- •Stylistic classification of the English language vocabulary
- •Connotation as one of the basic categories of stylistic
- •3.Functional style as one of the basic categories of stylistic
- •4. Stylistic devices based on the interaction of logical and emotive meaning (Epithet, Oxymoron)
- •5. Stylistic devices based on the principle of analogy (Metaphor, Metonymy, Simile)
- •6. Special literary vocabulary (terms, archaic words, barbarisms and foreign words)
- •7. Special Colloquial vocabulary (Slang, jargonisms, professionalisms)
- •8. Phonetic expressive means and stylistic devices (Alliteration, Onomatopoeia, Paranymic Attraction)
- •9. Stylistic devices based on the interaction of primary and derivative logical meanings (Polysemy, Zeugma, Pun)
- •10.Peculiar use of Set Expressions, Clichés, Allusions, Decomposition of Set Phrases
- •11. The belles-lettres style (language of the drama)
- •12. The publicistic style (oratory and speeches)
- •13. The newspaper style (brief news items)
- •14. The newspaper style (the headlines)
- •15.The newspaper style (advertisements and announcements)
- •16.The scientific prose style
- •17. The style of official documents
- •18. Compositional patterns of syntactical arrangement (Inversion, Detachment)
- •19. Compositional patterns of syntactical arrangement (Climax, Parallel constructions, Chiasmus)
- •20. Repetition devices
- •21. Peculiar use of Colloquial constructions (Ellipsis, Break-in-the-Narrative, Question-in-the-Narrative )
- •22. Peculiar use of Colloquial constructions (Represented Speech)
- •23. Stylistic devices based on the interrogative and negative constructions (Rhetorical Questions, Litotes)
- •24. Particular ways of combining parts of utterance (Asyndeton, Polysyndeton )
- •25. Stylistic devices based on the interaction of logical and nominal meanings (Periphrasis, Euphemism, Hyperbole)
- •26. Compositional Patterns of the English classical verse
- •27. Phonetic expressive means and stylistic devices (Rhyme, Rhythm)
- •28. Compositional patterns of syntactical arrangement (Antithesis, Enumeration,Climax)
- •29. Special literary vocabulary (Barbarisms and Foreign Words, Literary Coinages)
12. The publicistic style (oratory and speeches)
The publicisttic stуle of language became discernible as a separate style in the middle of the 18th century. It also falls into three varieties, each having its own distinctive features. Unlike other styles, the publicistic style has a spoken variety, namely, the о r a tor i с a I sub-style. The development of radio and television has brought into being another new spoken variety, namely, the radio and TV. The other two substyles are the essay (moral, philosophical, literary) and journalistic articles (political, social, economic) in newspapers, journals and magazines. Book reviews in journals, newspapers and magazines and also pamphlets are generally included among essays. The general aim of publicistic style, which makes it stand out as a separate style, is to exert a constant and deep influence on public opinion, to convince the reader or the listener that the interpretation given by the writer or the speaker is the only correct one and to cause him to accept the point of view expressed in the speech, essay or article not merely through logical argumentation but through emotional appeal as well. This brain-washing function is most effective in oratory, for here the most powerful instrument of persuasion, the human voice, is brought into play.
The oratorical style of language is the oral subdivision of the publicistic style. It has already been pointed out that persuasion is the most obvious purpose of oratory. Direct contact with the listeners permits a combination of the syntactical, lexical and phonetic peculiarities of both the written and spoken varieties of language. In its leading features, however, oratorical style belongs to the written variety of language, though it is modified by the oral form of the utterance and the use of gestures. Certain typical features of the spoken variety of speech present in this style are: direct address to the audience (ladies and gentlemen, honourable member(s), the use of the 2nd person pronoun you, etc.), sometimes contractions (/'//, won't, haven't, isn't and,others) and the use of colloquial words. This style is evident in speeches on political and social problems of the day, in orations and addresses on solemn occasions, as public weddings, funerals and jubilees, in sermons and debates and also in the speeches'of counsel and judges in courts of law.
13. The newspaper style (brief news items)
The principal function of a b r i e f news i te т is to inform the reader. It states facts without giving explicit comments, and whatever evaluation there is in news paragraphs is for the most part implicit and as a rule unemotional. News items are essentially matter-of-fact, and stereotyped forms of expression prevail. As an invariant, the language of brief news items is stylistically neutral, which seems to be in keeping with the allegedly neutral and unbiased nature of newspaper reporting; in practice, however, departures from this principle of stylistic neutrality (especially in the so-called "mass papers") are quite common.
It goes without saying that the bulk of the vocabulary used in newspaper writing is neutral and common literary. But apart from this, newspaper style has its specific vocabulary features and is characterized by an extensive use of:
a) Special political and economic terms, e. g. Socialism, constitution, president, apartheid, by-election, General Assembly, gross output, per capita production.
b) Non-term political vocabulary, e. g. public, people, progressive, nation-wide, unity, peace, A characteristic feature of political vocabulary is that the border line between terms and non-terms is less distinct than in the vocabulary of other special fields. The semantic structure of some words comprises both terms and non-terms, e. g. nation, crisis, agreement, member, representative, leader.
c) Newspaper cliches, i. e. stereotyped expressions, commonplace phrases familiar to the readert e. g. vital issue, pressing problem, informed sources, danger of war, to escalate a war, war hysteria, overwhelming majority, amid stormy appiause. Cliches more than anything else reflect the traditional manner of expression in newspaper writing. They are commonly looked upon as a defect of style. Indeed, some cliches, especially those based on trite images (e.g. captains of industry, pillars of society, bulwark of civilization) are pompous and hackneyed, others, such as welfare state, affluent society^^are false and misleading. But nevertheless, cliches are indispensable in newspaper style: they prompt the necessary associations and prevent ambiguity and misunderstanding.
d) Abbreviations. News items, press^ reports and headlines abound in abbreviations of various kinds. Among them abbreviated terms— names of organizations, public and state bodies, political associations, industrial and other companies, various offices, etc.—known by their initials are very common, e.g. UNO (t/nited Nations Organization), TUG (Trades Union Congress), NATO (North Atlantic Treaty Organization), AFL-CIO (Лтепсап Federation of Labour-Congress of /ndustrial Organizations), EEC (.European Economic Community), TGWU (Transport and General Workers Union), FO (Foreign Office), PIB (Prices and /ncomes Board),
e) Neologisms. These are very common in newspaper vocabulary. The newspaper is very quick to react to any new development in the life of society, in science and technology. Hence, neologisms make their way into the language of the newspaper very easily and often even spring up on newspaper pages, e.g. lunik, a splash-down (the act of bringing a spacecraft to a water surface), a teach-in (a form of campaigning through heated political discussion), backlash or white backlash (a violent reaction of American racists to the Negroes' struggle for civil rights), frontlash (a vigorous antiracist movement), stop-go policies (contradictory, indecisive and inefficient policies).
The above-listed peculiarities of brief news items are the basic vocabulary parameters of English newspaper style.
The vocabulary of brief news items is for the most part devoid of emotional colouring. Some papers, however, especially those classed among "mass" or "popular" papers, tend to introduce emotionally coloured lexical units into essentially matter-of-fact news stories.