COLLOQUIAL
CONSTRUCTIONS
(break-in-the-narrative, question-in-the-narrative)
Break-in-the-narrative or aposeopesis
(from Greek `becoming silent`) –
a figure of speech in which the speaker or writer breaks off abruptly and leaves the statement incomplete due to being overcome by passion, excitement or fear.
Aposiope
sis
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
audience- |
|
|
|
transitio- |
|
|
|
|
|
|
|
|
|
calculate |
|
|
|
|
|
|
|
||||||
|
emotive |
|
|
|
respectin |
|
|
|
aposiopes |
|
|
emphatic |
|
||||
|
|
d |
|
|
|
|
|
|
|
|
|||||||
|
|
|
|
|
|
g |
|
|
|
is |
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||
|
in conditions |
|
based on the |
|
|
based on the |
|
|
|
removes the |
avoids the |
||||||
|
of conflicts |
|
conflict of |
|
|
removal of |
|
|
|
ideas from the |
use of full |
||||||
|
between |
|
missing |
|
|
thoughts |
|
|
|
end part of a |
utterance to |
||||||
|
emotional |
|
thought and |
|
|
which are |
|
|
|
speech in |
present the |
||||||
|
outbursts of a |
|
its opposing |
|
|
unpleasant |
|
|
|
order to |
idea as |
||||||
|
speaker and |
|
force that |
|
|
to the |
|
|
|
immediately |
greater and |
||||||
|
environment |
|
rejects the |
|
|
readers or |
|
|
|
get the |
really |
||||||
|
that does not |
|
substance of |
|
|
offensive to |
|
|
|
audience |
inexpressibl |
||||||
|
react |
|
that thought |
|
|
the audience |
|
|
|
interested in |
e |
||||||
|
|
|
|
|
|
|
|
|
|
|
|
the |
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
subsequent |
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
section |
|
|
|
I will have revenges on you both
That all the world shall–I will do such things—
What they are yet, I know not; but they shall be
The terrors of the earth!
– King Lear, W. Shakespeare
|
FUNCTIONS |
|
||
to create |
to express ideas |
to make the |
to let the reader |
|
which are too |
dialogs seem |
|||
dramatic or |
figure out the |
|||
overwhelming to |
sincere and |
|||
comic effect |
missing thought |
|||
finish |
realistic |
|||
|
|
Question-in-the-narrative
– one which is asked and answered by one and the same person, usually the author. It changes the real nature of a question and turns it into a stylistic device.
Question- in-the- narrative
outcome question
one to pursing which most of the plot is devoted; is answered in the climax
dramatic question
are closely related to plot points; keep reader in suspense and are continuously raised and answered through the course of the plot
emotional question
deal with the feelings of characters, especially when their expectations are fulfilled, denied or altered
thematic question
abstract ones, related to the theme of narration
For what is left the poet here?
For Greeks a blush – for Greece a tear.
– Don Juan, G. Byron
FUNCTIONS
to sustain |
to induce the |
tension and keep |
desired reaction |
the reader |
to the content of |
interested |
the speech |