The body and meaning

Anthropocentrism is deeply embedded in the fabric of language, which reflects the shape and properties of the body, which in turn grounds the linguistic encoding of social relations — from empathy and solidarity to politeness and deference. The physical experience of gravity and the asymmetries of the human anatomy establish the meaning, for example, of 'up' and 'down', 'front' and 'back', 'right' and 'left'. (More than one science fiction plot has turned on the problem of conveying the concepts of 'right' and 'left' to an alien being whose body does not share with humans the necessary asymmetry.) Nor is it arbitrary that 'up' and 'front' tend to be positively valued relative to 'down' and 'back', since upright, confronting encounters are taken as the norm for humans in speech situations. Modernity's array of communications media — radio, film, television, video, the internet — are greatly extending what the invention of writing first set in train, namely, the uncoupling of language in complex ways from its primordial face-to-face matrix. It is hardly clear what will be the outcome of the new relations of virtuality, but human meanings will necessarily continue to rest on embodied understandings, however much they are mediated. Indeed, such is the power of gesture that a wink or a sarcastic intonation inevitably reframes and inverts the 'literal' meaning. The classic studies by the sociologist Erving Goffman of the management of daily encounters show how centrally the body is involved in the making of meaning; they reveal the significance and complexity of sight and touch in the business of opening, organizing, and closing conversations — synchronizing turns at speaking by gesture and gaze, assessing one's reception through visual back-channel cues, and helping to 'perform' talk.

More recently, the linguist George Lakoff, collaborating at the intersection of cognitive linguistics, computer science, and neurology, likewise contends, from a quite different perspective, that meaning is grounded in the body. He makes a radical break with the rationalist tradition of his teacher, Noam Chomsky, by asserting the centrality of metaphor and by claiming that it is only through the body that concepts can be formed, since the human conceptual system grows out of the sensorimotor system.

Discourse and the body

Conversely, understandings of the body and its conduct are largely mediated through language and metaphor. Metaphors, moreover, are never innocent; they have cognitive, affective, and political import. The human body is truly the trope of tropes; body parts ('head', 'foot', 'face') are everywhere mapped onto nature's body — head of the river, foot of the mountain, face of the deep. Bodily functions are a universal reservoir for terms of profanity and scatological abuse. When the body is in distress, the power of language to organize its experience is attested in those healing traditions where speech is focal; 'a disease named is a disease half cured'. In all cultures linguistic taboos circumscribe the body; where the naming of certain body parts in front of doctors may involve a loss of 'face', figurines have been used, allowing the patient to point to the affected part without showing or naming it.

The deportment of bodies in social space, and the gearing of language into the infinite variety of improvised and ritual encounters, show that humans converse as 'communities of co-movers'. But no community is homogeneous, and speaking takes place in a discursive forcefield constituted through a pragmatic negotiation that registers asymmetries of power in the bodily movements and speech of those co-present. 'Voice quality', tor example, is an unavoidable accompaniment to the act of speaking, and conveys culturally coded, and often finely textured, meanings about the speaker's identity in multiple intersecting dimensions — age, class, sex, gender, region, subculture, ethnicity, nationality, and so forth. The existence of etiquette and elocution manuals, and the importance of diplomatic protocols, suggest that such 'signs' are partly, but only partly, under the control of the speaker. Reading (and writing upon) the body has taken on fresh meaning in the late twentieth century, with the penetration of advertisements onto personal clothing, and the related vogue for inscriptions on the body surface itself.