Instruct him personally. I don't want to see Tessio at all. Just tell him I'll be ready to go

to the Barzini meeting with him in about a half hour. Clemenza's people will take care of

him after that."

Hagen said in a noncommittal voice, "There's no way to let Tessio off the hook?"

"No way," Michael said.

Upstate in the city of Buffalo, a small pizza parlor on a side street was doing a rush

trade. As the lunch hours passed, business finally slackened off and the counterman

took his round tin tray with its few leftover slices out of the window and put it on the shelf

on the huge brick oven. He peeked into the oven at a pie baking there. The cheese had

not yet started to bubble. When he turned back to the counter that enabled him to serve

people in the street, there was a young, tough-looking man standing there. The man

said, "Gimme a slice."

The pizza counterman took his wooden shovel and scooped one of the cold slices into

the oven to warm it up. The customer, instead of waiting outside, decided to come

through the door and be served. The store was empty now. The counterman opened

the oven and took out the hot slice and served it on a paper plate. But the customer,

instead of giving the money for it, was staring at him intently.

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"I hear you got a great tattoo on your chest," the customer said. "I can see the top of it

over your shirt, how about letting me see the rest of it?"

The counterman froze. He seemed to be paralyzed.

"Open your shirt," the customer said.

The counterman shook his head. "I got no tattoo," he said in heavily accented English.

"That's the man who works at night."

The customer laughed. It was an unpleasant laugh, harsh, strained.

"Come on, unbutton your shirt, let me see."

The counterman started backing toward the rear of the store, aiming to edge around the

huge oven. But the customer raised his hand above the counter. There was a gun in it.

He fired. The bullet caught the counterman in the chest and hurled him against the oven.

The customer

fired into his body again and the counterman slumped to the floor. The customer came

around the serving shelf, reached down and ripped the buttons off the shirt. The chest

was covered with blood, but the tattoo was visible, the intertwined lovers and the knife

transfixing them. The counterman raised one of his arms feebly as if to protect himself.

The gunman said, "Fabrizzio, Michael Corleone sends you his regards." He extended

the gun so that it was only a few inches from the counterman's skull and pulled the

trigger. Then he walked out of the store. At the curb a car was waiting for him with its

door open. He jumped in and the car sped off.

Rocco Lampone answered the phone installed on one of the iron pillars of the gate.

He heard someone saying, "Your package is ready," and the click as the caller hung up.

Rocco got into his car and drove out of the mall. He crossed the Jones Beach

Causeway, the same causeway on which Sonny Corleone had been killed, and drove

out to the railroad station of Wantagh. He parked his car there. Another car was waiting

for him with two men in it. They drove to a motel ten minutes farther out on Sunrise

Highway and turned into its courtyard. Rocco Lampone, leaving his two men in the car,

went to one of the little chalet-type bungalows. One kick sent its door flying off its hinges

and Rocco sprang into the room.

Phillip Tattaglia, seventy years old and naked as a baby, stood over a bed on which

lay a young girl. Phillip Tattaglia's thick head of hair was jet black, but the plumage of

his crotch was steel gray. His body had the soft plumpness of a bird. Rocco pumped

four bullets into him, all in the belly. Then he turned and ran back to the car. The two

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men dropped him off in the Wantagh station. He picked up his car and drove back to the

mall. He went in to see Michael Corleone for a moment and then came out and took up

his position at the gate.

Albert Neri, alone in his apartment, finished getting his uniform ready. Slowly he put it

on, trousers, shirt, tie and jacket, holster and gunbelt. He had turned in his gun when he

was suspended from the force, but, through some administrative oversight they had not

made him give up his shield. Clemenza had supplied him with a new .38 Police Special

that could not be traced. Neri broke it down, oiled it, checked the hammer, put it

together again, clicked the trigger. He loaded the cylinders and was set to go.

He put the policeman's cap in a heavy paper bag and then put a civilian overcoat on

to cover his uniform. He checked his watch. Fifteen minutes before the car would be

waiting for him downstairs. He spent the fifteen minutes checking himself in the mirror.

There was no question. He looked like a real cop.

The car was waiting with two of Rocco Lampone's men in front. Neri got into the back

seat. As the car started downtown, after they had left the neighborhood of his apartment,

he shrugged off the civilian overcoat and left it on the floor of the car. He ripped open

the paper bag and put the police officer's cap on his head.

At 55th Street and Fifth Avenue the car pulled over to the curb and Neri got out. He

started walking down the avenue. He had a queer feeling being back in uniform,

patrolling the streets as he had done so many times. There were crowds of people. He

walked downtown until he was in front of Rockefeller Center, across the way from St.

Patrick's Cathedral. On his side of Fifth Avenue he spotted the limousine he was looking

for. It was parked, nakedly alone between a whole string of red NO PARKING and NO

STANDING signs. Neri slowed his pace. He was too early. He stopped to write

something in his summons book and then kept walking. He was abreast of the

limousine. He tapped its fender with his nightstick. The driver looked up in surprise. Neri

pointed to the NO STANDING sign with his stick and motioned the driver to move his

car. The driver turned his head away.

Neri walked out into the street so that he was standing by the driver's open window.

The driver was a tough-looking hood, just the kind he loved to break up. Neri said with

deliberate insultingness, "OK, wise guy, you want me to stick a summons up your ass or

do you wanta get moving?"

The driver said impassively, "You better check with your precinct. Just give me the

ticket if it'll make you feel happy."

"Get the hell out of here," Neri said, "or I'll drag you out of that car and break your

ass."

The driver made a ten-dollar bill appear by some sort of magic, folded it into a little

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square using just one hand, and tried to shove it inside Neri's blouse. Neri moved back

onto the sidewalk and crooked his finger at the driver. The driver came out of the car.

"Let me see your license and registration," Neri said. He had been hoping to get the

driver to go around the block but there was no hope for that now. Out of the corner of

his eye, Neri saw three short, heavyset men coming down the steps of the Plaza

building, coming down toward the street. It was Barzini himself and his two bodyguards,

on their way to meet Michael Corleone. Even as he saw this, one of the bodyguards

peeled off to come ahead and see what was wrong with Barzini's car.

This man asked the driver, "What's up?"

The driver said curtly, "I'm getting a ticket, no sweat. This guy must be new in the

precinct."

At that moment Barzini came up with his other bodyguard. He growled, "What the hell