- •Spare time hobbies
- •Vocabulary
- •Hobbies
- •Verbs and Verbal Phrases
- •I. 1. Look through the following sayings and try to comment on the problems to be discussed.
- •2. Read the text, filling in the gaps with the words from the box. Name the most characteristic pastimes of the British, compare them with those of the Belarusians.
- •3. Here is the list of some activities different people devote their leisure to. Look at the pictures and match the pictures and the activities.
- •5 . Look at the two pictures and match the list of words with each picture.
- •6. Use the information in the box and speak about these people and their likes/dislikes.
- •7. You’re going to read the text. Express your point of view on a variety of hobbies. What does the choice depend on? Replace the underlined words by the synonyms given in the box.
- •A hobby is a favourite pastime of a person. Hobbies differ like tastes. If your have chosen a hobby to your liking, lucky you are: you have made your life more interesting.
- •8. Express your points of view on:
- •9. Read the text choosing the right form of the words and say why people collect things.
- •10. Ask your partner and learn his/her interests. Use the model and prompts.
- •11. You want to know if your partner takes any hobbies: if ‘yes’- ask ‘why’.
- •12. Match the parts of the dialogues. Act out the dialogues.
- •Making suggestion
- •What about }Do you feel like going to the pictures?
- •Well, I’d rather go to the exhibition (bar, disco).
- •II. Problem Solving.
- •Jogging Alone
- •Travelling and holidays
- •Vocabulary
- •Verbs and Verbal Phrases
- •I. 1. Look through the proverbs and statements and try to outline the problems to be discussed.
- •2. In the box some words are similar in meaning but different in use. See whether you can identify this difference and compare your answers with your group mates.
- •3. You’ve got some information on the problem of travelling. Speak of the characteristic features to your desk mate. Replace the underlined parts by the synonyms given in the box.
- •4. In this advertisement some prepositions have been rubbed off while printing. Insert them instead of dots. Eurolines
- •6. Read the information about these people’s holidays. Make notes about your next holiday.
- •8. Make notes about the advantages and disadvantages of travelling by different means of transport. Then write a text similar to the one above, giving your own opinion.
- •9. In these two dialogues find the following information:
- •1) Complete the first dialogue. Catching a train
- •11. Discuss these questions with a partner.
- •Seaside hols still tops
- •12. Continue each piece by adding a few sentences in accordance with some opinions of the problems touched upon in them.
- •13. Share your ideas on the following problems with the rest of the class. Try to be as persuasive as possible.
- •Travelling Text I
- •Text II
- •Text III
- •Dialogue
- •The arts
- •Vocabulary
- •Verbs and Verbal Phrases
- •I.1. Look through the quotations and try to outline the problems to be discussed.
- •2. The theatre is one of the most complex of the arts. Complete the list of specialists required for its creation .Using the words from the box:
- •3. Some people are speaking about their visit to a theatre performance. Look up and say which theatre they’ve visited. Why do you think so? Which theatres have you ever visited?
- •4. These words have been left out of Nick’s theatre visiting story below. Say where they go and retell Nick’s impressions to your group mates:
- •5. Restore the telephone call and say what the girls are planning for tomorrow.
- •6. Work in pairs. Your British friend offers you to join him (her) in visiting one of London theatres. The “London Theatre Guide” will help you to choose where to go.
- •7. Look through the dialogue and say why Mr. Smith didn’t manage to see a theatre performance.
- •8. Let’s phone to the book-office and try to reserve tickets. The table given above will help you. Talking About Performances
- •What’s on at the Cinema Today?
- •10. Use these questions to have a conversation with your partner.
- •11. Read the below columns and analyze the following types of films.
- •12. Work in pairs. You’ve managed to see a theatre performance and a new film at the cinema with your friends. Share your impressions using:
- •13. Find and read aloud those parts of the texts which express the viewpoints given below.
- •14. Work in groups. Arrange your own material about the latest films you think to be popular. Make a presentation of the films you have chosen.
- •15. Gather material for your article a Theatrical Minsk. Present your material to the group. Connecting Museums
- •16. Find the following information in the text and write the number of the museum(s) (see on page 35) beside each question. In some cases you have to write more than one number.
- •17. Work in pairs Discuss these questions: These words and phrases are sure to help you to express your idea.
- •18. Match the following genres of painting with their definitions:
- •19. Examine the picture by Rembrandt “Baertje Martens”(c, see on page35) and arrange the sentences to restore its description according to the plan given below
- •20. Some word combinations have been left out of the following descriptions (See on page 35) and put each of the following word combinations in its correct position in the passages below.
- •1 A
- •3 C
- •21. Have you ever seen the world-famous paintings given below? Will you describe them?
- •The sounds of Music
- •22. Music can be described in different terms. Put each word into one of these categories:
- •23. A. Look through the descriptions of things you can do with music and try to guess the meaning of the words in bold type.
- •25. Prepare your own questionnaire to interview a pop star. Run your interview and get ready to make a report summing up the answers.
- •26. Go through the interview that follows and be ready to speak about your favourite musician.
- •27. Look at the photos (pictures) and speak about your impressions on visiting a theatre (cinema, concert, exhibition). What role does music (theatre, cinema) play in your life? For ideas:
- •Reading: pleasure or work.
- •28. Go through the interview that follows.
- •30. Answer the following questions:
- •31. Are you a book expert? Check up yourself. Put each extract into one of the categories.
- •32. Speak about your reading habits. These words are sure to help you.
- •33. Use these questions to have a conversation with your partner.
- •Comprehensive Prolonged Project
- •Supplemetary material Holidays and How to Spend Them
- •Why Not Stay at Home?
- •The wallace collection
16. Find the following information in the text and write the number of the museum(s) (see on page 35) beside each question. In some cases you have to write more than one number.
Which of the museums:
A. spans the widest historical period? |
F. has 350 exhibition rooms? |
B. is an outstanding monument of Russian architecture? |
G. is known as a “temple of spirit”? |
C. excites and provokes by its architecture? |
H. concentrates the radical new forms of art? |
D. exhibits coins and medals, ceremonial arms and armor? |
I. was named in 18th century? |
E. keeps dynastic collections? |
J. received Voltaire’s library? |
The Solomon R. Guggenheim Foundation (2, see on page 35) was incorporated in 1937, and the Museum of Non-Objective painting, as it was then known, was established two years later. The museum – which assumed temporary residence in a former automobile showroom on East 54th Street in New York – took as its basis the radical new forms of art being developed by such as Vasily Kandinsky, Paul Klee, and Piet Mondrian.
The first permanent home for the museum was designed by Frank Lloyd Wright. He envisioned a building that not only broke the rectilinear grid of Manhattan but also shattered existing notions of what a museum could be. He conceived of its curving, continuous space as a “temple of spirit” where viewers could foster a new way of looking. The building opened in 1959. it has never lost its power to excite and provoke, standing today as one of the great works of architecture produced in the 20th century.
The Hermitage (3, see on page 35) is a world-famous museum of art and cultural history. Within in its walls are close to three million objects. Among them are quite a few true masterpieces of art and unique artifacts from many countries and peoples of the world, ranging from deepest antiquity to the present day. The Hermitage is also a unique architectural complex, an outstanding monument of Russian architecture of the 18th and 19th centuries.
The museum’s activity is in direct contradiction to the literal meaning of its name. “Hermitage” comes from the French eremite, which means “empty lot,” “hidden corner”. This was the name given in eighteenth-century France to small pavilions on palace grounds.
Along with paintings, the Hermitage received collections of engravings and drawings, antique artifacts, Western European sculptures, works of applied art, arms, coins, medals, and books (including Voltaire’s library). The museum’s exhibits (there are more than 350 exhibition rooms) are at present located in five buildings, connected by passages: the Winter Palace, the three hermitages (Small, Old, and New), and the Hermitage Theatre, in the foyer of which there are now regular exhibitions.
The Kunsthistorisches Museum (1, see on page 35) traces its origins to the art collections assembled over centuries by the Habsburg dynasty. Holdings inherited from the Medieval rulers were augmented in the 16th century by emperors Maximilian I, Ferdinand I, Maximilian II and, in particular, Rudolf II, who was the most prominent collector of the early Modern period. These monarchs enriched the imperial collections with objects of outstanding artistic importance. The individual dynastic collections of the 16th century were kept in imperial residences in Vienna, Prague, Graz, and Ambras near Innsbruck. The diverse collections of paintings were combined to form the Kunsthistorisches Museum Picture Gallery, which comprises works from the 15th through the 18th centuries. Coins and medals from antiquity to the most recent times can be found in the Coin Cabinet. Ceremonial arms and armor from the 15th through the 17th centuries were amassed in the Collection of Arms and Armor. The development of modern conceptions of academic disciplines and research led to the “Universal Kunstkammer” splitting into the Collection of Greek and Roman Antiquities and the Egyptian and Near Eastern Collection, leaving the Kunstkammer with a core of works of decorative arts and sculpture. The Collection of Ancient Musical Instruments was assembled from the holdings of the Kunstkammer and the Este Collection.
After Connecting Museums, 2002 The Solomon R. Guggenheim Foundation, New York. The State Hermitage Museum, St. Petersburg.
The Kunsthistorisches Museum, Vienna.