
- •3 Founding fathers of familiar essays:
- •Charles Lamb
- •William Hazlitt
- •Thomas de Quincey
- •Gothic novel
- •Novel of manners
- •3) Historical romances
- •Victorian epoque
- •Victorian novel
- •Victorian poetry
- •Tennyson
- •Hopkins
- •Irish Revival
- •The literature of Ideas
- •Samuel Butler
- •George Bernard Shaw
- •Herbert George Wells
- •Artistic Fiction
- •Henry James
- •Herbert George Wells
- •Henry James books
- •Joseph Conrad
- •I World War
- •David Jones
- •Modernism
- •Modernism in fiction
- •William Jones
- •Modernism in fiction
- •Virginia Woolf
- •David Herbert Lawrence
- •Expressionism
- •Modernism in poetry
- •The dominating group of that time
- •Another Group: New Romanticism
Expressionism
Style in art
Subjective, personal vision
The irrational
Exotic elements
WYKŁAD 20
Modernism in poetry
A lot of changes, revolution in poetry
T. E. Hulme – a philosopher, philosophy of art, history of art & literature
Criticism on romanticism – the poet talked about his emotions, vague emotionalism of a poem, he was concentrated on himself, subjectivity
He opposed any romantic attitudes
The purpose of poetry is different, no concentration on the author’s emotions
Poetry is sth like an exploration, examination of the phenomena of the world,
poet - a craftsman, scientist, examiner of phenomena in his mind, not a sweet singer talking about feelings only
objectivity of poetry
everything unnecessary is eliminated, you go to the subject, explore a certain phenomena
poetry – less emotional
you have to think together with the speaker (be more active) and not only expect that a poem will abruptly flow to your head
more demanding, complicated poems,
sources of inspiration: metaphysical poets (In 19th century were republished, some were discovered)
new form of a verse: FREE VERSE (“verse libre”) –
unconstrained by any formal regulations, you don’t have to rhyme
The number of syllables does not matter
You don’t have to set focus on writing, like a sonnet
Unimportant position of the stresses
They believed that traditional versification forms were harmful, constricting
The form should be arbitrary chosen
The concept should dictate the form – not the other way around
Topic of the thoughts is more important than rhymes etc
Symbol may be the way to construct the poem – than it was rejected because of being too vague. Symbol can be read in different ways by different people. You cannot be precise with the symbol.
Image – nothing new in modernism, the kinds of image and how you used them was different
Haiku – a little poem e.g. “The Frog” (17th century)
Being pure images, based on a visual, auditory image, details, no comments, the image is enough to carry the whole poem
You should use images containing as much meaning as possible.
Poetic group: “The imagists”
Anglo-American poets, set in 1915 – manifesto: a volume of poetry
Ezra Pound – great friend of T. S. Eliot, he read Eliot’s poetry
Hilda Dollitle
William Carlos Williams
Image + free verse
WYKŁAD 21
THE 1930’s
1929
– The Great Depression, stock market, economic crisis, massive unemployment
The rise of the totalitarian regiment, fascism
Germany 1932 – prosecusoin of the News
Spain, Italy
The news from Russia don’t come so easily to western countries
George Orwell „The Animal Farm” – criticism of totalitarism
The Spanish Civil War (1936 – 1939)
very bloody barbaric behaviour
Gen. Franco (conservative) vs. The Republicans
He was like Hitler extremely nationalist kind of leader
International brigades (Fr. And Eng.) went to Spain to fight for the republic
What are your values? What are sou supporting? Moral test – What are your ideale? Who do sou suport?
Psychological introspection of characters
High time to get involved, react to what is going on around, not only your interior
Many poets went to Spain, as journalists or jus helping to show attitude – „we are involved”
2 directions
religion (revival of religion drama, verse)
socialism (the relief In common humanity)
„flirting” with socialism (socialist concept) understood as humanity compassion, sympathy, understanding of people , especially in worse situation