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The Oxford Dictionary of Quotations

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And the most difficult of tasks to keep Heights which the soul is competent to gain.

‘The Excursion’ (1814) bk. 4, l. 136

I have seen

A curious child, who dwelt upon a tract Of inland ground applying to his ear

The convolutions of a smooth-lipped shell; To which, in silence hushed, his very soul Listened intensely; and his countenance soon

Brightened with joy; for from within were heard Murmurings, whereby the monitor expressed Mysterious union with its native sea.

‘The Excursion’ (1814) bk. 4, l. 1132

‘To every Form of being is assigned’, Thus calmly spoke the venerable Sage, ‘An active Principle.’

‘The Excursion’ (1814) bk. 9, l. 1

The rapt one, of the godlike forehead, The heaven-eyed creature sleeps in earth: And Lamb, the frolic and the gentle, Has vanished from his lonely hearth.

‘Extempore Effusion upon the Death of James Hogg’ (1835)

How fast has brother followed brother, From sunshine to the sunless land!

‘Extempore Effusion upon the Death of James Hogg’ (1835)

The wiser mind

Mourns less for what age takes away Than what it leaves behind.

‘The Fountain’ (1800)

Bliss was it in that dawn to be alive, But to be young was very heaven!

‘French Revolution, as it Appeared to Enthusiasts’ (1809) and ‘The Prelude’ (1850) bk. 9, l. 108

A genial hearth, a hospitable board, And a refined rusticity.

‘A genial hearth’ (1822)

Not choice

But habit rules the unreflecting herd.

‘Grant that by this’ (1822)

The moving accident is not my trade; To freeze the blood I have no ready arts:

’Tis my delight, alone in summer shade, To pipe a simple song for thinking hearts.

‘Hart-leap Well’ (1800) pt. 2, l.1

’Tis he whom you so long have lost, He whom you love, your Idiot Boy.

‘The Idiot Boy’ (1798) l. 370

As her mind grew worse and worse, Her body—it grew better.

‘The Idiot Boy’ (1798) l. 415

All shod with steel

We hissed along the polished ice, in games Confederate.

‘Influence of Natural Objects’ (1809) and ‘The Prelude’ (1850) bk. 1, l. 414

Leaving the tumultuous throng To cut across the reflex of a star;

Image, that flying still before me, gleamed Upon the glassy plain.

‘Influence of Natural Objects’ (1809)

Yet still the solitary cliffs

Wheeled by me—even as if the earth had rolled With visible motion her diurnal round!

‘Influence of Natural Objects’ (1809) and ‘The Prelude’ (1850) bk. 1, l. 458

It is a beauteous evening, calm and free, The holy time is quiet as a nun, Breathless with adoration.

‘It is a beauteous evening’ (1807)

Dear Child! dear Girl! that walkest with me here If thou appear untouched by solemn thought, Thy nature is not therefore less divine.

Thou liest in Abraham’s bosom all the year; And worshipp’st at the temple’s inner shrine, God being with thee when we know it not.

‘It is a beauteous evening’ (1807)

It is not to be thought of that the Flood Of British freedom, which, to the open sea Of the world’s praise, from dark antiquity

Hath flowed, ‘with pomp of waters, unwithstood’...

Should perish.

‘It is not to be thought of’ (1807)

In our halls is hung

Armoury of the invincible Knights of old: We must be free or die, who speak the tongue

That Shakespeare spake; the faith and morals hold Which Milton held.—In everything we are sprung Of Earth’s first blood, have titles manifold.

‘It is not to be thought of’ (1807)

I travelled among unknown men In lands beyond the sea;

Nor, England! did I know till then What love I bore to thee.

‘I travelled among unknown men’ (1807)

I wandered lonely as a cloud

That floats on high o’er vales and hills, When all at once I saw a crowd,

A host, of golden daffodils; Beside the lake, beneath the trees,

Fluttering and dancing in the breeze.

‘I wandered lonely as a cloud’ (1807).

A poet could not but be gay, In such a jocund company:

I gazed—and gazed—but little thought What wealth to me the show had brought: For oft, when on my couch I lie

In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude;

And then my heart with pleasure fills, And dances with the daffodils.

‘I wandered lonely as a cloud’ (1807)

Jones! as from Calais southward you and I Went pacing side by side, this public Way Streamed with the pomp of a too-credulous day.

‘Jones! as from Calais’ (1807) (referring to 14 July 1790)

The gods approve

The depth, and not the tumult, of the soul.

‘Laodamia’ (1815) l. 74

Of all that is most beauteous—imaged there In happier beauty; more pellucid streams, An ampler ether, a diviner air,

And fields invested with purpureal gleams.

‘Laodamia’ (1815) l. 103

I have owed to them,

In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind, With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence

On that best portion of a good man’s life, His little, nameless, unremembered, acts Of kindness and of love.

‘Lines composed a few miles above Tintern Abbey’ (1798) l. 26

That blessed mood,

In which the burthen of the mystery,

In which the heavy and the weary weight Of all this unintelligible world,

Is lightened.

‘Lines composed a few miles above Tintern Abbey’ (1798) l. 37

For nature then

(The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all.—I cannot paint

What then I was. The sounding cataract Haunted me like a passion: the tall rock,

The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love,

That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.

‘Lines composed a few miles above Tintern Abbey’ (1798) l. 72

I have learned

To look on nature, not as in the hour

Of thoughtless youth; but hearing often-times The still, sad music of humanity,

Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt

A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused,

Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man.

‘Lines composed a few miles above Tintern Abbey’ (1798) l. 88

A power is passing from the earth To breathless Nature’s dark abyss; But when the great and good depart, What is it more than this—

That Man who is from God sent forth, Doth yet again to God return?— Such ebb and flow must ever be,

Then wherefore should we mourn?

‘Lines on the Expected Dissolution of Mr Fox’ (1807)

And much it grieved my heart to think What man has made of man.

‘Lines Written in Early Spring’ (1798)

I chanced to see at break of day The solitary child.

‘Lucy Gray’ (1800)

The good old rule

Sufficeth them, the simple plan,

That they should take, who have the power, And they should keep who can.

‘Rob Roy’s Grave’ from ‘Memorials of a Tour in Scotland, 1803’

Behold her, single in the field, Yon solitary Highland lass!

‘The Solitary Reaper’ from ‘Memorials of a Tour in Scotland, 1803’

Will no one tell me what she sings?— Perhaps the plaintive numbers flow For old, unhappy, far-off things,

And battles long ago.

‘The Solitary Reaper’ from ‘Memorials of a Tour in Scotland, 1803’

Some natural sorrow, loss, or pain That has been, and may be again.

‘The Solitary Reaper’ from ‘Memorials of a Tour in Scotland, 1803’

The music in my heart I bore, Long after it was heard no more.

‘The Solitary Reaper’ from ‘Memorials of a Tour in Scotland, 1803’

Degenerate Douglas! Oh, the unworthy lord!

‘Sonnet’ from ‘Memorials of a Tour in Scotland, 1803’

What, you are stepping westward?

‘Stepping Westward’ from ‘Memorials of a Tour in Scotland, 1803’

Sweet Highland Girl, a very shower Of beauty is thy earthly dower.

‘To a Highland Girl’ from ‘Memorials of a Tour in Scotland, 1803’

Milton! thou shouldst be living at this hour: England hath need of thee; she is a fen

Of stagnant waters: altar, sword, and pen, Fireside, the heroic wealth of hall and bower, Have forfeited their ancient English dower Of inward happiness.

‘Milton! thou shouldst’ (1807)

Some happy tone

Of meditation, slipping in between

The beauty coming and the beauty gone.

‘Most sweet it is’ (1835)

My heart leaps up when I behold A rainbow in the sky:

So was it when my life began; So is it now I am a man;

So be it when I shall grow old, Or let me die!

The Child is fatehr of the Man; And I could wish my days to be Bound each to each by natural piety.

‘My heart leaps up’ (1807)

Nuns fret not at their convent’s narrow room; And hermits are contented with their cells.

‘Nuns fret not’ (1807)

In sundry moods, ’twas pastime to be bound Within the Sonnet’s scanty plot of ground;

Pleased if some souls (for such there needs must be) Who have felt the weight of too much liberty, Should find some solace there, as I have found.

‘Nuns fret not’ (1807)

Move along these shades

In gentleness of heart; with gentle hand Touch—for there is a spirit in the woods.

‘Nutting’ (1800)

But Thy most dreaded instrument

In working out a pure intent,

Is man,—arrayed for mutual slaughter, Yea, Carnage is Thy daughter.

‘Ode, 1815’ (Imagination—ne’er before content, 1816)

There was a time when meadow, grove, and stream, The earth, and every common sight,

To me did seem Apparelled in celestial light,

The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe’er I may,

By night or day,

The things which I have seen I now can see no more.

The rainbow comes and goes, And lovely is the rose,

The moon doth with delight

Look round her when the heavens are bare, Waters on a starry night

Are beautiful and fair;

The sunshine is a glorious birth: But yet I know, where’er I go,

That there hath passed away a glory from the earth.

‘Ode. Intimations of Immortality’ (1807) st. 1

A timely utterance gave that thought relief, And I again am strong.

‘Ode. Intimations of Immortality’ (1807) st. 3

The winds come to me from the fields of sleep.

‘Ode. Intimations of Immortality’ (1807) st. 3

Shout round me, let me hear thy shouts, thou happy Shepherd-boy.

‘Ode. Intimations of Immortality’ (1807) st. 3

The sun shines warm,

And the Babe leaps up on his Mother’s arm.

‘Ode. Intimations of Immortality’ (1807) st. 4

—But there’s a tree of many, one,

A single field which I have looked upon, Both of them speak of something that is gone: The pansy at my feet

Doth the same tale repeat:

Whither is fled the visionary gleam? Where is it now, the glory and the dream?

Our birth is but a sleep and a forgetting: The Soul that rises with us, our life’s Star, Hath had elsewhere its setting,

And cometh from afar; Not in entire forgetfulness, And not in utter nakedness,

But trailing clouds of glory do we come From God, who is our home:

Heaven lies about us in our infancy! Shades of the prison-house begin to close Upon the growing boy,

But he beholds the light, and whence it flows, He sees it in his joy;

The youth, who daily farther from the east Must travel, still is Nature’s priest,

And by the vision splendid Is on his way attended;

At length the man perceives it die away,

And fade into the light of common day.

‘Ode. Intimations of Immortality’ (1807) st. 4

As if his whole vocation Were endless imitation.

‘Ode. Intimations of Immortality’ (1807) st. 7

Thou Eye among the blind,

That, deaf and silent, read’st the eternal deep Haunted for ever by the eternal mind.

‘Ode. Intimations of Immortality’ (1807) st. 8

Why with such earnest pains dost thou provoke The years to bring the inevitable yoke,

Thus blindly with thy blessedness at strife? Full soon thy Soul shall have her earthly freight, And custom lie upon thee with a weight, Heavy as frost, and deep almost as life!

‘Ode. Intimations of Immortality’ (1807) st. 8

O joy! that in our embers Is something that doth live, That nature yet remembers What was so fugitive!

The thought of our past years in me doth breed Perpetual benediction.

‘Ode. Intimations of Immortality’ (1807) st. 9

Not for these I raise

The song of thanks and praise;

But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a creature

Moving about in worlds not realised,

High instincts before which our mortal nature Did tremble like a guilty thing suprised.

‘Ode. Intimations of Immortality’ (1807) st. 9

Our noisy years seem moments in the being Of the eternal Silence: truths that wake,

To perish never.

‘Ode. Intimations of Immortality’ (1807) st. 9

Hence in a season of calm weather Though inland far we be,

Our souls have sight of that immortal sea Which brought us hither,

Can in a moment travel thither,

And see the children sport upon the shore, And hear the mighty waters rolling evermore.

‘Ode. Intimations of Immortality’ (1807) st. 9

Though nothing can bring back the hour

Of splendour in the grass, of glory in the flower; We will grieve not, rather find

Strength in what remains behind...

In the faith that looks through death,

In years that bring the philosophic mind.

And O, ye fountains, meadows, hills and groves, Forbode not any severing of our loves!

Yet in my heart of hearts I feel your might; I only have relinquished one delight

To live beneath your more habitual sway.

‘Ode. Intimations of Immortality’ (1807) st. 10

Another race hath been, and other palms are won. Thanks to the human heart by which we live, Thanks to its tenderness, its joys and fears,

To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.

‘Ode. Intimations of Immortality’ (1807) st. 11

Stern daughter of the voice of God! O Duty! if that name thou love Who art a light to guide, a rod

To check the erring and reprove.

‘Ode to Duty’ (1807)

Thou dost preserve the stars from wrong;

And the most ancient heavens, through Thee, are fresh and strong.

‘Ode to Duty’ (1807)

Plain living and high thinking are no more: The homely beauty of the good old cause Is gone; our peace, our fearful innocence,

And pure religion breathing household laws.

‘O friend! I know not’ (1807)

Once did she hold the gorgeous East in fee, And was the safeguard of the West.

‘Once did she hold’

Venice, the eldest Child of Liberty. She was a maiden City, bright and free.

‘Once did she hold’

Isis and Cam, to patient Science dear!

‘Open your gates’ (1822)

Sweetest melodies

Are those by distance made more sweet.

‘Personal Talk’ (1807).

There’s something in a flying horse, There’s something in a huge balloon; But through the clouds I’ll never float Until I have a little Boat,

Shaped like the crescent moon.

‘Peter Bell’ (1819) prologue, l. 1

A primrose by a river’s brim A yellow primrose was to him, And it was nothing more.

‘Peter Bell’ (1819) pt. 1, l. 249

He gave a groan, and then another, Of that which went before the brother, And then he gave a third.

‘Peter Bell’ (1819) pt. 1, l. 443

Is it a party in a parlour?

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