down in
history.
Resident D: Hundreds of people were born in this century; the best poems of
our most outstanding poets to die this century will be engraved on the dial.
Resident E: A 67 year-old poet just killed himself so that his works would
be chosen.
Resident F: This is our offering to the approaching new century, a giant
clock unparalleled in the world, designed entirely by us, built completely
by us.
Resident G: On it we should write that this is the crystallisation of human
wisdom.
Resident A: I suggest we write that it is the 9th Wonder of the World, a
landing beacon for extraterrestrials.
Resident B: They're issuing "Big Clock" lottery tickets. The prize money is
already up to five million Yuan, and it's still going up! Whoever gets that
money is going to be the lucky one of the 21st Century.
Resident C: I heard that the dial is gold-plated. It's like what today's
people love to say: "Time is money."
Resident D: A neighbour of mine promised to give me fifty thousand Yuan if I
secretly carve his initials on the back of the big hand.
Resident E: You wouldn't dare! You guys would be destroying something that
will be a cultural relic in two hundred years!
Resident F: I want to secretly carve my name beside eight o'clock, that way
I can leave my name to the ages.
Resident G: I want to carve my lover's name on its base, and beside it carve
a heart to show our enduring love.
The crowd looks in unison at the side of the big clock.
Crowd: Love is so wonderful, but delicate to the touch. Love is so
wonderful, but delicate to the touch.
Act II
Malu's home. Daxian is playing with a deck of cards in his hands. Heizi and
Malu are sitting beside him.
Heizi: Is he coming or not?
Malu: How do I know?
Heizi: Call him! How can he let a woman come between friends!
Daxian: (Daxian takes a card with his hand.) Look here, look here. This side
Is red, this side black, I blow on it, and red becomes black. Hey, look over
here! (Daxian works his trick. Malu and Heizi look on without interest.)
Daxian: Eh? How about it?
Heizi: What did Xiaoshi say exactly?
Daxian: He said he'd be over in a bit.
Heizi: After this we're not inviting him to play anymore.
Daxian: Fine. (He conjures another trick.) Watch this, watch this!
Heizi: (To Malu.)What does that new chick I've seen you with do?
Daxian: Hey! Dreamer! You listening?
Heizi: I also want to become somebody with something to do! I'm asking you
Malu.
Malu: I think she's a secretary in an office.
Heizi: Did she tell you that?
(Malu shakes his head.)
Heizi: Then how do you know?
Malu: She smells like a photocopier.
Heizi: You're kidding!
Malu: I can determine a person's status, profession, and what they've just
done, all from the smells they give off. Don't believe me? Take a whiff of
Daxian. Do you smell that hospital smell? No matter how much lemon-scented
washing powder or industrial-strength soap he uses, he'll never wash it off.
The smell has already soaked into the crevices of his bones, seeping out
every minute of the day.
I can smell those office workers who carry the smell of photocopiers and air
conditioners; those small time businessmen whose bodies reek of smoke; even
housewives just out of the kitchen, dolled up in their latest mall purchases
and sprayed with perfume still can't mask the smell of oily smoke in their
hair. And then there are the hookers. Each one carries the scent of a John's
astringent sperm on her body. I can even tell from somebody's breath what
they had for lunch: Fish-flavoured pork, spicy tripe, mushrooms and
vegetables . . .
Heizi: All that with your bulbous nose?
Daxian: The usefulness of the nose isn't determined by its appearance, but
by its function.
Malu: That's right! People have standards for testing eyes and ears, and if
they fail them, they think that they're disabled, which influences their
work, whether they go to university, even their attitude about life. There
are many colourful terms to describe disabilities of the eyes and ears:
blind, deaf, colour blind, but there's no such term for a disabled nose. A
stuffed nose only describes the symptom of a cold, which can be easily cured
with some Sudafed. A competent, outstanding nose has never received any
attention.
Daxian: It's just like that rhino Malu looks after. His eyes are no good,
but his nose is fantastic.
Heizi: It'll soon match a dog's nose.
Malu: Take yourself for example. (To Heizi) Your hair always carries smell