The Uncommercial Traveller

THE UNCOMMERCIAL TRAVELLER

hard by, pecking at my forefathers. I first inferred the vicinity of Saint Ghastly Grim, from a certain air of extra repose and gloom pervading a vast stack of warehouses.

From the hush of these places, it is congenial to pass into the hushed resorts of business. Down the lanes I like to see the carts and waggons huddled together in repose, the cranes idle, and the warehouses shut. Pausing in the alleys behind the closed Banks of mighty Lombard-street, it gives one as good as a rich feeling to think of the broad counters with a rim along the edge, made for telling money out on, the scales for weighing precious metals, the ponderous ledgers, and, above all, the bright copper shovels for shovelling gold. When I draw money, it never seems so much money as when it is shovelled at me out of a bright copper shovel. I like to say, 'In gold,' and to see seven pounds musically pouring out of the shovel, like seventy; the Bank appearing to remark to me – I italicise APPEARING – 'if you want more of this yellow earth, we keep it in barrows at your service.' To think of the banker's clerk with his deft finger turning the crisp edges of the HundredPound Notes he has taken in a fat roll out of a drawer, is again to hear the rustling of that delicious south-cash wind. 'How will you have it?' I once heard this usual question asked at a Bank Counter of an elderly female, habited in mourning and steeped in simplicity, who answered, open-eyed, crookfingered, laughing with expectation, 'Anyhow!' Calling these things to mind as I stroll among the Banks, I wonder whether the other solitary Sunday man I pass, has designs upon the Banks. For the interest and mystery of the matter, I almost hope he may have, and that his confederate may be at this moment taking impressions of the keys of the iron closets in wax,

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and that a delightful robbery may be in course of transaction. About College-hill, Mark-lane, and so on towards the Tower, and Dockward, the deserted wine-merchants' cellars are fine subjects for consideration; but the deserted money-cellars of the Bankers, and their plate-cellars, and their jewel-cellars, what subterranean regions of the Wonderful Lamp are these! And again: possibly some shoeless boy in rags, passed through this street yesterday, for whom it is reserved to be a Banker in the fulness of time, and to be surpassing rich. Such reverses have been, since the days of Whittington; and were, long before. I want to know whether the boy has any foreglittering of that glittering fortune now, when he treads these stones, hungry. Much as I also want to know whether the next man to be hanged at Newgate yonder, had any suspicion upon him that he was moving steadily towards that fate, when he talked so much about the last man who paid the same great debt at the same small Debtors' Door.

Where are all the people who on busy working-days pervade these scenes? The locomotive banker's clerk, who carries a black portfolio chained to him by a chain of steel, where is he? Does he go to bed with his chain on – to church with his chain on – or does he lay it by? And if he lays it by, what becomes of his portfolio when he is unchained for a holiday? The wastepaper baskets of these closed counting-houses would let me into many hints of business matters if I had the exploration of them; and what secrets of the heart should I discover on the 'pads' of the young clerks – the sheets of cartridge-pa- per and blotting-paper interposed between their writing and their desks! Pads are taken into confidence on the tenderest occasions, and oftentimes when I have made a business visit,

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and have sent in my name from the outer office, have I had it forced on my discursive notice that the officiating young gentleman has over and over again inscribed AMELIA, in ink of various dates, on corners of his pad. Indeed, the pad may be regarded as the legitimate modern successor of the old foresttree: whereon these young knights (having no attainable forest nearer than Epping) engrave the names of their mistresses. After all, it is a more satisfactory process than carving, and can be oftener repeated. So these courts in their Sunday rest are courts of Love Omnipotent (I rejoice to bethink myself), dry as they look. And here is Garraway's, bolted and shuttered hard and fast! It is possible to imagine the man who cuts the sandwiches, on his back in a hayfield; it is possible to imagine his desk, like the desk of a clerk at church, without him; but imagination is unable to pursue the men who wait at Garraway's all the week for the men who never come. When they are forcibly put out of Garraway's on Saturday night – which they must be, for they never would go out of their own accord – where do they vanish until Monday morning? On the first Sunday that I ever strayed here, I expected to find them hovering about these lanes, like restless ghosts, and trying to peep into Garraway's through chinks in the shutters, if not endeavouring to turn the lock of the door with false keys, picks, and screw-drivers. But the wonder is, that they go clean away! And now I think of it, the wonder is, that every working-day pervader of these scenes goes clean away. The man who sells the dogs' collars and the little toy coal-scuttles, feels under as great an obligation to go afar off, as Glyn and Co., or Smith, Payne, and Smith. There is an old monastery-crypt under Garraway's (I have been in it among the port wine), and perhaps

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Garraway's, taking pity on the mouldy men who wait in its public-room all their lives, gives them cool house-room down there over Sundays; but the catacombs of Paris would not be large enough to hold the rest of the missing. This characteristic of London City greatly helps its being the quaint place it is in the weekly pause of business, and greatly helps my Sunday sensation in it of being the Last Man. In my solitude, the ticket-porters being all gone with the rest, I venture to breathe to the quiet bricks and stones my confidential wonderment why a ticket-porter, who never does any work with his hands, is bound to wear a white apron, and why a great Ecclesiastical Dignitary, who never does any work with his hands either, is equally bound to wear a black one.

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CHAPTER XXIV

AN OLD STAGE-COACHING

HOUSE

Before the waitress had shut the door, I had forgotten how many stage-coaches she said used to change horses in the town every day. But it was of little moment; any high number would do as well as another. It had been a great stage-coaching town in the great stage-coaching times, and the ruthless railways had killed and buried it.

The sign of the house was the Dolphin's Head. Why only head, I don't know; for the Dolphin's effigy at full length, and upside down – as a Dolphin is always bound to be when artistically treated, though I suppose he is sometimes right side upward in his natural condition – graced the sign-board. The sign-board chafed its rusty hooks outside the bow-window of my room, and was a shabby work. No visitor could have denied that the Dolphin was dying by inches, but he showed no bright colours. He had once served another master; there was a newer streak of paint below him, displaying with inconsistent freshness the legend, By J. MELLOWS.

My door opened again, and J. Mellows's representative came back. I had asked her what I could have for dinner, and she now returned with the counter question, what would I

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like? As the Dolphin stood possessed of nothing that I do like, I was fain to yield to the suggestion of a duck, which I don't like. J. Mellows's representative was a mournful young woman with eye susceptible of guidance, and one uncontrollable eye; which latter, seeming to wander in quest of stage-coaches, deepened the melancholy in which the Dolphin was steeped.

This young woman had but shut the door on retiring again when I bethought me of adding to my order, the words, 'with nice vegetables.' Looking out at the door to give them emphatic utterance, I found her already in a state of pensive catalepsy in the deserted gallery, picking her teeth with a pin.

At the Railway Station seven miles off, I had been the subject of wonder when I ordered a fly in which to come here. And when I gave the direction 'To the Dolphin's Head,' I had observed an ominous stare on the countenance of the strong young man in velveteen, who was the platform servant of the Company. He had also called to my driver at parting, 'All riight! Don't hang yourself when you get there, Geo-o-rge!' in a sarcastic tone, for which I had entertained some transitory thoughts of reporting him to the General Manager.

I had no business in the town – I never have any business in any town – but I had been caught by the fancy that I would come and look at it in its degeneracy. My purpose was fitly inaugurated by the Dolphin's Head, which everywhere expressed past coachfulness and present coachlessness. Coloured prints of coaches, starting, arriving, changing horses, coaches in the sunshine, coaches in the snow, coaches in the wind, coaches in the mist and rain, coaches on the King's birthday, coaches in all circumstances compatible with their triumph and victory, but never in the act of breaking down or overturning, pervaded

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the house. Of these works of art, some, framed and not glazed, had holes in them; the varnish of others had become so brown and cracked, that they looked like overdone pie-crust; the designs of others were almost obliterated by the flies of many summers. Broken glasses, damaged frames, lop-sided hanging, and consignment of incurable cripples to places of refuge in dark corners, attested the desolation of the rest. The old room on the ground floor where the passengers of the Highflyer used to dine, had nothing in it but a wretched show of twigs and flower-pots in the broad window to hide the nakedness of the land, and in a corner little Mellows's perambulator, with even its parasol-head turned despondently to the wall. The other room, where post-horse company used to wait while relays were getting ready down the yard, still held its ground, but was as airless as I conceive a hearse to be: insomuch that Mr. Pitt, hanging high against the partition (with spots on him like port wine, though it is mysterious how port wine ever got squirted up there), had good reason for perking his nose and sniffing. The stopperless cruets on the spindle-shanked sideboard were in a miserably dejected state: the anchovy sauce having turned blue some years ago, and the cayenne pepper (with a scoop in it like a small model of a wooden leg) having turned solid. The old fraudulent candles which were always being paid for and never used, were burnt out at last; but their tall stilts of candlesticks still lingered, and still outraged the human intellect by pretending to be silver. The mouldy old unreformed Borough Member, with his right hand buttoned up in the breast of his coat, and his back characteristically turned on bales of petitions from his constituents, was there too; and the poker which never had been among the fire-irons,

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lest post-horse company should overstir the fire, was NOT there, as of old.

Pursuing my researches in the Dolphin's Head, I found it sorely shrunken. When J. Mellows came into possession, he had walled off half the bar, which was now a tobacco-shop with its own entrance in the yard – the once glorious yard where the postboys, whip in hand and always buttoning their waistcoats at the last moment, used to come running forth to mount and away. A 'Scientific Shoeing – Smith and Veterinary Surgeon,' had further encroached upon the yard; and a grimly satirical jobber, who announced himself as having to Let 'A neat onehorse fly, and a one-horse cart,' had established his business, himself, and his family, in a part of the extensive stables. Another part was lopped clean off from the Dolphin's Head, and now comprised a chapel, a wheelwright's, and a Young Men's Mutual Improvement and Discussion Society (in a loft): the whole forming a back lane. No audacious hand had plucked down the vane from the central cupola of the stables, but it had grown rusty and stuck at N-Nil: while the score or two of pigeons that remained true to their ancestral traditions and the place, had collected in a row on the roof-ridge of the only outhouse retained by the Dolphin, where all the inside pigeons tried to push the outside pigeon off. This I accepted as emblematical of the struggle for post and place in railway times.

Sauntering forth into the town, by way of the covered and pillared entrance to the Dolphin's Yard, once redolent of soup and stable-litter, now redolent of musty disuse, I paced the street. It was a hot day, and the little sun-blinds of the shops were all drawn down, and the more enterprising tradesmen

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had caused their 'Prentices to trickle water on the pavement appertaining to their frontage. It looked as if they had been shedding tears for the stage-coaches, and drying their ineffectual pocket-handkerchiefs. Such weakness would have been excusable; for business was – as one dejected porkman who kept a shop which refused to reciprocate the compliment by keeping him, informed me – 'bitter bad.' Most of the harnessmakers and corn-dealers were gone the way of the coaches, but it was a pleasant recognition of the eternal procession of Children down that old original steep Incline, the Valley of the Shadow, that those tradesmen were mostly succeeded by vendors of sweetmeats and cheap toys. The opposition house to the Dolphin, once famous as the New White Hart, had long collapsed. In a fit of abject depression, it had cast whitewash on its windows, and boarded up its front door, and reduced itself to a side entrance; but even that had proved a world too wide for the Literary Institution which had been its last phase; for the Institution had collapsed too, and of the ambitious letters of its inscription on the White Hart's front, all had fallen off but these:

L Y INS T

-suggestive of Lamentably Insolvent. As to the neighbouring market-place, it seemed to have wholly relinquished marketing, to the dealer in crockery whose pots and pans straggled half across it, and to the Cheap Jack who sat with folded arms on the shafts of his cart, superciliously gazing around; his velveteen waistcoat, evidently harbouring grave doubts whether it was worth his while to stay a night in such a place.

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The church bells began to ring as I left this spot, but they by no means improved the case, for they said, in a petulant way, and speaking with some difficulty in their irritation, WHAT'S- be-come-of-THE-coach-ES!' Nor would they (I found on listening) ever vary their emphasis, save in respect of growing more sharp and vexed, but invariably went on, 'WHAT'S-be- come-of-THE-coach-ES!' – always beginning the inquiry with an unpolite abruptness. Perhaps from their elevation they saw the railway, and it aggravated them.

Coming upon a coachmaker's workshop, I began to look about me with a revived spirit, thinking that perchance I might behold there some remains of the old times of the town's greatness. There was only one man at work – a dry man, grizzled, and far advanced in years, but tall and upright, who, becoming aware of me looking on, straightened his back, pushed up his spectacles against his brown-paper cap, and appeared inclined to defy me. To whom I pacifically said:

'Good day, sir!' 'What?' said he. 'Good day, sir.'

He seemed to consider about that, and not to agree with me. – 'Was you a looking for anything?' he then asked, in a pointed manner.

'I was wondering whether there happened to be any fragment of an old stage-coach here.'

'Is that all?' 'That's all.'

'No, there ain't.'

It was now my turn to say 'Oh!' and I said it. Not another word did the dry and grizzled man say, but bent to his work

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