- •The Medieval Tailor's Assistant
- •Making common garments 1200 -1500
- •The Medieval Tailor's Assistant
- •Ruth Bean Publishers
- •Victoria Farmhouse, Carlton, Bedford mk43 7lp
- •7373 Pyramid Place, Hollywood, ca 90046
- •Isbn 0 903585 32 4
- •Modern version of the chaperon, mid 15th century
- •Contents
- •Introduction 9
- •Interlining (interfacing) 50
- •Interlining flat pieces 50
- •Part 2 The garments
- •Acknowledgements
- •Photograph credits
- •Introduction
- •How to use the book
- •Preparation
- •Body linens
- •Main garments - cotes or tunics
- •3. Main garments - kirtles
- •4. Main garments - doublets
- •Outer garments - surcotes
- •Outer garments - early gowns for men and woman
- •Outer garments - men's gowns
- •11. Outer garments - working dress
- •19.Accessories
- •The personal pattern Block
- •Measurements for men
- •Measurements for women
- •Measurements for tight sleeves
- •4. Modelling a toile for a man
- •7 7. Side seams and main vertical darts
- •Waist darts
- •Armholes, toile removal
- •10 10. Modelling a toile for a woman
- •Side seams and main vertical darts
- •13 13. Front - shoulders and bust shaping
- •Armholes, toile removal
- •From toile to Block
- •Young man's Block
- •Mature man's Block - an example
- •Young woman's Block
- •Larger woman's Block - an example
- •Drafting the sleeve
- •Table 1 When X-y is up to 5 cm Table 2
- •Finished sleeve draft
- •Sleeve for larger armhole
- •24. Small child's Block
- •Enlarging the Block for outer garments
- •Adapting the Block to add length, width or fullness
- •Adapting the Block for long skirts
- •Piecing patterns
- •Oversewing (top-sewing, seaming)
- •Hemming (felling)
- •Running stitch, stab stitch, and backstitch
- •Lapping a seam
- •Triple-run seams
- •Making up, Figs 7-15
- •Sleeves with gussets - making up and setting in by hand
- •Sleeves with gussets - making up and setting in by machine
- •Binding
- •10 10. Finishes for slit openings
- •Interlining
- •13. Interlining, lining and joining flat pieces
- •Making up collars
- •Stomacher
- •Working eyelets
- •Methods of lacing
- •Latchet fastening and garters
- •Ball buttons of cloth
- •Flat buttons of cloth
- •Buttonholes
- •Simple stitch decoration
- •Band and border patterns
- •Dagging
- •Finger-looped cords
- •Plaiting
- •28. Patching
- •27. Making a tassel
- •29. Mending hose
- •Weave structures
- •1.C.1250, French
- •1. 1430-40, French
- •3. Pattern for Fig 2
- •Long-legged braies, 1200-1400
- •Patterns for Fig 4
- •Planning a quarter garment
- •4. Tapered sleeve
- •Neck styles
- •4. Pattern layout for Fig 3
- •6. Layout for Fig 5
- •Neck styles
- •Improving shoulder and armhole fit
- •'Transitional' sleeve, from 1300
- •Bodice for Fig 2
- •Full pattern and layout for Fig 2
- •5 5. Sleeve with mitten cuff for Fig 2 (Pls 2, 3)
- •6. Short sleeve for Fig 2
- •8. Bodice for Fig 7
- •9 9. Skirt pattern and layout for Fig 7
- •Doublets
- •1. 1430-40, French
- •C.1400, English
- •Pattern for Fig 4
- •Pattern for Fig 6
- •Puff sleeve for Fig 6
- •9. Making up the puff sleeve (Pls 7, 8)
- •Late 13th century, English
- •C.1465, Flemish 2
- •3. Late 15th century, French
- •Modelling separate hose
- •Pattern for Fig 4a
- •Foot styles for Figs 4b&c
- •8. Joined hose, 15th century
- •9. Modelling joined hose
- •Pattern for Fig 8
- •Codpiece and gusset 11
- •Making up Fig 8
- •Surcotes
- •Early 14th century, English. Woman going to market
- •C.1340, English. Man removing surcote
- •Simple sleeved surcote, 13th and early 14th century
- •5A 5. Woman's fashionable sleeved surcote, mid
- •14Th century
- •Peaked sleeves for surcotes, first half of 14th century
- •Simple sleeveless surcote, 13th to mid 14th century, Pl 10
- •8A 8. Sleeveless surcotes, 13th to mid 14th century
- •Pattern and layout
- •9. Women's open surcotes, mid 14th century on
- •11. Full pattern and layout for Fig 9
- •Cotehardies
- •C.1340, English. Drummer
- •C.1350, English
- •3. C.1360-80, English. Iseult
- •4. Men's cotehardies, mid 14th century
- •Sleeves for Fig 4 6a
- •Woman's cotehardie, later 14th century
- •9. Full pattern and layout for Fig 7
- •1400, English
- •2. 1395-1400, French
- •3. C. 1410, English
- •16. 1460-65, French
- •17. 1490, English
- •22.1460-65, French
- •23. 1485, 1490, English
- •4. Early buttoned gown, late 14th/early 15th century
- •Bodice and collars for Fig 4
- •Bodice with round-necked collar
- •7. Sleeve for Fig 4
- •9. Upper bodice and collar for Fig 8
- •Full pattern and layout for Fig 8
- •Bag sleeve, late 14th to mid 15th century
- •Fashionable gown, end 14th/early 15th century
- •Full pattern and layout for Fig 12
- •15.Open sleeve for Figs 12 & 8 left
- •Pleated gowns, middle 15th century
- •Bodices for Fig 18
- •Full pattern and layout for Fig 18
- •Sleeve for Fig 18
- •Flared gown, early to late 15th century
- •Bodice and collar for Fig 24
- •Full pattern and layout for Fig 24
- •Sleeve for Fig 24
- •31. Sleeve for Fig 28
- •Bodice and collar for Fig 28
- •Full pattern and layout for Fig 28
- •C.1440, Flemish, Pl 16
- •1423, French
- •1465, French/Burgundian
- •2. Overkirtle, 15th century
- •Bodice and sleeve for Fig 2
- •4. Full pattern and layout for Fig 2
- •Cloaks and mantles
- •1. 1370-80, English
- •2. 1455, English
- •4A 4. Cloak necklines and fastenings
- •Children
- •1. 1404, English
- •2. C.1475, Flemish
- •3 3. Overkirtle for pregnancy, 15th century
- •4. Baby's shirt - pattern
- •Baby's 'bed'
- •Clothes for larger babies and infants
- •7 7. Boy's gown, 15th century
- •8. Bodice and sleeve for Fig 7
- •9. Full pattern and layout for Fig 7
- •10 10. Girls' kirtle and gown, 15th century
- •Bodice and stomacher for Fig 10
- •4. Straw hats
- •1/4 Head size
- •Basic hood, 13th and 14th century
- •Pattern for Fig 1 2
- •1/2 Slip on measurement
- •3. Hood with front opening - pattern 3
- •6A b 6. Chaperon, mid 15th century, Pls 12, 19
- •Cutting and making up Fig 6
- •Wrapped kerchief, 1200 onwards
- •2A 2. Knotted kerchief, 14th century on (Pls 6,10)
- •Fillet in place.
- •Kerchief with basic wimple, 1200 onwards
- •Kerchief with shaped and pinched wimple, 15th century
- •Cloth veil, 1200 onwards
- •Open hoods, mid 14th century onwards
- •Black head-dresses, late 15th century
- •Plaits, 14th and early 15th century
- •Hair net with veil and narrow fillet over it.
- •Caul, late 14th to early 15th century
- •Pattern for Fig 6
- •Lattice work for Fig 6
- •Templers, early 15th century
- •9B. Fashionably wide bucket style templers,
- •9B left templer
- •Century on
- •Large horns, mid 15th century
- •Padded roll, early to later 15th century
- •Hennins and wired veil, second half of 15th century
- •Butterfly head-dress, later 15th century
- •This pattern is made up into a cone section:
- •Men's belts, purses and pouches
- •Women's belts and purses
- •Mittens
- •Men's aprons
- •Women's aprons
- •Jewellery
- •Hand luggage
- •Coffers for valuables.
Butterfly head-dress, later 15th century
a. Cap for 'butterfly' head-dress, an English fashion. The name reflects the wired veil arrangement usually worn with it (Gowns, Fig 22). The hair must be drawn tightly back and pinned at the back of the head, to keep the cap as horizontal as possible.
This pattern is made up into a cone section:
the lower edge fits round the back of the head and
the
upper edge
is topped with a
round crown.
The c
length of the upper edge is equivalent to the circumference of the crown (Blocks, p. 39).
Scale up the pattern and try it out in stiff paper before cutting it in buckram. Cover it with silk and make up the cap (Methods, Fig 13). Bind the open edge with velvet ribbon for a better grip (Methods, Fig 9). Secure it with hair grips.
Wire frame. The wire extends forward about 10 cm at the forehead, as well as 15-20 cm behind the cap. To make a frame use 2 mm electrical copper wire, florist's wire or jeweller's brass. Bend it to
shape
and stitch it
to the cap at
several points
with d
couching stitches. Put a small kink in the wire at the front stitching point to prevent the frame slipping.
Wired veil. The veil is 60 cm by 100 cm. Pin or stitch the middle of one long edge of the veil to the front tip of the wire and draw it back sharply, with most of the width hanging between the wires at the back. This head-dress is worn almost horizontally.
CF
20 cm
215
Accessories
One or two well-chosen accessories will complete your outfit and make it look right. Some can be made at home, but others are best bought from specialist suppliers.
Belts, purses and pouches, Figs 1, 2
A belt (or girdle - the terms are interchangeable) was part of almost every outfit. It was mainly functional, but could also be a feature of a style. It was not always visible - it was often worn round an inner layer of clothing, or the outer garment might be pouched over it. It is worth studying the historic illustrations of a particular
period to see how the belt was worn and what it supported.
Working men normally wore a belt and used it for tucking in gloves or tools (Men's outer working garments, Fig 1) and for hitching up the skirts of the cote. During the 14th century the belt was often worn fashionably at hip level. Noblemen might wear a 'knightly girdle' of metal plaques mounted on leather or canvas. Men's gowns were usually belted at the natural waist (Gowns, Fig 3).
Men often wore a visible pouch or purse at the front or side (Cotehardies, Fig 2), and possibly a knife.
