
- •Introduction
- •Prologue: The Bite of the Raptor
- •First iteration
- •Almost Paradise
- •Puntarenas
- •The Beach
- •New York
- •The Shape of the Data
- •Second iteration
- •The Shore of the Inland Sea
- •Skeleton
- •Cowan, Swain and Ross
- •Hammond
- •Choteau Choteau
- •Target of Opportunity
- •Airport
- •Malcolm
- •Isla Nublar
- •Welcome
- •Third iteration
- •Jurassic Park
- •When Dinosaurs ruled the Earth
- •The Tour
- •Control
- •Version 4.4
- •Control
- •The Tour
- •Control
- •Control
- •Stegosaur
- •Control
- •Breeding Sites
- •Fourth iteration
- •The Main Road
- •Bungalow
- •Control
- •The Road
- •Control
- •In the Park
- •Control
- •The Park
- •The Park
- •Fifth iteration
- •Tyrannosaur
- •Control
- •Sixth iteration
- •The computer is now reset make your selection from the main screen
- •The Grid
- •Control
- •Seventh iteration
- •Destroying the World
- •Under Control
- •Descent
- •Hammond
- •The Beach
- •Approaching Dark
- •Epilogue: San Jose
- •Acknowledgments
Acknowledgments
In preparing this novel, I have drawn on the work of many eminent paleontologists, particularly Robert Bakker, John Horner, John Ostrom, and Gregory Paul. I have also made use of the efforts of the new generation of illustrators, including Kenneth Carpenter, Margaret Colbert, Stephen and Sylvia Czerkas, John Gurche, Mark Hallett, Douglas Henderson, and William Stout, whose reconstructions incorporate the new perception of how dinosaurs behaved.
Certain ideas presented here about paleo-DNA, the genetic material of extinct animals, were first articulated by George O. Poinar, Jr., and Roberta Hess, who formed the Extinct DNA Study Group at Berkeley. Some discussions of chaos theory derive in part from the commentaries of Ivar Ekeland and James Gleick. The computer programs of Bob Gross inspired some of the graphics. The work of the late Heinz Pagels provoked Ian Malcolm.
However, this book is entirely fiction, and the views expressed here are my own, as are whatever factual errors exist in the text.