
- •Г.Ф.Крівчикова
- •Педагогічних внз денних та заочних форм навчання
- •Видано за рахунок автора
- •© Харківський націоальний університет імені г.С.Сковороди
- •© Г.Ф.Крівчикова
- •Contents
- •Module 1
- •Module 2
- •Requirements to the course of english literature
- •Завдання вивчення дисципліни
- •Завданнями навчальної дисципліни є формування наступних умінь:
- •Glossary of literary terms
- •How to prepare a book review
- •Critical Comments
- •Critical Reading includes:
- •Module 1 lecture #1. Anglo-Saxon (Old) Literature (450-1066)
- •Lecture # 3 The writers of the Medieval English Literature
- •Lecture # 4 The Literature of the 15th Century
- •Lecture # 5 The Literature of the Renaissance (1509-1660)
- •Lecture # 6 William Shakespeare (1564-1616)
- •Lecture # 7 The Puritan Period – the third period of English Renaissance (1616 – 1660)
- •Excerpt I [the hall heorot is attacked by grendel]
- •Excerpt II [the feast at heorot]
- •Excerpt III
- •In due season
- •Excerpt IV [beowulf's fight with the dragon]
- •Excerpt IV [beowulf’s funeral]
- •2. Anglo-Saxon Riddles
- •Riddle 1
- •Riddle 2
- •Is strangely born. Savage and fierce,
- •Is harder than ground, smarter than men.
- •In beautiful tones, teems with children,
- •Riddle 3
- •I must eagerly obey my servant,
- •Riddle 4
- •Riddle 5.
- •Riddle 6.
- •Riddle 7
- •The battle of maldon
- •Seminar #2 Geoffrey Chaucer “Canterbury Tales”
- •Summing up study questions.
- •2. "General Prologue" to Canterbury Tales
- •4. The Knight's Tale
- •5. The Miller’s Tale.
- •3. "The Pardoner's Prologue and Tale."
- •7. The Wife of Bath's Tale. (Батской ткачихи)
- •Seminar #3 English Folk Ballads
- •The banks of allan water
- •The two magicians
- •The tree ravens
- •The cruel brother
- •With a hey ho and a lillie gay
- •The cruel sister
- •The wife of usher’s well
- •Bonny barbara allan
- •8.The farmer’s curst wife
- •10. Robin hood and little john
- •Seminar #4. William Shakespeare "othello". Questions on the structure of "othello".
- •Questions to discuss
- •Analysing literary devices
- •Analyzing Style
- •5. Fill in the style chart.
- •Edmund spencer sonnet 75
- •William shakespeare
- •Sonnet 18
- •William shakespeare Sonnet 130
- •William shakespeare Sonnet 116
- •William shakespeare Sonnet 60
- •William shakespeare Sonnet 147
- •Ben johnson poem
- •John donne holy sonnet X
- •Individual work
- •Lecture # 10 The Romantic Period (1780 – 1830)
- •Lecture # 11 High Victorian Literature (1830 - 1880)
- •Lecture # 12 Late Victorian and Edwardian Literature (1880 - 1910)
- •Lecture # 13 English Literature of the 20th century (the period between 1910 – 1938)
- •Modernism and its Alternatives
- •The Theatre of Absurd.
- •Lecture # 14 English Literature of the 20th century
- •Lecture # 15 English Literature of the 20th century
- •Jonathan swift "gulliver's travels" Study Questions
- •William blake "the tiger" (from “Songs of Experience)
- •(From Songs of Innocence) The Chimney-Sweeper
- •(From “Songs of Experience”) The Chimney-Sweeper
- •Songs of Innocence Nurse's Song
- •Songs of Experience Nurse's Song
- •John keats "on first looking into chapman's homer".
- •John keats
- •William wordsworth "london, 1802".
- •William blake london
- •William wordsworth " composed upon westminster bridge ".
- •S.T.Coleridge From the rime of the ancient mariner
- •George Gordon Byron From don juan
- •Percy Bysshe Shelly Ode to the West Wind
- •Seminar #9 charles dickens "great expectations" summary questions
- •(Chapters 20-31)
- •Techniques and language
- •Characters’ struggle to cut off or separate part of their lives:
- •Read and analyse a play by one of the writers of the period.
- •Read a play by Harold Pinter
- •2. Write an analysis of one of the short stories of an English writer of the 20th century analyzing a short story.
- •Point of view
- •1. First-Person Central.
- •2. First Person Minor
- •3. Third - Person Limited.
- •4. Third - Person Central:
- •5. Third - Person Omniscient.
- •One can analyse the point of view by answering the following questions about a given story:
- •General questions for story analysis and interpretation.
- •Individual work
- •Оценивание работы студентов
- •61002, М.Харків, вул.Сумська, 37. Тел.(057)700-53-51.
Questions to discuss
1. Discuss the development of Othello as a character.
2. Briefly contrast Desdemona and Emilia.
3. Discuss Othello's estimation of Iago. Why is Othello duped so easily?
4. Briefly describe Roderigo s motivation and his role within the play,
5. Explain Othello's jealousy and his motivation for killing Desdemona.
6. Who is a thematic character in the play?
Often we discover that the behaviour of certain characters can be explained by themes. Any character in any play may be thought of as a thematic character from one point of view or another - good and evil, love and hatred, loyalty and disloyalty, faithfulness and unfaithfulness, etc.
7. Defend or refute these statements:
a) Emilia’s opinion about betrayal expresses a contemporary view of the relationship between the sexes.
b) Othello’s suicide is an honorable act.
8. Analyze one or more of the play’s bizarre comic scenes: the banter between Iago and desdemona in Act II, scene 1; the drinking song in Act II, scene 3; the clown scenes in Act III, scenes 1 and 4. How do these scenes echo, reflect, distort, or comment on the more serious matter of the play?
Analysing literary devices
1.Find examples of symbols in the play. What do these things symbolize?
2. Find examples of foreshadowing.
3. Find examples of verbal and dramatic irony in the play.
4. In Act III, sceness 1 – 4, identify characters and incidents which provide relief as the drama intensifies.
5. Iago is a master of puns. Find puns in the text.
Analyzing Style
1. Analyse the diction of the main characters. Diction is the choice of words in expressing ideas. For example , in MAGBETH, there is a great deal of vocabulary of witchcraft and many of the ideas are presented in terms suggestive of mystery and horror.
2. Find and analyse the examples of imagery in “Othello.
Imagery is figures of speech employed in such a way that something comes to have a greater meaning that is implied in its literal sense. If throughout a play or poem we find a linking between light and goodness while at the same time we find an association of evil with darkness, we can then speak of the imagery of light and darkness. For example, in Dickens’ novel BLEAK HOUSE, every character is slowly associated with either an animal that is predatory or an animal, which is meek and preyed upon. Thus we can speak of the imagery of hunting.
3. Analyse the figurative language in the play. Find examples of the usage of simile, metaphor, antithesis, personification, metonymy, synecdoche, and hyperbole.
4. Emphasis is simply that the writer devotes the right amount of attention to what is more important; that is, the time spent on certain idea should correspond roughly to the importance of those ideas within the work. Doesn’t the author pay much attention to describing love? What is emphasised in the play?
5. Fill in the style chart.
|
EMPHASIS
|
FIGURATIVE LANGUAGE
|
IMAGERY DICTION
|
DICTION
|
JEALOUSY
|
|
|
|
|
OTHELLO
|
|
|
|
|
IAGO
|
|
|
|
|
LOCATION
|
|
|
|
|
Find examples of metaphors and interpret them.
7. What role does incoherent language play in”Othello”? How does Othello’s language change over the course of the play? ( Analyse his language at the beginning, in Act III, scene 3 and Act IV, scene 1).
SEMINAR #5
THE POETRY OF THE RENAISSANCE
Analyse stylistic devices and figures of speech of the following poems.
Sir PHILIP SIDNEY
From “ASTROPHIL and STELLA”
Loving in truth, and fain in verse my love to show,
That she (dear she) might take some pleasure of my pain:
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain,
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain:
Oft turning others' leaves, to see if thence would flow
Some fresh and fruitful showers upon my sun-burned brain.
But words came halting forth, wanting invention's stay,
Invention, nature's child, fled step-dame Study's blows,
And others' feet still seemed but strangers in my way.
Thus great with child to speak and helpless in my throes,
Biting my truant pen, beating myself for spite,
'Fool,' said my Muse to me, 'look in thy heart and write'.
Mark in the rhyme scheme. What do you notice?
Why does the poet want to write? (lines 1-2)
Where does the poet first look for inspiration? (lines 5-8)
What is the result of this?
What is the message of the last line? What is Sidney saying about the nature of inspiration?