
- •Contents
- •Unit 2: The Comparative Method ………………………..8 Unit 3: The First Consonant Shift, or Grimm’s Law ………………………10
- •Unit 1 The Indo-European Family
- •Centum and Satem Groups of ie Languages
- •Unit 2 The Comparative Method
- •Unit 3 The First Consonant Shift, or Grimm’s Law
- •Exceptions to Grimm’s law:
- •Unit 4 The Accent Shift and Verner’s Law
- •Rhotacism
- •The Palatal Mutation
- •Unit 6 The Early Germans
- •The Life and Social Organization of the Germans
- •The Great Migration
- •Unit 7 Ancient Germanic Tribes and Their Classification
- •The Proto-Germanic Language
- •Unit 8 The East Germanic Group The Goths
- •Ulfilas and the Gothic Bible
- •Unit 9 The North Germanic Group
- •Unit 10 Northern Mythology
- •The Joys of Valhalla
- •Thor and the Other Gods
- •The Death of Balder
- •Unit 11 The West Germanic Group
- •Unit 12 Old English
- •Three Periods of the History of English
- •Unit 13 Old English Alphabet and Pronunciation
- •Diphthongs
- •Consonants in Old English
- •Unit 14 Some Phonetic Changes of the Old English Period
- •Stressed Vowels
- •Oe Fracture, or Breaking
- •II. Unstressed Vowels
- •III. Consonants
- •Palatalization of Velar Consonants
- •Voicing and Unvoicing of Fricatives
- •Metathesis
- •IV. Word Stress
- •Unit 15 The Noun Grammatical Categories
- •Declensions
- •Unit 16 The Adjective
- •The Weak Declension
- •D. Other classes of pronouns
- •Unit 18 The Verb
- •Mutation or Umlaut
- •The Grammatical Forms and Categories of the Verb
- •Unit 19 Strong Verbs
- •Weak Verbs
- •To Class III belong only four verbs:
- •Preterite-Present Verbs
- •Irregular Verbs
- •Unit 20 The Middle English Period Early Middle English
- •Changes in the Orthographic System
- •Unit 21 Middle English Phonetic Changes
- •Consonants
- •Unstressed Vowels
- •Stressed Vowels
- •Quantitative Changes
- •Qualitative Changes
- •Monophthongs
- •New Diphthongs
- •Unit 22 Middle English Morphology Nouns
- •Articles
- •Pronouns
- •Adjectives
- •Unit 23 The Formation of the National English Language
- •The Great Vowel Shift (gvs)
- •Unit 25 The Mood
- •Conjugation of Strong Verbs
- •Conjugation of Weak Verbs
- •Unit 26 Development of the System of Verbids and Their Grammatical Categories
- •Unit 27 Syntactic Structure
- •Unit 28
- •Varieties of English
- •Unit 29 Etymological Composition of the English Vocabulary
- •Unit 30 The connection of the history of the English language with the history of the English people
Unit 10 Northern Mythology
The Eddas are two collections of early Icelandic literature that together constitute our chief source for Old Norse mythology. The mythology of the continental Germanic peoples has no records, but is believed to have had much in common with Scandinavian mythology.
The Elder or Poetic Edda is the collection of poems discovered around 1643 by Brynjolfr Sveinsson, written by unknown Norwegian poets of the 9th to 12th centuries. The Younger or Prose Edda was compiled by Snorri Sturluson, a priest, about AD 1230.
According to the Eddas, there was once no heaven above nor earth beneath, but only a bottomless deep, and a world of mist in which flowed a fountain. Twelve rivers issued from this fountain, and when they had flowed far from their source, they froze into ice.
Southward from the world of mist was the world of light and fire. From this flowed a warm wind upon the ice and melted it. The vapours rose in the air and formed clouds, from which sprang Ymir and other frost giants. The god Odin and his brothers Vili and Ve killed the giant Ymir, and out of his body formed the earth, of his blood the seas, of his bones the mountains, of his hair the trees, of his skull the heavens, and of his brain clouds, charged with hail and snow.
Odin then regulated the periods of day and night and the seasons by placing in the heavens the sun and moon.
Shortly after the gods had created the world they walked by the side of the sea, pleased with their new work. But they knew that it was still incomplete, for the world was without human beings. Therefore they took an ash tree and made a man out of it, and they made a woman out of an alder, and called the man Aske and the woman Embla. The Earth, or Midgard, was then given them as their residence, and they became the ancestors of the human race.
The mighty ash tree Ygdrasill was supposed to support the whole universe. It sprang from the body of Ymir, and had three immense roots, extending one into Asgard (the dwelling of the gods), the other into Jotunheim (the abode of the giants), and the third into Niffleheim (the world of darkness and cold). The root that extends into Asgard is carefully tended by the three Norns, goddesses, who are regarded as the dispensers of fate. They are Urdur (the past), Verdandi (the present), and Skuld (the future).
Asgard is the name of the abode of the gods, access to which is only gained by crossing the bridge Bifrost (the Rainbow). The bridge is guarded by Heimdall, the watchman of the gods. He requires less sleep than a bird, and sees by night as well as by day a hundred miles around him. His ear is so acute that no sound escapes him, for he can even hear the grass grow and the wool on a sheep’s back.
Asgard consists of golden and silver palaces, the dwellings of the gods, but the most beautiful of these is Valhalla, the residence of Odin. When seated on his throne he overlooks all heaven and earth. Upon his shoulders sit two ravens, Huginn and Munninn. They fly across the world to see and listen to what is happening, and on their return they report to him all they have seen and heard. At his feet lie his two wolves, Geri and Freki, to whon Odin gives all the meat that is set before him, for he himself eats nothing. Mead is his only nourishment. It was he who invented the runic characters, that’s why they are sacred.
The wife of Odin is named Frigga. She is the guardian of domestic life. She shares with Odin the power of seeing and knowing all that happens in the world.
From Odin’s name (Anglo-Saxon Woden, German Wotan) came Wednesday, the name of the fourth day of the week.